Mystery, Alaska

Posted on December 13, 2002 at 5:16 am

The coming attraction makes it clear that “Mystery, Alaska” is your basic “Rocky” movie about a grown-up version of the Mighty Ducks — a team from a small, hockey-worshipping Alaska town gets a chance to play the New York Rangers. So we expect your basic redemption through sports plot, including the death of a loveable character, the healing of old wounds, the learning of important lessons about teamwork and pride, endearingly quirky players, deeper understanding and acceptance between family members, a young player just beginning and an older one approaching time to hang up his skates, and at least one speech about how our guys don’t play for money, they play for the love of the game! And we settle back, waiting for our hearts to be warmed.

Not that there’s anything wrong with that. The reason that formulas endure is that they usually work, as long as the details are all right and there is nothing too overtly manipulative, and nothing that interferes with our ability to suspend disbelief. And here the details are pretty good, especially the feel of the remote, snowy town, where kids skate the river and make out in snowplows and everyone turns out every week to watch the Saturday hockey game. And there are fine ensemble performances. The hockey game is pretty good, too. And there are a couple of very funny guest cameos to pick things up near the end.

Prodigal son Charles Danner (Hank Azaria), who left to be a big city writer, brings in the Rangers after his article about the weekly game in Mystery, Alaska. Despite the fact that the town judge (Burt Reynolds) cautions against it, urging the town to cling to their illusions and their dignity, the people cannot resist their chance at the big time. Local sheriff John Biebe (Russell Crowe), just dropped from the team to make room for a high school student who skates like a rocket, agrees to coach. Everyone has issues to resolve – the judge is harsh and rigid, the high school kid and his girlfriend are exploring sex, the sheriff’s difficulty in being cut from the team comes just as his wife’s former boyfriend shows up, the town lothario (Ron Eldard) has some unfinished business with a couple of different women and one angry husband, a huge chain store is thinking of coming to town to compete with the local businesses, and those Rangers look awfully big up close.

It is all very predictable, but also very watchable. I predict that they’ll get at least one “the feel-good movie of the year!” blurb for the newspaper ads. And they might even be right.

Parents should know that there is very strong and very vivid language, including locker-room style descriptions of sex, a child’s use of four- letter words played for humor, a wounded man’s use of very strong language played for humor, a character who has casual sex with almost every woman he meets (and who apologizes to the husband of one of them, with no suggestion that this might make the woman seem like property), explicit depictions of sexual encounters, including one between teenagers, and some violence (punched noses, semi-accidental shooting resulting in minor injury). The teen-age girl says that she wants to have sex because she is afraid of losing her boyfriend, which parents may want to discuss. The boy makes it clear that he is perfectly comfortable with waiting, and does not want to do it for that reason. They then go ahead, but are not able to complete the act, which causes great feelings of insecurity for both of them. Her mother, though clearly uncomfortable, responds with sympathy and support.

Families who enjoy this movie will also enjoy the original Rocky and Crowe’s performances in The Insider and A Beautiful Mind.

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Comedy Family Issues Sports

Rush Hour

Posted on December 13, 2002 at 5:16 am

Hong Kong superstar Jackie Chan is always a delight to watch. His charm, wit,and impeccable timing make his kung fu moves closer to Charlie Chaplin or Jacques Tati than to Stephen Segal. He has had a hard time finding an American script to showcase his talent, but comes a little bit closer with this action comedy. Chan plays a Hong Kong policeman who comes to America to find the kidnapped eleven year old daughter of his close friend, a Chinese diplomat. He is teamed with comedian Chris Tucker, who brings energy and some freshness to the tired role of “LA cop who doesn’t work well with others but is so good they have to put up with him.” Chan and Tucker seem to genuinely enjoy one another, and both share gifts for physical comedy that provide some very funny moments amidst the usual round of explosions and bad guys. And the little girl (Julia Hsu) is adorable, with a Mariah Carey imitation that is utterly delicious. The movie has the energy that was missing in recent retreads like “Lethal Weapon 4” and “The Avengers.” Parents should know that it includes a good deal of cartoon-style violence and many of the usual swear words (and Chan learns the hard way that a black man may be permitted to use the n- word when anyone else may not).

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Action/Adventure Comedy

The Iron Giant

Posted on December 13, 2002 at 5:16 am

It draws a lot from E.T.: The Extra-terrestrial, The Indian in the Cupboard, and, for that matter, from Lassie, but this story of a boy who befriends an enormous robot from outer space is told with so much humor and heart that it becomes utterly winning in its own right, and the best family movie of the summer.

The story is set in rural Maine, during the late 1950’s. Nine-year-old Hogarth Hughes (voice of Eli Marienthal) lives with his waitress mother, Annie(voice of Jennifer Aniston). One night, he discovers a huge robot in the woods, munching on whatever metal he can find, including the town’s electric substation. Hogarth is frightened, but takes pity when the robot is enmeshed in wires, and turns off the power so that the robot can escape.

The next day, Hogarth and the robot begin to get acquainted. The robot turns out to be the world’s best playmate, whether cannonballing into the swimming hole or acting as a sort of amusement park ride. His origins remain mysterious — the robot himself seems to have some memory loss — but his reaction to Hogarth’s toy ray gun suggests that he may have served as a weapon of some kind.

With the help of local beatnick/junk dealer/sculptor Dean McCoppin (voice of Harry Connick, Jr.), Hogarth hides the robot in Dean’s junkyard, where he can eat the scrap metal without attracting attention. But government investigator Kent Mansley (voice of Christopher McDonald) thinks that the giant is part of a communist plot, and presses Hogarth to turn him in. Mansley calls in the army, led by General Rogard (voiced by “Frasier’s” John Mahoney), and suddenly the robot and the surrounding community are in real danger. The resolution is genuinely poignant and satisfying.

The script, based on a book by England’s poet laureate, Ted Hughes, is exceptionally good. The plot has some clever twists, and some sly references to the 1950’s to tickle the memories of boomer parents. Setting the story in the 1950’s puts the government’s reaction to the robot in the context of the red scare and Sputnik (Hogarth and his classmates watch a “duck and cover” instructional movie at school).

It may not have the breathtaking vistas of some of the best Disney animated films, but it is lively and heartwarming and the characters, both human and robot, are so engaging that you might forget they are not real. The robot, created with computer graphics, is seamlessly included with the hand-drawn actors, making the illusion even more complete.

Parents should know that there are some tense moments that may be frightening to young children. There are also some swear words and some potty humor in the film, and parents should caution children that it is not funny to feed someone a laxative disguised as chocolate.

This movie provides a lot of good topics for discussion, including the role of violence and guns (the robot is very upset when a deer is killed by hunters and it automatically shoots back when it sees Hogarth’s toy gun) and how society can find a way to protect itself without creating unnecessary harm. Other good topics include how we make friends with those who are different and Hogarth’s advice to the robot that he can decide what he will be, no matter how he was created.

Video tips: Kids who enjoy this movie will like perennial favorite “E.T” and may also enjoy another movie about an outer-space robot who tries to teach humans about peace, The Day the Earth Stood Still.

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Action/Adventure Animation Based on a book For all ages For the Whole Family

Wallace & Gromit – The Wrong Trousers

Posted on December 13, 2002 at 5:16 am

Oscar-winner Nick Parks’ claymation masterpieces are thrilling, witty, and enormous fun. In this one, dim inventor Wallace has created mechanical trousers designed for walking his wise but silent dog, Gromit. They are rewired by a wicked penguin who turns out to be a master thief.

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Animation Comedy For all ages For the Whole Family Talking animals

Blast From the Past

Posted on December 13, 2002 at 5:16 am

Brendan Fraser plays Adam, who was born in 1962, in an elaborate bomb shelter constructed by his eccentric genius of a father (Christopher Walken). His parents, mistakenly believing that a nuclear bomb exploded in Los Angeles, stayed in the shelter for 35 years. Adam comes out in 1997 to get supplies. He meets Eve (Alicia Silverstone) who is at first annoyed and bewildered by his innocence and old-fashioned values, but then charmed by them.

This leisurely comedy has no surprises or special insights, but it does have attractive performers (including Dave Foley as Troy, the gay best friend). It doesn’t waste much time on Adam’s surprise at the changes of the last 35 years. Instead, it allows us to share his undiluted joy from the simple pleasures he has never had a chance to experience, like the sunrise and the ocean. And it even has some poignance as Troy and Eve envy Adam’s old-fashioned good manners and love for his family.

Parents should know that there is some strong language and some sexual references, including a prostitute of ambiguous gender and adult video stores (nothing shown), and “comic” alcohol abuse (Adam’s mother, played by Sissy Spacek, becomes an alcoholic while she is confined to the bomb shelter). Some parents may also be concerned about an addled character who founds a new age style religion based on the belief that Adam and his family are gods. In general, the movie’s values are sound, however, emphasizing Eve’s essential honesty and her appreciation of Adam’s integrity and courtesy.

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Comedy
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