What Dreams May Come

Posted on December 13, 2002 at 5:16 am

Robin Williams plays Chris Nielson, a doctor who arrives in heaven after he is killed by a car as he attempts to help the victims of an accident. His wife, Annie (Anabella Sciorra), already devastated by the loss of their two children four years earlier, begins to fall apart, and commits suicide. As Chris explores heaven, he realizes that it cannot be heaven for him without her. But, as a suicide, she is consigned to hell. With the help of a guide, he embarks on an Orpheus-like journey.

The lush visual beauty of this movie and the interesting issues it raises make it worthwhile for thoughtful teens who are drawn to questions about death and meaning and making profound connections. Those who have endured their own real losses may find it superficial, and some be disturbed to find the concepts of heaven and hell inconsistent with their own notions. They are not even consistent within their own assumptions. But some teens will appreciate the chance to use this movie to talk about what their heaven would look like (the film’s web site gives them a chance to create a version online and post it) and how the characters’ struggle makes them think differently about their relationships and priorities. They will be particularly interested in Chris’ relationships with his children, and how he thinks about what he should have done differently after their death. Teens may also like to learn about the myth of Orpheus, to see the similarities and differences.

Parents should know that there is brief strong language and disturbing imagery.

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Not specified

Boiler Room

Posted on December 13, 2002 at 5:16 am

Seth (Giovanni Ribisi) wants two things very badly. He wants to make a lot of money quickly, and he wants the respect of his father (Ron Rifkin), a federal judge. Seth drops out of college to run a highly profitable business. His entrepreneurship and work ethic are impeccable. But his line of business — a casino run out of his home — is not.

A casino customer tells him about a way to make a lot of money as a stockbroker. At a huge cattle call of an interview, Jim Young (Ben Affleck) promises that everyone who stays in their program will become a millionaire within three years, tossing the keys to his Ferrari on the table as proof. Seth signs up as a trainee at J.T. Marlin, a Long Island stock brokerage firm.

Seth quotes a rap song that says that to make money fast “you have to have a jump shot or sling crack,” and adds that for white boys, the equivalent of slinging crack is selling stock. And the stock he sells, like crack, provides a giddy, addictive high while it is destroying the victim’s finances, and more. Seth finds that it can destroy the seller as well as the buyer.

First time writer-director Ben Younger creates a realistically edgy world that runs on rap music and testosterone. Rival brokers taunt each other like Sharks and Jets in Armani suits. They spend money on huge toys and empty mansions, and watch a video of “Wall Street” together, reciting the lines along with Gordon Gekko. And their mantra is taken from “Glengarry Glen Ross:” “ABC-Always Be Closing.” Each sale is a victory in a war against loneliness and loserdom. They just want to win. They don’t care at what, as long as everyone else loses.

These are lonely, insecure, immature men. The ironically named Jim Young points out that at age 27 he is one of the oldest people in the firm. When Seth asks Chris why he still lives with his mother, Chris does not understand the question. They travel in packs and except for Seth we never see them with families or on dates. They’re like Long Island Lost Boys, in a perverse Never Neverland.

Seth is drawn to this world in part because the masculine leadership and approval makes up for his emotionally absent father. But he is unable to turn away from his growing awareness that something is wrong and that J.T. Marlin is far more corrupt than his casino operation.

This movie has one of the best scripts in many months. In one superb scene, Seth is so proud of his skill as a salesman that he coaches a telemarketer who calls to sell him a newspaper subscription. Younger has a fresh and clever take on things and his music video experience lends a raw, hyper, thrill-seeking tone to the movie. The young performers do very well, especially Vin Diesel as Chris and Nia Long as Seth’s love interest.

Parents should know that the primary reason for the R rating is very strong language, including racist, sexist, homophobic, and anti-semitic epithets. Characters smoke, drink, use drugs, and beat people up. Two characters have an affair, though nothing is shown. Families whose teens see this movie should talk about how moral choices are made, how consequences are evaluated, and how difficulties in family communication can affect behavior outside the family. They might want to check out the film’s website before seeing the movie, to familiarize themselves with terminology like IPO, cold call, and rip.

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Crime Drama Family Issues

Good Will Hunting

Posted on December 13, 2002 at 5:16 am

Mature teens will appreciate this story, written by its appealing two stars, of a brilliant young man with a troubled past. Will (Matt Damon), who grew up as an abused foster child in tough South Boston, works as a janitor at MIT. When he solves math problems that stumped the students, a professor searches for him, only to find that he is in jail for hitting a policeman. The professor promises that he will work with Will and will get him some psychiatric help.

When Will manages to scare off a string of therapists, the math professor seeks out his estranged friend from college, Sean (Robin Williams). Like Will, the survivor of a tough Southie upbringing, and, like Will, still struggling with his own loss, Sean is able to help Will realize that he is not betraying his friends by using his gifts to enlarge his world. Will falls in love with Harvard pre-med student Skylar (Minnie Driver). She and Sean teach him that the walls he built to protect himself from pain are no longer needed, and are getting in his way. NOTE: Very strong all-but-incessant profanity and sexual references.

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Not specified

Never Been Kissed

Posted on December 13, 2002 at 5:16 am

Drew Barrymore is completely adorable in this completely adorable story about Josie, a former high school ugly duckling, now a copy editor for the Chicago Sun Times. She wants to prove herself as a reporter and her first assignment is to go undercover as a high school student to report on what is going on in the lives of teenagers.

She finds that more than proving herself as a reporter, she wants to use her adult competence to triumph over her hideously humiliating memories of being unpopular (her nickname was “Josie Grossie”) and find a way to fit in. But it turns out that the skills it takes to succeed as an adult have nothing to do with the skills it takes to succeed in high school. When she does find a place with “The Denominators,” the school’s brainy (nerdy) crowd, she is happy. But pressed by her editor to fit in with the cool kids, she relives her old experience of frustration and embarassment.

Meanwhile, her brother Rob (David Arquette in his most appealing performance), has found that the skills that made him very successful in high school have been of no use since. Wanting to help Josie — and to return to the place where he was happiest — he, too enrolls in the high school, and is not only immediately dubbed “cool” by the entire student body, he is able to make Josie cool, too.

Josie is at last noticed by the most popular boy in school, and is thrilled when he invites her to the prom. And she begins to fall in love with her handsome English teacher. Her entire office is mesmerized by her daily adventures, which they watch through a hidden camera.

All of the predictable complications ensue, and all are resolved in a finale that is more romantic than persuasive, but fun.

This is the best of the recent spate of teen-centered comedies, with a genuinely sweet and romantic story and some perceptive comments about life in high school. It also has a heroine who believes in waiting for the right person to kiss, even if that wait takes quite a while.

Parents should know that there are some sexual references (Josie’s friend at the office brags about her sex life, but envies Josie’s views on love) and that in one scene Josie unknowingly eats some hash brownies and as a result behaves very foolishly. A “sex talk” is played for humor, and involved putting condoms on bananas. A young girl offers to have sex with Rob. He is clearly tempted, but knows that it would be wrong, and he turns her down. In general, however, this movie’s values are of self-respect and of making decisions about sexual involvement based on love and maturity.

Families who see this movie should talk about why high school is such a clique-ish stage of life, and what kids think will be different in college and afterward. Why did Josie want so badly to meet the limited standards of high school popularity? Why did her friends at work envy her? Why didn’t she tell the truth earlier?

Families who enjoy this movie will also enjoy Barrymore’s “Ever After.”

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Comedy High School Romance

Snow Falling on Cedars

Posted on December 13, 2002 at 5:16 am

There has never been a movie more literally true to its title — this is indeed a movie with many long, loving scenes of snow falling on cedars. There are also scenes of raindrops plopping in puddles and autumn leaves blowing and children running on the beach.

In between, there is a story, impressionistically told, about a murder trial. Late one night, in 1950 Washington State, a Caucasian fisherman named Carl Heine drowned, and circumstantial evidence indicates that he might have been murdered. The last person to see him was a Japanese fisherman, Kazuo Miyamoto, who had a motive — Heine owned land that would have belonged to Miyamoto’s family if not for the Japanese internment during World War II.

As journalist Ishmael Chambers (Ethan Hawke) sits in the balcony of the courtroom taking notes, the background is revealed in snippets and images: Ishmael and Miyamoto’s wife, Hatsue, devoted to each other as children and teenagers. Ishmael’s father, losing subscribers and advertisers because of his editorials against racism. Heine’s father, promising Miyamoto’s father that he would not foreclose while they were in the internment camp. Heine’s mother, foreclosing after her husband died. Hatsue’s mother, telling her to stay away from white boys. Ishmael, unable to stop thinking about Hatsue.

Parents should know that there are some battle scenes and a graphic amputation, and some inexplicit but intimate scenes of married couples having sex and teenagers making out.

Several characters in the movie hesitate before acting, and it is worth talking about the consequences of the delays and what factors lead them to decide the way they do. Families should also talk about this style of story-telling. Is it supposed to represent the internal thoughts of the characters or is there some sort of narrator putting together the story like a jigsaw puzzle. And families should also talk about the Japanese internment, one of the most shameful episodes in this country’s history, and about the half-century effort it took to get an apology and a small payment for damages.

Familes who enjoy this movie will also enjoy “Come See the Paradise” and “A Walk in the Clouds.”

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Based on a book Drama Epic/Historical Family Issues Mystery Romance War
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