Posted on December 5, 2019 at 5:30 pmB +
|Lowest Recommended Age:||Middle School|
|MPAA Rating:||Rated PG-13 for some peril and thematic elements|
|Profanity:||Some mild language|
|Violence/ Scariness:||Extended peril, character sacrifices himself to save another|
|Diversity Issues:||A theme of the movie (though the real-life character played by Felicity Jones was male)|
|Date Released to Theaters:||December 6, 2019|
Science fiction giant Arthur C. Clarke said, “Any sufficiently advanced technology is indistinguishable from magic.” “The Aeronauts,” based on the true story of early adventurers in meteorology and flight, exists at exactly that point in the middle. The “Theory of Everything” stars Felicity Jones and Eddie Redmayne play balloon pilot Amelia Wren and scientist James Glaisher, and for most of the movie they are up in the sky, marveling at sights and atmospheric conditions no humans have ever experienced before — or trying to survive them.
When they are in the air, it is gorgeous, exciting, and great fun. The visuals are spectacular, and sound designer Andy Kennedy and his team get a special shout-out for the superb audio effects, the exquisite silence, the creaking of the balloon basket, the clinks of the instrumentation. The never-ending series of life-or-death challenges are staged with such urgent vitality we almost feel that we are in the basket with them.
For most of the scenes on the ground, including a number of flashbacks, well, the screenplay never quite slips the surly bonds of earth. It is much better when they are up in the sky, battling the elements.
Wren and her husband piloted balloons until he was killed on one of their flights. Glaisher was a scientist who insisted that weather could be predicted with the help of meteorological data, despite the scorn of the scientific community and lack of support from his father, who is struggling with dementia. Glaisher is finally able to get the money for the balloon and persuades Wren to be the pilot.
Wren is highly theatrical, and Jones is utterly captivating in an early scene as she plays to the crowd, as savvy about showmanship as she is about flying. It is a lot of fun to see the actress who has often been given more subdued or internal characters do everything — even cartwheels — to charm the crowd. She may appear to be light-hearted and flamboyant, but it is all precisely orchestrated and calculated. She knows what it takes to get the balloon in the air is not just the equipment and fuel but the other fuel, money.
Redmayne’s character is more like the shy, bookish type we’ve seen him play before. But it is fun to see his growing appreciation for both Wren and the adventure.
Those of us who pull down the shade on our airplane windows so we can watch movies on our laptops should take a moment to look outside and imagine what it was like to be the first human beings who saw — and heard — the inside of a cloud. “The Aeronauts” is best at conveying the thrill of that discovery, or, rather, series of discoveries, and the courage and ingenuity that went into getting up there and getting back down as close to safely as possible. It should inspire the audience not just to look out at the clouds but to dream of their own adventures.
Parents should know that this movie includes extended peril with a lot of suspense and some disturbing images. A character sacrifices his life to save someone else.
Family discussion: Why did Amelia change her mind about taking James up in the balloon? Who is most like James and Amelia today?
If you like this, try: “The Theory of Everything” also starring Felicity Jones and Eddie Redmayne, “Those Magnificent Men in Their Flying Machines” and read the book that inspired the film, Falling Upwards: How We Took to the Air