Black Stars and Box Office

Posted on October 24, 2008 at 10:00 am

Two thoughtful and provocative articles bookend one of most challenging questions in American culture — the role of race at the collision point of art and commerce. In The Washington Post, Neely Tucker writes about Stars on the Field but Shared Glory on Film — the way that biopics about African-American sports stars always seem to end up being about the relationship of the athletes to their white mentor/competitors. The classic Brian’s Song
was based on the memoir of Gale Sayers. But the movie pushed him to the sidelines — even the title was a reference to his teammate, Brian Piccolo, and the impact his death had on Sayers. The current release, The Express, like many films ostensibly about minority characters, spends as much or more time on a white character (the coach played by Dennis Quaid).

In the Washington Post, Tucker talks about the evolution of the minority in sports movie:

By the 1990s, the prevailing idea on screen about black athletes was mostly downbeat. It was about exploitation of vulnerable young black men to play for rich white colleges or pro teams; it was about white corruption and greed. There was a steady stream of these: “Above the Rim,” “Blue Chips,” “He Got Game” and the superb documentary “Hoop Dreams.”

But the interracial harmony story line began percolating in “The Hurricane,” in 1999, which featured an embittered black athlete and criminal turning toward the light. And in 2000 came Disney’s “Remember the Titans.”

It starred Denzel Washington as Boone at T.C. Williams High, taking over and integrating the team in 1971. In real life, the team played other integrated teams and roared to an undefeated, rarely-scored-upon state title. In the film, they play against all-white teams and Washington’s character withstands racist referees, school boosters and team mutinies to win the championship on a last-second, miracle play.

After “Titans,” which took in $115 million at the U.S. box office, more studios adopted the same formula: Revisit the civil rights era through a feel-good sports epic, based on a true story. Have some clearly identified white racists, some good white folks and a black hero, who is possessed of a greater morality, patience and ability. Show the whites helping in key moments, either with bureaucracy or running interference against racists. In the final reel, have the white and black main characters as close friends.

Related Tags:

 

Commentary

In Studio with Brett and Tracy

Posted on October 24, 2008 at 6:00 am

I’m in the studio this morning with Brett and Tracy, two of my very favorite people! We’ll be talking about “High School Musical 3,” “Pride and Glory,” and of course the fabulous Tallgrass Film Festival, which I’ll be attending today and tomorrow. Many, many thanks to Brett and Tracy and Kathy Deane and Susan Moneypenny for inviting me and for their wonderful hospitality.
IMG_2969.JPG

Related Tags:

 

Media Appearances

The Incredible Hulk

Posted on October 22, 2008 at 8:00 am

incredible-hulk-poster-0.jpgIt begins with a zippy credit sequence that dispatches with the backstory Ang Lee’s lumbering 2003 version took more than an hour to slog through. And we’re off! Who cares what kind of gamma rays turned Bruce Banner into the Hulk? We just want to see stuff blow up and crash!

You need to know that while I am a Comic-Con-attending fangirl, Hulk never did much for me, so keep that in mind when I tell you this is only a pretty good superhero movie. I like a superhero who is smart as well as strong. David Banner is a scientific genius, but when the Hulk is hulkified he’s too beasty. On the other side he mostly fights a lot of soldiers with a lot of guns and artillery, not as interesting as one worthy adversary.

There’s the obligatory cameo by Stan Lee. There are the obligatory cameos from former Hulk portrayers Bill Bixby (glimpsed on television in “The Courtship of Eddie’s Father”) and Lou Ferrigno and a cheeky variation on Hulk’s signature line. As always, Hulk has to deal with the bursting seams problem and find some stretchy pants. And as often happens with Marvel heroes, a cure seems within reach just as a greater evil based on the same transformative power requires him to get his Hulk on.

In movies like these there is usually a moment where the hero and heroine have to consult some scientist and Tim Blake Nelson is terrific as the professor who is “more curious than cautious.” Edward Norton is fine as Banner, who must plot and run while keeping his heart rate down to avoid an untimely Hulkization. Liv Tyler is lovely as the love interest but as is customary in these films she has little to do. There are some terrific action sequences. I particularly liked it when the Hulk used a car broken in two as boxing gloves. But it all seems a little antiseptic and over-CGI’d. There are echoes of current events — a reference to Homeland Security, some anti-government talk, and echoes of stories like “King Kong” and “Beauty and the Beast,” but they seem derivative and uninspired. Overall, it’s a forgettable popcorn flick with a too-brief appearance by Robert Downey, Jr. as a reminder of what a great superhero movie feels like.

Parents should know that the film has a lot of action violence, crashes and explosions, firing of weapons, bombs, brief non-sexual nudity (side view in shower), a brief non-explicit sexual situation, and some strong language.

Family discussion: What are the advantages and disadvantages of being “more curious than cautious?” Should Banner allow himself to be “cured?”

If you like this, try: Iron Man and the Spider-Man trilogy. And the Hulk always makes me think of the classic anger rampage scene from Woody Allen’s Stardust Memories:

Related Tags:

 

Action/Adventure Based on a book Based on a television show Fantasy

Baby Book Series: Clean-Up Time, Bye-Bye Time

Posted on October 22, 2008 at 8:00 am

There are zillions of books to teach children the alphabet, colors, and numbers, but this lovely new series of board books from Free Spirit Publishing helps toddlers learn important skills like listening, going to sleep, saying good-bye, and cleaning up.

Author Elizabeth Verdick and illustrator Marieka Heinlen have created reassuring texts that give children confidence and reinforcement. And each book has tips for parents and care-givers to help preschoolers put what they have learned into practice. The design is inviting, with friendly vintage fabrics used as backrounds and simply-drawn but appealing and diverse characters children will identify with. Veridick says, “During the toddler years, daily routines and transitions are big challenges, and every little success matters. The books are meant to take children and parents through familiar routines in a gentle, positive way.”

Related Tags:

 

Books Movie Mom’s Top Picks for Families Preschoolers
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik