Gimme Shelter

Posted on January 23, 2014 at 6:00 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for mature thematic material involving mistreatment, some drug content, violence, and language, all concerning teens
Profanity: Very strong language
Alcohol/ Drugs: Drugs
Violence/ Scariness: Abuse including attack by a parent
Diversity Issues: Diverse characters
Date Released to Theaters: January 24, 2014
Date Released to DVD: April 28, 2014
Amazon.com ASIN: B00HW3EJQE

vanessa hudgens gimme shelterVanessa Hudgens gives a touching and sensitive performance in this fact-based story of a pregnant, homeless teenager. Both Hudgens and writer/director Ron Krauss moved into a shelter so that they could do justice to the stories of these young women.  That dedication and integrity lifts this above the Afterschool Special formula for an affecting drama that shows us the resilience and courage of girls who have to learn very quickly to be the loving parents they never had.

Hudgens plays Agnes, who insists on being called “Apple,” for reasons we do not learn until the end of the story.  We first see her hacking off her hair, whispering reassurance to herself as she gets in a cab to run away from her shrieking, strung-out mother (a feral Rosario Dawson).  She is going to find her wealthy father (Brendan Fraser), who has never seen her before.  She briefly stays with him, but it is clear that she does not fit in with his elegant wife and pampered children.  They do not trust her and she is not ready to trust anyone.  When they find out that she is pregnant, they pressure her to have an abortion.  She runs away again.

In a hospital, recovering from an accident, she meets a kind priest (James Earl Jones), who brings her to a shelter based on Several Sources, established by Kathy DiFiore, who, as she explains in one scene, was once homeless herself and as soon as she was able to take care of herself devoted her life to taking care of young women in need of support.  DiFiore is played by the always-outstanding Ann Dowd (“Compliance,” “Garden State”), with enormous compassion and strength.  Apple has a lot to overcome, including the fury of her mother, who wants her back so she can get the welfare money Apple and her baby will receive, but most of all, she has to learn how to be a part of a family, how to trust others, and how to trust herself.  Somewhere inside her, all along, there is the hope of a different life, almost overshadowed by the fear that she does not deserve it.  Hudgens shows us Apple’s ferocity, her vulnerability, all the ways she has been beaten down and all of the strength she has to keep coming back.  The result is a story that is touching and inspiring, with photos in the closing credits to show us that happy endings are not just for fairy tales.

Parents should know that this movie’s themes include homelessness, drug abuse, child abuse, teen pregnancy, abandonment, and homelessness.  There are portrayals of a brutal attack by a parent, a car crash, and tense and angry confrontations.

Family discussion:  Why did Agnes decide to be called Apple?  What did the girls learn from reading their files?  What did she find in the shelter that she could not find anywhere else?

If you like this, try: “Riding in Cars with Boys,” “Juno,” and “Homeless to Harvard”

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Based on a true story DVD/Blu-Ray Pick of the Week Family Issues Stories about Teens

Tarantino’s Producer Says It’s Time to Cut Back on Movie Violence

Posted on January 23, 2014 at 8:00 am

Producer Harvey Weinstein, producer of some of Quentin Tarantino’s ultra-violent films like “Django Unchained,” told Piers Morgan he is not going to make movies like that anymore.

“You have to look in the mirror, too. I have to choose movies that aren’t violent or as violent as they used to be. I know for me personally, you know, I can’t continue to do that. The change starts here. It has already. For me, I can’t do it. I can’t make one movie and say this is what I want for my kids and then just go out and be a hypocrite.” He added that he would make a movie like Lone Survivor, “a tribute to the United States special forces,” but “I’m not going to make some crazy action movie just to blow up people and exploit people just for the sake of making it.”

In addition, he is producing an anti-NRA film called “The Senator’s Wife,” starring Meryl Streep.  He is also getting ready to film a project he has wanted to do for many years, “Mila 18,” based on the Leon Uris book about the Warsaw uprising, the Jews who took up arms against the Nazis.

I do not think there will be any fewer “crazy action movies” or any less violence on screen.  But it is good to hear someone in Hollywood think seriously about the value of the films they produce.

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Understanding Media and Pop Culture

Slate’s New Parenting Podcast

Posted on January 22, 2014 at 3:50 pm

I am a big fan of Slate’s podcasts, especially the Culture Gabfest, and am delighted that Dan Kois (of the excellent Book Club) is co-hosting a new one about parenting.  Kois and his co-host, Alison Benedikt, lead off with their own current struggles and triumphs (so far managing to be candid without overly intruding on the privacy of their spouses or children).  The current episode takes a more nuanced approach in discussing the current fan of “mindful parenting” than Slate’s Double X essay by Hanna Rosin and I like its overall tone, friendly, accessible, supportive, and curious.

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Internet, Gaming, Podcasts, and Apps Parenting

Let It Go from “Frozen” — in 25 Languages

Posted on January 22, 2014 at 2:44 pm

And the LA Times explains how they do it.

As the film business has become an increasingly global one, Dempsey’s job has become ever more complex, with languages in emerging territories added every year. The newest additions include Bengali, Malay and Vietnamese. While “Frozen” is available in 41 languages, Dempsey recalls casting for about 15 languages on “The Lion King” in 1994….For Dempsey, “Frozen’s” music posed a special challenge: He had to mimic the vocal tone and texture of Menzel, a Tony Award-winning soprano famous for her penetrating pipes. “Idina has one of the best voices, period, in terms of her smooth tone, the warmth when she hits the lower end,” Dempsey said. “In certain territories — Taiwan, Cantonese — the voice might want to be thin because that’s part of the culture. It was always a challenge to find her match.”

 

 

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Animation Music Shorts

Interview: Vanessa Hudgens on Playing a Pregnant, Homeless Teenager in “Gimme Shelter”

Posted on January 22, 2014 at 8:00 am

BUS TO COPS:  VANESSA HUDGENS "APPLE" IN BUS 3.tifVanessa Hudgens gives a performance of extraordinary courage and sensitivity in “Gimme Shelter,” based on the true story of a teenage girl who is pregnant and homeless. Her name is Agnes, but she insists on being called Apple.  Both Hudgens and writer-director Ron Krauss moved into a shelter run by Kathy DiFiore, played by the magnificent Ann Dowd in the film, to immerse themselves in the lives and experiences of these girls.

Hudgens, Krauss, and DiFiore were in Washington to present the film, and the next day Hudgens met with a small group of journalists to talk about the experience of preparing for and making the movie and why it was important to her.  When she first read the script, she was immediately drawn to “what a strong character she was, the fact that she was a real survivor who took her future into her own hands.  I just love strong women.  I always love the idea of transformation, like Sharon Stone in ‘Monster.’  It’s amazing to watch an actor and not see the actor, just the character.  I love that aspect of acting and I knew it was going to require that.”  She talked about working with Rosario Dawson, who plays her angry, manipulative, drug-addicted mother. “Everything was really present and in the moment, discovering as we went.  Of course the fighting scenes we blocked out so no one was hurt.  But she just understood the role, we already had a good relationship as people, so we just did our thing.”  She talked about getting to know the girls in the shelter.  “The fact that I was there and wanted to tell their story, to make it a glimpse into their lives and not an over-dramatization.  They saw my passion for the project.  They knew I was really invested in it and this was not something I was going to take light-heartedly.  I stayed in the shelter for a couple of weeks.  I was doing the chores with them, I didn’t put myself on a different level.  The one I got closest to was Darlisha, the one who had the real experience with her mother that we see Apple go through in the film.  I was surprised by how uncensored Darlisha was, how open.”

IMG_8850She told us what she looks for in a role.  “I’m very selective about the things that I do.  I first listen to my intuition, my gut.  I love being able to be a chameleon and trip people out by being a different person.  I look for a character with depth, something real, something I have not done before, situations I have never personally been in, the further away from me, the more of a challenge, the cooler.”  As she created the character, “In every moment, I tried to find something that was Apple, not Vanessa, playing with the lip rings, the way I spoke, touching myself, making every moment a bit more harsh and ugly, more raw, more real.”  She appreciated “an instinct connection” with Krauss, “a magical dance connection.  We just kind of got each other.  I put him in his place and he put me in my place.  He could do it with just a look.  Because we had both lived in the world of the shelter, that became normal for us.  There were times when I wanted to punch him!  But his sheer dedication and motivation — I could never have done this without him.”  The timing of the film and the character felt right for where she was.  “I feel the movie came to me when I was at a point of transition myself, stepping into the world more, trying to figure myself out…I pushed myself harder than I ever had.  It was a big touchstone for me.  Afterward, I looked into the mirror and saw Apple.  I didn’t see Vanessa anymore.  I didn’t feel comfortable in my skin.  It was kind of a disaster.  That was the lowest part for me, just finding myself again.  But then I got myself back on my feet and continued to work.  Now that it is relevant in my life again, the journey is still continuing.  I see signs everywhere I go.  It is such a God-driven film.  It has taken on a life so much bigger than the movie, connecting with women and bringing healing.  It’s transcended into such a beautiful thing.  It’s a gift.”

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Actors Interview
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