Trailer: Diane Keaton and Michael Douglas in “And So It Goes”
Posted on May 16, 2014 at 8:00 am
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Posted on May 16, 2014 at 8:00 am
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Posted on May 15, 2014 at 6:01 pm
All the basic ingredients are there for a slam-bang summer monster movie. We have people in helmets and hazmat suits running to try to get away from something scary. We have a scientist pleading with a military officer to trust him and the guy in camo responding that he can’t take that chance. We have a guy everyone thinks is crazy who turns out to be right. We have mumbo-jumbo about radiation and bio-acoustics. We have a tentacle(?) tease 40 minutes in. We have a corporate/government cover-up. People say things like, “There’s been a breach,” and “I can prove to you and the world that this was not a natural disaster.” Oh, and “I’m going to find the truth and end this, whatever it takes.” And “It’s going to send us back to the stone age.”
Buildings will be destroyed and a bridge will collapse. People will be told to stay home and then traffic will be at a standstill as they all ignore directions. We have a lot of globe-hopping so that international forces can be involved and iconic skylines can be trashed. And, most important, we have a very, very big monster to do the trashing. Enormous ships will be tossed around like a rubber duckie in a bathtub.
What we don’t have is a very good story. And for a movie with a lot of destruction, not enough of a sense of real investment in the outcome. The good news about CGI is that you can make anything happen on screen. The bad thing is that everyone knows you can make anything happen, so at a fundamental level, it does not feel real.
“Godzilla” begins promisingly, with a terrific opening credit sequence over “archival” footage and glimpses of redacted government reports. And ash, lots of ash, detritus from atomic fallout, pretty cool in 3D. Then there’s a little backstory. In 1999 we see the discovery of a skeleton in a Philippine mine. The rib cage is the size of an apartment building. And there’s goop! If there’s one thing we’ve learned from monster movies over years, it has to be DON’T TOUCH THE GOOP.
Meanwhile, still in 1999, we get our introduction to the adorable family — there always has to be an adorable family — living near a nuclear energy plant in Japan who will provide the emotional core of the film. There’s loving American father (Bryan Cranston) Joe Brody, distracted by some inexplicable but rhythmic tremors. There’s loving French wife (Juliette Binoche), who also works at the plant. And there’s a son, cute tyke Ford. “Earthquakes are random, jagged,” Joe explains. What he is hearing is “consistent and increasing.” We know he will have a hard time persuading his bosses, but we know he is right. And soon tragedy strikes and the cooling towers collapse. The entire community is contaminated and shut down.
Fifteen years later, Ford (Aaron Taylor-Johnson of “Kick-Ass”) is coming back from a military deployment where his job is “stopping bombs.” After he has an adorable reunion with his own adorable wife (Elizabeth Olsen) and son, he gets a call. Joe has been arrested in Japan, where he is still obsessed with finding the truth about what happened. He has a crazy room with walls covered in clippings connected by string to show the various conspiracies. Ford thinks his dad is nuts. He’s about to find out that he is right.
I don’t want to give away any monster spoilers here, so I’ll just say that there are some surprises for anyone not thoroughly immersed in “Godzilla” lore. I liked seeing the creature pop nuclear warheads into his mouth like Popeye knocks back spinach. And it steps things up nicely when the monster’s power charge shorts out the grids. The special effects are excellent, though only a high-altitude/low opening parachute jump makes full use of the 3D. But the story is weak and the characters are cardboard. The original 1954 “Godzilla” resonated because it personified (monstronified?) our then-new fears about the atomic age. With so many contemporary scares about environmental damage, they should have been able to find something equally potent.
Parents should know that this is a sci-fi movie in the tradition of all monster movies, with extensive mayhem,scary surprises, some disturbing images, and many characters injured and killed. There is some strong language.
Family discussion: What made the scientist and the military come to different conclusions — information or training? What was the significance of the pocket watch?
If you like this, try: the original Japanese “Godzilla” movies
Posted on May 15, 2014 at 6:00 pm
The folks behind feel-good, based-on-a-true-sports-Cinderella-story, Disney movies “The Rookie” and “Miracle” are back with another. This time it is the story of a real life Jerry Maguire sports agent named J.B. Bernstein (a terrific Jon Hamm) who has fallen on hard times, despite the optimistic name of his firm: 7 Figures Management. Think of it as Jerry if Cuba Gooding, Jr.’s character quit him, too. He needs some athletes to sell to major league baseball and there isn’t anyone in the world who plays baseball who isn’t already represented. He even has a line almost identical to Jerry’s famous “Help me help you.”
In one of those crazy ideas borne out of complete desperation (plus watching Susan Boyle wow the judges on “Britain’s Got Talent”), Bernstein figures that the only place left to look is India, which must be perfect because (1) no one there plays baseball, so no agents have signed anyone up, and (2) it is the second most populous country in the world, so the odds are that there must be someone there who can throw a fastball. What do they play in India instead of baseball? Among other sports, they play cricket, which J.B. describes, with all the cultural diplomacy we might expect from someone who has some important lessons to learn by the time we finish our popcorn, as looking like “the insane asylum opened up and all the inmates made up a game.”
He decides to go to India to look for what we like to call a long shot. He will stage an “American Idol”-style competition with (per the title) a million dollar prize. He gets the money for this from the wealthy Mr. Chang (Tzi Ma), who is not too worried about whether there really is a major league throwing arm in India because he figures that the competition will stir up interest in baseball for the first time in a brand new country with up to a billion new fans. And that is money in the bank.
So J.B. goes off to India where, predictably, he runs into problems with exotic food and cultural and language barriers. “Indians love honking and bypassing the system,” his affable new aide advises him. Less predictably, he runs into not one but two young men who can throw fastballs hard, Rinku (Suraj Sharma, who had his own “Million Dollar Arm” moment in real life when he was selected from 3000 actors who auditioned to star in “The Life of Pi”) and Dinesh (Madhur Mittal of “Slumdog Millionaire”). He finds them with the help of an adorably cranky old scout played by Alan Arkin, as always, the best part of any movie he’s in. Of course he’s the old guy showing everyone how it’s done playing the old guy who shows everyone how it’s done, so he’s got that going. “Don’t wake me up until someone’s throwing a baseball,” he says, explaining he does not have to look at the contestants because he can hear pitching speed. And he can.
Slight problem: they not only have never played baseball before; they have never seen a baseball game and have no idea how to play or what the rules are. And it is difficult for them to learn because (1) their knowledge of English is only slightly better than their completely nonexistent knowledge of baseball, and (2) playing any sport at the professional level is very, very, very, very hard for people who have been working on it for decades and has to be impossible for anyone who has never played before.
But then, if they couldn’t do it, we wouldn’t be here, now, would we?
J.B. brings two young men back home to California. The only thing he has paid attention to is the number on that radar gun that clocks the speed of the throws, which is an impressive number. And maybe the number in his bank account, which is not a good number. He has not noticed that these are very fine young men or that they have never been away from home before. He learns very quickly that he cannot leave them in a hotel.
They move into his bachelor pad, marveling over the room for just one man but confused that they don’t see anywhere to pray. They are befriended by his tenant, a beautiful and kind-hearted doctor (Lake Bell).
JB turns the young men over to college coach Tom House (Bill Paxton), who explains why you can’t turn a non-baseball player into a major league pitcher in a matter of months, in time for the try-out Mr. Chang has put together. “It’s completely different motions, biometrics.” They do not know what a baseball glove is. But J.B. is good at one thing, persuasion. “You certainly don’t need any help with your pitching,” House tells J.B. He agrees to try to teach them that “it is not about throwing hard, but throwing right.” And they study a copy of Baseball for Dummies.
Writer Tom McCarthy (“The Station Agent,” “Win Win”) keeps things from getting too twee. The film clearly respects Rinku and Dinesh and their country, though it skirts very close to Magical Negro territory and the fish-out-of-water cultural clashes stay on the surface. The young men are not allowed to be much more than amiable innocents whose job is to give the soulless white guy an important opportunity to reconnect with his humanity (and, as a consequence, with the beautiful doctor as well). This is J.B’s story and Hamm is a pleasure to watch, with full-on, big-time movie star magnetism, and his scenes with the lovely Bell (“In a World”) have a real warmth that makes the happy ending feel earned.
Parents should know that this movie includes some mild language and sexual references. Characters have casual sex (off-screen).
Family discussion: What were the most important things JB learned in India? When he got home?
If you like this, try: “The Rookie” and “Miracle” from the same producers and also “Bend it Like Beckham”
Posted on May 15, 2014 at 6:00 pm
B+Lowest Recommended Age: | Mature High Schooler |
MPAA Rating: | Rated R for language, including some suggestive references |
Profanity: | Very strong and graphic language |
Alcohol/ Drugs: | Drinking |
Violence/ Scariness: | Comic peril |
Diversity Issues: | Diverse characters |
Date Released to Theaters: | May 16, 2014 |
Date Released to DVD: | September 29. 2014 |
Amazon.com ASIN: | B00KQTGWPC |
You’re writer/director/actor Jon Favreau. You’ve been making big-budget films, mostly huge blockbuster successes (“Elf,” “Iron Man”), but also a big-budget bust (Cowboys & Aliens, which I liked). This might put you in mind of a simpler, more satisfyingly creative time (Favreau wrote the indie smash “Swingers” and wrote and directed “Made”). And that might inspire a movie like “Chef,” with Favreau as writer. director, and star and a small-scale story with, thanks to his connections, a big-scale cast, about an artist who, like a movie director, creates the kind of art that must be appreciated by others to be satisfying. And director Jon Favreau brings the same loving care to the creations made by his character that the chef does himself. This movie will be on lists of “Great Food Films” forever, along with classics like “Big Night” and “Babette’s Feast.” The food is so lusciously photographed you can almost smell it. And the music perfectly matches the food, sensual and spicy. This is an utterly delectable treat.
No surprise — it is about a guy who has a big-time, high pressure job, loses his mojo, his inspiration and his sense of creativity, and then finds it again in a smaller venue. The job is in the title. Favreau plays Carl, a passionate chef at a high-end restaurant, frustrated because the owner (Dustin Hoffman) wants him to stick to his “greatest hits,” the solid, reliable favorites that Carl now finds boring. “You remember what happened when you put guts on the menu?” When an influential restaurant critic gives him a bad review, Carl quits in a fury. Then, in an even bigger fury, he tweets what he thinks is a private response to the critic (he is not sure of the difference between Twitter and email). It goes viral. (“You’re trending, bro.”) Carl goes into a shame spiral fueled by self-pity and blame, both self and everyone else.
https://www.youtube.com/watch?v=tP6SE65F-h4Carl’s passion for his job led to the end of his marriage to Inez (Sofia Vergara). He is a devoted but harried father to Percy (Emjay Anthony), a young social media expert who enjoys the fun activities his dad plans for them when he has time but wishes they could just plain hang out more. Inez, wanting to get Carl out of his funk, invites him to come with her on a business trip to Miami, so he can watch Percy. It will get him away from the Twitterverse gaffe of the day crowd and give him some time with his son. She also has another plan. Her previous ex-husband (a movie-stealing performance by the scene-stealing master thief and “Iron Man” star Robert Downey, Jr.), who gives Carl a food truck. Well, apparently there is a food truck there underneath the layers of grime and fry oil. Joined by a friend (John Leguizamo) and Percy, they drive the truck back home to Los Angeles, stopping along the way to feed the people who have been following Percy’s social media updates.
There are no surprises in the story, and there is not one female character with any reason to exist other than supporting/adoring Carl, but the characters feel genuine and the food is mesmerizingly luscious. Favreau has his mojo back, and I hope he will keep ours going by serving us food truck movies along with his five star restaurants.
Parents should know that this movie includes very strong and crude language and some vulgar references.
Family discussion: What is your favorite meal to cook? Why was it hard for Carl to just hang out with Percy before the food truck?
If you like this, try: “Big Night” and “No Reservations”
Posted on May 15, 2014 at 8:00 am
Sophia Grace & Rosie’s Royal Adventure comes out on DVD and Blu-Ray on May 20. I am a big fan of these cute little British girls, and it was a treat to get to talk to them.
Sophia Grace, tell me what character do you play in this movie?
Sophia Grace: I actually play myself, Sophia Grace.
I see and was that easy to do?
Sophia Grace: Yes, it was actually quite easy to do, it quite fun as well because you got to act how you’d really act in real life.
Even though it was a script written by somebody else?
Sophia Grace: Yes, it was still was like life.
Rosie, which what of you is better at remembering lines, which one learn the lines quicker?
Rosie: We’re both the same.
Which one of you is most likely to laugh when something goes wrong while you’re filming?
Sophia Grace: Rosie laughs as well, we both do the exact same thing, we’re both the same.
Rosie why do you think children will love this film?
Rosie: Girls will like it more than boys, but boys will like because there’s a superhero in it and girls will like it because of pink as well, there’s lots of pink.
Sophia Grace, what was the hardest thing about making this movie?
Sophia Grace: I think the hardest thing wasn’t actually anything to do with the movie it was just like when we we’re practicing the lines it goes over and over again because we have to do the scenes over and over again. The director would say “one more time” but it would actually be a hundred more times. That was quite hard to keep doing it all the time but it was really fun to do as well.
Rosie, did you get to wear some lovely dresses in the movie?
Rosie: Yes, it was mainly dresses and they were really nice, we got to wear a pink dress with a sash, like royalty.
What about you, Sophia Grace? Did you have a special dress that you liked in the movie?
Sophia Grace: We got to wear white gloves, which was really nice, and this big puffy purple and pink tutu one too, actually sequin top it was joined together like the dress.
What’s the funniest thing that happens in the movie that would make kids laugh?
Sophia Grace: What made me laugh was when we were doing the ledge scene there was pigeons, people were putting pigeons there that supposed to be a part of the cast and they were throwing seeds at the pigeons and it was exciting and funny. So I think kids will find that funny. And it was really funny to shoot too.
Rosie: And we got the giggles because the pigeons were like bouncing their heads. We got the giggles.
You have to teach the princesses in the film, right? So Rosie what did you teach them?
Rosie: We had to teach them how to curtsy like royalty and act like royalty.
And Sophia Grace have you ever seen royalty in real life?
Sophia Grace: Yeah, we actually have, me and Rosie we got to perform for the Sultan of Brunei’s birthday. Her name is princess Amira.
Was it like you imagined?
Sophia Grace: Not at all really. She was actually just normal like us. She was wearing a trousers and a top.
I’m very excited about your film and I hope that I get to meet you two in person someday if you come to Washington D.C.
Sophia Grace: I would love to come to the White House!