New Song From “The Fault in Our Star” — Lykke Li Sings “No One Ever Loved”
Posted on May 15, 2014 at 8:00 am
Posted on May 15, 2014 at 8:00 am
Posted on May 15, 2014 at 7:00 am
I am most grateful to Focus on the Family for their very courteous response to my review of their film “Irreplaceable,” one of the harshest I have ever published. I strongly encourage everyone who wants to understand our disagreement to read their response carefully, along with the extensive exchange of comments following the review with people who had a variety of reactions to the film and which have a great deal more detail about what I found offensive.
My primary concern, as I explained in the review’s second paragraph, was the film’s refusal to meet the fundamental requirement of advocacy: stating contrary opinions to the satisfaction of the person whose opinion is being described. They prove my point in this reply, responding, for example, to a charge of being “radical” which no one never made. The problems I had with the film are repeated in their response, where they insist “there is no boogey man in this documentary. There is no ‘other side’ and no ‘them’” but then acknowledge that “some family forms are simply more effective than others at bringing good and essential things to people’s lives than others, regardless of how sincere the people are that create them.” I believe that the way they present the “less effective” family forms in the film is inflammatory and unfair and does create a boogey man.
We agree on a number of issues, starting with the importance of each of us making a renewed commitment to our own families and the families in our communities. And we agree that the best way for people to decide which view of the film is correct is to see the film. They ask people to see the film and make their own judgment, which I endorse entirely. The movie was so successful in its initial one-night showing that it will be in theaters again tonight, so if this debate has piqued your curiosity, or if you share with both Focus on the Family and me the goal of exploring how we can be better and more effective in supporting our own families and others in our community, I encourage you to see it and let me know what you think.
I would just ask Focus on the Family to do the same with the movie I recommended in my review as a supplement, Rosie O’Donnell’s “A Family is a Family is a Family.” Whether they view it or not, I make the same offer to them that I did to my most engaged commenter; if they come to Washington, D.C., I’d be glad to invite them to lunch to discuss my concerns about the film further and explore more effective messages for addressing the concerns we share. Again, my thanks for the respectful response.
Posted on May 14, 2014 at 3:39 pm
There seems to be a new superhero movie every month or two this year. We’ve already had “Captain America: The Winter Solider” and “The Amazing Spider-Man 2” and in a couple of weeks we’ll get the new X-Men film. Quartz has four telling charts that explain the rise in superhero movies since the 80’s, when we had fewer than one a year. Of course the technology that makes it possible to put any super-power or alien planet in a movie is one reason. But this Quartz chart is the one that really matters. Superhero movies are hugely popular overseas. They don’t require English or an understanding of American culture. With China soon to sell more movie tickets to American movies than are sold in the US, we can expect to see a lot more spandex on the screen for the foreseeable future.
Posted on May 14, 2014 at 8:00 am
One of the most famous movie monsters of all time, Godzilla, returns to the screen this week in a big-budget film starring Bryan Cranston. It’s a good time to take a look at all the various versions of Godzilla that have trashed cities and terrified the populace since the monster’s first appearance in 1954’s “Godzilla” from Japan, directed by Ishirō Honda.
In Japanese, the monster is called “Gojira,” based on combining the words for whale and gorilla. The original idea was inspired by the fears following the onset of the atomic age. But in his many following incarnations, Godzilla was sometimes the hero as well as the threat. Godzilla has appeared in games, comic books, television, and big and small budget films. The name has become a concept so embedded in our vocabulary that it shows up in terms like “Bridezilla.”
Highlights include the 1956 Godzilla: King of the Monsters, with Raymond Burr and dual-monster battles Godzilla vs. Mothra and King Kong vs. Godzilla.
It is generally agreed that the low point was 1992’s Godzilla with Matthew Broderick. It isn’t that bad — until it goes completely off the rails in the last half hour. Here’s hoping this one is worthy of the name.
Posted on May 13, 2014 at 3:51 pm
Transformers Rescue Bots: Heroes On The Scene is the latest in the popular series about the Autobot first responders, Chase, Heatwave, Blades, and Boulder, who work together and with their human friends to keep the little town of Griffin Rock safe.
To enter, send me an email at moviemom@moviemom.com with “Rescue Bots” in the subject line and tell me which Transformer is your favorite. Don’t forget your address! (US addresses only.) I’ll pick a winner at random on May 20, 2014. Good luck!