Star Wars Pays Tribute to Princess Leia, Carrie Fisher
Posted on April 16, 2017 at 8:00 am
The “Star Wars” filmmakers pay tribute to Carrie Fisher with this lovely short film.
Posted on April 16, 2017 at 8:00 am
The “Star Wars” filmmakers pay tribute to Carrie Fisher with this lovely short film.
Posted on April 15, 2017 at 8:00 am
Composer Christopher Lennertz created new instruments for “Smurfs: The Lost Village.” Here’s a peek behind the scenes.
Posted on April 14, 2017 at 11:52 pm
BLowest Recommended Age: | Middle School |
MPAA Rating: | Rated PG-13 for prolonged sequences of violence and destruction, suggestive content, and language |
Profanity: | Some strong language |
Violence/ Scariness: | Extended action-style violence, guns, explosions, chases, crashes, characters injured and killed |
Diversity Issues: | Diverse characters |
Date Released to Theaters: | April 14, 2017 |
Date Released to DVD: | July 10, 2017 |
Before we get into it, let’s take a moment to remember how we got here. The first “Fast and Furious” movie was comparatively modest in scope, the story of a cop (Paul Walker as Brian) going undercover to investigate illegal street racers, led by Dom (Vin Diesel). The cop falls for the sister of the racer and for the living-life-a-quarter-mile-at-a-time existential rush. Think “Point Break” with cars instead of surfboards. Somehow, now on the eighth movie since the 2001 original with two more in the planning stages, it has turned into an X-Games version of “Mission Impossible.” It’s 3/4 chases, crashes, shoot-outs and explosions, 1/8 bro-mance (“I don’t have friends; I have family”), and 1/8 quippy humor with a dash of fan service for anyone who has been paying enough attention to remember who all of the characters are. That leaves no room for plot or logic, but you can’t have everything, and this one goes with star power instead.
So over the course of eight films we’ve gone from living life a quarter mile at a time racing souped-up home brew stock cars to globe hopping save-the-planet adventures with the help of grateful no-name international law enforcement (literally, Kurt Russell as Mr. Nobody, now with an intern played by Scott Eastwood, known as Little Nobody), increasingly improbable settings and vehicles (a nuclear sub in this one, pretty much all that’s left for Chapter 9 is a “Moonraker”-style spaceship), and increasingly improbable co-stars. Helen Mirren is in this movie. Let me say this again. Helen Mirren is in this movie. And she’s not the only Oscar-winning actress in the eighth “Fast and Furious” film. It also stars Charlize Theron as the ice queen villain.
Our merry little gang of rascals has gotten so cozy that in order to have any dramatic tension at all we have to unscramble that egg a little, and what better way to do that than to have Dom go to work for the bad guy?
We begin with an opening scene in which we are reminded that Dom (a) adores his wife, Letty (Michelle Rodriguez), now recovered from her amnesia and honeymooning with Dom in Havana, and (b) is a man who exemplifies integrity, grace, courage, and determination, and who could probably win the Indy 500 in a golf cart. And so, perhaps we are expected to be surprised when shortly after that, when the team, with regulars Hobbs the cop (Dwayne Johnson), Roman the comic relief (Tyrese Gibson), and Tej the computer guy (Chris “”Ludacris” Bridges), is called in by Mr. Nobody to rescue some big scary bomb, Dom and Letty are on board and then all of a sudden Dom makes off with the big bad bomb and apparently is in cahoots with Ms. Big, Theron as uber-hacker Cipher.
There’s nothing quite as crazy as the car leaping between buildings in the last film, and nothing near as touching as the finale, with its tender tribute to the late Paul Walker (his character is lovingly addressed). There’s a wild bumper-cars-on-crack scene as Cipher takes control of all the automobiles, even the ones that are parked, in the middle of New York City. And some very fancy vehicles get trashed. And then there’s the sub. And a lot of thousand-yard stares and macho wisecracks and people who have a history as enemies having to work together and grudgingly develop some respect. In other words, it’s just what you expect from the eighth “Fast and Furious” movie.
Parents should know that this film has constant action-style violence, crashes, explosions, guns, fights, extended mayhem of all kinds, some sexual references and crude humor, and some strong language.
Family discussion: Which was the best stunt? What makes someone who is not related “family?”
If you like this try: the rest of the “Fast and Furious” films and “The Italian Job”
Posted on April 13, 2017 at 5:22 pm
B +Lowest Recommended Age: | Mature High Schooler |
MPAA Rating: | Rated R for language |
Profanity: | Very strong and crude language |
Alcohol/ Drugs: | Drinking, alcohol abuse, drunkenness, drugs |
Violence/ Scariness: | Sci-fi/action monster violence |
Diversity Issues: | None |
Date Released to Theaters: | April 7, 2017 |
Date Released to DVD: | July 31, 2017 |
I’m less interested in whether a movie scares me than whether it surprises me, and “Colossal” is a little bit scary but deliciously surprising. You think you’re going to see a movie with the gorgeous Anne Hathaway and Dan Stevens in a lovely New York City apartment as characters who break up in the beginning of the story, and you think you know where it is going. You don’t.
Writer/director Nacho Vigalondo wants you to come to the movie with expectations. You think that when you see doe-eyed Anne Hathaway with her cute rom-com bangs and English-accented boyfriend and drinking problem serious enough for memory loss but not serious enough to give her unsightly bloat that you know not just where this is going but how many minutes it will take to get there. You see Gloria (Hathaway), having lost everything, move back into her empty childhood home in a small town and immediately run into Otto (Jason Sudeikis), a regular American guy who with whom she clearly has history and chemistry and who seems to exemplify wholesome hometown values. He offers her a job at the bar he inherited from his dad and you think you know where it’s going. You think that the scenes of an enormous dinosaur-ish sort of monster attacking Seoul mean some lead character will fight it and someone will have to be rescued. Not really. Writer/director Nacho Vigalondo (“Timecrimes”) is here to mess with your expectations the way the monster messes with South Korea, and the job you happily accept is to sit back and enjoy it.
What that means, though, is that there isn’t much more I can tell you about what actually happens in this movie, except to say that the connections between these characters and the monster evolve in very unexpected ways and there are surprises around every corner.
You want to understand how all what happens/happened happened? This is not your movie. You want to consider it a metaphor that explores American insularity and arrogance? Be my guest, as long as you don’t think about it too hard, because it will not withstand an extended deep analysis. You want to see monsters? Well, this isn’t “Pacific Rim,” but there are some pretty cool monsters and they do a lot of damage. But I cannot promise you anything except something you haven’t seen before, and that’s good enough for me.
Parents should know that this film includes very strong and crude language, monster violence with characters injured and killed, drinking and drunkenness, and sexual references and a non-explicit situation.
Family discussion: What are the best and worst things about controlling a monster? What connected these characters to the monsters? What monster would you like to control?
If you like this, try: “No Such Thing”
Posted on April 13, 2017 at 3:18 pm
Based on the classic thriller by Daphne du Maurier (author of Rebecca), “My Cousin Rachel” stars Rachel Weisz and Sam Claflin.