Valerian and the City of a Thousand Planets

Posted on August 1, 2017 at 4:55 pm

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sci-fi violence and action, suggestive material and brief language
Profanity: Brief strong language
Alcohol/ Drugs: Alcohol
Violence/ Scariness: Extended sci-fi/action violence, guns, chases, characters injured and killed including genocide
Diversity Issues: A theme of the movie
Date Released to Theaters: July 21, 2017
Date Released to DVD: November 21, 2017

Copyright 2017 STX Films
Yes, the visuals and special effects in Luc Besson’s “Valerian and the City of the Thousand Planets” are next-level, dazzling, stunning, and themselves worth the price of a ticket (3D please). But let’s be honest. The best special effect in the movie is the lovely real face of Rihanna as Bubble, a shape-shifting alien our hero meets in an inter-galactic strip club.

That hero would be Valerian (Dane DeHaan), who has gone to the strip club in search of the disguise he needs to infiltrate an alien compound and rescue the woman he loves, his space partner Laureline (Cara Delevingne). She was captured as the two of them were on a mission to…oh, who cares what the mission was? It’s your basic save the universe stuff. You know and I know and they know you are not there for the subtleties of the space city that incorporates, “Zootopia”-style, every possible creature and culture, a veritable Pepperland of comity and the exchange of learning. In the opening scenes, we see the history of the place, as human astronauts welcome aboard an increasing variety of visitors with a warm handshake, first from other countries, and then from other planets and galaxies, still with something as close to a handshake as possible.

This is the movie Luc Besson has wanted to make since he was a teenager, base on a French comic book series from the 1960’s with a visionary aesthetic that inspired Besson’s own “5th Element” and George Lucas’ “Star Wars.” He had to wait decades until the technology made it possible to do the ravishing visuals justice. That is the good news and the bad news. The good news is that the visuals are indeed ravishing, worth a couple of viewings on the biggest screen you can find and then a couple more when you can watch it at home and hit “pause” to see every detail. The bad news is that the storyline has not held up as well over the years as the settings, in part because much of it has also been appropriated, too, over the years, partly because times have changed, and partly because it wasn’t that great to begin with. Valerian and Laureline banter back and forth about whether he can make a commitment to her as they try to save the world. It is supposed to be part of the fun of the story that they are cool and casual. Valerian even wears a Hawaiian shirt at one point instead of his spiffy spacesuit (they are undercover as tourists). But their characters are so bland, especially by contrast with the wildly imaginative world they are racing through, that it drags on the storyline. That’s disappointing because it distracts from some promising flickers of substance.

Parents should know that this film includes extensive sci-fi peril, action, and violence with many guns and blasters, characters injured and killed, sad deaths, references to genocide, corruption, brief strong language, provocative dance and references to prostitution.

Family discussion: Why do Valerian and Laureline disagree about the converter? How do you know when to break the rules?

If you like this, try: “Avatar” and “The Fifth Element”

Related Tags:

 

3D Comic book/Comic Strip/Graphic Novel DVD/Blu-Ray Pick of the Week Fantasy movie review Movies Science-Fiction

Interview: Bonni Cohen and Jon Shenk, Directors of “An Inconvenient Sequel”

Posted on August 1, 2017 at 3:10 pm

For rogerebert.com I spoke to Bonni Cohen and Jon Shenk, directors of Al Gore’s new climate change documentary, “An Inconvenient Sequel.”

We see ourselves as filmmakers and as storytellers. We want to make films that move people emotionally. The most effective thing that cinema can do is get into people’s hearts and have them see a new perspective on life—step inside someone else’s shoes and mind for 90 minutes and experience the world in that way. Take them away, make them laugh, make them cry, all those things movies are good at. We also think they can be incredibly effective ways to see social issues through their characters. That’s why we make movies about remarkable people like President Mohamed Nasheed of the Maldives in “The Island President” and Al Gore in this film, who get up every day and are driven in an almost inhuman way to make a change in a problem that they see in the world and shine truth into a very dark arena where bad actors try to lie to the American public to gain profits for fossil fuel companies. To us, that’s a natural drama. And that’s primarily where we work—character-based films that we hope will bring issues to life through their stories.

We were amazed and heartened that part of Al’s message is this incredible hope with sustainable energy that can help get us out of this mess we’ve gotten ourselves into. Bonni and I have teenagers and so it’s become more of an emotional issue. As Al Gore says in the film, it’s more like civil rights or women’s suffrage or apartheid than like a petty political issue. It’s of utmost importance to the future of the planet.

Related Tags:

 

Directors Interview

Trailer: Carol Burnett’s New Netflix Series

Posted on August 1, 2017 at 2:04 am

Comedy legend Carol Burnett is coming to the world’s leading internet TV network in 2018 with the original unscripted comedy A Little Help with Carol Burnett. Carol and her guests panelists — four to eight-year-olds will reveal how a different generation solves life’s biggest dilemmas.

In each of the 12 half-hour episodes, both celebrities and everyday people will bring their real-life issues to a gaggle of kids who dish back hilarious, hard-hitting guidance–all in front of a live studio audience.

“Someone once asked me how old I am inside,” said Burnett. “I thought about it, and came up with, ‘I’m about eight.’ So it’s going to be a lot of fun playing with kids my age.”

A Little Help with Carol Burnett is a Netflix Original, produced by dick clark productions.

Related Tags:

 

Television Trailers, Previews, and Clips
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2019, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik