Ric Roman Waugh: Gerard Butler and I have known each other for a number of years and been wanting to work together, and we talked about a number of things. And then I got a call out of the blue about doing the third installment of his Fallen franchise. What Gerard wanted to do was to take the action and the spectacle of the first two movies and send it to new directions and basically make more of an origin story. I love that idea.
So the idea was to not do an event-style plot of the White House being taken in Olympus Has Fallen, or the world leaders being assassinated in London Has Fallen. This movie is about Mike and it shows a day in the life of service. And also the complications that come with that and the heroism and the addictions to the job. You know it’s very much like what our military community or the first responders and law enforcement go through, or even if you think about it, professional athletes.
Mickey Nelson: Most of the Secret Service men and woman that retire go on to do something else–like now I try to do projects like this, so that is a challenge. Luckily you train all along the way, not just initially when you go into the Secret Service. So I think that really helps you adjust. You realize that you can’t stay on all of the time so you inject, as Ric always talks about, a lot of levity. You will see some levity, in the movie. I use that still to this day quite a bit as you probably have noticed. So that’s kind of what helps me deescalate.
If you want a master class in acting, watch the faces of three brilliant actresses as they take a an elevator in this trailer for “Bombshell,” based on the sexual harassment scandal at FOX News.
Margo Robbie plays Kayla Pospisil, Charlize Theron plays Megyn Kelly, and Nicole Kidman plays Gretchen Carlson. The powerhouse cast also includes Alice Eve as Ainsley Earhardt, Allison Janney as lawyer Susan Estrich, and John Lithgow as the late Roger Ailes.
We mourn the loss of Peter Fonda, a fine actor whose work was overshadowed by his Oscar-winning father, Henry Fonda, and sister, Jane Fonda. He will be best remembered for “Easy Rider,” a film that turned Hollywood upside down in the late 60’s with its fiercely independent spirit on and off-screen.
From the start of his stardom, the actor, director, filmmaker, producer, activist, and father of actress Bridget Fonda (“Jackie Brown,” “Point of No Return”) had a complicated vision of his time and country. It endured as he aged and started playing roles that commented on his youthful stardom. His signature works are “The Wild Angels,” “Easy Rider,”, “Dirty Mary, Crazy Larry,” “The Hired Hand,” “Ulee’s Gold,” “The Limey,” “Escape from L.A.,” and “Ghost Rider.” All were animated by words and phrases that might pop into the heads of Peter Fonda fans when they thought about his career: motorcycles, counterculture, hippies, drugs, alienation, chaos, romanticism, regret, philosophical reflection, world-weariness, hope, and fathers and sons.
It was just six years earlier that he played bland Sandra Dee’s bland love interest in the ultra-bland “Tammy and the Doctor.”
But then, the same year that the film of the Woodstock festival came to theaters, he co-wrote, produced, and starred in the film that was so transformative it led the title of one of the best books ever written about Hollywood history. As Variety wrote, the film “shook up Hollywood and revolutionized the country’s sense of itself….He was the youth-culture version of an icon, rebel son of the archetypal patriarch, and it meant something seismic to see a figure like this — the descendant of American royalty, who could have gone the Ivy League route, or else enlisted in Vietnam — reject his father’s relatively conservative values.” The film cost just $400,000 but made $60 million. Hollywood might not have understood the counterculture, but it understood box office economics.
In 1997, he played the title role in “Ulee’s Gold.” Director Victor Nunez remembered, “When we started shooting, he was an inspiration on the set. He did a lot of scenes with real, swarming bees. But Peter never got stung. Which says something about him as an actor — he could even charm the bees.”
Extended and graphic peril and violence, many characters injured and killed, chases, explosions, assassination attempt, some graphic and disturbing images
Date Released to Theaters:
August 24, 2019
Date Released to DVD:
November 25, 2019
To recap: first the White House was attacked. Not White House Down — that was PG-13 with Channing Tatum and Jamie Foxx. I’m speaking of Olympus Has Fallen, rated R, with Gerard Butler as Mike Banning and Morgan Freeman as Secretary of Defense Allan Trumbull. And then it went international with London Has Fallen, with all of the world leaders as targets when they are in England to attend a funeral. Then there was Hunter Killer, but that was about a submarine commander, not a Secret Service agent. Still, it was a fate-of-the-world shoot-em-up, so we’ll include it as an affiliate member of the GBU (Gerard Butler Universe).
That brings us to chapter three of the Banning/Trumbull saga, and, as they like to say in movie trailers, this time it’s personal. “Angel Has Fallen” is about another attack on the President. But this time what, or I should say, who has fallen is Banning himself. Trumbull has gone from Defense Secretary to Vice President, and now President, and Banning is up for the job of head of the Secret Service. But he has two reasons to be reluctant to accept. First, he is feeling the effect of his concussions and other injuries and is popping a lot of pain pills. Second, he dreads the thought of a desk job. The action is what makes him feel alive.
On a fishing trip, the President is attacked — a stunning scene featuring drones swarming together like demonic birds via artificial intelligence and facial recognition. Banning, who had asked to be relieved because his headache was overpowering, returns just in time to rescue Trumbull, but everyone else on the detail is killed. Banning has been framed; there is a deposit of $10 million from Russia in his bank account. An FBI agent (Jada Pinkett Smith) is after him. Banning is Angel and he has fallen. He has to go on the run, off the grid, to find out what is happening, clear his name, and still keep the President safe.
And so we get to find out something about Banning’s past, and about the way intense, adrenaline-pumping peril can become addicting. I’ve had a problem in the past with the careless collateral damage in this series, and that continues to be a problem. Even a mindless popcorn action movie where the “surprise” bad guys are instantly recognizable has to be careful about staying within the parameters of fun chases and shoot-em-ups and explosions, not too heavy on the carnage. That is an even bigger issue this time, as Banning’s character and struggles are a part of the storyline. Making him a character with more dimensions, maybe one and a half or two but not three, just means more of an adjustment every time we swing into one of the big stunt extravaganzas. Is it all the excitement that has Banning no longer needing to chomp down pain pills all the time? It might have been more intriguing to see him try to outsmart and out-fight the bad guys with some uncertainty around his coping with past injuries, but the story pretty much jettisons all of that as soon as the action starts. The different think and feel levels are disconcerting, especially in one scene that got a lot of laughs in the theater but involves many people getting blown up.
Director Ric Roman Waugh is a former stunt man and stunt coordinator and his staging of the intense scenes of conflict and action is assured and exciting. In addition to the drone attack (filmed by drone cameras), the battle in a building during the movie’s climax is pure testosteronic cinema. I don’t think we’ve seen the last of Mike Banning — the only question is what or who will be the next to fall.
Parents should know that this is an extremely violent film with intense and graphic peril and violence, with many characters injured and killed, guns, drones, explosions, disturbing images.
Family discussion: How are Wade and Mike and Mike’s dad alike? What does “lions” mean to them? Should Mike take the director job?
If you like this, try: the other “Fallen” movies, “Hunter/Killer” and the “Taken” series
Rated R for strong crude sexual content, drug and alcohol material, and language throughout - all involving tweens
Very explicit, profane, and crude language used by young adults and 6th graders
Drugs and alcohol use by young adults and 6th graders, drug dealing
Extended peril with one gross injury, no one badly hurt
Date Released to Theaters:
August 16, 2019
Date Released to DVD:
November 11, 2019
If I could, I’d give “Good Boys” three different grades. I’d give it a B+ for the sweet, smart depiction of that stage of life — equally exhilarating and excruciating — when we make the thrilling, terrifying, transition from child to adult. I’d give it a B for the fun of the adventure the boys go on when they are trying to replace an expensive drone they broke trying to spy on a girl and her boyfriend. But I would give it a D for the cheapness of its humor, relying so heavily on 6th graders using the F word, trying beer and porn, buying drugs, and not understanding the cache of sex toys they find. I don’t find that funny. So, overall, I am not recommending this film. But I will give it credit for the parts that work, and recommend it only for anyone who finds it hilarious to see a child with a ball gag in his mouth — because two other children are trying to re-set his dislocated shoulder on their way to buying molly from some dealer in a fraternity.
The most significant conversation in the film is when a 6th grader is listening to two teenage girls who are close friends and realizes that they have only known each other a few years. He learns for the first time that the friends you make in grade school may not be the friends you have forever, and like so many revelations at that stage of life, this discovery is deeply disconcerting but also intriguing, opening up a whole new world of possibilities — and risks.
Max (Jacob Tremblay), Lucas (Keith L. Williams), and Thor (Brady Noon) are best, best friends who call themselves the Bean Bag Boys. They do everything together and believe they always will. But one element of this stage of life is that any given 6th grader will go back and forth across the line between sophistication and abstract reasoning and a growing awareness of how much they don’t know (and how much even the adults around them don’t know) back to the more childish perspective. These are kids who have been lectured at school about the importance of consent but are not entirely clear on what it is that is being consented to. At this age, the people you feel close to are at a million different points along that continuum as well, so maybe you don’t feel as close to them anymore. As one of them acknowledges, hormones are making them crazy. The movie opens with him using a video game to expand the boobs of an avatar so he can masturbate — until then his father (Will Forte) comes in, sees what is happening, and congratulates his son for growing up.
Dad goes out of town warning his son not to touch the valuable drone he has for his work. But when Max desperately needs to learn how to kiss because he is invited to his first kissing party and the girl he loves and plans to marry but has not yet spoken to will be there and if he does not go and kiss her then life will have no meaning, he decides using the drone to spy on the teenage girl and her college age boyfriend is the answer to his problem. This is after he and the other Bean Bag Boys try doing a Google search for porn and discover it does not have much kissing. The girl is Hannah (Molly Gordon) and she and her best friend (Midori Francis as Lily) refuse to give it back. The boys take Hannah’s purse, which has some molly in a children’s vitamin bottle. (One of the movie’s funniest running jokes is the inability of the boys to open a child guard cap.)
And so the adventure begins, with the boys needing to get or replace the drone and the girls needing to get back or replace the drugs.
There are many sweet and funny moments, and the kids are great. There are wonderfully telling details, like the school anti-bullying squad. But the film cannot overcome the unpleasantness of the cheap humor and the sinking feeling that the filmmaking experience itself merits a visit from Child Protective Services.
Parents should know that this is a story about 6th graders that includes extremely raunchy, explicit material involving very crude and graphic sexual content, drugs and alcohol, some mild peril and violence, and very strong and crude language.
Family discussion: Who are your beanbag boys? What made them friends? Why did Thor decide not to audition?
If you like this, try: “Superbad” and “Pineapple Express”