Interview: Ryan Potter, Hiro in “Big Hero 6”

Posted on February 24, 2015 at 3:58 pm

Ryan Potter provided the voice for Hiro in this week’s DVD/Blu-Ray Pick of the Week, the Oscar-winning Big Hero 6. Talking to him on the phone, it was easy to imagine I was talking to Hiro himself.

Other than a few moments with Maya Rudolph, who played Hiro’s harried guardian, he did not interact with the other voice performers. But, he told me, he was never recording by himself. “You know, it’s funny, sometimes you work with another actor, sometimes you don’t, but you are never really in a room by yourself. You are in the room with people just as important as other voice cast members of the film. You are in the room with the head of production, the director, the producer, the editor, the sound engineer the head of story. You get to create with people just as important to the film as let’s say Scott Adsit, who played Baymax. So you’re never in there by yourself.”

Copyright 2014 Walt Disney Studios
Copyright 2014 Walt Disney Studios

He was excited to find out that “Baymax is kind of a real thing. Someone over at Carnegie has created soft robotics and it’s unreal. There’s kind of danger of having a robot nurse or a robot caregiver is that they could potentially harm you because they are made out of metal. And we’re not made of metal so we are definitely susceptible to being injured by that. But having a soft kind of robot, not pliable but a rubbery or a bouncy nurse would make total sense. They would be able to be a caregiver without harming you.”

Potter told me that the filmmakers wanted “to cast true to Hiro’s ethnicity, which was Japanese-American. They just couldn’t quite find somebody and I guess they didn’t know about me at the time. And they were calling school programs and church groups. Don Hall was not going to give up on casting a Japanese-American, so when they found out about me I guess they were very excited and it kind of showed in the audition process. You usually to go in do this whole song and dance and go, ‘Oh how did I do?’ and the casting director would go like, ‘Alright, thank you, bye.’ This time I went in and I met Don and he was kind of quizzing me on Japanese pop culture. The two of us vibed. Instead of an audition it was more of a work session. It kind of created what Hiro ended up being in that audition. At the end of the day it came down to me being myself. And it was very surreal, I walked out of there very confident in what would we had done and couple hours later they called and asked what my availability was, and if I could send them everything I have done work wise. A couple weeks later we got the call that we got it and I’m like, ‘You are sure you don’t want to do a second audition?’ It was great.”

Copyright 2015 Ryan Potter
Copyright 2015 Ryan Potter

In creating the character, Potter had “a little bit of source material with the comic books,” but “Disney wanted to do their own interpretation. I saw how similar he looked to me when I was 13/14 years old. I went in there and said, ‘that looks at me when I was in middle school.’ So it was great.” He has spent a lot of time in both San Francisco and Tokyo, so he especially enjoyed the imaginary world of “San Fransokyo.” “Being able to see the blend is just uncanny. Tokyo is in a constant state of renewal. When a building gets too old they tear it down and build something new. And San Francisco is the very opposite. They appreciated heritage and preserve it to the best of their ability. So seeing how well they blended the two cities is absolutely unreal. They didn’t lean heavily to one side or the other. It’s literally the perfect 50-50 blend of both Tokyo and San Francisco.”

He feels that 2014 was one of the best years in the history of film, especially films with very smart heroes. “The Theory of Everything,” “Whiplash,” “the Imitation Game” are just three that like “Big Hero 6″ celebrate smart individuals in their field. It is an absolute honor to be able to be in ‘Big Hero 6’ and to represent one of the most successful films of the year in a year where film was as important as it was 75 years ago, in a year of legendary classics.”

He is also proud of the film’s ground-breaking representation of diversity on screen, “what the United States genuinely looks like. If the United States is the melting pot of the world you need entertainment, you need visuals that represent that. They were the first multicultural animated Disney characters of all time. I am very proud to be able to be a part of the film that’s going to open so many door for the Asian American community and the Latin American community and the African American community.”

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Actors Interview

Julianne Moore and Patricia Arquette — Why We’re Rooting for them on Oscar Night

Posted on February 18, 2015 at 11:02 pm

No one is smarter about actors and Oscars than Susan Wloszczyna, and I was honored to be included in her latest Big O piece about front-runners Julianne Moore and Patricia Arquette, and why wins for the two of them will be especially satisfying.

But what will make a triumph for Moore even more satisfying is that the 54-year-old actress, who has been nominated four times before with no Oscar to show for her efforts (and probably should have had a fifth nod for 2010’s “The Kids Are All Right”), is considered long overdue. She hasn’t even been in the race since 2002.

Meanwhile, 46-year-old Arquette — a member of a high-profile acting clan who made her film debut in 1987’s “A Nightmare on Elm Street 3” — has never gotten the recognition she deserves for her standout roles in such films as 1993’s “True Romance,” 1994’s “Ed Wood,” and 1996’s “Flirting With Disaster.” She has been better served as the star of the TV series “Medium,” which aired for seven seasons starting in 2005 and won her an Emmy.

As for Arquette’s role in “Boyhood,” in which she plays a devoted mother determined to better her position in life, it is essentially a lead and probably the most substantial showcase for her talent that she has ever had. That alone practically assures that she will not go away empty handed.

Fingers crossed for both of them Sunday night.

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Actors Awards Critics Understanding Media and Pop Culture

Meryl Streep as The Worst Singer Ever and Why We Love Awful Failures

Posted on February 17, 2015 at 3:57 pm

Why is complete artistic failure so fascinating? I’m a huge fan of Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever by Mark O’Connell, who pays tribute to the “sort of accidental surrealism” of bad art from people who have no idea how bad it is. He describes a mental condition called the Dunning-Kruger effect. “Not only do they reach erroneous conclusions and make unfortunate choices but their incompetence robs them of the inability to realize it.” The people with the lowest competence were also the most likely to overestimate their ability, especially in areas like humor, logic, and grammar. It is kind of the opposite of the Imposter Syndrome, sort of being your own courtier in the story of the Emperor’s New Clothes.

One legendary example of this syndrome was a wealthy woman named Florence Jenkins, who wanted very badly to be a great opera singer but who had a dreadful, off-key voice. Her still-popular recordings include The Glory (????) of the Human Voice. Meryl Streep will be playing Ms. Jenkins in an upcoming film, with Hugh Grant co-starring. Can’t wait to see it. In the meantime, here is the original.

And a reminder of what it is supposed to sound like.

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Actors In Production

Tribute: Louis Jourdan

Posted on February 16, 2015 at 7:20 pm

Copyright MGM/UA 1983
Copyright MGM/UA 1983

We mourn the loss of French movie star Louis Jourdan, who has died at age 93. Best remembered as the handsome, elegant, bored Gaston who lost his heart to Gigi (Leslie Caron), he appeared in a variety of roles opposite leading ladies from Elizabeth Taylor (“The VIPS”) to Grace Kelly (“The Swan”), Shirley MacLaine (“Can-Can”), and Doris Day “Julie.” Adam Bernstein’s astute obituary for the Washington Post noted that Jourdan was not happy playing the all-purpose European romantic lead, and especially enjoyed his chance to be a Bond villain in “Octopussy.” May his memory be a blessing.

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Actors Tribute

Interview: Ali Faulkner of “The Song”

Posted on February 13, 2015 at 3:28 pm

Ali Faulkner is in every way the heart of the new faith-based film, “The Song.” She plays Rose, who inspires the title song and marries the musician who wrote it for her. Unlike most films, this one does not end with the wedding — it is only after they get married that the story really begins, as their marriage is tested when her husband spends most of his time touring. We are honored to have an exclusive clip about the film to share.

I spoke to Ali about the challenges of playing a good person and how she helped to define her character with some important costume decisions.             

“When I first tried out, I definitely was intimidated because I first thought ‘this person is perfect and I’m far from that. How am I going to do her justice?’ But then I got some really good advice from an acting coach. He said, ‘Her name is Rose and every rose has a thorn.’ And that just really struck home with me and so it kind of gave me a little bit of freedom to know that even though this is an incredibly beautiful person, she still has her weaknesses and but of course no person sees their own weaknesses until something big happens. So I just tried to rely on the truth of who she was. I mean you can’t get round the fact that she’s a wonderful person but her flaws showed up naturally in the film and I just tried to be as true to that possible.” Writer/director Richard Ramsey reassured her not to be afraid to give Rose a lightness and sense of humor. “He was like ‘Don’t be afraid to let her be beautiful and shine in her own way and have fun. She doesn’t have to be matronly.’ That is something that you definitely wanted to shy away from because no young girl is going to relate to that.”

The story covers many years and several different stages in the relationship, but they shot out of order. Ali and co-star Alan Powell had to go backwards at times, from the complicated scenes of hurt and betrayal to the earlier scenes of easy intimacy. “It’s just about talking, recognizing where you are in the relationship and the physical stuff helped a lot. I tried to wear like bangs when she was younger and then have a more mature look when she was older. Naturally you’re just thinking about what they’ve been through at moment right before the scene and then that kind of helps. I wanted her to wear a lot of light colors because it just felt unnatural to have her wearing black. In fact the only time I really wanted her to wear black was at her dad’s funeral,that’s it. And even there was one part where she wears a little sash around her dress and it was originally black and I changed it to brown. I don’t know it is one of those things where she’s just such a light spirit that I couldn’t, I just couldn’t put her in dark colors so Rose wore a lot of creams and ivories that really looked and felt beautiful and sweet and conservative but still at the same time womanly in her own way.”

Ali’s first interest in performing was singing. “Singing was my first love and then I got into musical theater and really loved that and just fell in love with the acting side of it and about seven years ago I decided to get into the film world and I just loved it and haven’t a looked back since. I just feel like film gives such opportunity to create things that live on. Our human instinct is going to create thing that will live on in some way.” She is guided by the advice not to try in acting, but “to allow. If you are open enough you can really allow yourself to connect with certain characters but if you try too hard you kind of get in your own way. So that I think is the biggest challenge and struggle that I’m always working on and that I feel like is really important.” Her early inspirations included opera and big, epic films like “Gladiator.” “They seem to pull me into a world that just resonated so deeply and I love it so much. Those are the films that inspired me the most probably.” The movie she’d recommend for a date night is “Love Actually,” which she describes as uplifting and warm.

Ali hopes that the couples who watch this film learn that “no matter where they are in their life we see things in a different way. I just want to them to take away whatever touches them or what ever aspect of the film speaks to them in any sort of positive way. But specifically I guess that challenges can be overcome, that there is hope for relationships that have been broken. And that the beautiful thing that forgiveness is and that forgiveness can heal.”

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