Interview: Meredith Anne Bull of “Strange Magic”

Posted on January 21, 2015 at 3:57 pm

Bog King (voice of Alan Cumming), Griselda (voice of Maya Rudolph) and Marianne (voice of Evan Rachel Wood) are part of a colorful cast of goblins, elves, fairies and imps in "Strange Magic," a madcap fairy tale musical inspired by “A Midsummer Night's Dream.” Released by Touchstone Pictures, “Strange Magic” is in theaters Jan. 23, 2015. Strange Magic © & TM 2014 Lucasfilm Ltd. All Rights Reserved.
Bog King (voice of Alan Cumming), Griselda (voice of Maya Rudolph) and Marianne (voice of Evan Rachel Wood) in “Strange Magic.” Strange Magic © & TM 2014 Lucasfilm Ltd. All Rights Reserved.

Meredith Anne Bull stars in this week’s release “Strange Magic,” an animated musical fairy tale based on a story by George Lucas. She plays Dawn the “young, naive, unaffected and thrilled with life” younger sister of the heroine, Marianne, played by Evan Rachel Wood. She has done voice-over work before, but this was her first time as the voice of a feature film animated character. She says she felt very comfortable working in a recording studio, which is a challenge for some actors who don’t have a musical background. But it was a challenge to create a performance alone in a recording booth, “without the other actors around you to interact with. Sometimes the director will feed you lines and sometimes you are out there on your own and you have to pull from your imagination.” She did get to see some of the movie’s visuals, especially more recently. She began working on the film in 2011, before most of the animation work had been completed.  And the storyline changed over the year. But in the last year she got to see some short clips and had a better idea of what the final version would be like. She says her favorite fairy tales are “Red Riding Hood” and “Goldilocks,” which she thinks is “hilarious.”

Bull told me she originally auditioned for the part of Marianne, singing “Thriller” and “Like a Virgin.” They asked her to read for Dawn, though she says it is Marianne who is more like her in real life, more independent, with more of a dark sense of humor. “But they saw some part of Dawn in me. They’re more to her than being irresponsible and flying off the handle. She’s sensitive, and she really cares about her sister.  Sometimes she can be self-centered, and she lets her sister down at one point, but you see how much she cares about what her sister thinks of her.  She’s not just happy all the time, though that is certainly her go-to emotion.”

The movie has an assortment of contemporary songs, including a duet with Elijah Kelley, Bob Marley’s “Three Little Birds.”  “They’re not like the typical Prince Charming and Princess.  She’s like three feet taller than he is!”

She says the best piece of advice she ever got was from Kelley, who told her not to be intimidated, no matter who she was working with.  “This was kind of my first big film.  I was not exactly intimidated but a little squirrely to be around these people who are very established.  Elijah talked to me about not being intimidated — we are all people, we all have families, we all have insecurities and disappointments.  You should never let anyone make you feel less than you are.”

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Debbie Reynolds on Movie Addict Headquarters

Posted on January 20, 2015 at 12:08 pm

Debbie Reynolds, who will receive a well-deserved Lifetime Achievement Award at the SAG Awards this Sunday, appeared on Movie Addict Headquarters to talk about her career in the Golden Age of Hollywood with Betty Jo Tucker. Be sure to tune in. And this is a good chance to watch or rewatch some of her classic films, including Singin in the Rain, “The Catered Affair,” “Divorce American Style,” and “Mother.”

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Tribute: Rod Taylor

Posted on January 9, 2015 at 9:02 am

Copyright 1960 Rod Taylor
Copyright 1960 Rod Taylor

Today we mourn the loss of the Australian actor Rod Taylor, star of classic films including The Time Machine and Alfred Hitchcock’s The Birds.  He was an affable leading man with the confident physicality of an athlete, comfortable in light comedy, drama, and military settings.

In an interview with TV Guide, Taylor described his early years:

My first big fight was with my mother when I was a kid back in Sydney. She was a writer and wanted me to be an artist. My father began as a rigger on a crane and finally ran his own construction crew. … Anyway, when I was a kid, I dutifully went to the Sydney Technical and Fine Arts College. Then I worked at commercial illustration for newspapers, and my mother was happy. But I did a lot of boxing and I was captain of an Australian surf club. I met a lot of actors there, and I got the bug. I gave up art and became an actor myself, in Australian radio. Mom put up quite a struggle over that — but lost.

He was hired for an American movie filming in Australia, “Long John Silver,” and decided to give Hollywood a try. He told TV Guide:

I did well as an actor in Australia, and then Paramount invited me over … to have a look at me. Hal Wallis took that look, and maybe he was expecting Gregory Peck or something, because he said, “Who is this bum with the broken nose?” … So I told him to stuff it and lived on the beach for a while, catching fish for my food.

After small parts in some films, including “Giant” and “Separate Tables,” and an appearance on “The Twilight Zone” as an astronaut, he had his first movie lead role in the George Pal version of the H.G. Wells classic about time travel, The Time Machine.

After “The Birds,” he appeared in frothy romantic comedies like “Sunday in New York” (with Jane Fonda) and “Do Not Disturb” (with Doris Day).

He was the voice of Pongo, the daddy dog, in “101 Dalmatians.”

He also appeared in one of my favorite guilty pleasure films, the soapy stuck-in-an-airport saga The VIPs, with Elizabeth Taylor, Richard Burton, and Orson Welles. Taylor plays an executive who will lose his business if he cannot get to a crucial meeting, when his flight is cancelled. His devoted secretary is played by Maggie Smith, who also co-starred with him in “Young Cassidy.”

Copyright MBM 1968
Copyright MBM 1968

He continued to work on television and in film, including Quentin Tarantino’s WWII epic, Inglourious Basterds.

May his memory be a blessing.

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Actors Tribute

Elvis Presley’s 80th Birthday

Posted on January 8, 2015 at 7:00 am

Today we pay tribute to Elvis Presley, who was born on this day 80 years ago.

Here he is with Ann-Margret in my favorite of his movies, Viva Las Vegas.

This is the only dance number he choreographed personally.

Here he returns to his first hit, “That’s All Right Mama.”

https://www.youtube.com/watch?v=OZszw5ye7Jg

This is my favorite Elvis song, “Burning Love.”

https://www.youtube.com/watch?v=DcJac6OykfM

In his first film, “Love Me Tender,” he sang one of his sweetest ballads.

Happy birthday to the King!

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Oscar Isaac on “A Most Violent Year”

Posted on January 3, 2015 at 3:11 pm

Oscar Isaac (“Inside Llewyn Davis”) is one of my favorite actors.  In “A Most Violent Year” he plays an immigrant in 1981 New York trying to keep his very successful home heating oil business both legitimate and competitive in a world of rivals who are not as concerned with ethics and staying within the law as he is.

Meredith Alloway interviewed Isaac for Press Play, and his comments on creating the performance with writer/director J.C. Chandor are fascinating.

It was a very dense script.  Obviously he’s very formal. He doesn’t use contractions. He speaks very formally. As an actor you have a choice, you’re like I want to make it more human and talk like I do. I chose to lean into the formality in a way almost like a memory of your grandfather. I would ask all these questions–“What’s he feeling here, what’s he going through?”–and he would say, “The hair’s going to be amazing.” And I’d be like, “What?” Then, “What’s going on inside…?” He’s like, “The suits, you got to take a look at the suits!”  I would get so frustrated! I even wrote him, “I don’t care about suits. I don’t care about the hair! I need to know what’s going on inside!” And then at one point he said, “The suits are not about fashion, it’s a suit of armor.”  Suddenly that hit me in a much different way. As an actor, that’s completely actable….This is war and this is his suit of armor. That influenced how I wore it. It wasn’t wearing a suit to look cool. It was wearing a suit because it was his armor and his way of defense against other people. Even the way he’d sit, come into a room. He wouldn’t really have angles. He always squared off at everyone.

 

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