The Representation Project, using the hashtag #askhermore, is urging reporters on the red carpet to ask women about more than their clothes, jewelry, and manicures. They’ll be live-tweeting tonight, and encourage everyone to tweet the questions we want to hear answers from about what women who make films do other than wear pretty clothes.
t will be the sixth time in just over a year that a prominent late-night desk will be up for grabs. All this turnover would seem like a great opportunity to throw a female host into the mix. But it hasn’t happened yet. So next time, right? There’s always next time. Except next time probably won’t be for a long time. Most late-night hosts stay put for decades. It’s the closest thing to a Civil Service job in TV.
Scovell’s list is long and telling. The departures of Matt Smith (Dr. Who), Craig Ferguson, David Letterman, Stephen Colbert, and Jay Leno all led to calls for women to be considered and replacements who are male. No question that all of those replacements are enormously talented. But are they the only talented options? Or the most talented?
The one solace: Whoever gets Mr. Stewart’s job will do better at hiring women than Jay Leno and Mr. Letterman, but that’s only because you couldn’t do worse. Mr. Leno went off the air with zero female writers; Mr. Letterman is set to bow with just one. (I like the image that together they average half a woman.)
At this point, I’d cheer a host being joined by a female sidekick.
“What’s wrong with bossy? It’s O.K. for a man.” Barbra Streisand, Director (“The Prince of Tides”)
It’s a conundrum: We can’t change it ourselves, but no one can change it but us.” Jennie Livingston, Director (“Paris Is Burning”)
“It was Gina Bythewood who told me, ‘If someone is just a pig to you on set, don’t deal with it behind closed doors, because you have to show the whole crew that you will deal with it and you will not have it.’ ” Ava DuVernay, Director (“Selma”)
AWFJ EDA ‘BEST OF’ AWARDS
These awards are presented to females and/or males. Best Film
BOYHOOD Best Director (Female or Male)
Richard Linklater for BOYHOOD Best Screenplay, Original
BIRDMAN – Alejandro Gonzales Inarritu, Nicholas Giacobone, Alexander Dinelaris, Armando Bo Best Screenplay, Adapted
GONE GIRL – Gillian Flynn Best Documentary
CITIZENFOUR – Laura Poitras Best Animated Film
The LEGO Movie – Phil Lord, Christopher Miller Best Actress
Julianne Moore for STILL ALICE Best Actress in a Supporting Role
Tilda Swinton for SNOWPIERCER Best Actor
Michael Keaton for BIRDMAN Best Actor in a Supporting Role
J.K. Simmons for WHIPLASH Best Ensemble Cast (tie)
BIRDMAN – Francine Maisler, Casting Director
and
GRAND BUDAPEST HOTEL – Douglas Aibel (US), Antoinette Boulat (France), Simone Bar, Alexandra Montag (Germany), Debra Maxwell Dion (LA), Jina Jay (UK) Best Editing
BIRDMAN – Douglas Crise, Stephen Mirrione Best Cinematography
BIRDMAN – Emmanuel Lubezki Best Film Music Or Score
BIRDMAN – Antonio Sanchez Best Non-English-Language Film
IDA – Pavel Pawlikowski (Poland)
EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.
Best Woman Director
Ava DuVernay for SELMA Best Woman Screenwriter
Gillian Flynn for GONE GIRL Best Female Action Star
Emily Blunt for EDGE OF TOMORROW Best Breakthrough Performance
Gugu Mbatha-Raw for BELLE Female Icon of the Year (tie)
(a woman whose work in film and/or in life made a difference)
Ava DuVernay
and
Laura Poitras
EDA SPECIAL MENTION AWARDS Best Depiction Of Nudity, Sexuality, or Seduction
UNDER THE SKIN – Scarlett Johansson Actress Defying Age and Ageism
Tilda Swinton Most Egregious Age Difference Between The Leading Man and The Love Interest
MAGIC IN THE MOONLIGHT – Colin Firth (b. 1960) and Emma Stone (b. 1988) Actress Most in Need Of A New Agent
Cameron Diaz for SEX TAPE Movie You Wanted To Love, But Just Couldn’t
INHERENT VICE