George Takei: Standing Up to Racism Then and Now Online Tonight 8pm Eastern
Posted on April 13, 2020 at 2:06 pm
George Takei: Standing Up to Racism, Then and Now
Facing History writes: Amid these unprecedented times, we recognize that coming together as a community is as important as ever. We invite you to gather your family, grab some snacks, and join the Facing History community for a special series of engaging and thought-provoking online conversations about what it means to face history now.
For the first conversation in this series, actor and activist George Takei will join us to discuss his family’s wrongful incarceration during WWII, and the anti-Asian racism on the rise today.
Sometimes history is made by groups of people in labs or courtrooms or legislative bodies or battlefields. Sometimes history is made by two people talking to each other quietly. We hear those stories less often. It may be that what makes those changes possible is keeping them secret. Perhaps that is what makes imagining them so irresistible. That is what screenwriter Anthony McCarten has done in fact-based films like Bohemian Rhapsody, The Darkest Hour, and his latest, The Two Popes.
For the first time in nearly 700 years, a pope (Sir Anthony Hopkins as the more conservative Pope Benedict) resigned instead of serving until death. That made it possible for him to play an unprecedented role in encouraging and supporting the choice of his successor, Pope Francis (Jonathan Pryce as the first pope from the Americas).
In an interview, McCarten talked about what “great directing” by Fernando Meirelles added to the film, and why this is his “most adventurous” film…..Minow: In some of your other films based on real-life characters you had tremendous amounts of information about what went on even in their private moments. You had correspondence and diaries as well as a lot of documentation of their public moments. But here you really had to imagine conversations that no one knows anything about.
McCarten: You’re quite right. This is probably the most adventurous of the films I’ve done. There’s some artistic license but, I hope no less responsible than anything that I’ve done and ultimately, hopefully, no less truthful. These conversations that I imagined are based on deep research. In fact I did so much research that there’s an accompanying nonfiction book that you can buy in all good bookstores which shows how I really went into their pasts and looked at all the circumstances surrounding the resignation of Pope Benedict. It’s essential in all these ventures that you get it right as much as possible and in this particular case it is literally sacred ground. So, it cannot be careless and it cannot be flippant in any way. It has to be embedded in known truths. In fact, even when I create these long dialogues between these two, those dialogues are reflections of their stated positions about the future of this 2000 year old institution.
Interview with the Women Behind the Netflix Series “Unbelievable”
Posted on September 17, 2019 at 8:00 am
“Unbelievable” is the stunning new Netflix limited series based on the real-life case of a young woman who told the police she had been raped, and then, when they decided she was not telling the truth, she was charged with filing a false report. Three years later, due to the dedication of two police detectives in another state, the rapist was arrested, with incontrovertible evidence showing that the young woman had been telling the truth.
What made you decide that this needed to be a series rather than a feature film or, or a small screen rather than big screen?
Grant: It was less size of screen and, and more scope of storytelling that is made possible in eight episodes. We briefly, maybe I was the only one who briefly thought about the two hour form just because I’ve lived there for a while. But there’s just so much to unpack in this story and so many interesting ideas to flesh out. You just never would have had the time to really play out in a feature film. Just that first episode is almost an hour and you need every minute of it. You feel the impact of both the medical exam and then the police examination and it’s the real time quality of the first episode that I think is part of its strength. And I think if you had to truncate that and fit it into 10 minutes of a film or 15 minutes of a film it wouldn’t have the same impact. Really early on there were just so many things that we were excited about exploring within it. They’re all introduced in that great article. I think it became pretty clear and the reach of what Netflix is able to do with their limited series tremendous. We will be in 190 countries on Friday. There was a nice review that praises the show for showing, not telling. You couldn’t express the tenacity of those two detectives in a feature film. I think that dead ends that they hit are as interesting as finding the rapist. The false leads are as interesting as the things that become legitimate and you couldn’t possibly go down all those avenues if you’re trying to tell the story in a film. Life doesn’t fit into that kind of narrative structure and this piece reflects life.
Ric Roman Waugh: Gerard Butler and I have known each other for a number of years and been wanting to work together, and we talked about a number of things. And then I got a call out of the blue about doing the third installment of his Fallen franchise. What Gerard wanted to do was to take the action and the spectacle of the first two movies and send it to new directions and basically make more of an origin story. I love that idea.
So the idea was to not do an event-style plot of the White House being taken in Olympus Has Fallen, or the world leaders being assassinated in London Has Fallen. This movie is about Mike and it shows a day in the life of service. And also the complications that come with that and the heroism and the addictions to the job. You know it’s very much like what our military community or the first responders and law enforcement go through, or even if you think about it, professional athletes.
Mickey Nelson: Most of the Secret Service men and woman that retire go on to do something else–like now I try to do projects like this, so that is a challenge. Luckily you train all along the way, not just initially when you go into the Secret Service. So I think that really helps you adjust. You realize that you can’t stay on all of the time so you inject, as Ric always talks about, a lot of levity. You will see some levity, in the movie. I use that still to this day quite a bit as you probably have noticed. So that’s kind of what helps me deescalate.