Families should make a point to watch “Faces of America,” an engrossing new television series on PBS. Harvard professor Henry Louis Gates Jr. sits down with celebrities like Stephen Colbert, Meryl Streep, Mario Batali, Eva Longoria, and others to use their family histories to illuminate the story of America. It is touching and inspiring to watch the participants learn for the first time the details of the courage and dedication of their forefathers, those who came to America filled with hope and those who were brought here as slaves. Professor Gates said,
We were able to trace the ancestry of Native American writer Louise Erdrich back to 438 A.D. We found that Queen Noor is descended from royalty, and that’s before she married King Hussein of Jordan. We found that the African American poet Elizabeth Alexander is related to the emperor Charlemagne!
We went even further and used DNA analysis to look for “deep cousins” — common ancestors among our guests — and we found genetic connections between eleven of our twelve guests. I found that despite all our apparent differences in terms of culture and history, we are all the same.
And why shouldn’t Hollywood love a good wedding? With its swirl of heightened emotions, its simmering leitmotifs of love and loss, fear and hope, all swathed in a frothy confection of pink roses, white butter cream and queen-for-a-day tulle, the wedding provides an irresistible trope, from the ditziest rom-com to the bloodiest gangster epic. It’s a tiny three-act drama in microcosm (the incident-filledrun-up to the ceremony, the ceremony itself, the aftermath) that can give audiences insta-catharsis. And whether a marriage is meant to be or doomed to fail, there’s something viscerally satisfying about a wedding, in all its reassuring ritual….We cherish them not just as classic examples of courtship at its most idealized but also as trenchant social commentaries. If they initially charmed audiences with gorgeous movie stars, dreamy romance and zany comedy, they endure because they’re such revealing reflections of their times.
There are weddings in romance movies, of course, and in comedies and dramas, but you can find them even in gangster movies, war movies, movies for children and movies for adults. Sometimes the main character is the bride or groom but very often the wedding couple are secondary characters and the wedding is just a place for all the drama or comedy or even action to play out. Sometimes a movie wedding is the culmination of the plot because the couple gets married and sometimes it is the culmination of the plot because the ceremony is interrupted. The Baxter makes the guy whose job in the story is to get left at the alter the center of the movie. (One of the highlights is the wonderful Peter Dinklage as a wedding planner.)
Before there were movies, there were fairy tales that often ended with a wedding. Weddings are in the same category as the lost ark or the secret formula or the capturing of the bridge or winning the big game. Love is life’s big adventure and a wedding is the symbol of its ultimate expression. And it is also a lot of fun to see other cultures and traditions. Here are some of my favorite movie wedding scenes. I’d love to hear yours, too.
1. The Godfather One of the greatest American films begins with a wedding reception that gives us unforgettable introductions to the entire cast, their values, and their relationships.
2. The Deer Hunter A agonizing film about the impact of the Vietnam war on three friends begins with an extended wedding scene that establishes the foundation for what is to come by making us not just care about the characters; after that wedding reception, filmed with such intimacy, we almost feel like part of the family.
3. The Philadelphia Story My all-time favorite movie is this sophisticated and witty story about the forthcoming wedding of a wealthy woman to an executive with political ambitions. Complications ensue when a reporter, a photographer, and her ex-husband show up for the festivities.
4. The Graduate A very few movies seem to express and even shape the themes of their time. And a small fraction of those hold up over time as works of art. “The Graduate” leads that category with brilliant direction from Mike Nichols, a haunting soundtrack by Simon and Garfunkel, and superb performances by Dustin Hoffman as Ben, the title character, who symbolizes the disaffection of his generation and Anne Bancroft as Mrs. Robinson, the friend of his parents who symbolizes the emptiness of hers. When Ben finds something meaningful in a relationship with Mrs. Robinson’s daughter, he ends up disrupting her wedding in a scene that has become iconic.
5. Four Weddings and a Funeral Screenwriter Richard Curtis based this on his own experience of finding himself at a seemingly endless stream of weddings. Charlie (Hugh Grant, in a star-making role) meets Carrie (Andie MacDowell) at the first of the weddings and their relationship evolves over the rest of the title ceremonies. But this is really the story of Charlie and his friends, all of whom find love by (but sometimes not until) the closing credits.
6. Bend it Like Beckham Parminder Nagra plays Jesminder, the daughter of a traditional Punjabi Sikh family in London who wants to play soccer. Her sister’s wedding plans provide a context for her struggles against her family’s reluctance to let her play, especially when it turns out that the soccer finals are at the same time.
7. Lovers and Other Strangers The wedding at the center of this film is the setting for a wide variety of happy and sad, healthy and dysfunctional love relationships among the extended family, played by a stand-out cast including Gig Young, Cloris Leachman, Anne Meara, Bea Arthur, and Anne Jackson. The Carpenters’ standard, “For All We Know” was written for this film.
8. Father of the Bride There has never been a more beautiful bride than Elizabeth Taylor in this affectionate comedy about the impact of a wedding on the family. Spencer Tracy plays the beleaguered father who is expected to pay endless bills and endure endless relatives on both sides. The scene where he comforts her after she (briefly) breaks off the engagement is one of my very favorites.
9. Fiddler on the Roof This classic musical based on the stories of Sholom Aleichem about a small Jewish village in late 19th century Russia. The main character is a poor milkman who has a lot of challenges in marrying off three of his daughters. The themes of tradition and change in the romances of the three daughters and in the community at large come together in the warm and loving wedding celebration (with the lovely song “Sunrise, Sunset”).
10. My Big Fat Greek Wedding Inspired by the real-life experience of Nia Vardalos, the daughter of Greek immigrants, this touching and hilarious story of a shy young woman in a big, noisy family who finds love with a kind-hearted teacher, leading to some confusion and misunderstandings but also a lot of laughter and new connections.
As we prepare for the London games, I highly recommend:
The First Olympics: Athens 1896, one of my very favorite sports movies ever, is a made-for-TV miniseries about the first modern-day Olympics. We take the Olympics as a given now, but there were 1500 years between the time of the ancient games and the establishment of the modern Olympics with countries from all over the world putting aside their political differences for athletic competition in the spirit of good sportsmanship and teamwork. Showing the origins of everything from the starting position for sprinters to the impulsive selection of the Star Spangled Banner as the U.S. national anthem, the story is filled with drama, wit, and unforgettable characters, sumptuously filmed and beautifully performed by a sensational cast that includes then-unknown David Caruso of “CSI,” one-time Bond Girl Honor Blackman, David Ogden Stiers, Angela Lansbury, and Louis Jourdan. It was a Writer’s Guild and Casting Society award winner when it was first released. It is a great introduction to the games, a thrilling and inspiring story, and outstanding family entertainment.
“Once Upon a Mattress,” a musical version of “The Princess and the Pea,” is one of my favorites. Carol Burnett became a star for her portrayal of the kind-hearted but rather loud princess when it premiered on Broadway and she repeated the part in two television broadcasts. In this version she plays the queen, who will do anything to stay in power, which means stopping her timid son from finding a bride. The songs, written by Mary Rodgers (daughter of Richard Rodgers of “South Pacific” and “The King and I”) and Marshall Barer, are tuneful, witty, and utterly charming.
In supporting roles, Zooey Deschanel (“(500) Days of Summer”) and Matthew Morrison (“Glee”) are fairy-tale perfect. A great family movie!