Boomerang Explains the Financial Crisis for Kids

Posted on November 12, 2008 at 12:00 pm

Do you want to find a way to help children understand and the financial crisis? (Could you use a little help understanding it yourself?) Do terms like “sub-prime” and “bailout” make your eyes glaze over?
Boomerang, the brilliant audio magazine for kids and their families, has regular features that make sense of the headlines for kids and is always thought-provoking and a lot of fun. Their explanation of the current situation is something every family should share and discuss.

Interview: Phylicia Rashad of ‘The Cosby Show’

Posted on November 11, 2008 at 7:00 am

One of my all-time favorite television moms was Phylicia Rashad as the ever-capable, ever-glamorous, ever-wise, and ever-beautiful Clair Huxtable, lawyer, mother of five, and wife of the ever-bemused Cliff Huxtable. It was a joy to speak with her about this week’s 25th Anniversary Commemorative Edition of the complete series on DVD.

What inspires you?

Oh, I have a well of inspiration to pull from. My mother, my father, my sister, all the teachers I have ever known, and my friends, all of these inspire me. And the practices in which I engage every day, the practice of meditation in which I engage every day. I look in nature in wonder at what nature is and what she does and how she does it, and realize that myself and all people are a part of it and that is very inspiring to me.

How did you come to be cast as Clair?

I had a series of auditions, and at the time it was thought that she would be bi-lingual. When I was 13 my mother took us to live in Mexico City for a semester and I learned my capacity to learn a foreign language and later studied Spanish, and it helped me in the audition. Later I asked Mr. Cosby, “Why did you cast me?” He was twirling his cigar, and said, “By the look in your eye when you told Theo to shut up, that was the eye of a mother.”

What’s next for you?

I am in Halle Berry’s next film, a drama.

Do you have a favorite episode?

Love them all. I loved the one when all members of the family assumed different characters to teach Theo a lesson about money, Theo’s prom, the girls with their hair blown all over creation, that was funny as all get-out. I loved the episode with Christopher Plummer and Roscoe Lee Browne delivering Shakespeare in the living room. The opening credits were a production in themselves, something we looked forward to doing each year.

What makes you laugh?

My nieces and nephews. I take great joy in them. Time with my friends. I have a wonderful group of women friends and I love it when we get together.

I have one Cosby Show DVD set to give away to the first person who sends me an email at moviemom@moviemom.com with “Cosby” in the subject line — for those who have not previously won anything only, please!

Dana Stevens on the Melancholy Beauty of the Charlie Brown Specials

Posted on November 8, 2008 at 5:47 pm

Slate’s Dana Stevens has a lovely essay on “Why I love the melancholy Peanuts holiday specials,” in honor of a new holiday collection dvd set.

Those specials–at least the big three: the Halloween, Thanksgiving, and Christmas shows that were recently released in a “deluxe holiday collection” by Warner Bros.–have a mood unlike any animated film for children made before or since. For one thing, they’re really, really slow–slow not just by our ADD-addled contemporary standards but also next to the programming of their own time. Just compare the meandering pace of A Charlie Brown Christmas
(in which Charlie tries, and fails, to direct a single rehearsal of a Christmas play) with the generation-spanning epic crammed into Rudolph the Red-Nosed Reindeer
(1964). But what really sets the Peanuts specials apart is their sadness. Even digitally remastered, with the background colors restored to their original vivid crispness, the Peanuts holiday specials have a faded quality, like artifacts from a lost civilization. As Linus observes of the wan, drooping pine sprig Charlie Brown eventually rescues from a huge lot of pink aluminum Christmas trees, “This doesn’t seem to fit the modern spirit.”

My favorite is this beautiful scene with the children skating to the bittersweet music of Vince Guaraldi.

Stevens talks about the insights from the extras on the new DVD set, which reveal that it was Schultz who insisted that there be no laugh track and that real children provide the voices. But the highlight of the piece is her lyrical descriptions of what made those early specials so, well, special.

Here I could write an epic poem detailing the multiple felicities of the Peanuts specials: the van Gogh-esque night sky that dwarfs Linus and Sally as they wait in the pumpkin patch for the Great Pumpkin, Linus’ stirring reading from the Gospel of Luke at the end of A Charlie Brown Christmas, the impossibly hip “Little Birdie” song that plays in the background as Snoopy and Woodstock prep for their Thanksgiving feast.

Alice Upside Down

Posted on November 3, 2008 at 8:00 am

B+

Lowest Recommended Age:	4th - 6th Grades
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Reference to sad death and illness
Diversity Issues:	Diverse characters

Based on the popular series of books by Phylis Reynolds Naylor, this understated but sensitive and warm-hearted film is funny, touching, and wise.

Middle school is miserable enough, but for Alice (Alyson Stoner) there are complications that are even more horrifying. She is brand new in town because her father (Luke Perry)
has just bought a music store in Silver Spring, Maryland, so they have moved away from everyone they know. She has gotten off on the wrong foot with just about everyone — a neighbor who is in her class in school (a muddy handshake and un-gracious rejection of her family’s gift of a meatloaf dinner), a boy from school (she accidentally opened the door to the changing room at the store and saw him in his boxers), and her terrifying new teacher, Mrs. Plotkin (Penny Marshall, in a welcome return to performing) by insisting that she was supposed to be moved to another class. But the most important reason she feels out of place (aside from being 11 years old) is that she misses her mother, who died when she was little, and her father does not want to talk about her.

Naylor and screenwriters Meghan Heritage and Sandy Tung have ably evoked the tumultuousness of 6th grade as Alice swings back and forth from misery to ecstasy and from over-confidence to utter humiliation and back again. When Miss Cole (Ashley Drane), the teacher she idealizes, directs the school play, Alice thinks all of her problems will be solved. All she needs to do is get the lead and fix the teacher up with her father so they can unite in marriage and in recognizing Alice as the fabulously talented, confident, and popular girl she knows she is destined to be.

Of course, that isn’t the way it all works out. Alice lapses into daydreams, forgets to do her homework, and finds that she did not inherit her mother’s gift for singing. But she also discovers that she can learn from her mistakes and that everyone deserves a second chance.

Stoner is an appealingly sincere young actress with a gift for comedy and “High School Musical’s” Lucas Grabeel is terrific as her older brother. Co-screenwriter Tung directs with enough respect for his characters and the audience that he lets everyone learn some lessons without having a sit-com resolution to every situation. It’s a fine family film, enthusiastically received when I introduced it at the Tallgrass Film Festival and I was delighted when it came in second for the festival’s audience award.

List: Election Documentaries

Posted on October 31, 2008 at 8:00 am

In honor of one of the most exciting elections in American history, here is a list of ten classic documentaries about elections and politics.

1. Primary This pioneering political documentary from Robert Drew, the first in a trilogy, shows candidate John F. Kennedy running against Hubert Humphrey in the Wisconsin primary in 1960. Elbert Ventura wrote in Slate:

Stacked up against today’s documentaries, which tend toward overweening subjectivity and strident polemics, Drew’s movies seem like relics. Here, it seems, was the first gaze–the audience granted an intimate glimpse of their leaders, the subjects not yet trained to play to the cameras. Ironically, Drew’s innovations would end up killing the very spontaneity he captured. The ubiquity of portable cameras, whose development Drew helped speed along, would eventually usher in the era of media-trained politicians.

2. The War Room “It’s the economy, stupid,” was the mantra of campaign specialists James Carville and George Stephanopoulos as they and their colleagues took a young Governor from Arkansas to the White House.

3. Our Brand Is Crisis Carville attempted to export his skill at marketing candidates to Bolivia and the result is a tale of American hubris — soon to be remade as a feature film starring George Clooney.

4. A Perfect Candidate Two very high profile Virginia candidates for the Senate, former Governor (and Lyndon Johnson son-in-law) Charles Robb and Iran-Contra figure Oliver North compete for votes in 1994 in one of the state’s most tumultuous elections.

5. Journeys With George The daughter of the first woman Speaker of the House made this up-close-and-very-personal documentary about the campaign of George W. Bush that is as much about the way media covers the candidate as about the candidate himself.

6. Anytown, USA Candidates for mayor of Bogota, New Jersey — two legally blind, one ill, in a race that proves that not only is all politics local politics but that local politics are just as brutal and unpredictable as national elections.

7. See How They Run Even by San Francisco standards, this race is a wild one. The ever-popular wheeler-dealer Willie Brown is challenged by a baker’s dozen of colorful characters.

8. The Delegate Most documentaries focus on the candidates, their top aides, or the press. This one looks at a 21-year-old delegate to the GOP convention.

9. Boogie Man: The Lee Atwater Story The late former Chairman of the Republican National Committee who engineered Ronald Reagan’s election is profiled in this current theatrical release.

10. Unprecedented – The 2000 Presidential Election Oscar-winner Philip Seymour Hoffman takes the viewers on a journey through the turbulent 2000 election with stops at the Republican and Democratic conventions and conversations with activists from all sides.