The Movies That Inspired Screenwriters To Write Their Own

The Movies That Inspired Screenwriters To Write Their Own

Posted on March 23, 2021 at 11:23 am

Copyright 1997 New Line

LA Magazine has an entertaining article about the movies that inspired screenwriters to write their own. Several of them pointed to representation that communicated to them for the first time that it was possible for someone like them to work in show business. Felischa Marye of “13 Reasons Why” said it was the Black romances of the 90s like “Love Jones” and “Love and Basketball.” Some talked about the films that excited them as children, like Dustin Lance Black (“Milk”), who remembered seeing “ET” at age 8.

E.T. was centered on a single-parent home, its middle child, Elliot, in desperate need of connection, hope, friendship, love, and to my young mind’s eye: a father figure. He was my age. Like me, a middle child. And like him, I had no clue where my dad was. I had never connected with anyone in a film the way I did with Elliot that day. Because, unlike the solitary experience of watching TV at home, I wasn’t the only one laughing and gasping. Everyone in the audience was. Often in unison. For those treasured two hours, I knew I wasn’t alone. And for a shy boy who was certain he was too strange for this world, there was no better medicine than to learn that my heart beat in similar fashion to others’.

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Understanding Media and Pop Culture Writers
The Real Story: The Courier

The Real Story: The Courier

Posted on March 18, 2021 at 6:37 pm

 

Copyright 1985 Corgi

The Courier is based on the true story of an ordinary businessman named Greville Wynne who was asked by the CIA and MI6 to deliver some materials being leaked to the west by a high-ranking Soviet official.

The movie is pretty close to the real story, with one big exception making the CIA representative be a woman, played by Rachel Brosnahan of “The Marvelous Mrs. Maisel.” It is doubly hard to figure out what really happened, first because so much of the story is still classified and second because Wynne wrote two books about his experiences which were, well, inaccurate to the point of fantasy.

The Smithsonian has the real story.

 

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The Real Story
Back with Arch and Jen and Loo on the At the Movies Podcast

Back with Arch and Jen and Loo on the At the Movies Podcast

Posted on March 18, 2021 at 2:43 pm

It is always fun to talk to Arch Campbell and Jen Chaney on their At the Movies podcast. In this very special 80th episode, we talked about the Oscars and the problems at the Golden Globes, about the Grammy show and new releases “The Father” and “The Courier.” Hope to be back on again soon.

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Awards Podcasts

Can the HFPA Fix the Golden Globes?

Posted on March 17, 2021 at 2:53 pm

The Golden Globes is known for three things: (1) A tiny, secret group of LA-based “foreign press” only known for giving out awards, (2) A big, glittery show with lots of awards to both TV and movies with double categories for comedy/musical and drama, improving the chances to people and productions to win, and (3) A history of secrecy and allegations of corruption and lack of diversity. This year that last category gained even more prominence with revelations that members are paid as much as $25,000 through NBC, which broadcasts the show and the nomination of “Emily in Paris,” following a cushy junket where HFPA members were put up in a $1200 a night hotel in Paris.

The publicists representing Hollywood’s top talent have demanded major changes:

“We call on the Hollywood Foreign Press Assn. to swiftly manifest profound and lasting change to eradicate the longstanding exclusionary ethos and pervasive practice of discriminatory behavior, unprofessionalism, ethical impropriety and alleged financial corruption endemic to the HFPA, funded by Dick Clark Productions, MRC, NBCUniversal and Comcast,” the publicists wrote in a letter sent to the group Monday afternoon.

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Awards
Comments on the Oscar Nominations

Comments on the Oscar Nominations

Posted on March 15, 2021 at 6:03 pm

I’m quoted in an NBC story about today’s Oscar nominations. While, as always, some of my favorites were overlooked, I am delighted by seeing so many deserving filmmakers recognized.

“I let out a little yelp when I saw the nominees,” said Nell Minow, a film critic and corporate governance expert, pointing to strong showings by low-key, thoughtful dramas such as Lee Isaac Chung’s “Minari” and Chloé Zhao’s “Nomadland.”

“We’re seeing a lot more diversity partly because the normative, white male blockbusters had to step aside last year,” Minow said, referring to the various movies that were postponed amid the pandemic.

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