When Television Changed Politics: Stevenson/Eisenhower

Posted on October 15, 2008 at 11:15 pm

NPR has a great series about political firsts, including the first woman candidate for President (Victoria Woodhull, who ran in 1872, 48 years before women got the vote) and the impact of television on political campaigns in 1952, when Adlai Stevenson ran an old-school race based on speeches and Eisenhower ran television ads designed by the man who created M&M commercials. Listen for my dad, Newton Minow, recalling his experiences in the Stevenson campaign.

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Religion on ‘The Simpsons’

Posted on October 9, 2008 at 10:22 am

Be sure to check out this terrific Beliefnet gallery from Mark I. Pinsky on the best Simpsons episodes about religions. It includes “Like Father, Like Clown” (written with the help of three rabbis, about Krusty the Clown’s exploration of his Jewish identity), “She of Little Faith,” where Lisa explores Buddhism with Richard Gere, and “The Father, the Son, and the Holy Guest Star,” with Liam Neeson as a priest.
I loved the brief scene in The Simpsons Movie when it looked like the world was ending and everyone from the church ran into a bar just as everyone in the bar ran into the church. Simpsons episodes have explored everything from end of days speculation to Genesis. And of course recurring character Ned Flanders is a gently joking — but ultimately respectful — portrayal of sincere faith and the kindness it inspires.

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Televised Presidential Debates

Posted on September 26, 2008 at 2:00 pm

There’s an op-ed in today’s Chicago Tribune is about the value of televised debates. It was written by my dad, Newton Minow, and his frequent co-author, Northwestern professor Craig LaMay. This week is the anniversary of the very first Presidential debate, the legendary Kennedy-Nixon broadcast from Chicago in 1960. Both candidates and most historians believe it played a decisive role in the outcome of the election.

Slate has a good video review of the highlights (or rather low points) of the past debates from Ford’s fumble on Eastern Europe to Al Gore’s sighs and George H. W. Bush looking at his watch as though he was bored.

On Monday, Dad and Professor LaMay participated in a panel discussion at the Paley Center for Media (formerly the Museum of Television and Radio) about the history and future of the debates with the producer of the Kennedy-Nixon debate, Don Hewitt (who would go on to produce “60 Minutes”), and Newsweek’s Jonathan Alter. From the audience, Kennedy advisor Ted Sorensen recalled briefing the candidate and former debates co-chair Rita Hauser, who recalled the 27-minute audio breakdown in the Carter-Ford debate and the wry comment by one-time Presidential candidate Eugene McCarthy that he didn’t notice.

My dad is the only person to have helped organize every Presidential debate in U.S. history. He and LaMay have written a book, Inside the Presidential Debates: Their Improbable Past and Promising Future.

In today’s op-ed, they describe the improved format of this year’s debates,

designed to get the candidates to talk directly to each other, rather than to the moderator. The 90-minute forum will be broken into segments, each devoted to a particular subject. This new format is a direct response to voter preferences and can only improve what are already the most genuine events of a campaign that is otherwise a carefully scripted and uninformative run of television news sound bites and (mostly negative) advertisements.

And they respond to criticism that the candidates merely recite canned answers:

The televised debates are the only place in the modern campaign where voters get the opportunity to compare the candidates and their views and see them think on their feet. Yes, the candidates will anticipate questions and prepare answers in advance. Who would expect otherwise? This is the biggest contest on the American electoral stage.

More important than what happens in the debate is what it means for American citizens.

You are smarter than the pundits and political professionals. After you watch tonight’s debate, turn off your television and avoid the spin that follows. Talk about the debate with your family, co-workers, friends, neighbors. Then go see what the pundits have to say, and whether you think they got it right. It is your judgment and your vote that counts, not theirs.

Finally, we confidently predict the winner of tonight’s debate and those still to come: the American voter.

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The Art Form of TV Opening Credits

Posted on September 20, 2008 at 8:00 am

Newsweek’s tribute to the opening credits of the new HBO series “True Blood” reminded me of the good old days when television show theme songs and opening credits were as much fun as the shows. The “Dick Van Dyke” show kept you guessing each week. Would Rob Petrie trip over the ottoman or not?

“The Simpsons” has a terrific theme by Danny Elfman and a funny kick at the end with Bart writing a different sentence on the blackboard for punishment each week. Theme songs from Welcome Back Kotter and Friends appeared on the pop charts. I’ll bet if I just mention The Brady Bunch, Gilligan’s Island, or Cheers the entire song will go through your head — and might get stuck there. Each year’s Cosby Show opens different and all were completely charming. The best part of Valerie Bertinelli’s short-lived sitcom “Sydney” was the theme song written by her then-husband Eddie Van Halen. And I used to turn on the Saturday morning show Mugsy each week just to hear the theme song song by David Clayton-Thomas of Blood, Sweat & Tears. On PBS, the opening credits for “I Claudius” and “Tinker Tailor Soldier Spy” set the tone perfectly. HBO’s “Big Love” and “Six Feet Under” had superb opens.

But this one may be the all-time best:

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