The FCC, the Supreme Court, and the F- and S-Words

Posted on November 4, 2008 at 8:00 am

As we go to the polls today, honoring our Constitution’s fundamental principles of representative democracy, another key element of Constitutional system of checks and balances is also at work. And it may include consideration of yet another key founding principle of the United States, the right of freedom of speech and the press under the First Amendment of the Bill of Rights.
Today the Supreme Court will hear arguments in the case of Federal Communications Commission v. Fox Television Stations. The FCC, an independent agency of the federal government, will argue that it has the authority to ban “fleeting” expletives after the FCC issued warnings to broadcasters after celebrities used certain terms in live broadcasts.
The case is not strictly speaking a First Amendment case. As legal challenges often do, it relates more specifically to the procedures followed by the FCC in determining their policy on the words at issue. And as always happens with high-profile Supreme Court cases, there have been many filings by “amici” (“friends of the court”) — advocacy groups, television producers, even the pediatrician’s trade association — all expressing their views about who should decide what is appropriate, when they should decide it, and how the decision should be implemented. A group of former FCC Commissioners and staff wrote that while they were “not without sympathy” for the the FCC’s views on obscenity, they were concerned about:
decisions that have transformed a hitherto moderate policy of policing only the most extreme cases of indecent broadcast programming into a campaign of regulatory surveillance that will chill the production of all but the blandest of broadcast programming.
The words at issue raise an interesting problem in the arguments before the Court, where lawsuits are always argued with decorum and formality. According to the Supreme Court blog SCOTUS:
Unless Chief Justice John G. Roberts, Jr., intervenes, some of the argument in the Supreme Court chamber next Tuesday morning may sound at times like a typical conversation in a seventh grade boys’ restroom — the uninhibited use of four-letter words.
And, if Roberts allows it, such a display of blue language will be heard on TV and radio — in the middle part of the day — across America, and may be read the next morning in many newspapers. But, apparently, not in every news outlet.
The Court may very well rule that the FCC may not interfere with the “fleeting” use of these words on the air. And they may do so without using the words themselves, as they did in the famous case where they upheld the use of the f-word in a political protest. They noted that the word could be considered indispensable to make exactly the objection that the protester wanted to without saying what the word was.
According to the book, The Brethren, Burger approached Justice John M. Harlan, the opinion’s author, and said: “John, you’re not going to use ‘that word’ in delivering the opinion are you? It would be the end of the Court if you use it, John.” And Harlan did not. It was included, though, in the Court’s opinion finding that Cohen’s First Amendment rights had been violated. Justice Harlan described Cohen’s message as one involving a “scurrilous epithet,” but he also wrote: “While the particular four-letter word being litigated here is perhaps more distasteful than most others of its genre, it is nevertheless often true that one man’s vulgarity is another’s lyric.”
What should the policy be about the language used on broadcast television? There are no restrictions on the language used on cable programs. The last time the Court ruled on this issue it made a distinction based on the unique availability of broadcast television and radio for children. But in a world of internet, podcasts, and DVDs (not to mention schoolyards, shopping malls, and newspaper articles), that distinction no longer applies. I look forward to reports on the arguments and to the Court’s decision.

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When Television Changed Politics: Stevenson/Eisenhower

Posted on October 15, 2008 at 11:15 pm

NPR has a great series about political firsts, including the first woman candidate for President (Victoria Woodhull, who ran in 1872, 48 years before women got the vote) and the impact of television on political campaigns in 1952, when Adlai Stevenson ran an old-school race based on speeches and Eisenhower ran television ads designed by the man who created M&M commercials. Listen for my dad, Newton Minow, recalling his experiences in the Stevenson campaign.

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Religion on ‘The Simpsons’

Posted on October 9, 2008 at 10:22 am

Be sure to check out this terrific Beliefnet gallery from Mark I. Pinsky on the best Simpsons episodes about religions. It includes “Like Father, Like Clown” (written with the help of three rabbis, about Krusty the Clown’s exploration of his Jewish identity), “She of Little Faith,” where Lisa explores Buddhism with Richard Gere, and “The Father, the Son, and the Holy Guest Star,” with Liam Neeson as a priest.
I loved the brief scene in The Simpsons Movie when it looked like the world was ending and everyone from the church ran into a bar just as everyone in the bar ran into the church. Simpsons episodes have explored everything from end of days speculation to Genesis. And of course recurring character Ned Flanders is a gently joking — but ultimately respectful — portrayal of sincere faith and the kindness it inspires.

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Televised Presidential Debates

Posted on September 26, 2008 at 2:00 pm

There’s an op-ed in today’s Chicago Tribune is about the value of televised debates. It was written by my dad, Newton Minow, and his frequent co-author, Northwestern professor Craig LaMay. This week is the anniversary of the very first Presidential debate, the legendary Kennedy-Nixon broadcast from Chicago in 1960. Both candidates and most historians believe it played a decisive role in the outcome of the election.

Slate has a good video review of the highlights (or rather low points) of the past debates from Ford’s fumble on Eastern Europe to Al Gore’s sighs and George H. W. Bush looking at his watch as though he was bored.

On Monday, Dad and Professor LaMay participated in a panel discussion at the Paley Center for Media (formerly the Museum of Television and Radio) about the history and future of the debates with the producer of the Kennedy-Nixon debate, Don Hewitt (who would go on to produce “60 Minutes”), and Newsweek’s Jonathan Alter. From the audience, Kennedy advisor Ted Sorensen recalled briefing the candidate and former debates co-chair Rita Hauser, who recalled the 27-minute audio breakdown in the Carter-Ford debate and the wry comment by one-time Presidential candidate Eugene McCarthy that he didn’t notice.

My dad is the only person to have helped organize every Presidential debate in U.S. history. He and LaMay have written a book, Inside the Presidential Debates: Their Improbable Past and Promising Future.

In today’s op-ed, they describe the improved format of this year’s debates,

designed to get the candidates to talk directly to each other, rather than to the moderator. The 90-minute forum will be broken into segments, each devoted to a particular subject. This new format is a direct response to voter preferences and can only improve what are already the most genuine events of a campaign that is otherwise a carefully scripted and uninformative run of television news sound bites and (mostly negative) advertisements.

And they respond to criticism that the candidates merely recite canned answers:

The televised debates are the only place in the modern campaign where voters get the opportunity to compare the candidates and their views and see them think on their feet. Yes, the candidates will anticipate questions and prepare answers in advance. Who would expect otherwise? This is the biggest contest on the American electoral stage.

More important than what happens in the debate is what it means for American citizens.

You are smarter than the pundits and political professionals. After you watch tonight’s debate, turn off your television and avoid the spin that follows. Talk about the debate with your family, co-workers, friends, neighbors. Then go see what the pundits have to say, and whether you think they got it right. It is your judgment and your vote that counts, not theirs.

Finally, we confidently predict the winner of tonight’s debate and those still to come: the American voter.

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The Art Form of TV Opening Credits

Posted on September 20, 2008 at 8:00 am

Newsweek’s tribute to the opening credits of the new HBO series “True Blood” reminded me of the good old days when television show theme songs and opening credits were as much fun as the shows. The “Dick Van Dyke” show kept you guessing each week. Would Rob Petrie trip over the ottoman or not?

“The Simpsons” has a terrific theme by Danny Elfman and a funny kick at the end with Bart writing a different sentence on the blackboard for punishment each week. Theme songs from Welcome Back Kotter and Friends appeared on the pop charts. I’ll bet if I just mention The Brady Bunch, Gilligan’s Island, or Cheers the entire song will go through your head — and might get stuck there. Each year’s Cosby Show opens different and all were completely charming. The best part of Valerie Bertinelli’s short-lived sitcom “Sydney” was the theme song written by her then-husband Eddie Van Halen. And I used to turn on the Saturday morning show Mugsy each week just to hear the theme song song by David Clayton-Thomas of Blood, Sweat & Tears. On PBS, the opening credits for “I Claudius” and “Tinker Tailor Soldier Spy” set the tone perfectly. HBO’s “Big Love” and “Six Feet Under” had superb opens.

But this one may be the all-time best:

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