Copyright 2020 Jaywalker FilmsWe are living in the golden age of documentaries, each year better than the one before. While print and broadcast media are struggling to keep their audiences, too often by becoming shrill and blurring the line between news and commentary, documentaries are becoming a powerful force for journalism, vivid, revealing, and letting us see and hear the significant participants in the story. Many of them were about politics, some more directly than others. But like nearly all documentaries, they were about people who are passionate and dedicated to what they do, whether it is seeking justice or winning an athletic competition. The best of the year, in alphabetical order:
All In ties current voter suppression policies to the Jim Crow history of keeping the poor and people of color away from the voting booth.
Athlete A, named for the then-anonymous gymnast whose complaint led to the first public disclosure of decades of abuse by Larry Nassar, reveals that the toxic culture of USA Gymnastics was about protecting the brand, not the girls.
Boys State: The American Legion brings high school students together to run mock elections in separate gatherings for boys and girls. This documentary is a microcosm of our political system, as seen by and perpetuated by teenagers.
Crip Camp: As significant and has hard fought and as perpetual as the movements for racial and gender equality, but not nearly as well known is the fight for disability rights. And it turns out in large part it began at a summer camp for disabled teenagers in the 1970s. Archival footage of the camp days and the protests and interviews with the major players are moving and inspiring.
Dear Santa: Director Dana Nachman says she hopes her movies inspire tears, laughter, and chills, and “Dear Santa,” about the USPS staff and volunteers who make sure children’s letters to Santa get answered, has plenty of all three. This film’s message that it’s truly better to give than receive is especially timely, combined with the now-nostalgic images of maskless people crowding together and giving each other hugs.
Dick Johnson is Dead is a fantastical meditation on loss from director/cinematographer Kirsten Johnson as her father struggles (cheerfully) with memory loss.
Feels Good Man A gentle cartoonists finds to his horror that his drawing of a frog has been adopted as a symbol by white supremacists, with a fascinating, terrifying, and very creepy look at the way memes go viral.
The Fight follows lawyers from the American Civil Liberties Union as they challenge four Trump administration initiatives that raise issues of inequality: separating families seeking legal immigration, the denial of abortion rights for an undocumented minor in custody, the prohibition of trans people in the military, and the insertion of a question about citizenship in the 2020 census.
Howard is not just the story of the life of the gifted writer/lyricist Howard Ashman (“The Little Mermaid,” “Little Shop of Horrors”), but the story of how stories come together, particularly in one monumental turning point at Disney animation.
John Lewis: Good Trouble is the story of one of the leading figures of the 20th century, the youngest speaker at Dr. Martin Luther King’s March on Washington, the student protester whose skull was broken on the march to Selma, and the US Congressman who was an irrepressible force for good.
Nationtime William Greaves’ restoration of archival footage lets us see many of the luminaries at the 1972 meeting of the National Black Political Convention held in Gary, Indiana. Their stirring speeches are inspiring and illuminating as we consider how much has changed and how much has not.
Copyright Netflix 2020
Rising Phoenix The Paralympics, which take place just after the Olympics in the same location, is about more than who can be the fastest, the strongest, the best. It is about reclaiming the idea of wholeness, for the athletes themselves but, more importantly, for everyone, to show differently abled people as powerful, capable. The athletic feats are stunning. The stories are even moreso.
Slaying the Dragon is about the Republican funders’ decision to focus on getting candidates elected by gerrymandering (though both parties are guilty) following the first election of President Obama and the citizen-led initiatives to overturn it.
The Surge “The Surge” follows three idealistic Democratic women who were inspired by the election of Donald Trump to run for office.
The Way I See It White House photographer Pete Souza proves and exemplifies two perennial adages: If a picture is worth a thousand words, his photographs are as eloquent as a whole library. And if journalism is the first draft of history, Souza not only reminds us of how much of our sense of events is formed by images like his, and in his new documentary, “The Way I See It,” like the photographs he took, reward a deeper look.
This has been a great year for documentaries and it was very hard to decide on my ballot for the Critics Choice Awards. I salute all of this year’s nominees and awardees.
BEST DOCUMENTARY FEATURE
“Dick Johnson is Dead” (Netflix)
BEST DIRECTOR
Kirsten Johnson, “Dick Johnson is Dead” (Netflix)
BEST FIRST DOCUMENTARY FEATURE
Melissa Haizlip, “Mr. SOUL!” (Shoes in the Bed Productions)
BEST CINEMATOGRAPHY
Roger Horrocks, “My Octopus Teacher” (Netflix)
BEST EDITING
Lindy Jankura, Alexis Johnson and Alex Keipper, “Totally Under Control” (Neon)
BEST SCORE
Marco Beltrami, Brandon Roberts and Buck Sanders, “The Way I See It” (Focus Features)
BEST NARRATION
“David Attenborough: A Life on Our Planet”(Netflix)
David Attenborough, Narrator
David Attenborough, Writer
BEST ARCHIVAL DOCUMENTARY
“MLK/FBI” (Field of Vision/IFC Films)
BEST HISTORICAL/BIOGRAPHICAL DOCUMENTARY
“John Lewis: Good Trouble” (Magnolia Pictures/Participant)
BEST MUSIC DOCUMENTARY (TIE)
“Beastie Boys Story” (Apple)
“The Go-Go’s” (Showtime)
BEST POLITICAL DOCUMENTARY
“Boys State” (Apple)
BEST SCIENCE/NATURE DOCUMENTARY
“My Octopus Teacher” (Netflix)
BEST SPORTS DOCUMENTARY (TIE)
“Ali & Cavett: The Tale of the Tapes” (HBO)
“Athlete A” (Netflix)
BEST SHORT DOCUMENTARY
“St. Louis Superman” (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
MOST COMPELLING LIVING SUBJECTS OF A DOCUMENTARY (HONOR)
Dr. Rick Bright – “Totally Under Control” (Neon)
Steven Garza – “Boys State” (Apple)
The Go-Go’s – “The Go-Go’s” (Showtime)
Judith Heumann – “Crip Camp: A Disability Revolution” (Netflix)
Dick Johnson – “Dick Johnson is Dead” (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – “Athlete A” (Netflix)
Fox Rich – “Time” (Amazon)
Pete Souza – “The Way I See It” (Focus Features)
Taylor Swift – “Miss Americana” (Netflix)
Greta Thunberg – “I Am Greta” (Hulu)
The terrific documentary “All In: The Fight for Democracy,” a love letter to the power of the vote, will be available worldwide to audiences everywhere from October 29th until November 1st on the Prime Video YouTube page. This will allow the filmmakers and Amazon Studios to reach both voters and potential voters where they are, helping to educate them on the important subject of voter suppression.
Tens of millions of Americans have already voted in the current election where we are witnessing widespread suppression tactics across many states, especially in communities of color.
I think what our job is as storytellers, as truth-tellers, is to not panic and to just tell everybody, it’s okay. We can vote. You know, make a plan, vote early, mail that ballot in. If you’re going in person, be prepared to wait on a long line. Take someone with you. A plan is the best antidote to chaos. And the best antidote to voter suppression is voter turnout.
Watch the movie — and make sure everyone in your life votes!
The Critics Choice Association (CCA) has announced the nominees for the fifth annual Critics Choice Documentary Awards (CCDA). The winners will be revealed in a Special Announcement on Monday, November 16, 2020.
Netflix leads the nominations with 31, followed by Neon (14), Magnolia Pictures (9), HBO (5), Showtime (6), and Amazon, National Geographic, and PBS Independent Lens with 5 each.
Crip Camp: A Disability Revolution, Gunda, and Mr. SOUL! lead this year’s nominations with five each.
Crip Camp: A Disability Revolution is nominated for Best Documentary Feature, James Lebrecht and Nicole Newnham for Best Director, Best Editing, Best Archival Documentary, and Best Historical/Biography Documentary. The film also received an honor for Judith Heumann for Most Compelling Living Subject of a Documentary.
Gunda is nominated for Best Documentary Feature, Victor Kossakovsky for Best Director, Best Cinematography, Best Editing, and Best Science/Nature Documentary.
Mr. SOUL! is nominated for Best Documentary Feature, Best First Documentary Feature, Best Narration, Best Archival Documentary, and Best Historical/Biographical Documentary.
Recognized with four nominations each are Athlete A, Dick Johnson is Dead, My Octopus Teacher, and Totally Under Control.
The nominations for Athlete A are Best Documentary Feature, Bonni Cohen and Jon Shenk for Best Director, Best Editing, and Best Sports Documentary. Maggie Nichols, Rachael Denhollander, and Jamie Dantzscher are also being recognized with the honor of Most Compelling Living Subjects of a Documentary.
The nominations for Dick Johnson is Dead are Best Documentary Feature, Kirsten Johnson for Best Director, Best Cinematography, and Best Narration. The film also received an honor for Dick Johnson for Most Compelling Living Subject of a Documentary.
The nominations for My Octopus Teacher are Best Documentary Feature, Best Cinematography, Best Narration, and Best Science/Nature Documentary.
The nominations for Totally Under Control are Best Editing, Best Score, Best Narration, and Best Political Documentary. The film also received an honor for Dr. Rick Bright for Most Compelling Living Subject of a Documentary.
“At a unique time for the entertainment industry and the world, documentaries are more important and fortunately more abundant and more available and more essential than ever,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch. “In 2020, documentaries have taken us to places and shown us perspectives we’ve never experienced before. They’ve chronicled events and life stories that are enlightening and enthralling – and sometimes frightening. It is a great honor for the CCA to celebrate these stories and subjects and shed light on the work of so many incredible filmmakers. The Documentary Branch faced its greatest task yet considering the quantity and quality of nonfiction cinema released this year. Ultimately, these nominees represent the best of the best of a remarkably fruitful moment for documentary filmmaking.”
Congratulations to all of the very worthy nominees. I look forward to the difficult decision about which will get my votes.
The nominees for the fifth annual Critics Choice Documentary Awards are:
BEST DOCUMENTARY FEATURE
Athlete A (Netflix)
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Dick Johnson is Dead (Netflix)
Feels Good Man (Wavelength Productions/PBS Independent Lens)
The Fight (Magnolia Pictures)
The Go-Go’s (Showtime)
Gunda (Neon)
Mr. SOUL! (Shoes in the Bed Productions)
My Octopus Teacher (Netflix)
The Painter and the Thief (Neon)
A Secret Love (Netflix)
The Social Dilemma (Netflix)
Time (Amazon Studios)
BEST DIRECTOR
Garrett Bradley, Time (Amazon Studios)
Bonni Cohen and Jon Shenk, Athlete A (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky, Gunda (Neon)
James Lebrecht and Nicole Newnham, Crip Camp: A Disability Revolution (Netflix)
Dawn Porter, John Lewis: Good Trouble (Magnolia Pictures)
Benjamin Ree, The Painter and the Thief (Neon)
BEST FIRST DOCUMENTARY FEATURE
Robert S. Bader, Ali & Cavett: The Tale of the Tapes (HBO)
Chris Bolan, A Secret Love (Netflix)
Melissa Haizlip, Mr. SOUL! (Shoes in the Bed Productions)
Arthur Jones, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Elizabeth Leiter and Kim Woodard, Jane Goodall: The Hope (National Geographic)
Elizabeth Lo, Stray (Magnolia Pictures)
Sasha Joseph Neulinger, Rewind (Grizzly Creek Films/PBS Independent Lens)
BEST CINEMATOGRAPHY
Michael Dweck and Gregory Kershaw, The Truffle Hunters (Sony Pictures Classics)
Roger Horrocks, My Octopus Teacher (Netflix)
Kirsten Johnson, Dick Johnson is Dead (Netflix)
Victor Kossakovsky and Egil Håskjold Larsen, Gunda (Neon)
Scott Ressler, Neil Gelinas and Stefan Wiesen, The Last Ice (National Geographic)
Gianfranco Rosi, Notturno (Stemal Entertainment)
Ruben Woodin Dechamps, The Reason I Jump (Kino Lorber)
BEST EDITING
Don Bernier, Athlete A (Netflix)
Eli Despres, Greg Finton and Kim Roberts, The Fight (Magnolia Pictures)
Lindy Jankura and Alex Keipper, Totally Under Control (Neon)
Helen Kearns, Assassins (Greenwich Entertainment)
Victor Kossakovsky and Ainara Vera, Gunda (Neon)
Eileen Meyer and Andrew Gersh, Crip Camp: A Disability Revolution (Netflix)
Charlotte Munch Bengtsen, The Truffle Hunters (Sony Pictures Classics)
BEST SCORE
Ari Balouzian and Ryan Hope, Feels Good Man (Wavelength Productions/PBS Independent Lens)
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
Tyler Durham, Sven Faulconer and Xander Rodzinski, The Last Ice (National Geographic)
Peter Nashel and Brian Deming, Totally Under Control (Neon)
Daniel Pemberton, Rising Phoenix (Netflix)
Jeff Tweedy, Long Gone Summer (ESPN)
Jeff Tweedy, Spencer Tweedy and Sammy Tweedy, Showbiz Kids (HBO)
BEST NARRATION
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
Dick Johnson is Dead (Netflix)
Kirsten Johnson, Narrator
Kirsten Johnson, Writer
Fireball: Visitors From Darker Worlds (Apple)
Werner Herzog, Narrator
Werner Herzog, Writer
Mr. SOUL! (Shoes in the Bed Productions)
Blair Underwood, Narrator
Ellis Haizlip, Writer
My Octopus Teacher (Netflix)
Craig Foster, Narrator
Craig Foster, Writer
Time (Amazon Studios)
Fox Rich, Narrator
Fox Rich, Writer
Totally Under Control (Neon)
Alex Gibney, Narrator
Alex Gibney, Writer
BEST ARCHIVAL DOCUMENTARY
Ali & Cavett: The Tale of the Tapes (HBO)
Belushi (Showtime)
Class Action Park (HBO)
Crip Camp: A Disability Revolution (Netflix)
MLK/FBI (Field of Vision/IFC Films)
Mr. SOUL! (Shoes in the Bed Productions)
Spaceship Earth (Neon)
BEST HISTORICAL/BIOGRAPHICAL DOCUMENTARY
Belushi (Showtime)
Crip Camp: A Disability Revolution (Netflix)
Howard (Disney+)
John Lewis: Good Trouble (Magnolia Pictures)
Mr. SOUL! (Shoes in the Bed Production)
Mucho Mucho Amor: The Legend of Walter Mercado (Netflix)
Natalie Wood: What Remains Behind (HBO)
BEST MUSIC DOCUMENTARY
Beastie Boys Story (Apple)
Crock of Gold: A Few Rounds with Shane MacGowan (Magnolia Pictures)
The Go-Go’s (Showtime)
Laurel Canyon (Epix)
Once Were Brothers: Robbie Robertson and The Band (Magnolia Pictures)
Other Music (Factory 25)
Zappa (Magnolia Pictures)
BEST POLITICAL DOCUMENTARY
All In: The Fight for Democracy (Amazon Studios)
Boys State (Apple)
John Lewis: Good Trouble (Magnolia Pictures)
MLK/FBI (Field of Vision/IFC Films)
The Social Dilemma (Netflix)
Totally Under Control (Neon)
The Way I See It (Focus Features)
BEST SCIENCE/NATURE DOCUMENTARY
Coded Bias (7th Empire Media/PBS Independent Lens)
Fantastic Fungi (Moving Art)
Gunda (Neon)
I Am Greta (Hulu)
The Last Ice (National Geographic)
My Octopus Teacher (Netflix)
Spaceship Earth (Neon)
BEST SPORTS DOCUMENTARY
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
Be Water (ESPN)
A Most Beautiful Thing (50 Eggs Films)
Red Penguins (Universal Pictures)
Rising Phoenix (Netflix)
You Cannot Kill David Arquette (Super LTD)
BEST SHORT DOCUMENTARY
Blackfeet Boxing: Not Invisible (ESPN)
(Directors: Kristen Lappas and Tom Rinaldi. Producers: Craig Lazarus, José Morales, Lindsay Rovegno, Victor Vitarelli and Ben Webber)
The Claudia Kishi Club (Netflix)
(Director and Producer: Sue Ding)
Crescendo! (Quibi)
(Director: Alex Mallis. Producers: Matt O’Neill and Perri Peltz)
Elevator Pitch (Field of Vision)
(Director and Producer: Martyna Starosta)
Hunger Ward (Spin Film/Vulcan Productions/RYOT Films)
(Director and Producer: Skye Fitzgerald. Producer: Michael Scheuerman)
Into the Fire (National Geographic)
(Director: Orlando von Einsiedel. Producers: Mark Bauch, Harri Grace and Dan Lin)
My Father the Mover (MTV Documentary Films)
(Director: Julia Jansch. Producer: Mandilakhe Yengo)
The Rifleman (Field of Vision)
(Director: Sierra Pettengill. Producer: Arielle de Saint Phalle)
The Speed Cubers (Netflix)
(Director and Producer: Sue Kim. Producers: Evan Krauss and Chris Romano)
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
MOST COMPELLING LIVING SUBJECTS OF A DOCUMENTARY (HONOR)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
copyright quibi 2020Athletic competition is endlessly fascinating, not just because of the talent and skill but because no one becomes a champion without character and values: determination, courage, and the kind of teamwork that requires respect and responsibility. And because we love stories about underdogs who never give up and come from behind. Basketball superstar Steph Curry understands that, and so he is the producer of a superb new documentary series on Quibi called “Benedict Men,” the story of a small Catholic high school in New Jersey run by Bendictine monks, most of the students Black and from families struggling financially, with a basketball team that is consistently the state champion.
I spoke to Father Edwin Leahy about the school, the basketball program, and the documentary.
What defines the Benedictines? What makes them different from the Jesuits and other Catholic orders that run schools?
The Jesuits were created by St. Ignatius to be at the disposal of the holy father, the pope, to go wherever they needed to be in the world to evangelize. We on the other hand are the oldest order in the church because St. Benedict existed/lived in 480 or 530 more or less 540. The fundamental difference is that we take a vow of stability so we are vowed to a place. We have other vows as well but that is the distinguishing mark, that we don’t get moved around. We live in the same place for our lives until they carry us out of the church as they say in Spanish in pajamas of wood, in a box. We’re here to stay and that’s our great strength, it’s also our great weakness because if we don’t get vocations to come to our house there’s a problem because there’s no place else you transfer people in from.
So you’ve been at St. Benedicts for a long time.
I went to school here as a high school boy. My father wanted me to go to an all-boys school so I applied here. I got rejected and my father was not to be put off, he talked to the pastor of our church and the pastor interceded and I got in provisionally. The joke turned out to be some of the people who rejected me wound up working for me.
When I got here I loved it; I could take you to the place in the building where I stood the first and second day I was here. I was a 13-year-old at the time and I knew I was home; I have no idea why but I knew I was home and I belonged here and here we are fifty something years later.
I entered the monastery community here in 1965, professed vows in ‘66, took solemn vows in ‘69, was ordained a priest in ‘72. I’ve been living here in Newark at the abbey at St. Benedict’s Prep since 1969.
The school closed in 1972 after 104 years because of racism and we lost 14 men from our monastery; they went to another place and we were stuck with trying to live a community life with no common work. So, we decided we would try to do something in education which is what we had always done and what the city desperately needed. I was dumb enough to say I would try to do it in 1972 and I’ve been doing it ever since. For 48 years I’ve been doing this and loving it.
Copyright QUIBI 2020
We learn in the film that your school motto is “What hurts my brother hurts me.” How does that apply in the competitive world of sports?
It applies in every level of our operations here. It is the ability to understand the other’s struggle and the other’s sufferings. It’s hard to create community and it’s hard to create teams if you can’t understand each other’s reality and each other’s sufferings.
You see in the series it gets rough at the end because of difficulties in giving up “what I want” for “what we need.” That’s the nature of community because if you live in community you’ve got to give up what you want for what the community needs; not easy to do and none of us can do it consistently.
We have a tendency that we do it and then we slip, then we do it; that’s basically our life. Our Father Albert describes the life in the monastery this way. When people ask him what do monks do, he says, “We fall down and we get up, we fall down and we get up; we fall down and we get up,” and that’s life basically. So, the hope is there are more of us on our feet than there are on the ground at a given time, and then we can help people up. That’s it. That’s the secret and that’s what we try to do in this place in school all the time. That’s what you have to do on a team. If you can’t do that it’s hard to be a success.
I was surprised to see how many decisions at the school are made by the students. You give them a lot of leeway and a lot of power.
Our job here as adults is to prevent them from making decisions that will either physically hurt them or long-term hurt them. We’re not going to let kids make decisions because they can’t see 10 or 15 years from now that are going to damage them. So anything short of that, they decide it.
Remember, this place has to be re-created every year. In a company the CEO usually has the job for several years but here the CEO changes every year because there’s a senior year group leader who runs the place and he graduates and leaves. Well it’s early in the year one year and they decided that kids had worked really, really hard and they were going to have only half a day at school and at 12:30 they were going to be over. But we go from kindergarten to grade 12.
They tell me this and I said, “That’s a bad idea,” and they said “No, no, no we’re going to do it, we want to do it, we think it’s a good idea.” I said “I think you’re making a bad mistake, here’s why. First of all, you can’t let the little kids out without parents’ permission.” They said, “They’re going to stay all day.” “Oh, okay so that’s fair the little kids are going to go all day with the older kids having a half day; how is that fair?” “Well, we’ll figure out another way to do something for them.”
So, I said, “If something goes wrong when the middle school kids get out, who’s going to explain it to the parents?” I thought I got them to back off but they sent an email saying that school was going to be over at 12:30. I had about 15 minutes to pull this thing back. They pulled it off. They got in touch with faculty members and called the whole thing off and then we found another day down the road when we could give them the whole day off and not half a day and inform parents and all that but it took hours of discussion.
If they’re going to make it without adult advice they had damn well better be right because no parent is going to go after the 18 year old senior group leader; they’re going to come after me.
The rule is: do not do for kids what kids can do for themselves. So, here’s another example. 152 years we’re an all-boys school, last year two Catholic schools announced they were closing. One was a girl’s academy, the other was a co-ed school.
The girls unbeknownst to me came over here and they had a meeting in the boardroom and they decided that they were going to have a girls division here at St. Benedicts. I’m standing at dismissal time outside my office, outside the trophy room which is where everybody walks by; it’s like Times Square, everybody goes by there to go out the door. So, I’m standing there and one of the leaders, one of the guys, comes out and he says, “You got to come to this meeting.” I said, “What meeting?” “Oh there’s a meeting in the boardroom.” “What are you talking about? I don’t know anything about a meeting.” “Just come in.”
They grabbed me the arm and dragged me into the meeting, I sit down and it becomes obvious to me in about two seconds that the meeting is just about over. I wasn’t being called in to participate in any decisions; I was being called in to be told what was going to happen and that I had to have girls division. I said, “We can’t have a girls division. (1) we’ve never had girls and (2) we don’t have any space.” “Well, let’s figure it out.” I put every roadblock up in the world that I could think of and nothing; they ignored me, none, zero, none of them worked. I couldn’t stop them and to make a long story short, we now have a girl’s division here; created completely by the girls and our guys. I had very little to do with it; it’s amazing.
It’s been a great blessing to have the girls here. It was all created by the kids; they did the whole thing.
What do you want people to learn from watching this series?
I want them to better understand the struggles and the suffering of not just basketball players (these kids happen to be basketball players) but the struggles and sufferings of our brothers and sisters of color in urban America. To have to put all your energy, your effort, as a 16 or 17-year-old as our student C.J. Wilcher said, “to try to help my family,” is not right; it’s just not right.
To have people living in poverty and some living in misery in the midst of the first world is a disgrace to the country. So, I hope people get a sense of the sufferings of kids and the anxiety that some have to live with. Even some parents fall into this. They begin to treat their kids as assets instead of like their children and that’s a disaster. There are a million people in the world that could be their kid’s basketball coach or could be his agent, but there is only one person in the world that can be his mother and only one person in the world that
