Forgotten Island

Forgotten Island

Posted on September 24, 2026 at 10:52 am

B
Lowest Recommended Age: 4th - 6th Grade
MPAA Rating: Rated PG for thematic elements, rude humor, language, brief tobacco Imagery, scary action, and some violence
Profanity: Some strong and crude language for a PG
Alcohol/ Drugs: None
Violence/ Scariness: Extended animation-style peril, action, and some violence, no one badly hurt, sad death (offscreen) of grandmother, parental abandonment
Diversity Issues: A theme of the movie
Date Released to Theaters: September 25, 2026

“Forgotten Island” is a colorful story about friendship and memory, inspired by Filipino folklore. Jo and Raissa meet as children in the waiting area for the principal’s office. They are very different, Jo (H.E.R.), a fierce, impulsive chaos agent and Raissa (Liza Soberano), deliberate, thoughtful, and academically-oriented. Jo lives with her beloved grandmother, Lola (Dolly De Leon) but feels abandoned by her parents, who have moved to the US. Raissa has a more comfortable life with devoted parents. But they have something in common, a passion for Lola’s stories about visiting the magical island of Nakali through a portal from an enchanted sun dollar.

Copyright 2026 Dreamworks

They have both been sent to the principal’s office for getting in trouble in the classroom by insisting that Nakali is real. But they decide not to wait, leaving behind a post-it note that simply says BRB (Be Right Back), and pledge to be best friends forever, exchanging string friendship bracelets. In a charming and joyous montage, we see their adventures as they grow up, including accidentally driving a bus to the beach where it gets stuck in the sand and becomes something of a clubhouse/art project. Many special memories get added to that friendship bracelet, and many more BRB notes are left behind. And then, as the girls are near high school graduation, we see them with Lola in a hospital bed hooked up to monitors, and then she is gone.

Jo is working (and sometimes getting fired) in fast food restaurants and Raissa is getting ready to go to America to attend Caltech. The night before Raissa is to leave, Jo persuades her to go on one last adventure. They discover an enchanged sand dollar and soon they are transported to Nakali. They wake up the next morning with no memory of what happened the night before and find that the sand dollar is missing so there is no way for them to get home in time for Raissa’s flight to California. They try to figure out how Raissa lost one whole side of her hair and how she got wings. Jo is wearing a jeweled crown but has no idea where it is from. And both girls and a strange new companion named Raww (Dave Franco) have some angry-looking, possibly infected tattoos that read: Wild Pack.

They meet a series of magical creatures. Raww is a were-dog who sometimes assumes full dog form, sometimes almost turns back into a boy, and most times is a bit of both. Batiba (Jenny Slate) is an agoraphobic cave-dweller who collects the memories of visitors to the island and keeps them for herself. Merhman (Manny Jacinto) is a preening mer-man, Bungi is a 200-year-old baby whose mother finally cuts his umbilical cord so he can travel with the group, and the Manananggal (Lea Salonga) is a fierce and angry winged creature whose upper and lower halfs can separate at the torso and operate independently.

As Jo and Raissa try to locate the sand dollar, remember the night before, and hold onto the memories of their past that Batiba wants for herself, the exciting and colorful adventures help them to understand their past and learn, sometimes painfully, how to be better friends.

The Filipino folklore contributes new characters that in the Joseph Campbell or Jungian sense each represent parts of an integrated human spirit, all the parts that make up the id, ego, and superego. The visuals are dynamic, with has great, strong, colors, some luminous, and imaginative and telling character design. The pacing is very energetic, sometimes overly so, as though worried about losing the attention of the hyped up of the TikTok generation. As is the current fashion (“Spider-Verse,” “KPop Demon Hunters,” etc.), moments of particular intensity of emotion or action switch to an exaggerated, flat, anime style, which may reduce the tension by adding some self-aware humor to reassure young audience members. There are some nice tributes to the pleasures of karaoke and some good pop songs (“Don’t Stop Believin'”, “Don’t You Forget About Me”) that fit the storyline. The discussion of memories is well handled, but what’s best is the relationship of the two heroines, very different in temperament and outlook but appreciating each other and the way their differences are a strength. A sweet concluding scene is more magical than even the most fanciful character.

Parents should know that this film has some disturbing material for a PG including scary images, peril, and violence (no one badly hurt), very risky behavior shown as fun and adventurous, as well as crude language, potty humor, and jokes about crotch hits and the “Predator” movie.

Family discussion: Who have been your best friends and what memories of your time together mean the most to you? Which is your favorite of the magical characters and why?

If you like this, try: “In Your Dreams”

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Grow

Grow

Posted on October 13, 2025 at 2:59 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for thematic elements, some suggestive references and brief language
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Some vandalism
Diversity Issues: None
Date Released to Theaters: October 17, 2025
Grow
Copyright 2025 Fathom

Grow is that rare theatrical release that is a genuine treat for the family, filled with charm and lightly dusted with whimsy.

Charlie (Priya-Rose Brookwell) lives in an English orphanage she is determined to leave so she can try to find her mother, who left her behind so she could go to Los Angeles to try to become a movie star. When the head of the orphanage, exhausted by chasing after Charlie, tracks down a relative, she is relieved to be able to hand her off.

That relative is Charlie’s Aunt Dinah Little (Golda Rosheuvel of “Bridgerton” and “Queen Charlotte”), who is struggling to keep the family farm going. She is resolved but grim about taking on another responsibility.

Dinah’s farm is in a (fictional) rural community that is obsessed with pumpkins. The annual pumpkin competition is so essential to the town’s identity that there is a permanent count-down sign showing how many days to the next festival, and a gigantic annual prize of 100,000 pounds.

A snooty titled couple called Lord and Lady Smythe-Gherkin (Tim McInnerny of “Notting Hill” and Jane Horrocks of “Little Voice” and “Chicken Run”) have won every year except once, when their pumpkin was broken, and that year the prize was taken by a local farmer named Arlo (Nick Frost, often seen with Simon Pegg in movies like “Paul,” “Shawn of the Dead,” and “Hot Fuzz”).

Charlie has a gift for communicating with plants. When Dinah discovers that Charlie can “hear” what plants need to thrive, she realizes that they have a chance to beat the Smythe-Gherkins. She also begins to think that going organic might be a way to save the farm.

Someone else is determined to win the competition, a scientist named Mr. Gregory (Jeremy Swift of “Ted Lasso”), who will lose his job if he cannot prove that his system is superior. Gregory also has a son who becomes Charlie’s friend.

Director John McPhail loves to transcend genres, and this film weaves seamlessly between elements of comedy, fantasy, family drama, and even a touch of (light) horror. The winning performances lend warmth throughout that is endearing, especially the evolving relationship between Dinah and Charlie, from duty to partnership, to family. This is a touching, funny, smart, heartfelt film that should be a family favorite.

Parents should know that this film includes parental abandonment and neglect, brief schoolyard language, and some potty humor.

Family discussion: Have you ever tried to plant something? How did Dinah change and why?

If you like this, try; “Hoot” and “Dolphin Tale”

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Blitz

Blitz

Posted on November 7, 2024 at 12:06 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for thematic elements including some racism, violence, some strong language, brief sexuality and smoking
Profanity: Some strong and racist language
Alcohol/ Drugs: Drinking and smoking
Violence/ Scariness: Extended wartime violence with bombing, characters injured and killed
Diversity Issues: A theme of the movie
Date Released to Theaters: November 8, 2024
Blitz
Copyright 2024 Apple

“Blitz” is set in the chaotic wartime bombing of London, when the Nazis attacked the city from the sky for more than 8 months, and many families sent their children to stay with strangers in the countryside to keep them safe. Writer/director Steve McQueen immerses us in the terrifying assault, the bombs seeming pointed directly at us, no way of knowing where they will land or what kind of destruction they will cause.

Fire and rubble are everywhere, and the water pressure in the firehose is so powerful that it jumps out of the hands of the people trying to help. The overwhelming attacks are met with determination and resilience. But within it is the recognition that they are terrified. When the security guards try to keep people fleeing the bombs out of the underground Tube stations, people push through. A live radio broadcast intended to boost morale features musical performances by weapons manufacturing workers, the British version of Rosie the Riveter. It is interrupted with protests about inadequate safety. Recognizing that nowhere is safe, London parents prepare to send their children away. One of those children is George (Elliot Heffernan), the nine-year-old bi-racial son of Rita (Saoirse Ronan), who works in the munitions factory.

They live with Rita’s father, Gerald (Paul Weller) and they are a close and devoted family. Gerald is a piano player in a bar in the evening. Rita has a lovely singing voice and is featured in that radio broadcast. Music plays a key role throughout the film, from two different nightclub scenes featuring Black performers to people camping out in bomb shelters singing songs to keep their spirits up.

Rita brings George to the train, loaded with children, each tagged like a piece of luggage. There is very little supervision and no kindness or sympathy. George, frightened and angry, barks “I hate you!” at Rita, who is already devastated at sending him away. As the train chugs into the countryside, some boys on the train try to bully George. He feels so much regret about the way he left his mother that he decides to go back home. He jumps from the train with no idea of where he is or how far he is from London. His journey is a Dickensian odyssey. Heffernan is the heart of the film, and he gives a thoughtful, soulful performance.

Nine is an age right at the cusp between the magical thinking of a child and the beginning of a deepening understanding of the world of adults. McQueen, so good at conveying the chaos of the Blitz, is even better at conveying that liminal moment. Through the havoc, George seems to travel in a protective aura of innocence. He is smart and brave, but we see through his eyes and understand the dire risks George is facing far better than he does.

George meets a lot of people along the way, including three young brothers who refused to be placed in different homes, Ife, a kind-hearted African-born security officer (Benjamin Clémentine), and a cruel group of scavengers who steal from dead bodies and destroyed buildings. They capture George because he is small enough and expendable enough to send into places they cannot reach. The lost boy themes echo Great Expectations and David Copperfield, giving George’s story a connection to heroic myth. Along the way, we get flashbacks showing us the racism experienced by George and his now-absent father. The bombs keep falling.

There is a optimism in the film that seems inaccurate for the era, including a Capra-esque speech chastising those in a shelter who do not want to interact with people of color and a very idealized character in Ife. Even within the context of George’s naive perspective and the “carry on” imperatives of the era, it is out of place, the present speaking through the past. Maybe we still need it to hear it.

Parents should know that this movie is a wartime story with intensive bombing attacks, characters are injured and killed and there are graphic and disturbing images. It also includes cruel and criminal behavior and racism. A child is in danger through much of the story. People having sex are overheard by others, including a child.

Family discussion: How did Ife change George’s mind about himself? What did the scene in the subway with characters from earlier in the film mean? What does music mean to the characters?

If you like this, try: “Hope and Glory” and “Au Revoir, Les Enfants,” other WWII stories from a child’s perspective

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Movie for Homebound Families VIII: Adventure

Movie for Homebound Families VIII: Adventure

Posted on May 6, 2020 at 3:39 pm

Movie for Homebound Families VIII: Adventure
Copyright WB 1985

These movies are about kids having an adventure, mostly for older kids, 10 and up.

The Last Action Hero:  Arnold Schwarzenegger stars as an action hero and as the actor who plays him in this PG-13 film that is a satire of and an affectionate love letter to action films. A young fan gets pulled inside his favorite film series and then he and the hero are catapulted into the real world. It’s smart, funny, and exciting.

Bad Hair Day: We’ve all been there. Somehow while we slept something truly awful happened to our hair. In this delightful Disney channel movie a high school senior’s bad hair leads to an adventure about a necklace that is being sought by a jewel thief and a FBI agent.

The Goonies: This 80’s classic may be the most popular film for the generation of today’s parents. A group of kids go on an amazing adventure and find a treasure, with a lot of goofy fun along the way.

Big-time Goonies fan Josh Gad got the cast together on Zoom, with some surprise appearances.

James and the Giant Peach: Roald Dahl’s book about the boy who goes for a remarkable ride with Grasshopper, Centipede, Ladybug, and more, all the way to the top of the Empire State Building.

Spy Kids: This wonderfully imaginative and reassuringly low-violence story has a lot of heart and humor. Two kids find out that their parents are spies when they have to rescue them, leading to quite an adventure.

Time Bandits: A boy goes on a gorgeously imaginative magic journey when some mischevious little people steal a map that shows the time holes in the universe, which they plan to use to steal all kinds of treasure.

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Based on a book Stories About Kids
Movies for the Homebound VIII: Stories of Real Children

Movies for the Homebound VIII: Stories of Real Children

Posted on April 27, 2020 at 8:00 am

Movies for the Homebound VIII: Stories of Real Children
Copyright Thinkfilm 2002

 

There are some delightful documentaries about real kids that are ideal family viewing.

Spellbound: Middle schoolers compete in in the annual Scripps-Howard Spelling Bee, with feats of astonishing mastery of shockingly difficult words. This exciting competition is also a heartwarming story of America, its diversity of families and its astonishing young people of such dedication and curiosity.

Batkid Begins: An entire city unites to give a sick child his dream of being Batman.

Mad Hot Ballroom: New York City schoolchildren participate in a program that teaches them ballroom dancing — and teamwork, discipline, and the joy of mastering movement.

Jump: Five teams of kids get ready for a jump rope competition of astonishing athleticism and skill.

Brooklyn Castle: The story of a middle school’s championship chess team — and it’s biggest challenge, budget cuts.

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