AFI Docs Festival Goes Online June 17-21, 2020

AFI Docs Festival Goes Online June 17-21, 2020

Posted on May 6, 2020 at 9:30 am

The American Film Institute’s annual Documentary Film Festival highlights the best non-fiction films of the of the year, and they are not going to let a COVID-19 get in the way. Instead of showing the films at their theater in Silver Spring, Maryland and venues in Washington, D.C. they are moving the festival online. The festival will run June 17–21 and films will be available to view on DOCS.AFI.com.

They’re describing it as an online film festival — “where the best seat is in your house, ” with AT&T returning as Presenting Sponsor for the seventh consecutive year. The festival will open with the Apple and A24 release “Boys State,” which follows a group of teenage boys at an annual civics program hosted by the American Legion in Austin, Texas. Attendees create a mock government and campaign for leadership and party platforms. Exploring politics through a coming-of-age lens, the result reveals American democracy and political division at its most hopeful and terrifying moments. The film, a Jury Prize winner at Sundance, was directed by Jesse Moss and Amanda McBaine. The Opening Night screening of “Boys State” will be held on June 17, followed by a Q&A.

“AFI is committed to the documentary art form in the best of times and in the most challenging of times,” said Michael Lumpkin, Director of AFI Festivals. “Now more than ever, we are dedicated to supporting extraordinary films because the world needs stories that educate, inspire hope and remind us of humanity’s strength. AFI DOCS is here to help.”

The AFI DOCS 2020 program will be presented in the following sections: Special Presentations, Features, Cinema’s Legacy and Shorts, as well as a virtual AFI DOCS Forum. Apple TV+, A24, Audience Network, HBO, National Geographic, PBS and The Atlantic will all have films in the festival. The full slate will be released on June 10.

Special Presentations will include the festival’s unique slate of special evening events, available to a limited audience for one-time viewing and featuring conversations and Q&A’s with the films’ directors and main subjects. Featuring exclusive films, many of which have not yet been publicly screened, the festival’s Feature Film program will include over two dozen films from the US and around the world.

The festival will also include a Cinema’s Legacy program, featuring historically notable non-fiction films that have made an impact on the documentary art form. In one of the most challenging general election years in modern times, this year’s program will be dedicated to films documenting landmark moments in our nation’s political history.

AFI DOCS Shorts Program will feature more than 20 documentary shorts screening in four curated programs. Each shorts program will be available to screen from June 18 through June 21.

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Movies for the Homebound VIII: Stories of Real Children

Movies for the Homebound VIII: Stories of Real Children

Posted on April 27, 2020 at 8:00 am

Copyright Thinkfilm 2002

 

There are some delightful documentaries about real kids that are ideal family viewing.

Spellbound: Middle schoolers compete in in the annual Scripps-Howard Spelling Bee, with feats of astonishing mastery of shockingly difficult words. This exciting competition is also a heartwarming story of America, its diversity of families and its astonishing young people of such dedication and curiosity.

Batkid Begins: An entire city unites to give a sick child his dream of being Batman.

Mad Hot Ballroom: New York City schoolchildren participate in a program that teaches them ballroom dancing — and teamwork, discipline, and the joy of mastering movement.

Jump: Five teams of kids get ready for a jump rope competition of astonishing athleticism and skill.

Brooklyn Castle: The story of a middle school’s championship chess team — and it’s biggest challenge, budget cuts.

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Jump Shot

Jump Shot

Posted on April 16, 2020 at 9:14 pm

B +
Lowest Recommended Age: Middle School
MPAA Rating: Not rated
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: References to hunting, illness, sad death
Diversity Issues: References to opportunities for women in sports
Date Released to Theaters: April 17, 2020
Kenny Sailors jump shot. Copyright 1941 LIFE Magazine

Those feeling most sharply the loss of NCAA March Madness this year will be able to get some of what they miss with “Jump Shot,” a documentary produced by one of the all-time NBA greats, Steph Curry, about the man he considers one of his most significant forbears,  the late Kenny Sailors, who invented the jump shot. Yes, someone invented the jump shot, and almost as remarkable as trying to imagine basketball without jump shots, this documentary will satisfy those who don’t know who Steph Curry is as well as those who can recite the stats from his career going back to his college days at Davidson. Kenny Sailors invented the jump shot when he was a teenager. But then he went on to a life well-lived, in which the jump shot and basketball were only one part. And to pay tribute to his example, a portion of every payment for watching the film will go to helping provide food to people in need as a result of COVID-19.

Did Sailors really invent the jump shot? Here’s what the New York Times said.

People of reliable authority have said that if they had to pick the one whose prototypical jump shot was the purest, whose mechanics set in motion a scoring technique that thrilled fans and helped transform a two-handed, flat-footed, essentially earthbound affair into the vertical game it is today — giving rise, quite literally, to marksmen like Oscar Robertson, Jerry West, Rick Barry, Michael Jordan and Kobe Bryant — it would be Sailors.

Copyright 2020 Altavod

Sailors grew up in a Wyoming small town. He loved basketball and played one-on-one with his big brother every day. His brother was big, 6’5″. Sailors was only 5’7″. He couldn’t get past his big brother. So, he began to jump. And as someone once said in a movie, he had the hang time of a helium balloon.

The documentary has archival footage and contemporary comments from athletes, including Curry and Kevin Durant, sports journalists, and Sailors’ family and friends. Sailors took his college team to a national championship as he and all of the other players knew they would not be continuing to play basketball; they were all going into the military to fight in WWII. Sailors became a captain in the Marines, and then, after the war, played professional basketball long enough to qualify for a pension. And then, for his wife’s health, they moved to rural Alaska, where he coached high school students in every sport they offered plus girls’ basketball, which was not offered until he insisted on it.

It is a touchng love story, and it is a story of a life of grace, integrity, and service, with a quality we do not see very often, decency. Sailors’ quiet humility and selfless dedication are even more inspiring than his innovations in basketball.

Parents should know the movie has references to illness and aging and a sad death.

Family discussion: What was most important to Kenny Sailors? What would you like to change about sports?

If you like this, try: “Dogtown and Z-Boys” about some teenagers who also transformed their sport

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Free to Watch: Documentary About Nurses

Posted on April 7, 2020 at 3:44 pm

To honor nurses on the front lines of the COVID-19 crisis, Kino Lorber is offering a free streaming re-release of the acclaimed documentary, THE AMERICAN NURSE (www.americannurseproject.com).

The documentary highlights the lives of five American nurses from diverse specialties, bringing to the big screen a sincere look at the commitment, necessity, and compassion behind this profession that impacts us all.

Marking the six-year anniversary since it was released in U.S. theaters in May 2014, Kino Lorber will release THE AMERICAN NURSE for free on its streaming platform Kino Now from now until the end of May. The release is timed to coincide with National Nurses Week, and the World Health Organization (WHO) also designating 2020 as the International Year of the Nurse and the Midwife.

The film’s free release is made possible by Fresenius Kabi, which also supported the development of the film and related book, and whose purpose is to put lifesaving medicines and technologies in the hands of nurses and others who care for patients, and to find answers to the challenges they face.

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Critics Choice Documentary Awards 2019

Critics Choice Documentary Awards 2019

Posted on November 10, 2019 at 9:50 pm

We are proud to announce the winners of this year’s Critics Choice Awards for documentaries:

Apollo 11 took home the evening’s most prestigious award for Best Documentary Feature as well as Best Editing for Todd Douglas Miller, Best Score for Matt Morton, Best Archival Documentary, and Best Science/Nature Documentary.

There was a tie for Best Director between Peter Jackson for They Shall Not Grow Old, and Julia Reichert and Steven Bognar for American Factory. They Shall Not Grow Old also brought home the award for Most Innovative Documentary. American Factory also won the award for Best Political Documentary.

“Once again, we are thrilled to celebrate and support the vibrant and groundbreaking work of these talented documentarians. We are proud that our yearly gala event has become an informed and valuable way for people to find the best films out there and for the work of these filmmakers to find their audiences,” said CCA CEO Joey Berlin. “It was a great night of lauding the greats in the documentary field as well as some outstanding newcomers.”

At the ceremony a special new honor, The D A Pennebaker Award, was  presented to legendary documentarian Frederick Wiseman. The award, formerly known as the Critics’ Choice Lifetime Achievement Award, is named for prior winner D A Pennebaker, who passed away last summer. It was presented by filmmaker Chris Hegedus, Pennebaker’s long-time collaborator and widow.

Acclaimed filmmaker Michael Apted was presented with The Landmark Award, an honor bestowed upon him for his extraordinary and unparalleled achievement with the Up series, which has just added 63 Up, distributed by BritBox, to this historic work. The award was presented by Michael Moore, who was honored with the Critics’ Choice Lifetime Achievement Award last year.

The award for Best Cinematography went to John Chester for The Biggest Little Farm.

Best Narration went to Bruce Springsteen for Western Stars.

Honeyland took home the award for Best First Documentary Feature for directors Tamara Kotevska an Ljubomir Stefanov.

The award for Best Biographical Documentary went to Toni Morrison: The Pieces I Am.

The Best Music Documentary award went to Linda Ronstadt: The Sound of My Voice.

Maiden won the Best Sports Documentary award.

The Best Short Documentary Award was given to Period. End of Sentence.

This year’s honorees for Most Compelling Living Subject of a Documentary are Dr. Amani Ballor (The Cave), David Crosby (David Crosby: Remember My Name), Tracy Edwards (Maiden), Imelda Marcos (The Kingmaker), Hatidze Muratova (Honeyland), Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin (Knock Down the House), Linda Ronstadt (Linda Ronstadt: The Sound of My Voice), and Dr. Ruth Westheimer (Ask Dr. Ruth).

 

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