Iron Man

Posted on September 30, 2008 at 8:00 am

With its first self-financed production, Marvel has produced one of the best superhero movies ever made, pure popcorn pleasure for its special effects, its story, its villain, and its hero. Director Jon Favreau, star Robert Downey Jr. and a first-class screenplay mix electrifying action, a compelling drama, and top-notch performances. Plus there are the best robot-type characters since R2D2, C3PO, and Hewey, Dewey, and Louie.

Downey plays international weapons dealer/super-brain/playboy Tony Stark as a rock star. He is an industrialist who appears on the cover of Rolling Stone and dates cover girls. He has an answer for every possible question or criticism about the company he runs: “The day weapons are no longer needed to keep the peace I’ll start building beams for baby hospitals.” But he does not have an answer for himself. His own conflicts would haunt him if he would slow down for a moment to think about them. That moment comes when he is captured by jihadists on a sales tour of American armed forces in the Mideast, using his own weapons. Told to recreate his company’s most powerful weapon for them instead he creates something for himself. The mastermind of cutting edge technology reaches back to the oldest of old school combat and creates for himself a high-tech suit of armor so that he can escape. It becomes the first stage in what will transform him into Iron Man. And the more he is protected by his Iron Man suit, the more he begins to open up to himself and others about who he really is and take responsibility for the world he has helped to create.

Downey superbly conveys Stark’s vulnerability and brilliance. He makes every line of dialogue feel improvised and natural, a great counter to the over-the-top special effects and fight scenes. In this middle of this great big movie he gives a subtle performance that is every bit as compelling as the most jam-packed action footage. He evolves as the suit does, trying out new things, coming alive for the first time as he is encased in metal.

The themes of the story has some powerful resonance about America’s role in the world without being heavy-handed. There’s no time for it — everything moves quickly as Stark continues to develop his suit and is attacked by bad guys and good guys and, well, there’s another category I am not going to give away. There is strong support from Terrence Howard as Stark’s military contact and friend, Gwenyth Paltrow, who gives some snap to her role as the indispensable aide de camp, and Jeff Bridges (with his head shaved!) as Stark’s closest business associate. The visuals are bracing and powerful and the action scenes are fanboy heaven. Watch for quick cameos from director Favreau, fan Ghostface Killah, and Iron Man co-creator Stan Lee. But don’t get distracted. Downey is the literal heart of this movie, and like the appliance that keeps Stark alive, he is a power source whose potential seems limitless.

Speed Racer

Posted on September 16, 2008 at 8:00 am

Andy and Larry Wachowski, the folks behind the Matrix trilogy, have taken the iconic but decidedly low-tech 1960’s Japanese cartoon character and put the pedal to the metal with dazzling effects and electrifying action. Do what Speed Racer does — put on your red socks and GO!

Even as a child, Speed Racer could only think of one thing, making cars go as fast as possible. Not surprising — he was surrounded by racing. The family business was race cars. His father (John Goodman) built them and his older brother drove them. When his brother is killed in a crash, Speed (Emile Hirsch) takes over. On and off the race track he battles the competition, even when they do not fight fairly. By his side are his parents, his little brother, his and his girlfriend Trixie (Christina Ricci, looking like a real-life version of an anime heroine with her enormous eyes).

The plot is pretty much the same as the cartoon series, meaning light-weight and a little incoherent. Basically, evil forces are trying to stop Speed from winning the race. The sections with the kid brother and his chimp are slow points for everyone over age 9 but it is all great fun, with a hero to believe in and visuals that are both reassuringly retro and stunningly innovative. Every wallpaper and fabric, each car, helmet, and racetrack is meticulously designed to evoke a mash-up between Speed’s Norman Rockwell-style, solidly heartland home and the souped-up super space age world outside. The Wachowskis re-invent the color wheel with reds and yellows that make fire engines and school buses seem pale.

The dialogue is pared down to essentials: “You think you can drive a car and change the world? It doesn’t work like that!” “Maybe not, but it’s the only thing I know how to do and I gotta do something.” The plot is no more significant (or confusing) than in the cartoon originals. All we need to know is that in the world of Speed Racer you can drive a car and change the world — if you drive it very, very fast.

Rocketeer

Posted on September 15, 2008 at 8:00 am

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	PG
Profanity:	Very mild language
Alcohol/ Drugs:	Social drinking
Violence/ Scariness:	Wartime violence, guns, explosions
Diversity Issues:	None
Date Released to Theaters:	1991

In honor of my son’s birthday this week, my DVD pick is one of his childhood favorites: Rocketeer. Based on a comic book that recreated the deco feel of the pre-WWII era, this Disney movie has a 1940s feel — with 1990s special effects. Cliff Secord (Bill Campbell) is a stunt flyer who discovers a contraption designed by Howard Hughes that, when strapped to his back and combined with a helmet for steering, allows him to fly. The equipment is being sought by the U.S. government and by thugs in the employ of sleek Neville Sinclair (Timothy Dalton), a swashbuckling movie star and Nazi sympathizer. Not a box office success when it first opened (“Terminator 2” opened the same week), it has been more successful on DVD because of its exciting story, top-notch performances (with Bill Campbell, sometime James Bond Timothy Dalton and Oscar-winners Jennifer Connelly and Alan Arkin), and gorgeous visual design and effects. It’s is the kind of movie they say they don’t make anymore, an old-fashioned popcorn pleasure with action, adventure, romance, a zeppelin, a pretty girl, and a guy who straps a rocket on his back and soars into the sky. NOTE: The movie has some comic-book style violence and some tense and scary moments. One of the bad guys has a misshapen face that may be upsetting to younger kids.

Forbidden Kingdom

Posted on September 9, 2008 at 6:00 pm

forbidden%20kingdom.jpg It’s not a good movie, but it is a lot of fun. It’s a fantasy with three things going for it: it does not take itself too seriously, it does take the action scenes seriously, and it includes both of the most popular martial arts movie stars working today, Jackie Chan and Jet Li.

Michael Angarano plays Jason, a generic loner-teen role that does not give him a chance to show off the impeccable comic timing he displayed as Elliot in “Will and Grace.” He seems to spend most of his time hanging out in Chinatown, renting kung fu movies and talking to Old Hop the ancient proprietor of the pawnshop (Jackie Chan under old-age make-up). When some bullies attack them, Hop hands Jason the mysterious staff and asks him to return it to its rightful owner. And Jason wakes up in ancient China. He quickly figures out how to understand Chinese, and meets up with Lu Yan, a tipsy immortal (Chan, in a nod to his early “Drunken Master” hits). They embark on a journey to return the staff to its owner, the Monkey King (Jet Li), who has been turned into a statue by the evil Jade Warlord. And they are joined by Golden Sparrow (Liu Yifei), who plans to kill the Jade Warlord to avenge the death of her parents, and Silent Monk (Li again), who first has to fight Lu Yan just because that is why we all bought tickets. “We can kill each other when it’s over,” they agree, deciding to work together to help Jason return the staff to the Monkey King.

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Action/Adventure Fantasy

Fly Me to the Moon

Posted on August 14, 2008 at 6:02 pm

Lowest Recommended Age:	All Ages
MPAA Rating:	G
Profanity:	Some schoolyard language
Alcohol/ Drugs:	None
Violence/ Scariness:	Mild peril and violence
Diversity Issues:	Stereotyped portrayal of female characters
Date Released to Theaters:	August 13, 2008

Don’t try to swat that enormous insect buzzing a few inches above your popcorn. It’s a hologram-like image hovering in front of you and it is part of the movie. Yes, you have to wear the clunky glasses, but within moments you will forget all about them and be caught up in the pure magic of the 3D technology in the first feature-length animated film completely produced in that format. It is stunningly beautiful and almost hyper-real in its depth of field and meticulousness of detail. The virtual reality is so believable you will feel as though you can reach into each shot and rearrange the furniture.

Unfortunately, the dull characters and weak story keep getting in the way of the gorgeously produced backgrounds. The plot about three young flies who hitch a ride on Apollo 11’s trip to the moon is almost an afterthought.

The starring role here is played by the techies, who focused not just on the 3D effects but also on the science and engineering of the Apollo 11 mission. They relied on NASA records, blueprints of the rocket ships and equipment, and even the audio recordings of the flight to bring extra verisimilitude to the screen. This part of the movie is a flat-out marvel, and the shots of the moon are breathtaking.

The artists who designed the environments designed a community for the houseflies that has some clever detail and some lovely touches, especially the rippling water, so tactile you may feel a little damp.

But all of the imagination seems to end there. The history of animated movies is abuzz with cute cartoon insects, from one of the very first animated features, “Hoppity Goes to Town” to the dapper Jiminy Cricket in “Pinocchio,” “A Bug’s Life”, and “The Ant Bully.” But there is no effort of any kind to give the characters here any distinctive fly qualities. They just look like little humans with antennae and wings, and they are almost interchangeable, with each assigned just one identifying characteristic. One is the leader, one has glasses, and one is fat. Then there are the Soviet flies who want to prevent the rocket from reaching the moon before they do, just poor copies of Boris, Natasha, and Fearless Leader from “Rocky and Bullwinkle.”

But the biggest disappointment is the script, as arid as last year’s Tang. It fails to make us care about the characters or identify with the flies’ dream of going to the moon. It was inspired by a fly grandfather’s reminiscence of saving pioneering pilot Amelia Earhart by flying up her nose (I am not kidding). It is not based on any interest or understanding beyond a vague quest for adventure. It assumes much too much knowledge from today’s children about the space race and the 1960’s. Kids are likely to be confused by the Cold War bad guys and the retro portrayal of the female characters. The girl flies toss their ponytails and giggle and the lead fly’s Stepford-like mother is pretty much limited to fussing over her larvae babies, making dinner, and fainting(!) whenever she is upset. The action scenes are poorly choreographed and hard to follow and the comedy tends toward potty humor and fat jokes. And then the big happy ending is followed by a live action coda with real-life astronaut Buzz Aldrin reminding us that it was all pretend.

The dazzling technology just puts a spotlight on the lackluster script, like a high-definition picture of an out-of-focus subject . If they can put a man on the moon, why can’t they tell a better story about sending some flies along for the ride?