Invincible

Posted on August 15, 2006 at 12:07 pm

B-
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for sports action and some mild language.
Profanity: Mild language and insults
Alcohol/ Drugs: Drinking, scenes in bar
Violence/ Scariness: Sports violence, tense confrontations
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000J3OTT6

In this movie, a father tells his son that one great touchdown by Steve Van Buren of the Philadelphia Eagles got him through 30 years of factory work. We often identify so completely with the teams and athletes we love that it feels like our hearts are in that ball as it crosses the goal line, swishes into the basket, or sails over the head of the guy in the outfield. Maybe our dreams don’t come true, but we can share the dreams of the guys on the field. And that is the stuff of movies.


Vince Papale, a part-time teacher and bartender became the oldest non-kicker rookie in NFL history when he joined the Philadelphia Eagles at age 30 in 1976. That sounds like a Disney movie.


And that’s just what it is, in the tradition of (and all too reminiscient of) The Rookie and Miracle. Not surprising — this film has the same producer and screenwriter.

Mark Wahlberg plays Papale, a passionate season-ticket-holding Eagles fan who is picked from an open try-out though he had never played college football. He was selected by coach Dick Vermeil (Greg Kinnear) and survived training camp to play on the team.


So, we know where it’s all going from the beginning, and how successful it is in making that journey work depends on whether it can make us care about the characters. Unforunately, while it has a nicely gritty sense of time and place, some touching moments, and many very bad 1970’s hairstyles, its beats are all too telegraphed and formulaic to fully engage us.


Wahlberg brings sincerity and an easy athleticism to the role of Papale, and Elizabeth Banks has a lovely centered quality and genuine sparkle as his love interest. But the script — the disapproving wife who exits just in time for him to meet the beautiful girl who knows all about football, the down-on-their-luck friends who want to make sure that he doesn’t forget about them, the coach with high standards who is willing to take a chance, the dad who cautions him not to try for something he can’t have and then watches damp-eyed as he makes it — there’s not enough to surprise and engage us. I couldn’t help thinking as I watched Papale run through the streets of 1976 Philadelphia that maybe he’d meet up with Rocky.


Parents should know that there are a few moments of sports violence and some references to sad deaths of family members. Wahlberg’s character is a bartender, and there are many scenes in the bar with characters drinking. A character refers to a married boyfriend. Characters kiss. Some audience members may be disturbed by the break-up of Vince’s marriage and the struggles to trust enough to start a new relationship.


A main theme of the film is the encouragement and support Papale receives from friends and family. Many of his friends are portrayed as supportive, but Papale is presented as having been driven by the handful of people in his life who told him he couldn’t do it. Why did he put his wife’s note in his locker? Families who see this film should talk about the importance of having a support network, and why sometimes adversity can be the strongest motivator. Do you agree that the team with character will find a way to be the team with talent? What current athletes do and don’t meet that standard?


Families who enjoyed this movie have a wealth of football and sport-oriented films to choose from, and many are filled with remarkable sequences and riveting drama. Recommendations would be Rudy, in which Sean Astin conquers his limitations to play for Notre Dame, Paper Lion, an older (1968) film featuring a journalist who goes undercover as a quarterback for the Detroit Lions (based on a true story), and Friday Night Lights, the story of a season with The Permian High Panthers, The Replacements (some mature material), a fictional story about an all-amateur team, and a similar real-life story about a teacher who became a major league pitcher in Disney’s The Rookie. They may also want to learn more about the history of the team. And families who want to know more about the real Vince Papale, who was voted Special Teams Captain and “Man of the Year” by the Eagles, can visit his website and read his book.

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Biography Drama Movies -- format Sports

The Devil and Daniel Johnston

Posted on April 2, 2006 at 12:21 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for thematic elements, drug content, and language including a sexual reference.
Profanity: Some strong language
Alcohol/ Drugs: References to legal and illegal drug use
Violence/ Scariness: Tense and sad situations, some peril
Diversity Issues: A theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000GNOSGS

It’s not just that an interview with a rock star while he is in the dentist’s chair having his teeth drilled is far from the weirdest thing in this movie. It’s more that the whole story is so weird that by the time you get to the interview, it seems like the most natural thing in the world.


Daniel Johnston lives in that fragile no man’s land between genius and sanity. His mental illness keeps him viscerally in touch with primal adolescent anguish. And of course primal adolescent anguish is the best possible fuel for rock songs — and the people who listen to them. The songs are undiluted emotion, as focused as a laser beam, emotion so all-encompassing that its simplicity is heartbreaking.

Look at his self-produced album titles: “Songs of Pain,” “More Songs of Pain,” “Rejected Unknown,” “Why Me.” The album covers are his simple line drawings of comic book characters and weird creatures. They look like doodles made in study hall. The Whitney Biennial, the most prestigious forum in the United States for new artists, features an entire wall of Johnston’s drawings.


Johnston was prodigious and prolific from beginning, obsesively documenting himself even as a young teenager. The hundreds of hours of archival tapes and footage are the heart of this film, surrounded by interviews with friends, fans, and family.


Johnston alternated between mental hospitals and performances. He had a small but vibrant cult following. It included influential rock stars like Kurt Cobain, who wore a t-shirt featuring one of Johnston’s album cover drawings often during the last year of his life. His songs were covered by Cobain, Sonic Youth, and Yo La Tengo. And he still lives with his parents, who are getting old and very tired.


Director Jeff Feuerzeig is sympathetic but clear-eyed. He understands that Johnston has a tortured soul, but he understands that he has also inflicted great pain on those around him. He abruptly fired Jeff Tartakov, the manager who was utterly devoted to him. His father was piloting a small plane when, in the midst of some massive delusion, he reached over and yanked the keys out of the ignition and threw them out of the window. The plane crashed into the treetops. It was shattered but Johnston and his parents survived.


Feuerzeig has a fractionated, mosaic approach that suits the high-strung nature of his story. Johnston’s music and artwork are a matter of taste, but his story is compelling and sensitively explored. It is hearbreaking to see the once-so-hopeful and promising teenager become a lumbering, uncertain, unhappy man who does not seem to feel connected to anyone else. But it is inspiring to see those who feel so connected to him and to become connected ourselves.

Parents should know that the themes of this film may be very disturbing for some viewers. There are tense and sad moments and references to drug use, and characters use some strong language.


Families who see this film should talk about the choices made by Johnston’s parents and what their views are about the best way to care for family members who cannot take care of themselves. Would Johnston be as interesting and as successful if he was less disturbed?

Families who enjoy this film will also enjoy Tarnation. And they will enjoy this interview with the director. They might like to listen to Discovered/Covered, with both Daniel Johnston’s original recordings and covers by Beck, Tom Waits, Vic Chesnutt, Bright Eyes, Calvin Johnson, and others. They might also like to learn more about visionary art made by those, like Johnston, with no formal training.

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Biography Documentary Movies -- format Musical

Unknown White Male

Posted on March 1, 2006 at 12:29 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for drug references and brief strong language.
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Disturbing themes
Diversity Issues: None
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000GBEWIY

Confounded doctors admit that they’ve only seen it in movies and textbooks. But in this documentary a mystery, perhaps the ultimate mystery occurs.


A healthy and successful young man wakes up on a train to Coney Island to discover – nothing. He has no idea who he is and nothing to indicate his name or address. He has completely lost his “episodic memory,” all of the details of his own personal experience – relationships, education, work, his own subjective reactions to the world. He retains the basics of his “semantic memory,” enough to let him conclude that the place to go for help is a police station. But everything else is just…gone.


And so, he goes from discovering an almost endless nothing to discovering an infinite everything. Like a visitor from another planet, he is an adult man for whom everything he sees is brand new. His family and friends are reassuring but also confusing – is he still the man they say they cared about if he cannot remember any of the shared experiences they describe? The wonders the rest of us take a little bit for granted, from the ocean to chocolate mousse, come to him pure and undiluted.


After a few days of detective work, he learns his name: Doug Bruce. But after months of medical tests and trying to remember the people and places everyone tells him were once part of his life, he still does not know who Doug Bruce is. Or, he does know who Doug Bruce is. He just doesn’t know who he was.


This documentary takes us on the journey with Doug, the man who lost his memory. Director Rupert Murray was a close friend of Doug’s before he lost his memory. His movie is not just the story of Doug’s journey to finding himself but a meditation on the nature of identity, memory, and connection.


Parents should know that this movie has some strong language and disturbing themes.


Families who see this movie should talk about their most important memories and what they can do to preserve them.


Families who enjoy this movie will also enjoy some of the famous fictional depictions of memory loss, especially Random Harvest and I Love You Again. They may also enjoy my interview with the director.

Related Tags:

 

Biography Documentary Movies -- format

The New World

Posted on January 18, 2006 at 12:14 pm

B-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some intense battle sequences.
Profanity: None
Alcohol/ Drugs: Drinking
Violence/ Scariness: Some Violence
Diversity Issues: A theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B001BNFRB2

It is beautiful to look at. Director Terrence Malick knows how to create images of stunning beauty and power. Those images are especially compelling in this story of Captain John Smith and the because they show us what it was like to come
Q’Orianka Kilcher

Parents should know that the movie includes some violence and sad deaths. There is some romantic snuggling between an adult man and a young girl.


Families who see this movie should talk about the myth and the reality of Pocahontas and why her legend has been so enduring. How well does this version present her point of view? They may also want to visit Jamestown.


Families who enjoy this movie will also enjoy Last of the Mohicans.

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Action/Adventure Biography Drama Epic/Historical Movies -- format Romance

Edison, the Man

Posted on December 13, 2002 at 5:17 am

“Plot: The movie begins with a dinner in 1929 honoring the “”Golden Jubilee of Light,”” the anniversary of the invention of the electric light bulb. But the guest of honor has not yet left home. He is being interviewed by two high school students, telling them that success is ninety-nine percent perspiration and one percent inspiration, and that the most valuable thing in the world is time, because all the money in the world won’t buy one minute of it.

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