All About Eve

Posted on December 13, 2002 at 5:17 am

Margo Channing (Bette Davis), a Broadway diva beginning to show her age, meets the young fan who stands outside the theater after every performance (Anne Baxter as Eve Harrington). Taken by her devotion, humility, and hard luck story, Margo gives Eve a job as a gofer/secretary. At first, she is delighted, but later comes to realize that Eve is ruthless and will stop at nothing to steal Margo’s career — not to mention her fiancé (Gary Merrill as director Bill Simpson). Eve manipulates Margo’s friends and colleagues, becomes her understudy, and finally, after scheming to keep her away from the theater, goes on in her place, after arranging for critics to be at her performance. She takes the starring role in a new production that would have been Margo’s, and wins an award for it. But by then, Margo and her friends are back together, Eve is tied to a critic who is as ambitiously manipulative as she is, and as the movie ends, she too meets a devoted young fan who could be another Eve.

This movie, with one of the most literate scripts ever written (by Joseph L. Mankiewicz, who also directed) is not just the finest backstage drama ever filmed, but also a compelling parable of ambition and loyalty. Bette Davis is brilliant as Margo, bringing both the ferocity and the vulnerability of Margo to life. No one can forget her at the beginning of her party: “Fasten your seatbelts, it’s going to be a bumpy night.” She is the first to notice that Eve is not what she seems, but her friends assume it is just petty jealousy, and it only makes them want to protect Eve. That is just what Eve needs to get them to do what she wants, and it almost results in the break-up not only of Margo and Bill, but also of their best friends, playwright Lloyd Richards and his wife Karen. Ultimately, the loyalty of all four friends keeps them together. And ultimately, Eve is reigned in by someone who is her equal, acidic columnist Addison De Witt (a silky George Saunders).

This is a good movie to use to discuss how to determine what actions are appropriate to realize ambition. Compare it to movies like “Rudy” also about the achievement of a dream. It is not the dream that differs here as much as how it is achieved. Eve lies and has no compunctions about creating misery for others, while Rudy is scrupulous about meeting every requirement and doing everything with honor and integrity. Indeed, that is part of his dream; without that, it would not mean anything. “National Velvet” is another example. Velvet bends some rules (mostly by competing in a race in which girls are not allowed to ride), and relies on faith a good deal, but has enormous integrity in defining her dream and in her treatment of others.

“All About Eve” won six Academy Awards, including Best Picture, Best Supporting Actor (George Sanders), Best Screenplay, Best Direction, and Best Costume Design. There have been many other fine movies that offer a glimpse of life backstage. A very serious one is The Country Girl with Grace Kelly married to alcoholic former star Bing Crosby but falling in love with director William Holden. Some of the more light- hearted backstage movies include, “Mother Wore Tights,” “There’s No Business Like Show Business,” “Footlight Serenade,” “Royal Wedding,” “Footlight Parade,” “Kiss Me Kate” and “The Barkleys of Broadway.”

Joseph L. Mankiewicz and his brother Herman (co-author of “Citizen Kane”) were responsible for many of the finest scripts ever produced. And that is Marilyn Monroe in one of her earliest appearances, as “Miss Caswell.”

It might be fun for kids to talk about the theater, and how it differs from movies. Take them to a local production, or get a book of plays for children from the library and help them produce one.

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Classic Reviews

Spartacus

Posted on December 13, 2002 at 5:17 am

Plot: Spartacus (Kirk Douglas) is a slave in the Roman empire, about 70 years before the birth of Christ. A rebellious and proud man, he is sentenced to death for biting a guard but rescued by Biatius (Peter Ustinov), who buys him and takes him to his school for training and selling gladiators. Slave women are provided to the men as rewards. Varinia (Jean Simmons), a British slave, is given to Spartacus. He is awestruck by her grace and beauty, but when he sees that Biatius is watching them, he screams, “I am not an animal!” and will not touch her.

Crassus (Laurence Olivier), a Roman dignitary, visits Biatius’ home with two spoiled and decadent women, who insist on seeing a fight to the death. Spartacus is paired with Draba (Woody Strode), an Ethiopian, who fights with net and trident. Draba corners Spartacus but refuses to kill him, and intstead rushes toward Crassus, who slits his throat. Crassus buys Varinia, and when a guard taunts Spartacus about her, Spartacus kills him, and leads the other slaves in a revolt.

They escape to the countryside, and other slaves join them as they make progress toward the sea, where they hope to escape. Varinia and Antoninus (Tony Curtis), a slave singer and magician, escape from Crassus, and join the slaves. The Romans send troops to capture them, but the slaves defeat them, sending back the message that all they want is the freedom to return to their homes. Crassus uses the slave revolt to gain political power, by promising “order” if he is given complete control. When he is successful, triumphing over his political rival, Gracchus (Charles Laughton), he cuts off the slaves’ access to ships, and surrounds them with troops. Many are killed on both sides, and the slaves are recaptured. Crassus promises them their lives if they will just give him Spartacus. As Spartacus is about to step forward, each of the slaves cries out, “I am Spartacus!” The Romans crucify them all except for Spartacus and Antoninus, lining the Appian Way with 6000 crucifixes.

Crassus takes Varinia and her new baby back to his home. He wants her affection, as the ultimate triumph over Spartacus. Spartacus and Antoninus are ordered to fight to the death, with the survivor to be crucified. Each tries to kill the other, to save him from the slow death of crucifixion. Spartacus is successful, killing Antoninus out of love and mercy, and then he is crucified. Before he dies, he is able to see Varinia and his son, now both free, thanks to Gracchus.

Discussion: This epic saga of the price of freedom is thrilling to watch, the struggles of conscience as gripping as the brilliantly staged battle scenes. When we first see Spartacus, he strikes out at an oppressor almost reflexively. He does not care that the consequence is death; as he later says, for a slave death is only a release from pain.

His life is spared when he is purchased by Biatius. His training as a gladiator gives him his first chance to form bonds with fellow slaves. His exposure to the guards and to the degenerate women from Rome, who insist on watching muscular men kill each other, shows him that power is not based on worth. When he shouts, “I am not an animal!” he is saying it to himself as much as to Biatius. When he strikes out again, he is armed not only with the fighting skills he has learned, but also with an ability to lead, founded in a new sense of entitlement to freedom.

The characters in this movie are especially vivid and interesting. Varinia has a wonderful grace and a rare humor, which adds warmth to her character. She is able to shield her emotional self from the abuse she is forced to endure without deadening her feelings. Gracchus conveys the essential decency of a man who has made many compromises, political and spiritual.

Both the author of the book and the screenwriter were blacklisted during the McCarthy era, and families should discuss how that influenced their approach to the story. Kids may also be interested to know that this was among the most popular movies show in the former Soviet Union, and should consider what it was that appealed to the communists.

Questions for Kids:

· Why was it important for the Romans to spread the rumor that Spartacus was of noble birth?

· What did Biatius mean when he said he had found his dignity? How was he changed?

· What did it mean when Gracchus responded that “dignity shortens life even more quickly than disease?”

· Why did Crassus say he was more concerned about killing the legend than killing the man?

· Why did each of the slaves claim to be Spartacus?

Connections: The movie cuts back and forth between the speeches given by Crassus and Spartacus to inspire their followers. Compare the speeches to each other, and to the most famous such speech in literature, Henry V’s “we few, we happy few” speech, delivered by Olivier (who also played Crassus) in the 1945 version of “Henry V,” and delivered with a very different interpretation by Kenneth Branagh in the 1989 version. The sense of community and loyalty of the slaves is reminiscient of similar scenes in “The Adventures of Robin Hood.”

This was the first screen credit for scriptwriter Dalton Trumbo after he was jailed for refusing to cooperate with Senater Joseph McCarthy’s House Committee on Un-American Activities, though he wrote under other names during that period, and even won two Oscars for best screenplay under other names.

Peter Ustinov won an Oscar for his performance as the slave dealer who runs the gladiator school. He is a rare actor who is able to keep his character as interesting after becoming (at least comparatively) virtuous as he was before.

All of the performances are outstanding. Jean Simmons can also be seein in “Guys and Dolls” and “Great Expectations.” Charles Laughton can be seen in “Witness for the Prosecution,” and “Advise and Consent.” The movie also won Oscars for art direction, costume design, and cinematography.

In 1991, an expanded version of the film was released, restoring scenes that had been cut for the original release, including a bathing scene with Cassus and Antoninus with an implication of sexual interest. Because the original soundtrack was not available and Olivier was dead, his voice was dubbed by Anthony Hopkins.

Activities: Kids who like this movie might enjoy the novel by Howard Fast, also the author of a novel about the American revolution, April Morning.

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Classic Drama Epic/Historical Tragedy

All the President’s Men

Posted on December 13, 2002 at 5:17 am

A+
Lowest Recommended Age: Middle School
MPAA Rating: PG
Profanity: Some very strong language for a PG including the f-word
Alcohol/ Drugs: Drinking and smoking
Violence/ Scariness: Some tense moments
Diversity Issues: None
Date Released to Theaters: 1976
Date Released to DVD: June 11, 2012
Amazon.com ASIN: B000CEXEWA

This week is the 40th anniversary of the Watergate break-in and a good time to look at the Oscar-winning movie about the two reporters who would not give up on the story of the Watergate break-in, this is as gripping as any detective novel. Bob Woodward (Robert Redford), a junior reporter for the Washington Post, is sent to cover a small-time break-in to the office of the Democratic National Committee (located in the Watergate office building). He works with Carl Bernstein (Dustin Hoffman), another reporter, to find, after tediously painstaking research, that it is just part of a complex pattern of corruption in President Nixon’s re-election campaign.

Producer/star Redford was so intent on authenticity he even flew actual garbage from the Washington Post wastepaper baskets out to the set. The movie does a good job of showing how much of the work of the reporters was dull persistence, and it also does a good job of showing us what went in to the decisions of editor Ben Bradlee (Jason Robards in an Oscar – winning performance) and (off-screen) publisher Katharine Graham about what they needed in terms of proof in order to be able to publish the story.

There is an interesting range of moral choices and calibrations. The famous “Deep Throat” (Hal Holbrook), unidentified until 2006, is someone from the inside who will not allow himself to be identified or even quoted, but is willing to confirm what the reporters are able to find elsewhere.

Others involved in the scandal, both in the corruption itself and in its cover-up, must decide what to do and how much to disclose. “Deep Throat” will not tell them anything new, but will confirm what they find out and give them some overall direction, most memorably, “follow the money.” One key development is the decision made by someone identified only as “the bookkeeper” (Jane Alexander) to talk to Bernstein. The participants must also deal with the consequences of their choices. Donald Segretti (Robert Walden) manages to evoke sympathy when what began as juvenile pranks leave him in disgrace. Woodward and Bernstein also make mistakes and must deal with the consequences.

As the movie ends, in 1972, Nixon is re-elected, and it seems to the reporters that their work has had no impact at all. Kids who view this film may need some context in order to understand it, and will want to know what else happened before Nixon resigned in August of 1974.

Families who see this movie should discuss these questions: Why were Woodward and Bernstein the only reporters interested in the story? Why did they insist on two sources before they would publish anything? What were Donald Segretti’s “dirty tricks?” How was he different from Sloan? From the bookkeeper? From Deep Throat? One of the people portrayed in the movie later testified before the Watergate Committee that he had “lost his moral compass.” What does that mean? How does something like that happen? How has technology changed the way that reporters do research and prepare their stories?

Families who enjoy this movie might like to see “The Final Days,” a made- for-television sequel, based on Woodward and Bernstein’s follow-up book. For more on this era, see Nixon with Anthony Hopkins, and Nixon’s famous “Checkers” speech and resignation statement. An odd little movie called Nasty Habits is an allegory of Watergate, set in a convent, with Glenda Jackson as a Nixonian nun. And a very funny satire, Dick (for older audiences) sees these events through the premise that it was all uncovered by a couple of high school girls.

If audiences want to know more, they should know that the book this movie was based on is not much fun to read and has more reporting than analysis. Older kids who want to know more can read Breach of Faith: The Fall of Richard Nixon by Theodore White, To Set the Record Straight: The Break-In, the Tapes, the Conspirators, the Pardon, by Judge Sirica, or the books by John Dean and H. R. Haldeman. In 2006, the identity of “Deep Throat” was revealed and Woodward told the story in The Secret Man: The Story of Watergate’s Deep Throat.  President Nixon’s series of television interviews with David Frost inspired the Oscar-nominated film Frost/Nixon,  and the interviews are also available on DVD.

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Based on a book Based on a true story Classic Crime Drama DVD/Blu-Ray Pick of the Week

Star Wars

Posted on December 13, 2002 at 5:17 am

In what is now Episode 4 but what was the first episode filmed, the story starts right in the middle of the action, with a battle on a spaceship. Two robots or “droids” escape, the elegant C-3PO and his counterpart, the gurgling and beeping R2D2. They carry a message from Princess Leia to Obi-Wan Kenobi, asking for help. When they arrive at a desert planet, they are bought by Luke Skywalker (Mark Hamill), who is then captured by “sand people,” but rescued by Ben Kenobi (Alec Guiness). Ben gets the message from Princess Leia and tells Luke they must go to help her fight the Empire. He tells Luke that his father was once a great fighter, a Jedi knight, “the best star pilot in the galaxy and a cunning warrior.” Luke says he cannot. Although Luke is restless and eager to explore the universe — he had begged his farmer uncle to let him go — he tells Ben, “I can’t get involved. I have work to do.” He will do as his uncle insisted and stay on the farm another year. Besides, this is not his fight. It all seems very far away.
But he gets back to the farm to find his aunt and uncle have been killed by Empire warriors trying to capture the droids. He and Kenobi hire Han Solo, a sometime smuggler, to get them to a planet called Alderan. Ben teaches Luke about “the force,” a power within and around everyone.
They arrive only to find that Alderan has been destroyed. The Empire has a new weapon capable of eliminating whole planets. Luke, Leia, and Han, trapped on this “death star,” must first escape, and then find a way to destroy it.
Discussion: George Lucas, who wrote and directed this movie, was deeply influenced by Joseph Campbell’s work on myths, and by his love for the great movie classics. This movie is rich in classic themes from both. The scene in the bar, with all the aliens, is very much like the bar scene in a Western movie. Han Solo resembles the cowboy ideal, the loner with no loyalty to any cause, but with his own sense of morality. Even his costume is reminiscent of a cowboy outfit, with boots and a gun holster at the hip.
Han and Luke must both decide whether to join the fight. At first, both are reluctant; in fact, Han leaves. But they accept the responsibility, as they must. The concept of “the force” in the movie may be something your children want to know more about.
Questions for Kids:
· Why does Luke decide to fight the Empire? Why does Han?
· Why does Han leave, and why does he come back?
Connections: There are two sequels, “The Empire Strikes Back” and “Return of the Jedi,” both re-issued in 1997 with additional scenes and special effects, and both exciting adventures. A new cycle of three movies, set a generation before “Star Wars” is currently in production, with Ewan McGregor as the young Obi-Wan Kenobi.

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Classic Fantasy Science-Fiction Series/Sequel

A Hard Day’s Night

Posted on December 13, 2002 at 5:17 am

One of the greatest musicals of all time has a gorgeous new Criterion edition in honor of its 50th anniversary.

The documentary style of this movie masks its tight construction, clever script, and sublime anarchy second only to the Marx brothers. A surrealistic day in the life of the most overwhelmingly popular rock group of all time, it portrays the Beatles sympathetically — like the heroine of “It Happened One Night,” they are constantly told what to do and smothered by all they have. Part of the humor is that it is not the members of the Beatles but Paul’s “clean” grandfather who causes most of the trouble. Musical numbers include “Can’t Buy Me Love” and “Should Have Known Better” as well as the title song, inspired by Ringo’s warped syntax after a long recording session.

http://www.youtube.com/watch?v=wiW003U4iA8

The deluxe anniversary edition includes lots of extras:

  • New 4K digital film restoration, approved by director Richard Lester, with two audio options—a monaural soundtrack and a new 5.1 surround soundtrack made by Apple Records—presented in uncompressed monaural and DTS-HD Master Audio on the Blu-ray
  • Audio commentary featuring various members of the film’s cast and crew
  • In Their Own Voices, a new piece combining interviews with the Beatles from 1964 with behind-the-scenes footage and photos
  • You Can’t Do That: The Making of “A Hard Day’s Night,” a 1994 documentary program by producer Walter Shenson
  • Things They Said Today, a 2002 documentary about the film featuring Lester, music producer George Martin, writer Alun Owen, cinematographer Gilbert Taylor, and others
  • New piece about Lester’s early work, featuring a new audio interview with the director
  • The Running Jumping and Standing Still Film (1959), Lester’s Oscar-nominated short featuring Peter Sellers and Spike Milligan
  • Anatomy of a Style, a new piece on Lester’s approach to editing
  • New interview with Mark Lewisohn, author of Tune In: The Beatles: All These Years—Volume One
  • Deleted scene
  • Trailers
  • One Blu-ray and two DVDs, with all content available in both formats
  • PLUS: A booklet featuring an essay by critic Howard Hampton

 

Families who see this movie should talk about the nature of fads and the problems created by success.

Families who enjoy this movie together will also enjoy the Beatles in “Help!” and “Yellow Submarine,” but skip the movie “Magical Mystery Tour” and just listen to the music instead. Kids 12 and up might enjoy “I Wanna Hold Your Hand,” about teens overcome by Beatlemania or “That Thing You Do,” written and directed by Tom Hanks, the story of a 1960s Erie, Pennsylvania, rock group that has an unexpected hit song.

 

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Classic Comedy For the Whole Family Musical
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