Failure to Launch

Posted on February 22, 2006 at 12:44 pm

Lowest Recommended Age:	High School
MPAA Rating:	Rated PG-13 for sexual content, partial nudity and language.
Profanity:	Some swearing, one f-word
Alcohol/ Drugs:	Drinking, references to one character drinking a lot
Violence/ Scariness:	Comic peril and violence including animal bites
Diversity Issues:	Diverse characters
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000FILV1Y

Trip (Matthew McConaughey) is a 35-year-old boat broker who happily resides in an assisted living facility where he is served fresh pancakes and bacon with warmed syrup and all of his clothes are cleaned, neatly folded, and placed on his bed. All aspects of his domestic arrangements are handled cheerfully by a devoted staff of two who are dedicated to his happiness and on call 24/7. They are his parents.

Mom (Kathy Bates) and Dad (Terry Bradshaw) love their son. They do everything for him, just as they always have. He even uses them to break up relationships with girls who get that look, the one that shows they’re thinking about making plans for the future. He brings them home, and when they see that he still lives with his folks, they can’t find the door fast enough.

Trip has all the pleasures of being a grown-up and none of the responsibilities. He has two friends who also live with their parents who go rock-climbing and paint-balling with him and lots of dates. But his parents, much as they love him, would like some time for themselves. They hire Paula (Sarah Jessica Parker), an “interventionist” recommended by friends.

She crisply informs them that she will proceed according to a well-established formula designed to show Trip that he is ready to take on the responsibilities of adulthood. She will pretend to like what he likes, give him the opportunity to comfort her and to teach her something, earn the support of his friends, and voila — he will be ready for a delayed but successful launch.

But Trip turns out to be very different from the usual Trekkers and gear-heads she is used to coaxing into the world. Confidence and social skills are not the problem. What she finds out will leave her in need of an intervention herself.

This is a bright and bouncy date movie with some sharp lines and even sharper performances, especially from Bates and Bradshaw. The movie works a little too hard to convince us that just because Trip lives at home does not mean he isn’t completely manly — he is constantly shown climbing rocks, racing, shooting, sailing, or with his shirt off. And a recurring theme of animal bites (no kidding) really doesn’t work. The movie underuses the marvelous Zooey Deschanel in an underwritten “best friend” role. The big climactic scene is over-the-top, even within the romantic comedy genre. Both leads are a little too old for their parts (Deschanel would have been a more appealing Paula), but the energy and wisecracks keep us interested and the appeal of the characters and performers keep us involved. The movie’s take-off is as precarious as that of its main character, but the launch is successful.

Parents should know that the movie has some strong language (swearing, one f-word), non-sexual nudity (bare tush), and sexual references and non-explicit situations. Characters drink and one drinks frequently, possibly to excess. There is comic peril and violence, including spills and animal bites.

Families who see this movie should talk about how parents can teach their children to be independent. Why was it hard for Kit to let herself be happy?

Families who enjoy this movie will also enjoy Agatha Christie stories about Parker Pyne, who is often called in to solve the kinds of problems Paula tackles in this film.

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Tristram Shandy: A Cock and Bull Story

Posted on February 19, 2006 at 12:48 pm

Lowest Recommended Age:	High School
MPAA Rating:	Rated R for language and sexual content.
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking, references to drug use
Violence/ Scariness:	Battle scenes, intense childbirth sequence, depiction and reference to severe injuries
Diversity Issues:	None
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000EOTFBW

When in the depths of winter the dregs of the cinematic year limp into theaters, some audiences long for the more cerebral fare of spring or fall. “Haven’t we seen this plot before?” becomes a common refrain and a movie like “Tristram Shandy: A Cock and Bull Story” feels like a sunny spring day come early, even if its unflattering brightness is not appealing to all.

This is a movie about making a movie based on an un-filmable book; however, the audience needs to know nothing about “The Life and Opinions of Tristram Shandy, Gentleman” the novel by Laurence Sterne (published in volumes from 1759 to 1767) to appreciate the film. Just as Clueless was a faithful to the tone and themes of Jane Austen’s Emma although the language and setting were utterly altered, “Tristram Shandy” the movie captures the ambition, isolation and vulnerability of the book’s eponymous center through the actor portraying him.

The book is a knotty, meandering yarn with copious digressions and post-modern flourishes like blank or black pages before there was a “modern” to be “post”. Framing his novel as a faithful autobiography, Sterne told the story of a man who could not figure out how to tell his own life story, hence a tale that jumps about from Tristram to his father to his uncle and ends up months before Tristram’s birth. The movie likewise jumps from Tristram (Steve Coogan) to Tristram’s father (Coogan, again) to Steve Coogan (Coogan), an actor trying to capture a character from a book he has never bothered to read. Coogan the actor plays Coogan the actor as he argues with the child playing Shandy as a child about how to perform his role.

Although it starts out as a brawny, mid-eighteenth century farce, the movie finds its pace in the modern day as “co-lead actors” Steve Coogan and Rob Brydon (playing Tristram’s Uncle Toby) position themselves on the set with a natural humor and intimacy while they jostle for position in the story and in the movie.

Coogan throws a passive-aggressive snit about the height of his shoes while Brydon frets about the yellowness of his teeth. The attractive assistant, Jennie (Naomie Harris), who refers with passion to German Realism cinema and rails against the banality of battle scenes, evokes admiration and pompousness from Coogan, who is basking in any attention that she shines upon him. His flirtations are mildly curtailed when his girlfriend, Jenny (Kelly McDonald) and their baby show up for a brief visit.

The movie follows hurdles (will they get the funds they need to finish the film?) and distractions (is that inquisitive journalist going to reveal Coogan’s naughty shenanigans?) with a constantly moving camera, adding to the driven pace of the film and contrasting with its many moments of waiting and stillness. Because Coogan’s character is shown warts and all in his many shades of neediness, some audiences will not be bothered whether he lands on his feet, but his intelligent performance –well-framed by those of Brydon and McDonald— will win over those looking for the nuance and humor of this underappreciated British actor.

The overlapping story circles of the book, the actors and the production process for the movie could have made for a confusing mess, but in director Michael Winterbottom’s able hands the tempo, wit and robustness of the performances make the film feel alive if occasionally a bit overly precocious. Although it does not follow the book closely enough for time-constrained college kids to use it as a short cut to reading all nine volumes, this “Cock and Bull Story” will be the real Tristram Shandy for many.

Parents should know that there are mature themes throughout this movie and that the relationships between characters are complicated and dynamic. There is male and child nudity, a traumatic accident to a boy resulting in circumcision, a depiction of childbirth, an enormous model womb, and implicit sex between committed couples. Characters drink socially and refer to infidelity, unusual sex and impotence. Characters drink and refer to drug use. Strong language including British slang is used.

Families that see this movie might want to talk about the different characters depicted in the 18th century and how they mirror –- or not -— the actors who portray them. Does Coogan’s character develop over the length of the movie? If you think he changes, where do these changes come from?

Families that enjoy this movie might want to watch some other multi-layered movies about filming stories that correspond to the lives of the actors, such as The French Lieutenant’s Woman and Adaptation and other movies about making movies like State and Main, The Stunt Man, Sweet Liberty, and Day for Night. They will also enjoy Coogan’s performances in 24 Hour Party People (also directed by Winterbottom) and Coffee and Cigarettes.

Thanks to guest critic AME.

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Comedy Movies -- format

Date Movie

Posted on February 17, 2006 at 3:13 pm

Lowest Recommended Age:	High School
MPAA Rating:	Rated PG-13 for continuous crude and sexual humor, including language.
Profanity:	Some strong and crude language including n-word
Alcohol/ Drugs:	None
Violence/ Scariness:	Comic peril and violence, including shooting
Diversity Issues:	Diverse characters, diversity humor
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000F9RLL2

I counted references to 23 movies in this 80-minute film, not including Girls Gone Wild and “The Bachelor,” or about one every three and a half minutes. Throw in a couple of songs and a dozen or so celebrity shout-outs and you’d hardly notice that there is not actually a script here if the whole thing wasn’t just so slack and uninspired.

Instead of a screenplay, it has a year’s worth of “In Touch Magazine” (the one “Will and Grace” calls “Cheaple”) thrown into a blender with some crotch humor and a joke about beating up a homeless man as a way to spend a romantic evening.

Julia (Alyson Hannigan) is the overweight and insecure daughter of a Greek/Indian/Japanese family. Her father (Eddie Griffin) wants her to marry someone from the same heritage, but she loves cute dimpled doctor Grant (Adam Campbell) with a cute English accent even though his parents are American. She gets help from date doctor Hitch (Tony Cox) but there is a crisis when Grant’s gorgeous ex-fiancee re-enters the picture. What will happen? Well, we’ll stumble through a lot of shout-outs to movies and celebrities on the way to finding out.

I feel a little bad about repeating myself here, but since it doesn’t seem to bother the people behind these things — or, as they say in the ads, “two of the six writers of Scary Movie — I don’t have any other options. As long as they keep making these movies I’m going to have to keep pointing out that SIMPLY REFERRING TO ANOTHER MOVIE IS NOT THE SAME THING AS ACTUALLY MAKING A JOKE ABOUT IT. Sorry to shout, but now I feel so much better.

To be more specific: mere exaggeration does not count as a joke, no matter how big you make your Jennifer Lopez-equivalent’s fanny or how long the cat spends on the toilet or changing the name Focker to Fonckyerdoder. Referring to the fact that perhaps Britney Spears is not entirely satisfied with the marriage or that Michael Jackson is very interested in making friends with children is not the same thing as being funny. Making a parody of a parody does not make it exponentially funnier. Making fun of the fact that you are making fun of it doesn’t either. A joke requires perspective and insight. Most important, it requires something fresh and surprising. Not much of that here. And if it is not a crime to fail to take advantage of the comic talents of Alyson Hannigan, Fred Willard, and Jennifer Coolidge, it should be, and they should call out the comedy police here to arrest the “2 of the 6 writers of Scary Movie” for felony unfunniness.

Parents should know that this movie has a lot of very crude and disgusting humor and some strong language for a PG-13, including the n-word. There is comic violence, including shooting and punching, and sexual references and non-explicit situations.

Families who see this movie should talk about the movies it parodies and what assumptions it challenges. Why is it funny to make fun of movies we originally enjoyed?

Families who enjoy this movie will also enjoy Scary Movie (much raunchier material).

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Comedy Movies -- format Romance

Curious George

Posted on February 10, 2006 at 3:31 pm

B-

Lowest Recommended Age:	Preschool
MPAA Rating:	Rated G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Very mild peril
Diversity Issues:	None
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000GIXEWC

This gentle little film about the monkey whose curiosity gets him into trouble and the man who befriends him will make 4-8-year olds very happy and give their parents a chance for a nice nap.

Generations of children have loved the little monkey created by husband and wife team team H.A. and Margret Rey for more than half a century. Curious George gets into trouble because he always wants to explore and try out and investigate everything he sees. Children, who have the same impulses and struggle with the restrictions imposed on them by parents and teachers, get a vicarious thrill from th freedom and daring of CG’s adventures — and sometimes from seeing him face the consequences. That nice Man in the Yellow Hat is always there to take care of him, which is a great source of comfort to children as well.

This first feature film keeps the same simple lines of the originals — that’s story lines and drawing lines — but changes the relationship a little. Instead of capturing Curious George, George more or less captures the Man in the Yellow Hat.

As with the books, the best part of the movie is seeing Curious George get into mischief: dipping his hands into cans of paint and applying his own idea of decorating to the walls and taking off into the sky with a handfull of helium balloons. It is less successful when the Man in the Yellow Hat, now named Ted and with the voice of Will Ferrell, gets into some trouble himself.

Ted works for a museum that is about to be turned into a parking lot — that is, unless Ted can save the day by bringing back a huge African idol. In Africa, Ted finds the idol, but it is only a couple of inches tall. He also makes friends with the little monkey, who sneaks on board the cargo ship that is taking Ted home.

Ted has a hard time telling the truth about the idol, and briefly tries to create a fake to please the museum visitors. He also tries to get rid of Curious George — his building does not allow pets of any kind and George keeps getting into trouble. But he ultimately tells the truth (though does not suffer any consequences). And he learns that George has brought him — and taught him — a great deal.

Parents should know that the movie has some mild peril and some naughty behavior from both Ted and George. They should also know that this film is the first animated film to include product placement. It is subtly done, and does not include toys or candy, but it is still an intrusion. Parents will want to warn children not to stare into the sun as Ted does.

Families who see this film should talk about why Junior was jealous of Ted and why Ted had a hard time telling the truth about the idol. Why did Ted change his mind about Curious George? Can you tell about a time you were curious?

Families who enjoy this movie will enjoy the books.

Aquamarine

Posted on February 10, 2006 at 3:26 pm

B+

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated PG for mild language and sensuality.
Profanity:	Brief strong language for a PG
Alcohol/ Drugs:	None
Violence/ Scariness:	Mild peril, no one hurt
Diversity Issues:	None
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000FCW15A

The best thing about this fairy tale is that its happily-ever-after ending is satisfyingly real world. It’s the most enchanting treat for girls since The Princess Diaries.

It’s less of a fairy tale than a fish tale, at least half a fish tale. Best friends Claire (Emma Roberts) and Hailey (Joanna ‘JoJo’ Levesque) can’t bear to see the summer end. They have had a wonderful time watching dreamboat lifeguard Raymond (Jake McDorman) every day at the beach. But the real problem is that they are about to be separated. Hailey’s mom has a new job on the other side of the world, in Australia.

After a huge storm, they find a mermaid named Aquamarine in a swimming pool. She tells them that she has just three days to prove to her father that there is such a thing as love, and if they help her, she will give them a wish.

Aquamarine decides Raymond is the one she wants to love her. Claire and Hailey are willing to help her with their crush because it means not just getting their wish to stay together but keeping him away from mean girl Cecilia (Arielle Kebbel).

Claire and Hailey are at exactly the age where those friendships mean everything and Roberts and Levesque have a believable chemistry whether they’re laughing, plotting, or arguing. Sara Paxton sparkles as Aquamarine. Her character’s confidence inspires the girls, but they learn even because they have to take care of her. That gives them a sense of their own strength and power and a greater appreciation for those who take care of them.

The story, based on Alice Hoffman’s YA novel, nicely blends the fantasy
elements with astutely observed portrayals of early-teen fears and friendships. That’s where the real magic is.

Parents should know that the movie has some brief strong language for a PG, including one use of the b-word. There is some slight peril and some discussion of crushes and who is “hot” and who has a good figure and a mild joke about all the girls and some of the boys having crushes on Raymond. There are plot themes relating to the loss of parents through death and divorce.

Families who see this movie should talk about why Claire and Hailey said mean things to each other. Who were they really mad at? What were the most important lessons Claire, Hailey, Aquamarine, Raymond, and Celia learned. Why?

Families who enjoy this movie will also enjoy some of the other classic mermaid movies, including Disney’s The Little Mermaid, Mr. Peabody and the Mermaid, the Fairie Tale Theatre version, and Splash (some mature material). And they will enjoy the book by Alice Hoffman. And they might like to read my interview with Sara Paxton about playing a mermaid.