From Swastika to Jim Crow

Posted on December 8, 2009 at 3:19 pm

Because this is the 20th anniversary of the Washington DC Jewish Film Festival, all of the previous festival directors were given the chance to pick their favorites from past years to put on this year’s schedule. That is how I got to see “From Swastika to Jim Crow” today.
Hitler came to power in January of 1933. In April of that year, Jewish professors started being dismissed from universities and within a month, most of them were gone. About 1200 came to the United States. And of that group, about 50 ended up at one of the traditionally black colleges. Finding themselves in areas segregated by law and culture, these “refugee scholars” were in “double exile.” They had lost their home, their country, their friends, their families, their jobs, and their language. And they were in a place where they were seen as triply suspicious outsiders — Jews, immigrants, intellectuals.
Interviews with the professors, their families, and their students and archival footage bring us into the world of these immigrants, who found they had more in common with their black students and colleagues than with the white members of the community. It is especially poignant when one explains that the black students were better able than whites to comprehend the information that came out about the Holocaust atrocities because “the notion of man’s inhumanity was not foreign” to them. The white community did not accept the refugee scholars but that does not mean they did not tell them how to live. One was threatened for entertaining students in his home. A newspaper headline notes: “White Professor Fined $25 for Eating with a Negro.”
One-time students, now distinguished scholars themselves, talk movingly about these professors, whose struggle, survival, and commitment to excellence and knowledge was itself an education.
An exhibit inspired by the movie is now at the New York Museum of Jewish Heritage and will go on tour.

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Documentary Festivals

Michael Verhoeven at the Jewish Film Festival

Posted on December 7, 2009 at 1:57 pm

At noon today, Visionary Award recipient Michael Verhoeven was interviewed by Sharon Rivo, Co-Founder and Executive Director, National Center for Jewish Film. We saw a few moments from his new film, “Human Failure,” which has its North American premiere tonight at the festival. It is a documentary about the discovery of an extraordinary archive from the Nazi era. For more than 60 years, tax records showing the appropriation — the authorized theft — of money and property from members of the Jewish community had been protected by privacy laws. But a professor found a stash of 20,000 files in Cologne, made copies of some of them, and created a museum exhibit. When Verhoeven read in the newspapers about the exhibition, he became involved and made the movie.
Theses special taxes were based on property, not income, so Jews were required to submit detailed inventories of every possession they had, down to the children’s dolls, according to Verhoeven. These are not just documents of what was lost. They provide a snapshot of the lives of these families. Many of the files include facts about the people as well as the property and the short clip we saw included an American who discovered for the first time what had happened to his great-uncle through a newspaper story on the files.
Verhoeven, whose previous films include feature films based on history “The Nasty Girl” (a young woman who exposed her community’s involvement with the Holocaust), “My Mother’s Courage” (a woman who escaped being sent to a concentration camp) and “The White Rose” (about young protesters who were killed by the Nazis), said that when he graduated from high school in 1957, the history of the Third Reich was not being taught. “It was the Cold War. It was not interesting any more who was a Nazi. What was interesting was who was a communist.” Even now, he says, there were those who tried to prevent this archive from being exhibited. But the movie’s release (it was shown in connection with the exhibit for three months) is evidence that “people face the past, people cope with the past. It’s a good thing.”

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Documentary Festivals

‘The Way We Get By’ — Thanking Those Who Serve

Posted on November 11, 2009 at 8:00 am

Please take time to gather your family to watch The Way We Get By in observance of Veteran’s Day, showing tonight on PBS. This is a documentary about the troop greeters who devote their last years to being there to give a warm hello, a smile, and a thank you to the military as they leave the US to serve abroad or return from their stations.

Beginning as a seemingly idiosyncratic story about troop greeters – a group of senior citizens who gather daily at a small airport to thank American soldiers departing and returning from Iraq, the film quickly turns into a moving, unsettling and compassionate story about aging, loneliness, war and mortality.

This is not about war. It is about honor, meaning, devotion, and thanks.

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Documentary Holidays Television

The Christians: The History of Christianity and Its Global Impact

Posted on November 2, 2009 at 9:58 pm

B+
Lowest Recommended Age: High School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Mild
Violence/ Scariness: References to martyrs and murders
Diversity Issues: A theme of the series
Date Released to DVD: November 3, 2009

Filmed on location in more than 30 countries, this 13-episode series covers the history of Christianity from the time of Jesus through “two thousand years of persecution, politics, and power.” This DVD set has extras as well: a new introductory segment by host Bamber Gascoigne, a 16-page viewer’s guide with highlights, questions to consider, avenues for further learning, a timeline, and more, The Cultures of the Cross and Christ in Art photo galleries, and Architects of the Faith, select bios of people influential to Christianity. This is Christianity as a historical force, its highs (acts of sacrifice and compassion, learning, great works of art and architecture) and its lows (persecution and atrocities). It covers the largest and oldest denominations, and the briefest off-shoots, the unchanging traditions and the agile adaptations, the controversies and the conflicts.

I have one set to give away to the first person who sends me an email at moviemom@moviemom.com with the word “Christians” in the subject line. Good luck!

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Documentary DVD/Blu-Ray Pick of the Week Spiritual films

The Life and Times of Hank Greenberg

Posted on November 2, 2009 at 8:00 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: PG
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Some sad moments
Diversity Issues: A theme of the movie, including anti-semitism and racism
Date Released to Theaters: 1998
Date Released to DVD: 1998
Amazon.com ASIN: B00005NTOI

In honor of the World Series, take a look at this documentary about baseball star Hank Greenberg.
Brilliant documentary-maker Aviva Kempner has created a gem of a movie to lift the spirit of anyone who cares about baseball — or heroes.

Hank Greenberg was that rarest of sports stars, someone who was as good as his fans hoped he was — in fact, he was even better. Over and over, in this movie, we see accomplished, distinguished men get teary-eyed as they talk about how much Hank Greenberg meant to them when they were growing up. Senator Carl Levin said, “Because he was a hero, I was a little bit of a hero, too.” Lawyer-to-the-stars Alan Dershowitz says, “Baseball was our way of showing that we were as American as anyone else.”

“We” meant Jews. Hank Greenberg was not the first Jewish baseball player, but he was the first one to be proudly Jewish. He did not change his name and he did not hide his religion. He missed a day of the World Series to observe Yom Kippur (though he did play on Rosh Hashanah, thanks to a clearance from a rabbi who was a baseball fan). And he was a star. Dershowitz said, “He was what they said Jews could never be.”

Kempner combines stock footage and contemporary interviews with fans, friends, family, and teammates to give a glowing portrait of Greenberg, who died in 1986, and, as the title promises, of his era.

Greenberg faced a lot of prejudice. He played for the Detroit Tigers in a city whose leading citizen, Henry Ford, was a virulent anti-Semite. One of his teammates was a country boy who had never met a Jew before and literally expected Greenberg to have horns. But Greenberg never took it personally and never became bitter. He said that it made him work harder because if he failed, “I wasn’t a bum; I was a Jewish bum.” Not a religious or observant man, he was very aware of his role as a symbol, and, as a fan notes, “he wore his Jewishness on his sleeve and in his heart.” At the end of his career, he helped support another baseball player he perhaps understood better than anyone — Jackie Robinson.

Greenberg missed four seasons at the top of his career because he was serving in WWII. And at the end of his career he was impulsively traded by an owner who mistakenly thought he was thinking of leaving. He spoke of those incidents with regret, but without anger. One of the great treats of this movie is see not just how well Greenberg handled adversity, but how well he handled fame and success, remaining humble, honest, and dedicated through it all.

Perhaps most revealing of Greenberg’s character was the one statistic that he cared about, in this most statistic-ridden of sports — RBIs. He loved being the one who batted clean-up, “the guy that comes up at the clutch, changes the ball game, makes all the difference.” He could have gone for the home run record, but he was the ultimate team player.

His teammates and friends talk, also, about his dedication. He was the hardest-working of ball-players, paying anyone he could find to pitch to him for extra batting practice and even stripping down in a friend’s dress-making studio so he could examine his batting stance in a three-way mirror.

Parents should know that while younger kids might not understand the movie, there is nothing objectionable in it — and how many of today’s sports figures could inspire a documentary about which that statement could be made?

Families who see this movie should talk about America’s history of prejudice and about the different ways that people handle adversity — and success. Families who enjoy this movie will also enjoy Ken Burns’ “Baseball” documentary, broadcast on PBS and available on video.

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