We Bought a Zoo

Posted on December 22, 2011 at 6:07 pm

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for language and some thematic elements
Profanity:	Some mild crude language, s-word
Alcohol/ Drugs:	Some drinking
Violence/ Scariness:	Sad offscreen deaths of parent and animal, some mild peril
Diversity Issues:	None
Date Released to Theaters:	December 23, 2011
Date Released to DVD:	April 2, 2012
Amazon.com ASIN:	B004LWZW9W

This is a good, old-fashioned family movie grounded in Matt Damon’s best-ever performance, inspired by the real-life story of a young widower who, without knowing a lot about animals or running a business, impulsively decided to buy a zoo.

Benjamin Mee (Damon) is a reporter still mourning the loss of his wife. His young daughter Rosie (the very gifted and almost impossibly adorable Maggie Elizabeth Jones) is sad. His teenage son Dylan (Colin Ford) is angry and sad. When Mee’s editor tries to reassign him, Mee realizes that the family needs something completely different. And there is not much as different as a zoo. At first Dylan is even angrier. He has already lost his mother and now he has lost everything else that is familiar to him. And the zoo, which has been closed down will be very expensive to get into operating condition. It makes no sense, as Mee’s practical brother (Thomas Hayden Church) keeps reminding him. But after so much loss, Mee needs to feel that he can help something come alive.

The animals are cared for by Scarlett Johansson, looking sensational without make-up, as Kelly the zookeeper. Mee survived a lot of dangerous situations as a journalist, covering dictators and hurricanes, but now he must be a participant, not an observer, and people, animals, and his family are depending on him. Fortunately, he is handy with tools and has a fix-it frame of mind. Unfortunately, that does not work with teenagers. But Dylan is befriended by Kelly’s niece, played by Elle Fanning, who shows herself already a masterful actor by creating a distinctly different character from her equally sensitive performance earlier this year in “Super 8.”

This could easily have been sit-com-ish or corny — there is a persnickety inspector who has to sign off on the zoo before it can open and a group of quirky but lovable staffers, a mostly-humorous search for an escaped animal, and a discreet but sad farewell to one of the big cats. But director Cameron Crowe (“Jerry Maguire”), who co-wrote the script with “The Devil Wore Prada’s” Aline Brosh McKenna, makes it work with the help of a superb soundtrack by Jónsi. And Damon’s performance centers the story with such presence and commitment that even viewers who pride themselves in being impervious to the charms of animals and children will find themselves melting.

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Interview: Nancy Stafford of ‘Christmas with a Capital C’

Posted on December 15, 2011 at 8:00 am

The beautiful and talented Nancy Stafford (“Matlock”) stars in the heartwarming Christmas with a Capital C, now available on DVD. She spoke to me about the movie and about the way her faith leads her to projects that share her message of faith and God’s love for each of us.

Tell me about the character you play in this movie.

I love this movie and I love my character! I play the heart and soul of the film, all due to the fabulous work of Andrea Gyertson Nasfell, who wrote the movie. I play the wife of the mayor of a small town in Alaska, played by Ted McGinley. We’re the kind of town where everyone gathers together at Christmas big time and we have a tradition of putting the nativity scene in the city park. And then a long-time childhood friend comes back to town and challenges us with a legal battle to remove the religious display from city property and gets an injunction, the town is split. Some people think we ought to make it more inclusive and get rid of the name “Christmas” but others say “we can’t let these folks to roll all over us.” My character is the one who brings some reason and some heart. She says instead of being combative and argue our way into agreement, why don’t we put our feet to faith and allow our actions instead of argument be the thing that is louder? Why can’t we be Jesus with skin on and do what Jesus said He had come to do, to be Emmanuel, the God with us, and be the heart and soul and mind of Christ for the people around us. The whole city launches a Christmas with a Capital C campaign of acts of kindness and service. We give away hot chocolate and wash people’s windows and do things for the homeless and those who have a little less. It changes the heart of the Grinch character but it also changes the whole town. I love the film because it makes the world recognize how ridiculous it is to try to take Christ out of Christmas but it is also a message to the church. It’s not to say we should not stand up for truth and righteousness but it is to say that our positive actions, our loving response to the people around us, even those who don’t agree with us, that changes people’s hearts.

Your character really tells people to start with themselves and that will change people more than arguing with them.

I got to say the best speeches in the film!

Tell me about your “Grinch” character.

Daniel Baldwin, one of the bad Baldwin boys. He’s a lovely guy, but plays a hardened character who grew up in the town but has gone off and seen the world and has had some unfortunate run-ins with Christians who have turned him off big-time. I can relate to that. I grew up in the church myself but when I went to college and didn’t have to go to church I chose not to. I had some issues with what I saw as hypocrisy in the church. So I get it! I was a prodigal for 15 years before I darkened the door of a church again. So I know there are a lot of people who don’t have a problem with Jesus but they have a problem with the church. So this guy comes back and he is hurt and disappointed and he does not want to participate or have it in his face. But he is a hurting and broken man. He has some vulnerability. So in the story when our daughter gives him cookies and it’s such a literal picture of her peeking in the window and seeing what was really happening in his house, like peeking into his soul and seeing that he is destitute on the inside.

Is it important to you that the projects you work on reflect your faith?

Yes, it is terribly important to me. I have been blessed to do two faith-based projects. For a lot of years I did not want to do them. I have been lucky enough to have some success in secular marketplace and only in the past few years I have seen Christian films that can hold up in the marketplace of films, that are looking better and better. But even though I have done secular work my faith has still been the driving force on what I choose to do. It dictates everything I do in life. I am not going to do anything that is counter with a Kingdom value. Over the years, as a result, I’ve worked less and less, but God is gracious and won’t let me leave the business. Part of it is the projects I turn down and part is just the roles for women over 50 in Hollywood. But I am speaking a lot and doing conferences and retreats and writing books and ministering to women, so my world is more spread out.

Do you have a favorite Bible verse?

There are so many! But I love Isaiah 61. They are life verses for me. They resonate to my heart and have been transforming for me. When the old prophet Isaiah is telling of Jesus coming, the pre-incarnate Christ talking through this prophet saying. “I’ve come to preach the good news, bind up the broken-hearted…oil of gladness instead of despair.” The great exchange we get when we have a life in Christ continues to touch me.

I’d love to hear about your new book.

I love this book! It’s called The Wonder of His Love: A Journey to the Heart of God. It’s a 30-day devotional that invites the reader to dive into the heart of God and discover 30 aspects of His love we might not always see or understand. Each one is on 30 different ways that God loves us. It’s really personal but people really seem to respond to it. I love women and I minister to women and my first book was for women but this one is for everyone, men and women, not a chick book. I write what I need. When I started writing Beauty by the Book: Seeing Yourself as God Sees You it was because I desperately needed to be reminded of who I am in Christ. I needed to assured and reminded of my value and my true worth, not based on what I look like or what I have or how I perform but on how He says about me me. The same thing with this book. I needed in my own life to be reminded of God’s actual, unshaking, immeasurable love for me. As I pored over scripture, I just saw it flying off the page. I started writing down a list of the aspects, the qualities of God’s love, His nature. I thought, if I need this, maybe someone else needs encouragement. When I’m walking through shadow times and in heartache or pain or disappointment, when it seems He cannot see me, when I can’t see His love at all, it is steadfast and always there.

The Greening of Whitney Brown

Posted on November 22, 2011 at 12:03 pm

B-

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for brief mild language
Profanity:	Brief mild language
Alcohol/ Drugs:	None
Violence/ Scariness:	Comic peril
Diversity Issues:	None
Date Released to Theaters:	November 23, 2011
Amazon.com ASIN:	B005TTEG0M

A middle schooler who thinks she has it all figured out finds herself tossed from 1 percent-ville to 99-percent-land in a cute new film in limited release called “The Greening of Whitney Brown.” Sammi Hanratty plays the title character, a spoiled prep school princess who is elected school president on a platform that is all about throwing the biggest, best, and most expensive party. But then her father loses his job when his company goes bankrupt and her parents (Aiden Quinn and Brooke Shields) take her to a place in the country that is all they have left. Everything is old and broken, there’s a horse that follows her around like Mary’s little sheep, she gets no cell phone reception, and everything she thought she knew about what makes someone popular turns out not to apply in her new school.

http://www.youtube.com/watch?v=zeklp2nRXe4

Whitney has to start over more than once, especially after it turns out that the friend she trusted to watch out for her at her old school is more competitive and less loyal than she thought. As Whitney’s parents begin to figure out a path to a new career out in the country, Whitney begins to understand that things she once thought were important don’t matter and things she once dismissed without a thought are where the real value lies.

The Descendants

Posted on November 17, 2011 at 6:08 pm

B+

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for language including some sexual references
Profanity:	Constant very strong and crude language from adult, teens, and child
Alcohol/ Drugs:	Drinking, teen gets drunk, references to teen drug abuse
Violence/ Scariness:	Tragic fatal accident (no graphic images), grief and loss, discussion of taking someone off of life support, sad parental death
Diversity Issues:	Diverse characters, homophobic insult as evidence of crass, bullying behavior
Date Released to Theaters:	November 16, 2011
Date Released to DVD:	March 13, 2012
Amazon.com ASIN:	B004UXUX4Q

Just because he lives in Hawaii, don’t think he’s in paradise, Matt King (George Clooney) warns us. No one is immune to life. The first Alexander Payne film since “Sideways” gives us another damaged hero at a crossroads and as the King whose crown lies very uneasily on his head Clooney gives his most vulnerable and sensitive performance.

Matt’s wife Elizabeth, glimpsed briefly but vibrantly as she is out boating, is in a coma following an accident on the water. “If you’re doing this to get my attention,” he says to himself as much as to her, “it’s working.” All of a sudden he has to pay attention to a lot of things. He’s the one who gets called in to school when his 10-year-old daughter Scottie (Amara Miller) brings in photographs of her mother in a coma for show and tell and the one who has to drive her to apologize after she insults a classmate via text. “I’m the back-up parent,” he tells us, “the understudy.” He was. Now he’s first-string and the game is on the line.

Matt and his family live on his income as a lawyer but everyone knows that he has inherited land of almost unimaginable value and that he is about to decide whether he will sell it for a lot of money or for you-can’t-count-that-high money. The land is owned equally by Matt and his many cousins, all descendants (hence the title) of Hawaiian royalty and the son of missionaries. For legal reasons they cannot continue to hold it indefinitely. For financial reasons, the poorer relatives are pressing to make a deal. But Matt is the sole trustee. He has the authority to decide, and is trying to do what is best for everyone.

He impulsively takes Scottie to pick up his older daughter, Alexandra (Shailene Woodley), who has been away at boarding school because of problems with drugs and overall bad behavior. When they arrive, she is out after curfew, drunk, and hostile. At home, she tells him why she was so angry at her mother — Elizabeth was having an affair. And the doctor tells Matt that Elizabeth is deteriorating and there is no hope.

Matt begins to understand how little he knew and how little he has control over. He is clear, methodical, and deliberate on removing Elizabeth from life support, informing her brusque father (an excellent Robert Forster), her mother with dementia (Barbara L. Southern), and their friends and family about what is going on and urging them to visit her to say goodbye. He brings depositions to Elizabeth’s bedside so he can keep working. But in other areas he goes on instinct and impulse, taking Scottie, Alex, and Alex’s dim-witted, awkward boyfriend Sid (Nick Krause) to track down Elizabeth’s lover, all of them more sure that they need to do it than they are sure what they will do when they find him.

Alexander Payne (“Election” and “Sideways”) has a gift for life’s messiness, the mash-ups of pain, humor, anger, terror, and longing that collide in the midst of big moments and domestic dailiness. A man wants to get somewhere urgently so finds himself running in shoes that slip and with lungs that no longer let him forget he is getting older. A thoughtless teenager says the wrong thing to a tough old man and gets popped in the eye. There is an awkward encounter with the man who drove the boat in the accident (played by an actor who looks like he has lived his whole life on the beach because it is surfing champion Laird Hamilton).

But moments of grace that come from the wrong people and at the wrong time can still brighten spirits. Payne is also an actor’s director who has consistently given underrated performers a chance to show greater depth and breadth. This film is filled with beautiful performances from Clooney, Woodley, Forster, Matthew Lillard, Beau Bridges, and, as a character who does not even appear until about 3/4 of the way into the movie, the always-wonderful Judy Greer. Too often relegated to best-friend roles for whatever Jennifer and Jessica are in the latest forgettable romantic comedy, Greer is an actress of impeccable honesty and timing. At first her character seems like a nice person who has never needed or wanted to be anything else. But then Greer brings to the small but essential role a dignity and resolve that are unexpectedly touching.

There is a lot of crying in this movie, and not movie crying with one perfect sparkling tear welling up in the corner of one perfect eye. There is some messy, ugly crying. And there is messy, ugly behavior. This is a terrible, painful situation and people are fraught and scared and angry. Matt tells Elizabeth that even in a coma she can still be difficult. But he finds his way to some clarity about some of the problems that were making him feel powerless. And we recognize that acknowledging the messiness may be the closest to clarity anyone can get.

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The Way

Posted on October 6, 2011 at 10:59 pm

B+

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for some thematic elements, drug use, and smoking
Profanity:	Mild language
Alcohol/ Drugs:	Drinking and drunkenness, a lot of smoking, drug use
Violence/ Scariness:	Sad off-screen death, some scuffles
Diversity Issues:	None
Date Released to Theaters:	October 7, 2011
Date Released to DVD:	February 21, 2012
Amazon.com ASIN:	B0062VL4QA

In honor of this DVD Pick of the Week, I have three copies to give away. Send me an email at moviemom@moviemom.com with “The Way” in the subject line and tell me your favorite Martin Sheen movie. Don’t forget your address! US addresses only.

A story about a father and is son comes to us from a father and his son. Emilio Estavez wrote and directed his father Martin Sheen in a touching and uplifting movie about a doctor who completes the pilgrimage he told his estranged son not to make after the son is killed in a storm.

Sheen plays Tom, an affluent ophthalmologist living in Las Angeles, playing golf with his friends and worried about his son Daniel (Estavez). In his late 30’s, Daniel has dropped out of his PhD program to roam the world. Tom gets a call from a French policeman telling him that Daniel is dead. He flies to France, identifies the body, and then impulsively decides to finish what Daniel had started, to walk the Way of St. James from St Jean Pied de Port to Santiago de Compostela, 780 km/484 miles as pilgrims have done since the middle ages. He will bring Daniel along with him, leaving his ashes along the path so that he can complete his journey.

Tom has no interest in the other pilgrims or in sharing with anyone what he is doing. But there is no way to avoid the people who are walking along the same road and staying at the same inns and soon he finds himself sharing the journey with an affable Dutchman named Joost (Yorick van Wageningen), a bitter Canadian named Sarah (Deborah Kara Unger), and a frantic Irish writer named Jack (James Nesbitt). People on The Way tend to leave their last names behind. Everyone is just a first name and a nationality — and everyone but Tom gives a reason for being there. Joost wants to lose weight before his brother’s wedding. Sarah wants to quit smoking, but only after she completes the pilgrimage. Jack is there to write a book about it and his editor is impatient. But pilgrims are not always honest with themselves or each other and part of what they will learn on the road is what they are really doing there.

At times it has the feel of a television movie but the scenery is spectacular and benefits from the big screen and Estavez as writer and director has a good sense of timing and a gift for cinematic storytelling. It is funny and heartfelt and inspiring and it will make you think more deeply about your own journey.

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