The Uninvited: Now on Criterion

Posted on October 25, 2013 at 3:59 pm

Just in time for Halloween, one of my very favorite ghost stories has been released in a beautifully restored edition from the wonderful folks at Criterion. It is The Uninvited, starring Ray Milland (“Love Story”) and Ruth Hussey (“The Philadelphia Story”), as a brother and sister who move into a beautiful but spooky house on the cliffs of Cornwall. Made in 1944, this was one of the first Hollywood films to treat a ghost story seriously and it is wonderfully eerie and romantic, with a very satisfying conclusion and a gorgeous score that includes the classic song, “Stella by Starlight.” By today’s standards, the scares are rather tame but the psychological horror and suspense are well handled. Both Martin Scorsese and Guillermo Del Toro have named it as among their favorite thrillers. Highly recommended. (No connection to the 2009 film of the same name.)

http://www.youtube.com/watch?v=mfRSZ2kYvXs

For a delectably spooky Criterion double feature, add I Married a Witch with Veronica Lake and Fredric March.

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The Snow Queen

Posted on October 10, 2013 at 5:00 pm

C-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG
Profanity: NOne
Alcohol/ Drugs: None
Violence/ Scariness: Fairy tale and fantasy peril and violence, guns, fire, parents killed
Diversity Issues: Strong female heroine and villains
Date Released to Theaters: October 6, 2013

It may be a coincidence that a Russian animation studio decided to make a movie based on the Hans Christian Andersen fairy tale of the Snow Queen at the same time as Disney’s big-budget feature, “Frozen,” inspired by the same source. But it is probably not a coincidence that the low-budget, low-quality Russian version got distribution in the United States as it would otherwise not have attracted any interest beyond the straight-to-DVD bin. Russia, which once produced animation of exquisite beauty and storytelling, shows with this film that it can churn out uninspired, dull animation just like everyone else. The visuals are poorly conceived, with characters that are hardly more expressive than Weebles apart from the cleavage that is the most notable feature of at least three of the female characters. The vocal performances are uninspired and uninvolving. And the one effect that words, a 360 degree swoop-around, is relentlessly overused. The script is muddled and dull.  Plus, there are fart jokes.snow queen

This version of the story has a little girl named Gerda (Jessica Strauss) in search of her brother just as The Snow Queen (Cindy Robinson) has sent her troll (Douglas Erholtz, trying to sound like a Borscht belt comic) to find her.  The Snow Queen has frozen the world.  Gerda’s brother is her captive.  And Gerda may have some sort of secret power to conquer the Snow Queen, having to do with a mirror that reveals the true self.

snow queen gerdaGerda and the troll have various PG encounters along the way that all seem to be half-heartedly designed to teach lessons about cooperation, bullying, and family.  There’s a king with squabbling children, a lady who grows fragrance-less flowers in a hothouse, and a pirate captain and her daughter.  The flat affect of the vocal performances and bland expressionlessness of the characters has a soporific quality.  Both seem…frozen.

Parents should know that this film has fairy tale/fantasy peril and violence, with guns, fire, and pirates.  Parents are killed.

Family discussion:  How did being bullied affect the girl with special powers?  How were Gerda and the pirate girl alike?  What made the flowers smell?

If you like this, try: “The Fool of the World and the Flying Ship”

 

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Cloudy With a Chance of Meatballs 2

Posted on September 29, 2013 at 11:33 pm

cloudy2Who would have guessed that the brightest and funniest and most heartwarming animated film of the year would not be from Pixar or Disney but Sony?  And that to boot it would be a sequel, or, perhaps given the subject matter, a second helping?  “Cloudy With a Chance of Meatballs 2” is a fresh and charming delight especially welcome after a series of animated disappointments.

There’s a quick recap of  the first episode, very loosely based on the 1970’s children’s book classic.  We are reminded that would-be inventor Flint Lockwood (Bill Hader), who lives in Chewandswallow, created a machine called the “Flint Lockwood Diatonic Super Mutating Dynamic Food Replicator” (FLDSMDFR for short) that turned water into food. But things got out of hand and the town was deluged with food until he saved the day by turning it off.  Flint’s scientific idol, Chester V (Will Forte), has invited Flint and his friends to California while they clean up Chewandswallow.  Like Flint, Chester has a simian sidekick.  Flint has the monosyllabic monkey Steve (Neil Patrick Harris).  Chester has put a human brain inside the brain of an orangutan named Barbara (“Like a terducken!” she says brightly), voiced by Kristen Schaal.  Barb has an exquisite manicure and hairdo and a firm insistence on not being called a monkey.  She is an ape.

At first, Flint is hesitant to put on hold his plans to create a lab on the island for his friends, especially meteorologist Sam Sparks (Anna Faris).  But Sam knows what it means to Flint to get a chance to work with Chester, so she encourages him to put the plans for the lab on hold.  Sam, Flint’s fisherman dad Tim (James Caan), the Chewandswallow police chief (Terry Crews), and their goofy friend Brent (Andy Samberg), all move to California and Flint goes to work in a facility that looks like a tweaked version of the Googleplex with coffee always within reach and caffeine patches on request.

But then it turns out that the FLDSMDFR is somehow working more damage than ever, now producing weird combinations of food and animals — foodimals — with hilariously preposterous visual and verbal puns.  There’s the shrimpanzee, the hippotatosaurus, the susheep, and the taco-dile, along with other delicious mash-ups.  Chester sends Flint to shut it down, swearing him to secrecy, but Flint tells Sam and ends up taking the whole gang back to Chewandswallow with him.  A few mild quibbles — it would be nie in a movie about scientists to have some actual science used in the problem-solving.  And after a movie in which adorable marshmallows and strawberries and even cheeseburgers are cavort so endearingly, parents may find it even more difficult to persuade picky eaters and tenderhearted types to eat their dinners.

But there’s a very sweet storyline about the importance of friends — having friends and being a good friend, and a nice aspirational moral about making the world better — and the pure silly fun of a group of animators outdoing each other with escalating puns that range from the outlandish to the almost-but-not-quite unforgivable.  Not once, but twice, there are jokes about a leek in the boat, and it is funny both times.  Lines of dialogue lie “piece of cake,” “we’re toast,” and “this is bananas” are punctuated with visual counterpoint.  And a bright “New” song by Paul McCartney gives the soundtrack as much sunshiney as the adorable creatures and cheery humor.

Parents should know that this movie has some mild potty humor and comic/cartoon-style peril, most shown to be not scary.

Family discussion:  Why was it important for Flint to apologize?  How was he affected by being bullied?  What does Barb learn about Chester?  Which one of Flint’s inventions would you like to try?  Do you have an idea that could change the world?

If you like this, try: the first film, the book, and “Megamind”

 

 

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Disney Is Making a New Live Action Cinderella Movie

Posted on September 24, 2013 at 8:00 am

cinderelladisney2013Walt Disney Studios, which made the classic animated version of “Cinderella” in 1950, is now filming a sumptuous new live-action Cinderella film, directed by Kenneth Branagh, with Lily James (“Downton Abbey,” “Wrath of the Titans”) in the title role, Richard Madden (“Game of Thrones,” “Birdsong”) as the Prince, Cate Blanchett (“The Aviator”) as the evil stepmother Lady Tremaine, and Academy Award-nominee Helena Bonham Carter (“The King’s Speech,” “Alice in Wonderland”) as the Fairy Godmother. Holliday Grainger (“Great Expectations,” “Anna Karenina”) and Sophie McShera (“Downton Abbey,” “Waterloo Road”) play Ella’s stepsisters Anastasia and Drisella, respectively. Stellan Skarsgård  and Nonso Anozie  play the Arch Grand Duke and the Prince’s loyal friend, the Captain, and Derek Jacobi portrays the King.

The filmmaking team includes three-time Academy Award-winning production designer Dante Ferretti (“The Aviator,” “Hugo,” “Sweeney Todd: The Demon Barber of Fleet Street”), three-time Oscar-winning costume designer Sandy Powell (“The Aviator,” “The Young Victoria,” “Shakespeare in Love”), director of photography Haris Zambarloukos (“Sleuth,” “Thor”) and Academy Award-winning editor Martin Walsh (“Chicago,” “Clash of the Titans”).

The timeless story of “Cinderella” dates back to 1697 when first created by Charles Perrault, although it truly came to life for millions all over the world in 1950 with Walt Disney’s celebrated animated feature.

Director Kenneth Branagh says: “It is impossible to think of Cinderella without thinking of Disney and the timeless images we’ve all grown up watching. And those classic moments are irresistible to a filmmaker. With Lily James we have found our perfect Cinderella. She combines knockout beauty with intelligence, wit, fun and physical grace. Her Prince is being played by Richard Madden, a young actor with incredible power and charisma. He is funny, smart and sexy and a great match for Cinderella.”

 

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