Posted on May 16, 2015 at 8:00 am
The new “Supergirl” series on CBS stars Melissa Benoist (“Glee,” “Whiplash,” “Danny Collins”) as Superman’s Kryptonian cousin, with Calista Flockhart as her “Devil Wears Prada”-style boss. Former Superman (“Clark and Lois” Dean Cain and former Supergirl Helen Slater play her adoptive parents. It looks great! Coming this fall on CBS.
Posted on May 15, 2015 at 3:06 pm
Dude Perfect is the second largest sports channel on YouTube, with over 4.5 million subscribers and more than 556 million views. (2021 update: over 56 million subscribers!)
They are a group of five best friends (plus a panda) from Texas who love sports, comedy and living a positive and faith-based life. Their channel is best known for their trick shots, “stereotypes” parodies, and athletes + Dude Perfect videos. They are committed to living and sharing their faith, and their charitable work includes Nothing but Nets, Compassion International, and Herobox.
“We basically started six years ago kind of on accident,” Dude Tyler Toney told me in a phone interview. They were all living together and enjoyed hanging out and playing games. “We weren’t really planning on making a viral video or even making a business model out of our first video. We were in the backyard in college and we just started shooting these basketball shots. It was an all grass backyard so we didn’t couldn’t really play actual games or anything. So we decided to get the video camera out and everybody wanted to top each others shots. Pretty soon we had a video and Good morning America called two days later and wanted to air it on TV.”
They have performed some wild trick shots and stunts. “I would say the hardest was one probably the first sling shot that we did. We basically went out in my families’ ranch and we had cut down this tree and basically made like a duct tape pouch and this thing would launch the basketball like 100 yards. So with the wind in the way that the ball was released out of the pouch it was pretty hard shot. So when that one finally went in we were pretty excited about that. We started filming about 2 o’clock and filmed till dark and then got up the next morning and probably made it around lunch time so that’s was probably the longest it had taken us to make a shot.”
The Dudes are very excited about all of the athlete and performing artist guest stars who have appeared in their videos. “I continue to keep being blown away at how awesome so many of these athletes and celebrities are and how great the personalities they have are. I mean Russell Wilson and Tim McGraw those guys were both actually incredible. Coach Carroll was awesome to work with. We got to do that thing with Odell Beckham Jr. for the Superbowl this year which was absolutely incredible. You’re just constantly reminded of how talented and how incredible these guys are when you get to see them in person. I always think the most recent one was actually the most impressive.”
“We’re really looking forward to filming with Steph Curry. We are are supposed to film with him by the end of this year. We’ve been interacting with Lebron several times. We’d love to film a full video with him at some point. What’s crazy is we have gotten to the point where a lot of these athletes are reaching out to us wanting to film a video because it’s just fun for them and lets their fans and their sports audience see a different side of them that you never get to see. We did the one with the Dallas Stars. A lot of people they had never seen Jamie and Tyler with the helmets off so nobody really knew what their personalities were like. So it’s cool to be in a position where these athletes can reach out to us to film a video.”
The Dude Perfect crew works with the guests to come up with ideas. “They will basically reach out and say, ‘Hey we’re interested in filming the video; what do you guys think?’ And then we kind of put the main idea of the video together and then when we’re out there they always try a couple of things — ‘I think I could probably do this shot.’ It is kind of collaborative but it works out really well.”
They have developed an even greater appreciation for the skill, professionalism, and work ethic of the athletes they have met. “I remember specifically when we were filming with Ryan Tannehill, the quarterback with the Dolphins, we went down there to Dick’s Sporting Goods in Florida and we basically were there all that night filming. We were supposed to be there for a few hours and we ended up staying there longer than that but he was so accurate in making these shots that it didn’t take him long at all. I think he ended up making over 10 shots in the video just because it was so easy for him to make all these different shots that we were throwing at him, so it was really cool to film that version.”
I especially enjoyed the humor of the “Stereotypes” series of parodies of obnoxious behavior. It was clear that the Dudes are strategic as well as fun-loving.
“It was really big for us because we knew we wanted to diversify our content. First we were the basketball trick shot guys. And then it was guys that do the trick shots in general whether it’s football, basketball, hockey or whatever. Then it was a guys who worked with athletes, celebrities and friends to film these videos. Stereotypes was the first video series, it was kind of branching out. It was totally different than the trick shots and is actually more popular than trick shot videos I think for a couple reasons. It reaches an audience that is so much. The basketball stereotypes produced around 20 million views. We knew that we had to continue to do more of those videos and so that has been a theme for us moving forward. We’ll probably be adding two new video series to our line-up throughout the rest of this year. The stereotypes has been a huge part of our success and really kind of paved the way for how we are going to make content going forward.”
At the core of what they do is their faith. “We are all very fortunate to grow up in Christian homes and some really good families that while we were young made sure we were in church every Sunday and then once we got a little bit older encouraged us to really make that relationship with Jesus ours. We just feel like God has given us this platform not just to make money, not just to be famous and take a lot of pictures with people but to really influence a lot of people. And so it’s been really cool the conversations that we get to have with people who want to talk about our faith. It’s been pretty neat because for the most part it’s been really accepting I think the way we go about it helps too. I know Christians for the most part kind of get a bad rap but our main goal is just to love people in the way that God loves us and treat people the way that we want to be treated. It’s been really cool to see the response that we have gotten from that.”
You can follow Dude Perfect on Instagram, Twitter, and Facebook.
Posted on May 15, 2015 at 8:00 am
This looks a bit too much like “Bruce Almighty,” but with the Monty Python guys playing aliens, I can’t help but be intrigued.
Posted on May 14, 2015 at 6:00 pm
B+| Lowest Recommended Age: | Mature High Schooler |
| MPAA Rating: | Rated R for intense sequences of violence throughout, and for disturbing images |
| Profanity: | Some strong language |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Constant, intense, and graphic violence, guns, explosions, crashes, some disturbing images |
| Diversity Issues: | Diverse characters |
| Date Released to Theaters: | May 15, 2015 |
Mad Max (Tom Hardy, taking over from Mel Gibson) stamps on a two-headed lizard and then chews its head off. And that’s just in the first minute. That master of apocalyptic junkyard anarchy, George Miller, is back, bigger, wilder, madder than ever with this fourth of the Mad Max movies, all set in a post-apocalyptic desert dystopia of deprivation, chaos, rust, and brutality. In this world, all anyone has ever known is loss and despair. There is no hope, no thought of any possible way to learn or create. At one point, a character points to something completely unfamiliar to him, calling it “that thing.” It is a tree.
The first three films were about the fight for gasoline to fuel the vehicles pieced together from the wreckage. This one is about another, even more precious fluid: water. Other precious fluids come into the story as well, including blood and breast milk.
A brutal dictatorship has taken over, controlling access to all of that. All are the preserve of Immortan Joe (Hugh Keays-Byrne, with the right crazy eyes for the role), who lives literally above everyone else in a place known as The Citadel, maintaining control with his army of War Boys, all with shaved heads and powder-white skin and all convinced that their destiny is to die for Immortan Joe and be transported to paradise in Valhalla. Immortan Joe also maintains a harem of impossibly long-legged, lovely young woman. His chief lieutenant is Furiosa (Charlize Theron), a fearless woman with a mechanical arm, so much the central focus of the film that it should have been named for her. When Furiosa escapes with Immortan Joe’s women, including his pregnant “queen,” Joe and his peers come after them, in a convoy of tricked-up vehicles, all made to destroy. Everything is in shades of burnt-out umber except for the bright red suit of a guy shredding an electric guitar to keep everyone angry.
One of the War Boys is Nuz (Nicholas Hoult), who has brought along his “blood bag.” That would be Max, who was captured by Immortan Joe’s troops and kept alive only to serve as a blood donor. Nuz did not want to be left behind but had not yet finished getting his transfusion. So Max is manacled and attached to the front of Nuz’s car. Max ends up with Furiosa and the young women, who are seeing the “green place” where Furiosa was born.
Miller is a master of cinema, and his staging and cinematography on the action scenes are shot through with throbbing, raging, adrenalin that contrasts with the stoicism of Max and Furiosa. Miller has said that the Edge camera car is the most exciting technological innovation in his career. It allowed him (he operated it himself) to put the camera in the middle of the action. He does not like to use CGI, preferring “practical” (real) effects, and the grittiness is so palpable we feel we are inhaling dust.
Hardy is excellent, though, as with Bain, his face is masked for much of the film. Theron is more incendiary than the film’s mountainous fireballs, creating a character with a rich, complicated history in the way she fights, in the determined set of her brows, in the way she looks at the helpless young women, thinking about where she has been and what she has seen. The action makes our hearts beat harder, but Miller’s ability to create characters that transcend the crashes and explosions and themes that resonate all too sharply with contemporary conflicts, are what can make them beat more fiercely.
Parents should know that this film has non-stop apocalyptic action, peril, and violence with many characters injured and killed and several graphic and disturbing images, as well as some strong language, some nudity, and references to domestic abuse.
Family discussion: Why won’t Max tell Furiosa his name? Why did society become so savage? Why was one community different?
If you like this, try: the first three “Mad Max” movies and Welcome to Wherever You Are, A Documentary Celebrating the MAD MAX Mythology
Posted on May 14, 2015 at 5:48 pm
B+| Lowest Recommended Age: | High School |
| MPAA Rating: | Rated PG-13 for innuendo and language |
| Profanity: | Some strong and crude language |
| Alcohol/ Drugs: | Drinking |
| Violence/ Scariness: | Comic peril and violence, no one hurt |
| Diversity Issues: | Diverse characters |
| Date Released to Theaters: | May 15, 2015 |
| Date Released to DVD: | September 21, 2015 |
| Amazon.com ASIN: | B00NYC3SG4 |
“Pitch Perfect 2” is — bear with me — the musical comedy variation on the “Furious 7” recipe for success. The sequel jettisons any pretense of seriousness of purpose, structural logic, or psychological authenticity, joyfully tosses off any pretense of taking itself, its heartwarmingly diverse characters, or its storyline seriously. And both, unexpectedly but utterly deservedly, will make you teary-eyed. Substitute exquisitely harmonized snippets of popular songs for cars flying out of planes, and it’s basically the same movie. And there’s nothing wrong with that. “Pitch Perfect 2” is even more fun than the first.
Beca (Anna Kendrick) was just starting college in the first film, about her reluctant agreement to join the all-girl acapella group called The Barden Bellas, led by Aubrey (Anna Camp) and her loyal lieutenant Chloe (Brittany Snow). Now Aubrey has graduated but Chloe is still there, deliberately flunking so she will not have to leave the now-three-time national champion Bellas. Beca is a senior, hoping she can take on a dream internship with a musical producer (Keegan-Michael Key, the “angry Obama”) without disrupting the group.
But the group has been disrupted. The Bellas performed at the President’s birthday celebration (footage of the Obamas is inserted to make it look like they were really there), with Fat Amy (Rebel Wilson) coming in like a wrecking ball on a trapeze. It was a triumph until it became a disaster when Fat Amy’s skin-tight jumpsuit split open and she wasn’t wearing underwear.
The Bellas are banned from collegiate competition, and are not even allowed to conduct auditions. Too bad for those hoping for a reprise of one of the first film’s most entertaining scenes, but there is simply no time. We hardly get a chance to hear Barden’s male acapella group, the Treblemakers, either. This is all about the Bellas fighting their way back with the only option left to them — an international competition, up against the world champions, Germany’s Das Sound Machine, a group so terrifyingly huge and technically perfect it is a kind of acapella Triumph of the Will.
But we’re not here for the plot; we’re here for the music, and there is a ton of it, all so good and so varied that it is frustrating to get it in such short snippets. Songs made popular by the Andrews Sisters, Hansen, Taylor Swift, En Vogue, Mika, Montell Jordan, and Carrie Underwood zip by, most hilariously in a sing-off that tops the original’s. Categories include “Songs About Butts” (one character points out that’s pretty much everything on the radio) and “I Dated John Mayer.” Hilariously, one of the competing acapella groups is the Green Bay Packers. And Snoop Dogg shows up to sing a Christmas song.
There is one new addition to the Bellas, though, “True Grit’s” Hailee Steinfeld as Emily, an eager but shy freshman whose mom (Katey Sagal) was a Bella, so she’s a legacy. She also writes songs.
Will the Bellas get their mojo back? Will Beca impress her boss? Will Aubrey show up for a pep talk? Will there be some delicious silliness along the way? Will Emily’s new songs be game-changers when the long-standing tradition is covers only? How about some romance (a bit) and some comedy (a lot)? But what’s the deal with the false eyelashes on everyone? Did Elizabeth Banks bring on her Effie Trinket makeup team? Fat Amy’s no/yes from Fat Amy when Bumper (Adam Devine of “Modern Family”) says he wants to have sex with her is ooky and just plain off.
But first time director Banks, who co-produced the first film and the sequel, and returns, this time as both commentator on acapella competitions and as head of the organization, manages a very large cast and an even larger set list. She keeps the tone light and breezy, balancing the outrageous (hate mail from Supreme Court Justice Sonia Sotomayor?) with the touching. A call-back to the first film’s breakout hit “Cups,” is simply lovely. If some elements of what we can barely dignify by terming a storyline are pat and predictable, the song choices are not. From the very first moment, with an a capella rendition of the Universal” logo music, we are in mash-up heaven. It is worth the price of admission to hear “MmmBop” acapella, and then, icing on the cake and cherry on the sundae, we get some Kris Kross “Jump” action as well. Acca-heaven.
Parents should know that this film includes some crude sexual and bodily function humor, some strong language, and comic violence (no one hurt). There is a joke that seems to imply that a woman’s “no” to an invitation to have sex is not to be taken seriously, but it later turns out that this is part of a consensual relationship.
Family discussion: What makes you special? What makes your friends and family special? How do you find your voice to express who you are?
If you like this, try: the first “Pitch Perfect” and the television show “The Sing-Off”
