Kingsman: The Secret Service

Posted on February 12, 2015 at 5:55 pm

Copyright 2015 20th Century Fox
Copyright 2015 20th Century Fox

“James Bond? Jason Bourne?” Our hero is being asked for the inspiration for naming his dog JB. “No,” he explains, “Jack Bauer.”

This is a cheeky, nasty, meta, po-mo update of the spy genre, self-aware enough to name-check not just Bond, Bourne, and “24,” but also “Nikita,” “Trading Places,” “Pretty Woman,” and “My Fair Lady.” I also caught a reference to the 60’s television show “The Man from UNCLE,” about to get its own big-screen reboot later this year.

Some of the core elements of the sophisticated spy story are here, from the elegant suits to the very specific cocktail order, as well as the super-cool weapons and gadgets we will have the fun of seeing deployed later on. And the villain has an assassin/sidekick who goes one, or maybe two better than iconic characters like Oddjob and Jaws. Spanish dancer Sofia Boutella plays the acrobatic Gazelle, who runs on Oscar Pistorius-style blades as sharp as scalpels.  She can slice a man in half lengthwise with one slash of her leg. And does.

Other aspects of the usual spy story are tweaked or outright upended. That old favorite, the talking villain, who has such a profound need to explain the genius of his nefarious plan that it gives Our Hero time to thwart him, is explicitly disposed of. The look of the film is as sleek and sophisticated as the score from Henry Jackman and Matthew Margeson.

Colin Firth is sleekly perfect as Harry, also known as Galahad, part of an elegant, upper-class cadre of international gentleman spies operating in total secrecy and using pseudonyms based on King Arthur and his knights.  Their made to order suits are both exquisitely tailored and bulletproof.

He points to a wall of framed newspaper headlines about triviality — political squabbles and celebrity scandals — explaining that while these things were going on, he and his fellow Kingsmen were repeatedly saving the world. The person he is explaining it to is Eggsy (Taron Egerton), a possible new recruit. Eggsy is a smart, tough, brash kid who grew up in what the British call council houses and we call the projects, the son of a widow whose second husband is an abusive thug. Eggsy’s late father sacrificed himself to save Harry and other members of the team, so Harry feels a sense of responsibility — and a suspicion that Eggsy might have inherited his father’s courage and sense of honor.

While they had previously limited themselves to the wealthy upper class, Harry persuades the Kingsman’s leader (Michael Caine as Arthur) to allow Eggsy to compete for a spot on the team. The competition is tough and the tasks are tougher, the most imaginative and entertaining section of the movie. Then of course comes our supervillain, Samuel L. Jackson as Valentine, a lisping technology billionaire whose frustration with the failure of the world to reckon with global warming has led him to devise some drastic plans.  Once he gets involved, the self-aware air quotes get less interesting and so does the storyline.  “Bond films are only as good as the villain,” he says.  True, and he is no Goldfinger.

In the last half hour, things really go off the rails.  The carnage is balletic and portrayed as darkly comic but it is still disturbing, particularly the involvement of a specific real-life world leader.  The humor is not just dark; it is crude for the sake of being crude and seems rather desperate.  A film that began with a confident sense of sophistication, wit, and edge knows what it is not (“This is not that kind of movie”)  but not what it is.

Parents should know that this movie is extremely violent, with hundreds of characters injured and killed and many exploding heads.  Characters use very strong language and drink alcohol. There are explicit and crude sexual references and brief nudity.

Family discussion: Which of the tests would have been the hardest for you?  What did they prove about the candidates?

If you like this, try: the James Bond films

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Comedy Comic book/Comic Strip/Graphic Novel Drama Scene After the Credits Spies

Fifty Shades of Grey

Posted on February 12, 2015 at 5:50 pm

The Fifty Shades of Gray trilogy by E.L. James became an international blockbuster best-seller because it satisfies the deepest, most passionate, most secret longing of the female spirit. It has nothing to do with being tied up or spanked, but it is about domination.

I am not referring to the domination in the bedroom — or the red room of pain. I am referring to the fantasy of having a bad boy love you so much he turns into a pliable good boy. As a friend of mine once put it, “A lot of women dream of marrying Han Solo, and then spend the rest of their lives trying to turn him into Luke Skywalker.” From “Beauty and the Beast” to “Jane Eyre,””Wuthering Heights,” “Gigi,” “Jerry Maguire,” and “Pride and Prejudice,” the fantasy is of the female beauty and purity of spirit that are strong enough to tame a cold-hearted man (whose cold heart is of course the result of being lonely, misunderstood, and never having met the right woman, not in any way because he is a psychopath, a sociopath, or just a terrible person).

Beauty and purity are here in the person of the lovely and virginal Anastasia Steele (Dakota Johnson), an English lit major about to graduate from college. The role of The Beast is taken by uber-taker Christian Grey (Jamie Dornan), handsome, wealthy, successful, and equally adept at piloting a helicopter and playing classical piano. Ana arrives at Christian’s office with a list of questions from her roommate, who was scheduled to interview him (for an allotted ten minutes) but who is home with a bad cold. Though she trips over the doorway and forgot to bring anything to take notes with, Christian, a self-described superior judge of people, immediately and accurately spots some, well, steel in Ana. It is not her weakness that attracts him; it is her strength. “I Put a Spell on You” we hear sung over the opening moments, “because you’re mine.”

Who is the “I?”

Ana.

After one “vanilla” sexual encounter and a signed non-disclosure agreement, Christian shows Ana his special chamber stocked with every possible kind of whip, riding crop, handcuff set, and binding material, explaining, “I do this to women, with women, who want it.” He offers her a detailed contract spelling out the duties and restrictions expected of a submissive. Ana shows that, sexual inexperience aside, she and Christian have a lot in common. Their highly charged but playful “negotiation” in an office conference room is more erotic than the many sex scenes.

Ah, the sex scenes. Very Skinemax, very perfume commercial, not very non-vanilla, not, to my mind anyway, very exciting. Dornan never seems particularly passionate or tortured. Even the big whipping scene (six lashes, discreetly portrayed with no images of the whip hitting the skin or any marks left) comes across like another item to be crossed off a busy executive’s to-do list. For most of the movie, the porn-iest parts are the loving depictions of the trappings of wealth. Christian has a spare but luxurious office, staffed with women built like human whippets, all with tight blonde ballerina buns and impeccably tailored grey suits. His cars, his apartment, it’s all like the pages from a glossy shelter magazine. There’s a lot more kink in any given episode of Dan Savage’s podcasts, and more intensity, too.

Dornan has some appeal but never makes Christian seem dangerous. Johnson is the movie’s greatest asset. For a role that requires a lot of lip-biting, she has the two most important qualifications — a lovely lip and the ability to make biting it look natural. She has a natural warmth, intelligence, and humor that come across on screen and go a long way toward making the movie less silly than it could have been.

Parents should know that this movie includes very frank and explicit sexual references and situations including domination, bondage, and infliction of pain, nudity, drinking and drunkenness, and very strong language.

Family discussion: What made Ana different from Christian’s previous girlfriends? What do their names tell us about the characters? How can giving up control feel freeing?

If you like this, try: “9 1/2 Weeks” and the books by E.L. James

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Based on a book Drama Romance

Trailer: The Man from UNCLE

Posted on February 12, 2015 at 9:37 am

Oh, how I loved The Man from U.N.C.L.E. when I was a kid. And this trailer for the new Guy Ritchie movie with “Superman’s” Henry Cavill and “The Social Network’s” Armie Hammer (plus Hugh Grant in the Leo G. Carroll role of Mr. Waverly) looks very tasty, doesn’t it?

Just a reminder of the original, with Robert Vaughn and that guy who plays Duckie on “NCIS.”

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Based on a television show Trailers, Previews, and Clips

Eugene Levy and Catherine O’Hara Reunite in a New TV Sitcom

Posted on February 11, 2015 at 2:37 pm

Comedy stars Eugene Levy and Catherine O’Hara, who have worked together for decades in SCTV and the Christopher Guest films “Waiting for Guffman,” “For Your Consideration,” and “A Mighty Wind,” are back together again in a new series for the Pop Channel (formerly the TV Guide Channel). The name of the show is “Schitt’s Creek” and it is the story of a vastly wealthy family suddenly vastly poor.  Kind of “Beverly Hillbillies” in reverse.

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Comedy Television
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