For Memorial Day: Two Outstanding Short Films

Posted on May 25, 2013 at 12:22 pm

For Memorial Day, Sundance is making available online two outstanding short films about the military. Please take time to watch them with your family.

For aviation fans, get ready for a ton of wonderful archival footage coming your way in William Lorton’s Spitfire 944. A true-life story, Lorton has discovered rare 16mm footage of a 1944 spitfire crash and tracks down the pilot, now an 83-year-old World War II veteran to show him the footage. The early parts of this film consists of wartime remembrances and nostalgia for days gone by. The elderly pilot recalls his time spent with his comrades and explains the basic information involved with his aircraft. What he doesn’t know is that he is about to see, for the first time in his life, footage of his own crash. When the camera captures the man’s honest reaction to what he’s viewing, the greater theme at work is suddenly revealed in a flash. The result is an affirming, honest portrait of a man confronted with his past.

Based on a frightening true story that you won’t believe until you see, Rosso Fango details the ways in which a simple act of compassion can alter the entire course of human history.

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For Memorial Day: Documentaries

Posted on May 25, 2013 at 8:00 am

For Memorial Day, take a look at these documentaries about our military:

War of 1812

The History Channel Presents The War of 1812 The young country proved its commitment to independence with this war against Britain that gave us a President (Andrew Jackson), and our national anthem.

Civil War

The Civil War Ken Burns’ series for PBS is meticulously researched and compellingly presented.

WWI

The Last Voices of WWI – A Generation Lost The veterans of “the war to end all wars” tell their stories.

WWII

The World at War This classic is considered the definitive history and a landmark of television reporting. It was created long enough after the war ended to have perspective but close enough in time to have access to the participants, with eyewitness accounts by civilians, enlisted men, officers, and politicians as well as historians. The 30th anniversary DVD set issued in 2004 has three hours of new material and additional documentaries.

Korean War

Korea, The Forgotten War It was the Cold War era, but a real war was being fought in Korea that embodied the geopolitical conflicts. This documentary covers that story, from Inchon to Pork Chop Hill.

Vietnam War

Vietnam War: America’s Conflict Many documentaries cover the politics and the protests, and that is covered here, too, but this series focuses on the stories of the battles and the men who fought them.

Desert Storm

Hidden Wars of Desert Storm Interviews with General Norman Schwarzkopf, former US Attorney General Ramsey Clark, former UN Iraq Program Director Denis Halliday, former UNSCOM team-leader Scott Ritter and many others help tell the story of the American response to the invasion of Kuwait.

Afganistan/Iraq

Restrepo This is the award-winning story of one of the most dangerous postings in the U.S. military, covering the deployment of a platoon of U.S. soldiers in Afghanistan’s Korengal Valley. The remote 15-man outpost was named after a platoon medic who was killed in action.

The War Tapes Three National Guardsmen (“citizen soldiers”) document their time in Iraq.

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Documentary

Behind the Candelabra: The Real Story of Liberace and Scott Thorson

Posted on May 24, 2013 at 3:50 pm

Behind the Candelabra premieres this weekend on HBO. It is based on the hard to believe but true story of one of the most popular and flamboyant stars of the 1950’s and 60’s, who went by just one name: Liberace.

Wladziu Valentino Liberace was an American of Polish/Italian heritage, a gifted classical pianist, a masterful showman, and a pioneer in the art of celebrity branding and marketing. He was multi-platform before the term was invented For decades he was the highest-paid entertainer in the world. He had record albums, endorsements, and movie and television appearances and his own series, but it was his live stage show that was what people loved most. He never tried for a career as a serious classical musician, performing with orchestras in concert halls. He liked to play what he called “classical music with the boring parts left out.” And the show was as important as the music, from the flashy pianos to costumes Lady Gaga would envy. Ermine capes. Crystal-encrusted tuxes. Feather boas. Chandeliers and of course candelabras. Excess was not enough.

It was a different era. Liberace was not openly gay. On the contrary, when a British newspaper called him “a deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavoured, mincing, ice-covered heap of mother love,” he sued under their notoriously strict libel laws. testified under oath that he was not a homosexual, and won.

In the late 70’s, Liberace met a handsome teenager named Scott Thorson. They were together for five years, and after they broke up (and Thorson was “fired” as Liberace’s chauffeur), Thorson sued him for “palimony.” It was settled out of court. Thorson is now in jail, charged with identity theft. He has had removed the plastic surgery prosthetic Liberace paid for so that Thorson would look more like an idealized version of himself when young. Thorson’s book, Behind the Candelabra: My Life With Liberace, tells the story of their love affair and the unimaginable excesses of their life together and is the inspiration for this film. It is in competition at Cannes and will be released theatrically overseas, but in the US no studio would back it, so it is on HBO.

Steven Soderbergh (“Oceans 11,” “Traffic,” “Erin Brockovich”) directed and it stars Michael Douglas as Liberace, Matt Damon as Thorson, and Debbie Reynolds, who knew Liberace, as his mother.

http://www.youtube.com/watch?v=QqAC1yiIROw

Fast & Furious 6

Posted on May 23, 2013 at 6:01 pm

The storylines of the “Fast and Furious” franchise may be preposterous, but what’s even harder to believe is that, contrary to the history of just about every other multi-sequel series and what I thought were the laws of nature, these keep getting better. There’s something of a pattern at this point. Our happy gang of outlaw car racers gets into mischief of one kind and another in one movie, and then in the next the government asks them to take on some big bad guy in exchange for expunging their records. This being an even-numbered entry, it’s expunging time again as the gang, a Benneton ad of gorgeous and racially diverse people with a love for fast cars and a habitual narrow-eyed facial expression that either says, “Don’t even think of trying to mess with me” or maybe “I’m trying to remember which episode we’re on, but it probably doesn’t matter.” The talking part (I can’t bring myself to elevate it to the term “dialog”) is basic and repetitive. Anyone who’d like to liven it up with a drinking game will do very well going for either the word “family” or some variation of “that’s who we are.”

In the classic mode of motley crew of outsider stories from “The X-Men” and “The Avengers” to “The A-Team” and “The Bad News Bears,” the “Fast and Furious” movies are about a self-made family comprising people with a range of very special skills, including martial arts, weapons, tactics, interpersonal communications, technology, and banter. At the center are Dom (Vin Diesel) and his sister Mia (Jordana Brewster), now blissfully married to Dom’s one-time nemesis-turned BFF, one-time cop-turned-outlaw Brian (Paul Walker). These guys are very, very good at making law enforcement go bad.

In the last episode, our gang took a lot of money from a very bad man. Now they’re enjoying their money in highly photogenic and conveniently extradition-free locations. But then another very bad guy (with an English accent, so we know he’s both smart and evil) is stealing the component parts to some very important something or other and must be stopped. He’s far to smart for Interpol, so it’s time to get the band back together.

But it’s really all about the stunts, and there are some lulus, expertly staged by returning director Justin Lin. There is so much going on at the same time that it gets a little confusing, but you can’t miss the wow moments . There are even a couple of OMGs and a did-I-just-see-that or two. The one thing about which there will be no suspense is who they’ll be facing in #7 — just stick around for the credits.

Parents should know that this film features non-stop action with chases, explosions, shooting and fights, characters in peril, injured and killed, some strong language including one crude epithet, and drinking.

Family discussion: Do you have a code? What is it? How do we decide who counts as family?

If you like this, try: The first five “Fast and Furious” movies and – to prepare for #7 – the “Transporter” series

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Action/Adventure Series/Sequel

What Maisie Knew

Posted on May 23, 2013 at 5:41 pm

A-

Lowest Recommended Age:	High School
MPAA Rating:	Rated R for some language
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking
Violence/ Scariness:	Emotional confrontations
Diversity Issues:	None
Date Released to Theaters:	May 24, 2013
Date Released to DVD:	August 12, 2013
Amazon.com ASIN:	B00D5XC8MC

She has the face of a flower and she still believes that the world is an enchanted place that cannot hurt her. She does not understand what is going on around her, but we do.

Her name is Maisie (the exquisite Onata Aprile). She is seven and she lives in New York with her parents, a fading rock star named Susanna (Julianne Moore) and a British art dealer named Beale (Steve Coogan). They are self-centered and feckless, and she does not yet realize that their hugs are more about themselves than about her. They split up, and then, incapable of being alone and primarily to reassure themselves and spite each other, immediately take on new, very unwise partners. Beale begins a romance with Maisie’s nanny, Margo (Joanna Vanderham). And Susanna, feeling doubly betrayed, one-ups him by impetuously marrying a bartender named Lincoln (Alexander Skarsgård). This comes out when Lincoln, who Maisie has never really met, appears at her school to pick her up. “I’m sort of like Maisie’s…stepfather,” he sheepishly tells the teacher.

https://www.youtube.com/watch?v=jtoYBL-mJL4

Maisie’s clothes often have fantasy elements, like a tiara, showing the gloss of fantasy she brings to her world — and the casual indulgence of the adults in her life. Moore’s neediness, as a woman who is losing her career, her romantic partner, and her child, is raw and affecting. Coogan gets a rare chance to show what a fine serious actor he can be. In one scene, he impetuously invites Maisie to go to England with him, and then immediately changes his mind. We see every thought on his face, including his chagrin at recognizing that he is betraying the daughter still young enough to believe in him.

This movie feels very much of this moment and has a very specific sense of place in its shabby chic New York settings. But it is based on a book by Henry James written more than a century ago. Directors Scott McGehee and David Siegel have a delicacy and sensitivity that gives their superb cast the chance to create complicated characters. They are not afraid to mix moments of humor with selfishness, heart-wrenching loss, and tragic choices.

Parents should know that this movie deals with themes of parental neglect and family dysfunction. It includes sexual references and non-explicit situations, drinking, strong language, and many poor choices.

Family discussion: What will happen to Maisie? What will she think of her parents when she gets to be a teenager? A grown-up? What has changed since Henry James wrote the book?

If you like this, try: “Careful, He Might Hear You”