Unconditional

Posted on March 5, 2013 at 10:57 am

This faith-based drama stars two top performers who give its fact-based story the sweetness and spirit that is sometimes lacking in the heartfelt but uneven script.

Lynn Collins (“The Merchant of Venice,” “John Carter”) plays author Samantha Crawford, who is devastated by the shocking death of her husband, killed in an unsolved shooting. Feeling that she has no reason to live, she resolves to kill herself on the spot where he was murdered. Just as she is about to pull the trigger, she sees a young girl hit by a car. She runs over to help her, and at the hospital she runs into a close friend from her childhood she had not seen in years, Joe Bradford (Michael Ealy of “Barbershop” and “Think Like a Man”). They are very happy to be reunited and Samantha learns that Joe is a beloved community activist, caring for the poor and neglected children in the inner city.

Samantha is drawn to join Joe in helping the children. But she has another reason for visiting him in the projects. She thinks she may have a clue to finding the man responsible for killing her husband. As she thinks about the time she spent with Joe when they were in school and learns more about where he was and what he learned that made him the kind and patient man the kids love and rely on, she feels her soul healing and expanding.

Parents should know that there are some violent scenes and some sad deaths.

Family discussion: What did Joe learn from his time in prison? Why were Joe and Samantha friends? Were you surprised by what Samantha discovered about the night her husband died? Who do you know who is like Joe?

If you like this, try: “Touchback”

Trailer: Cloudy with a Chance of Meatballs 2

Posted on March 4, 2013 at 8:00 am

This one looks every bit as adorable (and as unrelated to the book) as the first one.

Related Tags:

Animation Trailers, Previews, and Clips

New on Blu-Ray: Laura

Posted on March 2, 2013 at 8:00 am

The classic noir mystery/romance Laura is just out on Blu-Ray, and it is magnificent. It has one of the all-time great movie twists, so I won’t give much away except to say that it stars the exquisitely beautiful Gene Tierney, along with Dana Andrews as a cop investigating a murder and Clifton Webb as the acerbic writer who was a friend of the victim. It also has one of the most famous scores of all time. Highly recommended!

Related Tags:

Classic Crime Drama Mystery Romance

Phantom

Posted on February 28, 2013 at 6:00 pm

Lowest Recommended Age:	High School
MPAA Rating:	Rated R for violence
Profanity:	Mild language
Alcohol/ Drugs:	Drinking, drinking game, smoking
Violence/ Scariness:	Extended violence, characters injured and killed, suicide
Diversity Issues:	Cultural differences
Date Released to Theaters:	March 1, 2013
Amazon.com ASIN:	B00B635CPI

Submarine movies are immediately gripping because they are powerful microcosms that amplify conflict. A small group of people in very close quarters, highly trained and with an explicit mission are then completely disconnected from the rest of the world. When problems arise, they have to decide what to do with very limited information and no access to authority outside the ship. Great drama, when it works. This time, though, not so much.

Theoretically “inspired by true events” but more like “a massive flight of fantasy and speculation slightly tied to one possible thing that might have happened,” this submarine story begins with a promising twist. American actors play members of the Soviet navy during the Cold War. We might expect Ed Harris, William Fitchtner, and David Duchovny to be the Americans fighting the Soviets. It takes a few moments to get used to the idea that we are rooting for the guys in the striped shirts pushing the buttons with Cyrillic labels, or at least some of them.

Ed Harris plays Demi, a captain with a dark past (yes, we’ll find out what that’s about) who gets unexpected orders to ship out on a secret mission, his last, on a sub that makes the assignment somehow even more meaningful and ironic (yes, we’ll find out that, too). It is the sub’s last mission, too, before it will be sold to the Chinese.

Because it comes up so suddenly, he gets a new crew, along with two passengers operating under some higher authority but not revealing very much about what they are doing. The leader is Bruni (Duchovny), whose arrogance seems to outweigh Demi’s air of resignation.

Demi is still anguished about a mistake made early in his career and the sense that only his father’s high rank and prestige kept him from being discharged dishonorably. When he discovers that Bruni’s plans would put the entire world at risk, he has to become the leader he once dreamed of being.

Writer/director Todd Robinson clearly cares passionately about the material but he often loses track of the narrative. There are many scenes of people racing and chasing down narrow corridors and men staring and analog instrumentation. There are so many shifting power plays that it is difficult to keep track, and the story escalates so preposterously that it is difficult to care.

Parents should know that this is an intense Cold War story that deals with issues of nuclear war and includes extended sequences of peril and violence, with many characters injured and killed.

Family discussion: How should Demi decide which orders to follow? Listen to and discuss the “This American Life” story about the real-life notes provided to British officers in nuclear submarines to be opened in case of catastrophe. What should the note say?

If you like this, try: “Crimson Tide,” “The Hunt for Red October,” and “K-19: The Widowmaker”

Jack the Giant Slayer

Posted on February 28, 2013 at 6:00 pm

B+

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for intense scenes of fantasy action violence, some frightening images, and brief language
Profanity:	Brief strong language
Alcohol/ Drugs:	None
Violence/ Scariness:	Extended fantasy and action violence, characters in peril, injured, and killed, some graphic and disturbing images, monsters
Diversity Issues:	Class issues, strong female character
Date Released to Theaters:	March 1, 2013
Date Released to DVD:	June 17, 2013
Amazon.com ASIN:	B00CFA222M

More action, more romance, more spectacle, a brave princess who wears armor and does not wait to be rescued, and lots more giants — this is a grand bedtime story 21st century-style. As a boy, Jack (“Warm Bodies” Nicholas Hoult) loved to hear the stories about the time that giants ruled the earth and the magical crown that keeps them confined to their home above the clouds. It turns out they were more than stories.

As a young man, Jack lives with his uncle, who sends him to town to sell their horse. The movie Jack is a bit less credulous than the one in the story. He does end up with magic beans, but not because he believes a story about them. He is given them by a man desperate to keep them from being used to bring the giants back to earth.

Jack is warned not to let the beans anywhere near water, but you know what happens. Pretty soon a beanstalk grows five miles up into the sky, taking Jack’s house with it. And, since Princess Isabelle (Eleanor Tomlinson) happened to stop by Jack’s house to get out of the rain, she is up the beanstalk, too. The king sends a rescue squad after her led by Roderick, his highest-ranking courtier and — despite her objections — Isabelle’s fiancé. Also making the climb are a group of soldiers led by Elmont (a gallant but under-used Ewan McGregor), and a volunteer — Jack.

And they find a big community of giants — all male, which may explain some of their anger issues as well as a disturbing lack of attention to personal hygiene. Production designer Gavin Bocquet and costume designer Joanna Johnston have created an eye-filling world that feels fairy tale fantastic but not musty or old-fashioned. Aside from a few clunkers in the dialog (in no fairy tale is it ever appropriate for a character to say “okay” or “pissed off”), it remains inventive and entertaining. The giants are imaginatively designed, with the leader a motion capture performance by Bill Nighy (as at least one of the two heads). Tucci clearly enjoys himself as the ruthlessly ambitious courtier and it is a nice twist to have the real bad guy be someone more close to home than the giants. Jack and Isabelle have a sweet and almost immediate connection, wasting little time on the usual back-and-forth of learning to trust themselves and each other. And that makes the idea of a happily ever after ending even more satisfying.

Parents should know that this movie includes a great deal of fantasy/action violence, with characters injured and killed and some scary monsters and disturbing images like skeletons and skulls and an eye that pops out — plus some giant nose-picking. There is also some gross/crude humor and brief strong language.

Family discussion: What is Roderick’s plan? How does he show that he cannot be trusted? What does Jack to to earn the respect of Elmont and Isabelle? What does Roderick mean by saying that they all think of themselves as the hero of the story?

If you like this, try: Disney’s “Mickey and the Beanstalk” and “A Knight’s Tale”