Interview: Dr. Rick Hodes of ‘Making the Crooked Straight’

Posted on April 13, 2010 at 3:59 pm

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Dr. Rick Hodes is an Orthodox Jew who has devoted his life to “tikkun olam,” “healing the world. His motto is the Talmud’s statement that “He who saves one life, it is considered as if he saved an entire world.” Dr. Hodes has spent most of his professional life working with the poor and sick in Ethiopia, treating hundreds of patients and taking seventeen children into his own home to raise them as his family. His salary is paid by the American Joint Jewish Distribution Committee, and he raises the money for his patients. A new 30-minute documentary about the doctor, his work, and the children will be shown on HBO. The director is Susan Cohen Rockefeller.

I spoke to Dr. Hodes by phone as he was preparing to fly back to the US from Ethiopia.

How did you come to Ethiopia?

I came first in 1984 because of the famine. I came as a relief worker. I was a resident at Johns Hopkins and I took five or six weeks off and worked in the famine camps. For a while I was the only doctor for several thousand starving people.

What surprised you about Ethiopia?

The depth of the culture, the depth of the ancient Christianity, how people in Ethiopia really know who they are. They don’t think of themselves as black. They don’t think of themselves as African. They really think of themselves as Ethiopian. Even their Christianity is very much involved with their Ethiopian identity. If you go to a Christian ceremony, it will be very Ethiopian as well, with the colors and flags. Ethiopians know who they are. They really like their culture. They have their own religion, their own food, their own system. If they’re not in Ethiopia and find someone else from Ethiopia, they feel very close to them, especially if they are from the same region.

I have heard that in Ethiopia everyone carries the children around, that everyone takes care of the children as though they belong to the whole community.

They carry the children on their backs, there’s a lot of physical contact, child abuse is much less here. The rate of psychological problems from lack of care seems to be lower.

As an outsider, was it difficult for you to gain their trust?

Once you start doing good things, they start coming to you. They will ask if I can help them, teach them, do something with them. And learning the language.

What led you to take over responsibility for the children?

Bewoket had run away from home because he was dying. And he ended up in the university hospital. They discharged him to a Catholic mission. I was volunteering there. He was very attached to me. And he was in such difficult shape it was actually easier to have him in my house, where I could care for him. Once I took in one, I met another one, and so on. I try to say that this is finished, but it’s not finished.

Do the kids get along with each other?

Any two people under the same roof will not always agree, but they do well.

What do you do for fun?

They play board games. The healthier ones play soccer. The less healthy ones play Monopoly and card games. It’s funny, three years ago they had not seen a car or a white person and now what gets them most excited is buying a hotel on Boardwalk.

Do they want to become doctors?

A lot of them do. One boy was dying in Gojam and his dad sold two goats to get him $30 to come to the big city. They came to Addis Abeba,, and they spent 20 cents a night to sleep on the floor of the hotel with 20 people. They had no money for the bus so they had to walk six or seven miles to get to me. I reached into my pocket and gave him $10 and I said, “Here, every time you come I will give you more, so spend this. Eat two or three meals a day, sleep in a bed, take the bus, take care of yourself.” And that is when he started getting better.

And now this boy, who had been in a remote school studying to be an Orthodox priest is in eighth grade, speaks fluent English, and wants to be a doctor. When he came to America he told his life story at a fund-raiser and we raised $1 million. There’s another girl who was an orphan, living in a medical college because she had nowhere else to go. I ended up bringing her to Addis Abeba, treating her TB, sending her for surgery, and now she is in 6th grade and wants to be a doctor. When I first met her she said she wanted to be a housemaid because then she would have a place to live and cook. Now she’s living in my house, she speaks English. For $10-12 thousand we’ve completely transformed her life.

What do Americans need to know about Ethiopia?

The depth of the culture and the niceness of the people. It is a poor country, but it is a proud country with a deep culture, a history, definitely not uncivilized.

How does your Jewish faith inspire and sustain you?

I really enjoy being Jewish. I pray three times a day and keep the Sabbath to the extent that a doctor with patients can do that. We just had a big Passover seder. It is an important part of my life, the daily schedule, the weekly schedule, the monthly schedule. It becomes all-encompassing. But one of the nice things about being in Ethiopia is that I feel very welcome here. I respect other religions. Most of the kids are Orthodox Catholic, Protestant, or Muslim.

What I’m personally trying to do is making the world a better place for a few people, helping as many people as I can in that sense. I’m sending 16 kids in May to Ghana for surgery. That’s the greatest thing in the world for me.

Photo credit: Photograph by J. Kyle Keener/HBO

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Documentary Interview Television
Autism: The Musical

Autism: The Musical

Posted on April 5, 2010 at 11:00 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: Not rated
Profanity: Some strong language
Alcohol/ Drugs: Prescription drugs
Violence/ Scariness: Tense and unhappy family situations
Diversity Issues: A theme of the movie
Date Released to Theaters: 2008
Date Released to DVD: 2009
Amazon.com ASIN: B0012XIGZ0

In honor of Autism Awareness Month, families can watch Autism – The Musical, about five families dealing with autism as they prepare for a musical performance. The film is illuminating in its depiction of the very different kids with very different abilities, a stark contrast to the one-dimensional portrayal of autism in movies like “Rain Man” or “House of Cards.” It is frank in its portrayal of the strains within the families of the children and between the families as there are clashes between and within the group. And it is deeply moving as we see the children’s courage and their evident joy. (more…)

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Documentary DVD/Blu-Ray Pick of the Week
Five Movies about College Basketball

Five Movies about College Basketball

Posted on April 5, 2010 at 8:00 am

Now that most people’s NCAA brackets are blown up and they’re getting ready to enjoy the final game, it might be a good time to take another look at some fictional college basketball teams in the movies.
1. The Absent Minded Professor Fred MacMurray plays a college professor whose accidental invention of “flubber” (“flying rubber”) gives the school’s basketball team some extra bounce.
2. Tall Story Jane Fonda’s first movie has her co-starring with Anthony Perkins (before “Psycho”) in the story of a basketball star thrown off his game by the attentions of a determined young woman.
3. Glory Road This is the true story of coach Don Haskins (Josh Lucas), who played the first all-black team in the NCAA in 1965 at Texas Western college (now University of Texas at El Paso). Lucas and Derek Luke as one of his players give beautiful performances in this stirring film.
4. Blue Chips stars Nick Nolte in a story of corruption in college recruiting, written by Ron Shelton of “White Men Can’t Jump” and “Bull Durham.”
5. “The Air Up There” A gentler college recruiting story has Kevin Bacon traveling to Africa to persuade the son of a tribal leader who has “the hang time of a helium balloon” to join his team.

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Lists Neglected gem Sports

Toy Story 2

Posted on March 31, 2010 at 3:16 pm

Wow.

WOW!

“Toy Story 2” is stunning, witty, exciting, enchanting, and very moving. Amazingly, it is even better than the sensationally entertaining original.

The animation is better — the facial expressions of the main characters should qualify the animators for a “Best Actor” Oscar and the backgrounds are more authentically lived in. But most important, the script is better. It is very, very funny, with sly references to Star Wars, Close Encounters of the Third Kind, Jurassic Park and even Rear Window. But it is also insightful and touching, with a sort of “Velveteen Rabbit” theme about the importance a well-loved toy plays in the life of a child.

Woody (again voiced by Tom Hanks) is stolen by Al (voice of Wayne Knight) an evil toy store owner, who recognizes Woody as a valuable collectable. With Woody to complete the full set of toys from a 1950’s television show (deliciously re-created), Al can sell them all to a toy museum in Tokyo. Woody is delighted to find out his origin and value, and to meet up with “Woody’s Roundup” co-stars Jessie (voice of Joan Cusack), Stinky Pete (voice of Kelsey Grammer), and his faithful steed Bullseye. They tell him that he will be better off in the museum than waiting for Andy to outgrow him, and he starts to think they may be right.

Meanwhile, Woody’s friends from Andy’s house have organized a rescue mission led by Buzz Lightyear (again voiced by Tim Allen). After a series of hilarious and breathtaking adventures, they arrive to rescue a Woody who is not sure he wants to be rescued.

In these days when 8 year olds can talk knowledgeably about the extra value a mint tag adds to a Beanie Baby auction on Ebay or the market value of 20 different kinds of Pokemon cards, it is enormously valuable to think about the issue Woody must face. Should he have a brief but satisfying life as the beloved friend of a child who will eventually grow up and leave him bereft? As Jessie says with some bitterness, “Do you expect Andy to take you on his honeymoon?” Or should he remain perfectly preserved and perpetually honored as a museum exhibit? Ultimately, Woody concludes that “I can’t stop Andy from growing up, but I would not miss it for the world.” And Buzz agrees: “Life is only worth living if you’re being loved by a kid.” This is an enormously satisfying and meaningful point for a child — or a parent, especially as we face the holiday season avalanche of ads and gifts. Just as it is important for the toy, it is important for the child to love and respect the few toys that are really precious and think about what it is that makes them so special. As The Little Prince says, “It is the time you have wasted on the rose that makes it so important.”

P.S. As I type this, my Raggedy Ann and Andy, given to me on my 10th birthday, are smiling at me from across the room.

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Action/Adventure Animation Comedy For all ages For the Whole Family Series/Sequel Superhero

An Education

Posted on March 30, 2010 at 8:00 am

Part of the charm of “An Education,” a bittersweet coming of age story based on a brief memoir by Lynn Barber, is how much we know what its main character does not. Jenny (an incandescent Carey Mulligan) is a teenager in 1961 London, over-protected by her overly-cautious and conventional parents and eager to be independent and to have adventures. She is used to being the smartest one in the class and so even more than most teenagers, she is convinced that she understands many important things her parents cannot possibly comprehend. She is eager to grow up, to seem sophisticated, to be sophisticated. She is innocent, filled with potential, willing to be taught — and she has no idea how powerfully attractive those qualities are to a predatory older man.

But we know that, and when David (Peter Sarsgaard) rescues Jenny and her cello from a rainstorm by giving her a ride home, we know she will confuse urbanity with wisdom, that she will think that because he lies on her behalf he will not lie to her. But the most important thing we know is that like Jenny, London is also on the brink of enormous changes. We know that a world of opportunities she could never imagine will open up to her. Unlike Jenny, we know she is going to be fine. After all, we know she went on to tell her story, in itself a triumph over whatever went wrong and whatever she lost.

Danish director Lone Scherfig perfectly captures London just as it is about to move from the drab, stiff-upper-lip, world of post-WWII deprivation to the brash and explosive era of mods and rockers, Carnaby Street and the Beatles, Twiggy, “The Avengers,” and Joe Orton. Part of what makes David so exciting is that Jenny believes that the only options available to her are teacher and housewife and the only examples of both she has seen appear dull and unrewarding. David gives her a glimpse of a life that is never dull. It is always shopping and parties and travel, pretty clothes and lovely restaurants. If in order to have all of that she must lie to her parents and defy her teachers, that makes it all the more exciting. It binds her to him even more, creating a set of rules that is just for them.

That is how it seems, anyway. The education referred to in the movie title tells us that she will learn some difficult lessons. But its conclusion reminds Jenny and us that it is only the end of her beginning. She thought meeting David was the beginning of her future; she learns that the real beginning only came afterward.

The screenplay by Nick Hornby (“High Fidelity,” “About a Boy”) is sympathetic but insightful, skillful in sketching in each of the characters. Sarsgaard also makes David more than a predator. Jenny is not just smarter than he is; she is stronger, too. As Jenny goes from school girl to dressed-up doll to the beginning of adulthood, from the make-it-do, wear-it-out modesty of her home to Paris hot spots, Production designer Andrew McAlpine and costume designer Odile Dicks-Mireaux show exquisite sensitivity in giving Jenny a look that tells the story. Every performance is a gem: Alfred Molina, proud but fearful as Jenny’s father, Emma Thompson, starchy as the headmistress, and Olivia Williams, a teacher who wants more for Jenny than she wants for herself (it must have been quite a challenge for hair and make-up to turn Williams into such a dowdy character). Rosamund Pike is utterly charming as a dim but kind-hearted party girl. And Carey Mulligan, in a star-making turn, makes this into one of the best films of the year.

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