My Life in Ruins

Posted on October 6, 2009 at 8:45 am

Everything that made the adorable “My Big Fat Greek Wedding” so winning is missing from this tired and formulaic sitcom of a movie about an American tour guide in Greece. “My Big Fat Greek Wedding,” with writer/star Nia Vardalos, was filled with charm, heart, originality, and vivid detail. Now Vardalos stars — but did not write — “My Life in Ruins.” It is as tired as its title, a drawn-out sitcom of a movie that tries to charm us with thin jokes about ignorant tourists who travel around the world but don’t want to see anything.

Vardalos plays Georgia, an American of Greek heritage who went to Greece to teach but lost her job and is now stuck working for a small company with two tour buses. The other guide gets the one with the good air conditioning and the happy, easy-going customers. Georgia gets the bad bus, the bad hotels, and the cranky tourists. Plus the guy who is always making corny jokes (Richard Dreyfuss) — not that they are any better than the rest of the jokes in the movie — and some Australians who appear to be cheerful but whom no one can understand. Georgia sees this as a way to teach the visitors about the glory and history of Greece, to have them “bask in history” and “to be a part of the birth of civilization.” But they think they are on vacation and what she has in mind feels too much like work. All they want to do is eat ice cream and buy souvenirs.

And the new tour bus driver has a name that sounds like a bad word and a huge fuzzy beard. You think she’ll be surprised when she finds out that he speaks English and understands what she’s been saying? You’re right! You think it will be funny when it happens? You’re wrong. You think the tour bus driver will shave and turn out to be handsome so that Georgia can recover her “kefi” (Greek for mojo)? You’re right! You think it will make the movie entertaining? You’re wrong!

Vardalos looks uncomfortably skinny and as though she knows she could have written a better script. “Saturday Night Live’s” Rachel Dratch is wasted as the kind of tourist who is always looking for the Hard Rock Cafe or an international branch of Curves. And then there is the warring couple with the mopey teenage daughter who — here’s a surprise — won’t take the earbuds out of her ears. The stereotypes are not awful because they are predictable. After all, they become stereotypes because they happen so often. They are awful because they are so thin and superficial and phony. It is ironic that while Georgia is whining about how tourists do not appreciate the grandeur and history of the ancient ruins, the movie itself feels as though it is the cinematic equivalent of a chintzy souvenir. It is a shame to spoil the beautiful scenery with these vaudeville-era jokes. Georgia may find her kefi in this film, but the script never does.

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Comedy Romance

Imagine That

Posted on October 6, 2009 at 8:00 am

Title aside, there is not much imagination in this formulaic story of a daddy who discovers the value of his daughter’s imaginary friends — and then learns that it is his daughter who matters most of all. But I am an unabashed sucker for daddy-daughter movies, the little girl is adorable, and I was immensely relieved to see Eddie Murphy in a movie that is not terrible, so I found myself smiling.

Murphy plays Evan Danielson, who is very good at his job as an investment advisor but not very good as a husband and father. Although he and his wife Trish (the always-graceful Nicole Ari Parker) have recently separated, his primary concern is his competition at the office with Johnny Whitefeather (Thomas Haden Church), a competitor at the office who uses his Native American heritage to sell his investment ideas to clients.

Perhaps because of the separation, Evan’s daughter Olivia (adorable Yara Shahidi) has become very attached to a security blanket she calls her “goo-ga.” When it is over her head, she talks to her princess friends. All of this is distracting and frustrating for Evan, who is caring for Olivia full-time while Trish is busy with work. But then he discovers that Olivia’s imaginary friends have some real-life insights into the companies he is analyzing. And as he spends time with Olivia to get access to the secrets of her imaginary friends, he discovers how much more important she is than any investment or promotion or client could ever be.

This much we knew going in. And parts don’t work at all. The entire Whitefeather plot line is clumsy and borderline racially insensitive, especially when it involves his son. There is too much about business and investments that will be confusing to children. Martin Sheen is underused. But DeRay Davis as Danielson’s former football-player friend is wonderfully natural and leaves us wanting to know more about his character.

Basically, it’s a little “Liar Liar” and a little “The Game Plan” and lighter-weight than both if such a thing is possible. But there is a reason this theme connects so successfully. As with “The Game Plan,” the little girl has the power in this relationship. She is not a bully or a brat and she is not selfish. She is wise and has a degree of control that is a very compelling and reassuring fantasy for children. By encouraging her father to do silly things she helps him to relinquish his own sense of control and need for success and connect to his capacity for fun and play. Shahidi and Murphy have an easy chemistry on screen that comes across as authentically sweet. Murphy will never be a subtle performer but he limits himself to just one role and seems to enjoy portraying the straight-laced but superbly professional Danielson and allowing him to thaw without overdoing it. And any time Murphy does not overdo it, that’s worth seeing.

Year One

Posted on October 6, 2009 at 8:00 am

The two-doofus comedy probably goes back to ancient times, so why not set it there? The always-funny Michael Cera and the frequently-funny Jack Black join forces like Hope and Crosby in an only intermittently-funny movie that is just a series of sketches set in ancient days — prehistoric, Biblical, Roman, and Egyptian. Cera plays Oh, a gatherer, and Black is Zed, a hunter. They are pals who are evicted from their stone-age village and wander off, meeting up with Cain and Abel, Abraham and Isaac, and the residents of Sodom. In yet another “what was the MPAA thinking” moment, the film has been assigned a PG-13 rating, despite jokes about incest, circumcision, orgies, castration, and ingestion of human waste.

The juxtaposition of modern sensibility and prehistory provides some funny contrasts. Oh and Zed are amazed to see their first wheel and when they ride in their first vehicle they raise their arms as though they were in a roller-coaster, even though it cannot keep up with a guy strolling alongside. And then they get their first carsickness. Some things are eternal — like insecurity with the opposite sex, bullies, and the bad guys having English accents. And it is fun to see a modern perspectives combined with ancient situations.

But more doesn’t work than does. Cain does not just kill Abel; he pounds him — and any potential for humor — into the ground. It isn’t enough that a pagan priest be corrupt and gay; he has to be hairy. The movie is too spotty to be comic and too listless to be heretical. There’s no point to it, just a series of gags — in both senses of the word.

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Comedy

Snow White and the Seven Dwarfs

Posted on October 5, 2009 at 8:00 am

A-

Lowest Recommended Age:	All Ages
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Some scary scenes, scary witch
Diversity Issues:	Passive female heroine dreams of being rescued by prince
Date Released to Theaters:	1937
Date Released to DVD:	February 2, 2016
Amazon.com ASIN:	B01711CIF0

Disney’s new Signature Collection release of its first animated feature film on Blu-Ray is gorgeously restored and filled with behind-the-scene extras and a wonderful opportunity to catch up with the one that is still “the fairest of them all.”

Snow White (voice of Adriana Caselotti) is a sweet girl whose step-mother, the Queen (voice of Lucille LaVerne), is vain and cruel. Snow White dreams of a prince to love, and meets the Prince of her dreams when she is fetching water for the castle. Meanwhile, each night, the Queen looks into a magic mirror and asks who is the fairest one of all. The mirror tells her that it is she, and she is satisfied. But one night, the mirror tells her that Snow White has become more fair, and the Queen, consumed with jealousy, tells her huntsman to take Snow White to the forest and kill her.

The tender-hearted huntsman cannot kill her and instead tells her to run away. Racing through the forest terrified, she collapses in tears. But she makes friends with the animals, who live in the woods and they lead her to a small cottage. Once inside, she cleans up the mess, singing “Whistle While You Work.” She thought, when she saw the small beds, that children lived in the house, but it turns out that it is the home of seven dwarfs, who work each day digging jewels from a mine.

When they come home, they are surprised to find her stretched out across their beds, sound asleep. But they soon make friends and are delighted to have her stay and take care of them.

Eventually, the Queen discovers that Snow White is still alive. The Queen makes a poisoned apple and turns herself into an old hag so she can deliver it to her. Snow White at first follows the dwarfs’ advice not to speak to strangers, but finally takes a bite of the apple and collapses. The Queen runs away and falls into a steep ravine.

The dwarfs are heartbroken and create a beautiful crystal bier for her to lie on. The prince discovers her there and gives her a kiss, which awakens her, whereupon he carries her off to live happily ever after.

Children used to today’s Disney stories may be surprised by a more passive heroine and by a score more classical than pop. But in addition to its historical value as the first animated feature, it is still a delight, with memorable songs and characters. It is hard to remember that before Disney the dwarfs in the Snow White story had no names and no individual characters. Sneezy, Sleepy, Grumpy, Dopey, Doc, Happy, and Bashful are all vivid characters, and their dance number with Snow White is a highlight.

This movie provides a good opportunity to discuss jealousy, and how to handle it. And, of course, it raises issues about women and beauty, about women’s role in the home, and about finding happiness only through dreams of “Someday My Prince Will Come.” Blended families are often sensitive about the traditional fairy tale villain being the “wicked stepmother,” and some children will need reassurance.

Extras in this edition include Disney’s own comments about the film and a feature about the influence of this groundbreaking animated feature, plus never-before-released storyboards of a deleted scene where the prince meets Snow White.

Talk to kids about how characters like Snow White might be different if they were created today, and make sure that they see a range of alternative role models. Note: The movie is very scary when Snow White is running through the forest (though reassuring when the animals turn out to be friendly) and when she bites the apple; the Queen is especially scary when she turns into the old hag. By today’s standards, Dopey might well be considered an insensitive stereotype of a developmentally disabled person.

Families who see this movie should discuss these questions: Why is the Queen jealous of Snow White? Why is being beautiful so important to her? Why did Snow White stay at the castle? Why did the huntsman disobey the Queen’s orders? Why did the dwarfs love Snow White so much?

Families who enjoy this movie should watch some of the other versions of the Snow White story, including the Faerie Tale Theatre production with Elizabeth McGovern.

Two ‘Toy Stories” in Three Dimensions!

Posted on October 2, 2009 at 8:00 am

In anticipation of the release of Toy Story 3 in 3D, Disney is issuing the first two as a 3D double feature. The original Toy Story was the first computer-animated feature film but what make it successful was its heartwarming story about rival toys, Woody the cowboy (voice of Tom Hanks) and astronaut Buzz Lightyear (voice of Tim Allen). The sequel, Toy Story 2 is even better, with a rescue story that is wise as well as funny and some touching insights about love and loss. Whether they are already family favorites or your children are just old enough to enjoy them for the first time, this double feature is worth a trip to the theater.