Jonah: A VeggieTales Movie

Posted on September 21, 2009 at 3:59 pm

B+

Lowest Recommended Age:	Preschool
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Mild comic peril
Diversity Issues:	Different species of vegetable
Date Released to Theaters:	2002
Date Released to DVD:	2002
Amazon.com ASIN:	B00007M5J1

“Jonah’s” production company, Big Idea, promises “Sunday morning values, Saturday morning fun,” and in my opinion they have more than delivered on both, with a series of videos that are right up there with the best in entertainment and humor and unsurpassed in communicating with kids about honesty, compassion, sharing, and kindness. Some of the videos are based on Bible stories and some are original, but all star computer-animated vegetables and all have gentle morals that create opportunities for families to talk to kids about the issues that matter most. Though Christian in origin, the values in the videos are universal. The references to God are explicit but non-denominational. However, crucifix imagery does feature in the film.

In their first theatrical release, Bob the Tomato and his friend are driving three veggie children to a concert when they meet up with perennial veggie favorites, the Pirates Who Don’t Do Anything. The Pirates tell the story of Jonah, a messenger who enjoyed delivering messages from God until God asked him to deliver one to a place he didn’t want to go to. So, he ended up swallowed by a whale. Fortunately, God believes in second chances, so Jonah ends up just fine and a little wiser, too.

The movie may be a little long for the youngest fans of the videos, who are used to a brisk 30 minutes, but kids five and up will be delighted with the fast, funny, and touching story. Parents even may find that it goes by quickly, because it has some of the funniest jokes of any movie this year, including those intended for adults.

Parents should know that the moments of peril are handled with such a light touch that they are unlikely to scare children. Jonah may be tossed into the water, but he is wearing a very reassuring ducky lifesaver ring, and the credits explain that no vegetables were hurt in the making of the movie.

Families who see the movie should talk about when we must be obedient and when we think for ourselves. Some parents may be uncomfortable with the references to God and the Bible, but they should use the opportunity to talk about their own spiritual views – and ask children about theirs.

Families who enjoy this movie will enjoy the Veggie Tales company’s latest creation, 3-2-1 Penguins, in Trouble on Planet Wait Your Turn and The Cheating Scales of Bullamanka. They may also want to try my favorite Veggie Tales video, The End of Silliness.

A Movie With A Prayer for Peace: ‘Friendly Persuasion’

Posted on September 21, 2009 at 8:00 am

As we observe today’s International Day of Peace and A Million Minutes for Peace, an initiative to get 1 million people to pledge to pray for peace, I would like to recommend a film called Friendly Persuasion, set in the United States Civil War. It is the only movie I know where the characters not only pray for peace, they pray for guidance on how best to achieve it. Gary Cooper plays a farmer who struggles with his religious commitment to non-violence when his neighbors risk their lives for his family and property. All he asks is that “the will of God be revealed to us and we be given the strength to follow his will.” It is a beautiful depiction of a loving and respectful family who find strength in their faith during one of this country’s direst and most divisive moments. And it recognizes that prayer is important, but that it is the choices it inspires that make a difference.

Here is the peace pledge:

I will unite with people all over the world in observing the United Nations International Day of Peace. On September 21, I will pause at noon and, in my own way, pray for peace for one minute. May my one minute, magnified a million times, create a culture of peace that will change the future of humanity. My name will appear in the Peace Pledge Book to be presented at the United Nations on September 18.

Next Day Air

Posted on September 16, 2009 at 8:00 am

I was plenty offended by “Next Day Air’s” contempt for its characters. But the racism and sexism of this vile movie about dumb crooks and dumber would-be crooks and even dumber people who get mixed up with the first two groups is not as offensive as its contempt for its audience. It isn’t just insulting; it is boring. The ten zillionth time someone on screen said “Know what I’m sayin'” or “That’s what I’m sayin'” I wanted to stand up and yell, “No one has said anything!” Richard Pryor and David Mamet can make profanity into poetry, transforming a few simple explicatives into infinite varieties of expression. But the script here is slack and listless, throwing four-letter words, shotgun blasts, “what is he/she doing in this movie” moments, bad judgment, insults, and drugs around as if they are all inherently funny. Trust me, if you ever thought that might be true, this movie will prove once and for all that it is not.
Leo (“Scrubs'” Donald Faison) is a pot-smoking deliveryman for an overnight package service who has messed up so many times that his manager — who is also his mother — says he just one more complaint and he will be fired. So he immediately tokes up again and delivers a package to the wrong apartment. It should go to Jesus (Cisco Reyes) — who prefers to have his name pronounced the English way — and his girlfriend Chita (Yasmin Deliz). Instead, it is delivered to three failed bank robbers across the hall, one who sleeps through almost all of the movie, and his roommates, Brody (Mike Epps) and Guch (Wood Harris). They think they’ve hit the jackpot when they open it up to discover — guess what! drugs! So they call in Brody’s cousin Shavoo (Omari Hardwick) and his no-name sidekick to monetize their new asset. Meanwhile, big old meanie drug lord Bodega (Emilio Rivera) is very interested in getting his product back and every bit as interested in hurting anyone who might be in the way of achieving that goal. Mayhem ensues, and it feels like it takes forever.
Every single character is a grotesque stereotype, from the Latina spitfire who does the salsa as she cooks and calls her boyfriend Papi to the evil drug dealer, the dopey crooks who think they’re all that, and the shiftless package delivery guy and his angry black woman mother. Watching it is an excruciating experience. And then, to add insult to injury, the mindless comedy turns into a mindless shoot ’em up. Mark this package delivery refused.

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X-Men Origins: Wolverine

Posted on September 15, 2009 at 8:00 am

Sometimes the mystery is better than the solution. This is one of those times.

Marvel Comics’ X-Men movie trilogy was about a group of mostly young people with special “mutant” powers who were either victimized by or exploited by “regular” humans. These powers were first presented in most cases when the unsuspecting mutants became teenagers. It was effective as fantasy and more effective as metaphor for the changes of adolescence. One of the few grown-up characters is Wolverine (Hugh Jackman), a cigar-chomping tough guy with indestructible claws that slide out from between his knuckles and the power to heal all wounds almost instantly — and large pieces of his memory missing, which is the source of some intrigue.

Now Wolverine gets his own spin-off and it is an “origin” story, which anthropologists and comic fans know is a prequel, an up close and personal look at the superhero’s backstory to give us some insights into what made Logan into his Wolverine-y bad self and a chance to feel knowledgeable when we see the experiences that led to the characteristics and events we already know. Aha, so that’s where the name comes from! And who was behind that operation? And when do we get to see that always indispensable origin moment — Wolverine primal screaming up into the indifferent sky?

The movie’s version of adamantium, that super-strong metal alloy that gives Wolverine the super-powerful skeletal structure and shooting claws, is its three leads, all superb actors as well as action heroes. Liev Schreiber plays Victor, Logan’s similarly-powered brother, and Ryan Reynolds is a motor-mouthed swordsman named Wade Wilson. The evil military man who presides over the hideous medical experiments is Danny Houston and Logan’s romantic interest is the criminally underused Lynn Collins. There are some striking fight scenes, I love the way Wolverine races toward battle, and it has the usual intriguing murkiness about who is on which side that energizes the X-Men stories. But it never taps into the deeper themes of mutantcy as metaphor and the reveals are not especially revelatory.

Fame

Posted on September 14, 2009 at 8:00 am

B+

Lowest Recommended Age:	High School
MPAA Rating:	R
Profanity:	Very strong language
Alcohol/ Drugs:	Drinking
Violence/ Scariness:	Tense confrontations, brief peril
Diversity Issues:	Diverse characters
Date Released to Theaters:	1980
Date Released to DVD:	2009
Amazon.com ASIN:	B002D0L0QS

Less a movie than a mosaic, this remake of the 1980 classic with the Oscar-winning title anthem about the high school for the performing arts has been re-imagined for the hyper-linked and just plain hyper 21st century. As in the original, we follow the stories of aspiring performers from their first audition through four years of high school. But this time, so many characters are thrown at us that we never connect with any of them. This film is as much an artifact of its era as the dancing-in-the-streets first one, perhaps in ways it did not intend. It is a revealing reflection of its target audience: kids used to keeping up to date via tweets and Facebook status lines, the generation that cannot see the line between access to information and understanding the information’s context and import.

It indicates more than it shows, not because it is subtle, but because it is frantic, trying to follow the lives of ten students over four years in less than two hours. Narrative is pushed to one side. Even the too-brief but excellent musical numbers are chopped up and intercut not so much as an artistic statement as a recognition that society as a whole now meets the clinical definition of ADD.

The talented cast passes by so quickly it is like watching a 107-minute trailer. Naturi Naughton makes a strong impression in vocal numbers that include “Out Here on My Own” from the 1980 film. Kay Panabaker has a sweet honesty that comes across well on screen and more than any of the others she shows us the difference in her character as she grows up and gains confidence. An exceptionally strong cast of adults adds some depth to the faculty roles, including “Will and Grace’s” Megan Mullally and “Frasier’s” Bebe Neuwirth and Kelsey Grammer along with movie and theater veteran Charles S. Dutton. If only they had been able to sit down writer Alison Burnett and director Kevin Tancharoen to give them the kind of stern pep talk about craft and discipline that they give to their students, this would have been a better movie.