The Providence Effect

Posted on September 24, 2009 at 9:29 pm

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for mild thematic elements
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Reference to poverty and other challenges faced by children and their families
Diversity Issues:	A theme of the movie
Date Released to Theaters:	September 25, 2009

You often hear the expression “feel-good movie” and it usually refers to a heart-warming romantic comedy or maybe something with penguins. This is a real feel-good movie because it is a real story. A man with a passionate commitment to children, to education, and to his community took a school on the brink of being closed down and made it into a place where teachers and students set, meet, and exceed the highest of standards for achievement in all categories, including character.

The students at Providence St. Mel do not have fancy computers or calculators. They live in a community that struggles with gangs, drugs, and poverty. But they have families who work several jobs to pay a portion of the school’s tuition (every student in the school has a scholarship) and they have teachers who feel lucky to be there and make the students feel lucky, too.

An unabashed valentine to the school, Providence St. Mel, and its driving force, civil rights activist Paul J. Adams III, and at times it feels more like an infomercial than a movie. But it is a genuine privilege to spend time with these passionate, committed students and teachers. We follow the principal through the halls. We sit in circle time with seven-year-olds whose teacher has them not just participating but conducting the session. We see a graduating class that is sending 100 percent of the seniors to top colleges. And we see graduates returning to talk about how Providence St. Mel gave them what they needed to succeed in college, grad school, and the working world. We see their genuine excitement in learning, their pride in their sense of mastery, and the way that the confidence their teachers and parents have in them inspires them to learn. And that may just be the most important lesson that Providence St. Mel has to teach, turning all of us who watch this film into students who want to learn more.

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Documentary Movies -- format

Upcoming Film Searches for God

Posted on September 24, 2009 at 7:43 am

In every corner of the world, there’s one question that can never be definitively answered, yet stirs up equal parts passion, curiosity, self-reflection and often wild imagination: “What is God?” Filmmaker Peter Rodger explores this query in the provocative non-fiction feature “Oh My God.” This visual odyssey travels the globe with a revealing lens examining the idea of God through the minds and eyes of various religions and cultures, everyday people, spiritual leaders and celebrities. His goal: to give the viewer the personal, visceral experience of some kind of reasonable, meaningful definition of one of the highly individual but universal search for meaning and connection with the divine.
Rodger’s quest takes him from the United States to Africa, from the Middle East to the Far East, where such fundamental issues as: “Did God create man or did man create God?, “Is there one God for all religions?” and “If God exists, why does he allow so much suffering?” are explored in candid discussions with the various Christians, Catholics, Muslims, Jews, Hindus, Buddhists and even atheists the filmmaker meets along the way.
“Oh My God ” stars Hugh Jackman, Seal, Ringo Starr, Sir Bob Geldof, Princess Michael of Kent, David Copperfield and Jack Thompson. It opens in November.

Battle for Terra 3D

Posted on September 22, 2009 at 12:02 pm

The animation may be three-dimensional but the story is one-dimensional in this dull saga of humans invading an alien planet — from the perspective of the aliens. I suppose it is actually the humans who are the aliens in this story, so from now on I will refer to the characters who look like fish-lizard creatures as Terrans. The humans long ago destroyed not only Earth but the surrounding planets and for more than a generation they have been roaming the galaxy looking for another place to live. Their ships are barely able to sustain them. And all of those years without a home, battling to stay alive, has made them desperate and unable to think about the rights of other beings.

Mala (voice of Evan Rachel Wood) is a spunky teenager from the peaceful planet Terra. When the human military invade in search of a place to settle, she finds herself sort of stuck with a crashed human pilot named Jim Stanton (voice of Luke Wilson). They gingerly begin to trust one another.

Terra’s atmosphere is poisonous to humans but the humans have the capacity to switch it to oxygen, which will wipe out the Terrans. They feel they have no choice. And when Jim resists, the harsh general (Brian Cox) makes him prove his loyalty by forcing him to make a life or death decision between Mala and his own brother.

Despite the 3D effects, the visuals are dull and unimaginative. None of the characters have much by way of facial expressions or distinguishing characteristics. Apparently the Terrans are way ahead of the humans in the treatment of females and minorities as almost all the humans we see are square-jawed white males who just came off the GI Joe assembly line. The strongest voice performance is from David Cross as Jim’s little robot navigator and even he is a pale imitation of R2D2. The script briefly raises some intriguing issues but its darkest moments are too disturbing for its intended PG audience and its execution is too superficial for other viewers.

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3D Action/Adventure Animation

Ghosts of Girlfriends Past

Posted on September 22, 2009 at 10:00 am

“Ghosts of Girlfriends Past” feels like ghosts of movies past, with a been-there, seen-that feeling that goes far beyond its familiar appropriation of the structure of “A Christmas Carol.” It is not as deep as Matthew McConaughey’s dimples. He plays Connor Mead, a photographer so fabulously successful that he captures a magazine cover with one click of the shutter, while he mesmerizes every female in a mile radius into doing all but levitating out of their clothes every time he looks at them.

At his brother’s wedding, Connor is visited by the ghost of their guardian, world-class womanizer Uncle Wayne (Michael Douglas), who tells him he will be visited by three ghosts to help him learn about what he needs to change in his life. The first is Allison, played by”Superbad’s” very gifted Emma Stone, with a frizz of hair, a mouthful of braces, and some serious 80’s fashion victim attire. She takes him from his childhood love Jenny to the early lessons from Uncle Wayne in (1) picking up as many women as possible and (2) feeling as little for them as possible.” He relives his conquests and liaisons and his romance with Jenny (Jennifer Garner). Meanwhile, he manages to wreck havoc on the wedding plans.

The primary problem here is that the movie wants to have Connor both ways, a heartless but irresistible lady-killer who is callously offensive, breaking up with three girls at once via conference call and telling everyone at the wedding that marriage is a disaster. He’s less an emotional Ebenezer Scrooge than he is a throwback to those cads-just-waiting-to-be-tamed ring-a-ding-ding movies Frank Sinatra used to make like The Tender Trap and “Come Blow Your Horn.”

But we’ve come a long way, baby, since then, and the idea of the love ’em and leave ’em Lothario is neither as charming or as believable as it once was. Even McConaughey’s dimples can’t keep Connor from seeming more creepy than magnetic. The endless rows of women who are ready, willing, and able to do anything but act with any semblance of intelligence or dignity come across as embarrassing and sadly in need of some “he’s just not that into you” lessons. We cannot connect to the movie because it is impossible to feel any sympathy for Connor or root for his happiness. Fred Ward is nicely flinty as the prospective father-in-law but poor Lacey Chabert can’t help sounding shrill as the kind of bride who freaks out about every detail. Even the divine Anne Archer can’t do much with a cougar-role that gives her little do do but murmur knowingly. The highlights of the film are Stone’s teenage ghost and especially Garner. Her grace, elegance, and authenticity make us wish for her to do a lot better than the guy with the ghosts. And a lot better than this lackluster and formulaic script.

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Comedy Romance

Observe and Report

Posted on September 22, 2009 at 7:00 am

I have no affection for this movie but I have to admit to a grudging admiration for its willingness to be awkward, intrusive, and disturbing. A stark contrast to the similarly-themed and similarly plotted Paul Blart Mall Cop of just three months ago, this could easily have been a raunchier take on the same easy targets — mall shops, mall music, mall food, and mall shoppers as a proxy for an America that is soft in the middle and narcotized by things that can be bought by credit cards.

But writer/director Jody Hall (of the cult favorite “The Foot Fist Way”) makes comic movies with so much edge they can give you a paper cut. He does not go for the easy laugh that makes you feel good about yourself, you know, the one that lulls audiences into thinking that their families are not dysfunctional, just quirky, and that their pain makes them authentic and charming. This movie is funny but it is upsetting and very dark.

The overall structure of the movie is very much like the mall cop movie of just three months ago, “Paul Blart.” Both are about would-be policemen who take our their frustration with petty enforcements when they are not mooning over a pretty mall employee.

But where “Paul Blart” was cute and gentle, “Observe and Report” is harsh and bleak. There are no cheery pop songs on the soundtrack to let us know they are just kidding. And there is not much in the way of lessons learned or getting in touch with the life force. Seth Rogen plays Ronnie, a sad, lonely, and angry man who is borderline delusional. He lives with his alcoholic mother. He yearns for Brandi (a fearless Anna Faris), who works at a department store cosmetics counter. He bitterly resents Detective Henderson (Ray Liotta), who is assigned to investigate reports of a flasher who has been harassing women in the parking lot. In a subversion of the usual movie tropes, he decides to ride to the occasion and resolve the flasher case himself as a way of proving himself. But his instincts are skewed and he makes a series of poor judgments and expensive mistakes that are played for comedy.

Rogen, Faris, Celia Weston as Ronnie’s mother, and Michael Pena as his second in command manage the difficult material well, but Hall is more adept as writer (and selector of esoteric songs for the soundtrack) than as a director. The tone may be even more harsh than intended just due to an uncertain control of narrative and character. Hill says he was inspired by Martin Scorsese’s “Taxi Driver” and “King of Comedy,” but he needs to do a bit more observing and reporting of his own to make sure he understands what makes those movies work.

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Comedy