Interview: Rob Margolies of ‘Lifelines’

Posted on February 15, 2009 at 8:00 am

“Lifelines,” which I wrote about as one of the overlooked gems of 2008, opens April 3 in New York. It is about a deeply wounded family’s visit to a therapist and the revelations and connections and consequences that result.

I interviewed the writer/director/producer, Rob Margolies.

What made you want to be a filmmaker?

One of my earliest memories is the day I first discovered Jim Henson’s “Labyrinth” on VHS. I was no more than 5 or 6. It was the first film I fell in love with. I must’ve watched it nearly every day after school for months.

Not long after, I was introduced to films like: “Willy Wonka & the Chocolate Factory,” “The Never Ending Story,” “The Goonies,” “Pee Wee’s Big Adventure,” etc. Within the following 5 or 6 years, my love for movies grew stronger and matured with such defining films as: “The Shawshank Redemption,” “Pulp Fiction” (which I’m proud to admit I snuck into when I was 11), “Schindler’s List,” and “Forrest Gump.”

Storytelling, creative writing, and concocting elaborate skits using friends as actors were vital hobbies of mine long before I hit puberty. I knew I wanted to be a filmmaker before I was 12 (the age I began writing screenplays).

To answer the question, I am a filmmaker to inspire and entertain others.

Were there particular films or directors or screenwriters who influenced you?

In addition to the films above, as far as filmmakers go: Kubrick, Paul Thomas Anderson, Spielberg, Truffaut, and Alexander Payne…

How did the idea for this story begin?

NOTE: I can’t fully answer this question without giving away spoilers.

However, I will admit that I was diagnosed with ADD at a young age, and in order to be properly treated for such a condition I had to visit handfuls of diverse psychiatrists and psychologists for a large part of my life. The concept of a family journeying to see a shrink on a Saturday to mend their own issues has always been a topic I wanted to explore cinematically. I believe every human being can relate on some level.

You gave some very challenging roles to young actors — how did you work with them so that they did not indicate or give away too much too soon?

My New York-based casting director, Judy Henderson, has had a lot of luck casting children in the past. I sought her out based on her past work on such indie films as “L.I.E.” and “Twelve and Holding.” Judy came through again, finding incredible newcomers for “Lifelines.”

Each actor, Robbie Sublett (Michael Bernstein), Dreama Walker (Meghan Bernstein), and Jacob Kogan (Spencer Bernstein), understood the dynamics of their character from their first audition. I truly lucked out. We really didn’t even rehearse that much! When they had questions, we discussed the answers. When they weren’t in character or did something that needed improved (which was infrequent), I let them know and the problem was solved almost instantly. All three of them are already extremely successful, and deservingly so. Again, I truly lucked out.

Jane Adams is one of my favorite actresses. How did you come to work with her and what was it about this role that attracted her?

Jane was my first choice for Nancy Bernstein – I’ve always been a fan of hers as well. My Los Angeles-based casting director, Lindsay Chag, agreed that Jane was perfect for the role. Intuitively, I knew she would connect with the character. And she did. You would have to ask her what attracted her to the role for an authentic answer…

What do you most want people to take from this movie?

Nobody is perfect. And if anybody thinks they are, they’re most imperfect. I’d love people to watch this movie and subliminally start accepting their own family members and friends for precisely who they are, putting all inherent shortcomings aside. But ultimately, I made this movie for people to know they aren’t alone in the world. If you have an open mind, somebody will always be there to hear you out in times of need.

What are you doing next?

A feel-great father/son comedy titled: “In the Meantime.” It puts an insightful new spin on the coming age subgenre as well as road trips, and the definition of love & lust… We will be filming sometime this summer. Currently we’re making offers, getting close to attaching a star for the lead role. The rest of the principal cast is pretty much set. A bunch of the actors are already listed on IMDB and the rest will be added within the upcoming months.

Also, please check out my website for more info on “LIFELINES” and all of my upcoming projects.

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TV First Kisses

Posted on February 14, 2009 at 8:00 am

A Valentine for my readers — this YouTube compilation of 10 great first kisses from recent television series, including “The O.C,” “One Tree Hill,” “Veronica Mars,” and “Gilmore Girls.”

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Romance Teenagers Television

The Uninvited (1944)

Posted on February 11, 2009 at 7:35 am

The new release called “The Uninvited,” based on a Korean horror film, reminded me of the unrelated (but very spooky) 1944 movie of the same name, starring one of my favorites, Ray Milland.
The original The Uninvited is the story of a brother and sister (Milland and “The Philadelphia Story’s” Ruth Hussey) who move into a mysterious house on the English coast. A series of eerie clues lead them to a story involving a woman who once lived in the house and her young daughter Stella (Gail Russell), now grown up, who still lives nearby.
This is not a horror film but a psychological drama with mystery, romance, and ghosts. When I first saw it as a teenager, I was especially intrigued because it had a rare screen appearance by stage actress Cornelia Otis Skinner, co-author of a book I loved, Our Hearts Were Young And Gay: An Unforgettable Comic Chronicle of Innocents Abroad in the 1920s. It also introduced a song that has become a standard, “Stella by Starlight.”
I watched it again recently and found it still one of my very favorite ghost stories, with appealing characters and very satisfying conclusions to both the romance and the mystery. Fans of “Rebecca” will love this one, so if you’re looking for a good, old-fashioned, non-gory ghost story, this is one of the best.

W.

Posted on February 10, 2009 at 8:00 am

Maybe it is just too soon, maybe we are just too used to the high-gloss satire of “Saturday Night Live” and “The Daily Show,” maybe it’s the kaleidoscopic structure, but this movie feels like a rough draft. Director Oliver Stone throws almost-randomly arranged scenes from the 43rd President’s life up on screen in an attempt at insight but too often it dissolves into caricature.

It begins promisingly with a defining moment for the George W. Bush presidency, or at least a moment intended to be defining. In an Oval Office meeting, W. (Josh Brolin) and his top advisors are debating the terminology they will use to explain the President’s view — literally — of the world in his first State of the Union address in January 2002, just months after the 9/11 terrorist attacks on New York and Washington. How to describe our enemies? They settle on “axis of evil.” And we get acquainted with the cast of characters who will be portraying the headline names — Jeffrey Wright as Secretary of State Colin Powell, Scott Glen as Secretary of Defense Donald Rumsfeld, Thandie Newton as Condoleezza Rice, Toby Jones as Senior Advisor and political strategist Karl Rove, and Richard Dreyfuss as Vice President Dick Cheney. A strong beginning is diminished as the characters are introduced because the audience is distracted by the effort of determining which actors do the best job of look and sound like the real-life characters they portray (that would be Newton and Dreyfuss) and which look and sound nothing whatsoever like their characters (Glen).

Then we get some flashbacks to unroll the well-known story of President Bush’s misspent youth, the drinking, the partying, the series of failed careers. Brolin gives a thoughtful performance, but the superficiality of the assessment of Bush as a man (trying to both please and do better than his father) and as a leader (there is not enough here to understand his policies or priorities) give the film an uncertain tone, sometimes verging on satire, sometimes sinking to melodrama, sometimes showing flashes of farce, especially when almost every scene shows him chomping on a sandwich or when Rice murmurs support for everything the President says. Why give us Bush choking on a pretzel? Then why have it a second time?

Elizabeth Banks gives a warm and appealing performance as Laura Bush, Ellen Burstyn is fiery as Barbara Bush, and Dreyfuss has Cheney’s steely purr down perfectly. The movie ambitiously tries to make President Bush appear more overmatched than cynical or incompetent. There are hints of hubris but Stone does not doubt the sincerity of Bush’s intentions or the merits of his aspirations. But there are too many characters and the events are glossed over too quickly. It’s very tempting to make it a metaphor for the Bush Presidency — unclear in direction and suffering from attention deficit disorder. But ultimately, it is just a movie, and despite moments of value finally an unsuccessful one.

Related Tags:

Based on a true story Biography Drama

Soul Men

Posted on February 10, 2009 at 8:00 am

If you see this movie, stay through the end credits to watch an interview with co-star Bernie Mac, who died not long after filming was completed. It is a better reminder of his gifts than the movie itself, a formulaic road trip that relies primarily on insults and pratfalls.

Samuel L. Jackson and Bernie Mac play Hinds and Henderson, once part of a popular 60’s soul group. But when Marcus, their lead singer (real-life soul singer John Legend), decides to go solo, they are unable to sustain performing careers. Henderson develops a successful car wash business and Hinds ends up in jail.

Marcus goes on to become a superstar, and when he dies, VH1 organizes a tribute concert at the Apollo and invites Hinds and Henderson to perform. Henderson does not fly, so they get in Hinds’ convertible and drive across the country, fighting pretty much full-time and stopping along the way to revisit some memories and try out their act. It’s “The Sunshine Boys” with less shtick and more Viagra jokes.

Director Malcolm D. Lee (the hilarious “Undercover Brother” and the charming “Roll Bounce” but also the terrible “Welcome Home Roscoe Jenkins”) has a strong sense of structure and timing but too many of the jokes rely on bad language and gratuitously outrageous behavior. Jennifer Coolidge (“Best in Show,” “American Pie”) is wasted as a voracious one-night stand and Sean Hayes (“Will and Grace”) is wasted in an under-written role as the producer of the VH1 special. There are pointless detours for a stupid and abusive grille-toothed boyfriend of a young woman befriended by the duo, a doofus intern assigned to them by the producer, and an arrest just as they are about to arrive at the Apollo. But Jackson and Mac are clearly enjoying themselves, and their moments together manage to inject some fun into the story and even a little bit of soul.

Related Tags:

Comedy Musical