The Great Race

Posted on May 26, 2008 at 8:00 am

B+
Lowest Recommended Age: All Ages
Profanity: None
Alcohol/ Drugs: Social drinking, smoking
Violence/ Scariness: Comic peril and violence, no one hurt
Diversity Issues: A theme of the movie
Date Released to Theaters: July 1, 1965

Dedicated to “Mr. Laurel and Mr. Hardy,” this movie is both a spoof and a loving tribute to the silent classics, with good guys, bad guys, romance, adventure, slapstick, music, wonderful antique cars, and the biggest pie fight in history. The opening credits are on a series of slides like those in the earliest movies, complete with cheers for the hero and boos for the villain, and a flickering old-fashioned projector that at one point appears to break down. Always dressed in impeccable white, the Great Leslie (Tony Curtis) is a good guy so good that his eyes and teeth literally twinkle. His capable mechanic and assistant is Hezekiah (Keenan Wynn). The bad guy is Professor Fate (Jack Lemmon), assisted by Max (Peter Falk). Like Wile E. Coyote, Fate’s cartoonishly hilarious stunts to stop Leslie inevitably backfire.

After a brief prologue, in which Fate tries to beat Leslie in breaking various speed records, literally trying to torpedo him at one point, they both enter an automobile race from New York to Paris. So does a beautiful reporter (Natalie Wood as Maggie DuBois) trying to prove she can get the story — dressed in an endless series of exquisite ensembles designed by Hollywood legend Edith Head. Great%20Race2.jpg

The race takes them across America, through the Wild West, to a rapidly melting ice floe in the Pacific, and into a European setting that is a cross between a Victor Herbert operetta and “The Prisoner of Zenda,” where a spoiled prince happens to look exactly like Professor Fate and it takes all of the stars to foil an evil Baron (Ross Martin) who wants to use Fate to take over the throne.

This is a perfect family movie, just plain fun from beginning to end.  It may also provide an opportunity for a discussion of competition and sportsmanship.  At the end, Leslie deliberately loses as a gesture of devotion to Maggie DuBois.  Professor Fate, after all, shows some sense of honor — apparently it is all right for him to cheat to win, but not all right to win by having Leslie refuse to compete.  “You cheated — I refuse to accept!”  Modern adults may wince a bit at Dubois’ notion of how to attain equal opportunity — she ultimately succeeds by showing her leg to the editor, who becomes too dazed to argue further.  But like “Mary Poppins,” it provides a chance to remind children that when their great-grandparents were children, women did not even have the right to vote.

Questions for Kids:

  • Should Leslie have let Fate win?
  • Why wasn’t Fate happy when he beat Leslie?
  • Why was Fate so jealous of Leslie?
  • Why did DuBois want to be a reporter so badly?

 

Connections:  Curtis and Lemmon also appeared together in one of the greatest comedies of all time, “Some Like it Hot.”   Children who enjoy this movie might like to see some of the silent classics it saluted, like “Two Tars,” in which Laurel and Hardy create chaos in the middle of an enormous traffic jam.  They might also enjoy “Those Magnificent Men in Their Flying Machines” or “Those Daring Young Men in Their Jaunty Jalopies.”  Children who have enjoyed Ed Wynn as Uncle Albert (who “loves to laugh”) in “Mary Poppins” may like to know that his son, Keenan Wynn, plays Leslie’s assistant Hezekiah.

 

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Comedy DVD/Blu-Ray Pick of the Week For all ages For Your Netflix Queue Movie Mom’s Top Picks for Families Rediscovered Classic

National Treasure: Book of Secrets

Posted on May 19, 2008 at 4:00 pm

national%20treasure%202.jpg The first movie ended with historian/treasure-hunter Benjamin Franklin Gates (Nicolas Cage) triumphant, with riches, a dream house, and a dream girl, historian/knockout (and conveniently named) Abigail Chase (“Troy’s” Helen Diane Kruger). He has pretty much lost all of that as this movie begins. Meanwhile, sidekick Riley (Justin Bartha) can’t get anyone to buy his book and has learned that “the tax on $5 million in income is $6 million) as his fancy car is towed away by the IRS. It’s time to break out the treasure maps and cypher-decoders.

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Action/Adventure Genre , Themes, and Features Reviews Series/Sequel

Fugitive Pieces

Posted on May 15, 2008 at 3:00 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated R for some sexuality.
Profanity: Some strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Holocaust/wartime violence, sad deaths
Diversity Issues: A theme of the movie
Date Released to Theaters: May 16, 2008

fugitive%20pieces.jpgIn this impressionistic, rose-and honey-toned memory piece, young Jacob hides from the Nazis in 1941 Poland but his parents are killed and his sister is captured. The terrified boy is discovered by a Greek archaeologist, who takes him in and becomes a gentle, devoted surrogate father. Over the years, Jacob (played as an adult by Stephen Dillane) tries to make sense of his past and his present.

He becomes a writer and marries the warm-hearted Alex (Rosamund Pike). But he continues to carry the ghosts of his past and she realizes that limits his ability to be close to her. “To live with ghosts requires solitude,” she tells him.

Jacob will have to endure additional losses to put his past in context and to find a way to make a deeper, more trusting connection. While it does not have the lyricism of the book’s limpid prose, it is a moving story, gently and sincerely told.

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Based on a book Drama Movies -- format

Why and when do we pray? — “Then She Found Me”

Posted on May 13, 2008 at 9:00 am

Oscar-winner Helen Hunt returns to the screen in the upcoming “Then She Found Me,” adapted from the book by Elinor Lipman. Hunt not only stars — she co-wrote and directed the film, which is about a teacher who tries to cope with the immature husband who abandons her (Matthew Broderick), the sensitive single father of one of her students who cares about her (Colin Firth), the sudden appearance of her biological mother (Bette Midler) after the death of her adoptive parents, and overpowering desire to have a baby.

Hunt’s character, April, is an observant Jew, like her adoptive parents. Her biological mother, Bernice, is not observant in any religion. At the doctor’s office, about to undergo artificial insemination, Bernice suggests that April pray. April refuses. And then, almost unheard of in a Hollywood film (and not in the book, either), the two of them have a private discussion of the meaning and importance of prayer. Do we pray when we feel closest to and most trusting of God or when we feel most lost and bereft? One reason April cannot bring herself to pray at this moment is that it will require her to think about just how much it means to her and to think about the role the connection that God plays in her life. She does not want to think about either. She does not want to give up the notion that this thing she is doing is human — and therefore controllable, not divine. We see for the first time how sensitive Bernice can be and how much she cares about April, how well she understands how much April needs to be more honest with herself about what is going on.

April does pray. But I wonder if the prayer she says is the one a real-life observant Jew would say in those circumstances. I guessed she would say Mishaberach, a prayer of healing, or Shehekianu, a prayer of gratitude and being in the moment. Instead, she says the oldest and holiest of prayers, the Shema. Perhaps the screenwriters use that prayer because it is the most widely recognized. Or perhaps, in her moment of greatest hope and anguish, April would reach back to the first prayer she learned, the one that reminds us that God is One.

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Spiritual films

The Great Debaters

Posted on May 12, 2008 at 6:00 pm

Great%20Debaters.jpg In 1935, the debate team from a tiny all-black college took on the top white team in the country and they won. This is that story, Oprah-fied to be sure (Winfrey’s company produced the film), but powerfully told by director Denzel Washington, who also stars as the team’s coach, distinguished poet Melvin B. Tolson.

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Drama Genre , Themes, and Features Inspired by a true story Reviews
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