Mirror Mirror

Posted on March 29, 2012 at 6:00 pm

Director Tarsem Singh Dhandwar has found a story worthy of his ravishing visuals and the result is an enchanting update of the classic fairy tale of Snow White.

Julia Roberts is clearly having a blast as the evil queen whose hostile takeover impulse is so strong she tells us from the beginning that we are hearing her version of the story. But we know from the first moment that our heroine will be the “pretentiously named” Snow White. She does commune with a songbird as the movie opens, but this is not the Snow White warbling by the wishing well about waiting for her prince or sleeping until she is rescued with a magical kiss. Sister is doing it for herself — sword fighting, leading a brave, if diminutive, gang of marauders, and doing some rescuing of her own.

Once upon a time there was a happy kingdom filled with music and dance. But after the king remarried, he disappeared, leaving the Queen to impose higher and higher taxes on the burdened populace and lock princess Snow White (Lily Collins of “The Blind Side”) in her room. When she timidly ventures out on her 18th birthday because there is to be a party in the castle, the Queen sneers, “Is there a fire in your bedroom? Because that would be the only reason for you to leave.”

The Queen is broke and desperately need to marry a wealthy royal, and for that she needs to use all of her magical powers to continue to appear young and beautiful. Prince Alcott (“Social Network” Winklevii-portrayer Armie Hammer) looks like the answer, despite his showing up without his clothes, having been robbed in the woods by seven mysterious accordion-legged marauders. But at the costume ball, he sees Snow White in a magnificent swan dress (don’t think Bjork, think faaabulous) and instantly knows that she is the fairest of them all.

But Snow has other issues on her mind, after her first venture outside the castle shows her what a cruel and selfish ruler her stepmother has been. She becomes an outlaw, joining forces with seven men short of stature but big of heart. And the Queen, aided by her sniveling courtier (who better for that role than Nathan Lane) tries to use every bit of magic and old fashioned evil to ensnare the Prince before the magic mirror — with help from a very tight corset, a disgusting beauty ritual, and a love potion — are no longer enough.

As Tarsem and sometimes Tarsem Singh, the director has made ads, music videos (REM’s “Losing My Religion”) and films like “The Fall” and “The Cell,” all filled with richly imagined images of striking beauty. Working with production designer Tom Foden and the late costume designer Eiko Ishioka, he has created a setting that is part Maxfield Parrish, part Richard Avedon, with gorgeous elegance and panache and with insight and meaning. The mirror is wonderfully constructed out of liquid that leads to a room where the Queen consults another version of herself. The costumes are not just splendid; they are witty and character-revealing, with the Queen a peacock and Snow White a swan. Hammer is handsome and unexpectedly funny. And Collins is luminous, genuinely magical as Snow White, sweet and brave, and it is a pleasure to watch her growing understanding of the world and her ability and responsibility to make it better. He keeps the tone irreverent, but never snarky. There are some funny lines (and one unnecessary and un-funny crude joke) and some modern twists, but the heart of the story in every way goes back to the original folk tales, especially a welcome new twist near the end. The Grimm brothers might not recognize some of the details of their classic fairy tale and Disney might be surprised by a princess who does not wait for her prince to come to get things done. But the themes of honor, justice, romance, and the search for a happily ever after ending are every bit as satisfying as the original.

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Salmon Fishing in the Yemen

Posted on March 8, 2012 at 6:02 pm

Paul Torday’s satiric novel of politics, money, love, and fishing has been brought to the screen with Ewan McGregor as a government fisheries expert and Emily Blunt as an aide to a Yemeni sheik who has what seems to be an impossible dream — building a salmon fishery in his desert country.

When Dr. Alfred Jones (McGregor) receives a polite letter from Harriet Chetwode-Talbot (Blunt) about the sheik’s proposal, he dismisses it as ridiculous and sends back a curt refusal: “Conditions in the Yemen make this project fundamentally infeasible.” But bad news about conflict in the Mid-East has the Prime Minister’s press secretary looking for “a good news story from the Middle East — a big one,” and British-Yemeni cooperation on something as benign as fly-fishing seems like just the photo-op-friendly project to distract the public. Dr. Jones is directed to meet with Ms. Chetwode-Talbot (as they will continue to address one another). It turns out that some elements of the “fundamental in-feasibility” of the project are not as infeasible as he thought. For one thing, money is no object, and it is remarkable how many obstacles that clears. And the support of the Prime Minister clears away most of the rest. It’s like a benign “Charlie Wilson’s War” with fish instead of anti-aircraft weapons).

Dr. Jones makes up the most impossibly high figure he can think of, and that immediately becomes the budget for the project. Suddenly, Dr. Jones has access to the most expert engineers in the world, including dam builders from China and to the equipment that can ship millions of fish thousands of miles. Both he and Ms. Chetwode-Talbot discover the liberating feeling of imagining endless possibilities. But there are complications and dangers that come from that much freedom. There are challenges that are beyond the capacity of even the most skilled engineers. Ms. Chetwode-Talbot has a boyfriend in the military who is fighting in the Mid-East and Dr. Jones has a wife who is on an extended business trip to Geneva. Those commitments begin to seem like just another barrier once thought impenetrable, but now open to reconsideration.

Director Lasse Hellström dissolves some barriers of his own, deftly bridging genres with a story that combines political satire with adventure and romance and is not afraid to take on issues like faith and bridging cultural boundaries. Amr Waked brings dignity and charisma to the role of the sheik. “I have too many wives not to know when a woman is unhappy,” he tells Ms. Chetwode-Talbot. He persuades Dr. Jones that what he wants is not a rich man’s whim but a part of a larger vision to inspire his countrymen and for the moment at least the idea sounds less absurd to us as well. Kirsten Scott Thomas steals the show as the press secretary, whether she is sending tart IMs or scooting her children out the door as she barks orders into her cell phone. The film effectively captures the ruthless pragmatism and frequent cynicism of political trade-offs.

It captures the broadening horizons of the two Brits transplanted to the desert as well. As McGregor and Blunt root for fish “bred for the dinner table” to locate the instinct to swim upstream, we root for them to do the same.

Parents should know that this film includes strong material for a PG-13 including sexual references and a brief explicit situation, brief strong language, and wartime and sabotage violence.

Family discussion: What does Dr. Jones discover about faith? How does the project make him think differently about his own options? What do you think will happen next?

If you like this, try: “Chocolat” and “Local Hero” and the novel by Paul Torday

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Based on a book Comedy Drama Romance

Happy Leap Day!

Posted on February 29, 2012 at 7:00 am

Celebrate the day we observe just once every four years with The Pirates of Penzance, the delightful Gilbert and Sullivan musical about a man who thinks he is turning 21 but, because he was born on leap day, has had only five birthdays. He has been indentured to pirates (his nurse misunderstood when his parents told her to apprentice him to a pilot) and looks forward to coming of age so that he can leave them. But since he will not have his 21st birthday for decades, he is not legally an adult!

This Means War

Posted on February 17, 2012 at 6:01 pm

In the world of this film, American spies work in stylish and luxurious L.A. offices and live in cool apartments that look like the ads in Maxim with people toasting each other with expensive vodka. One of the apartments is underneath a swimming pool, so the occupant can look up at the way the light plays through the clear blue water as luscious lovelies swim by. And that’s the believable part.

Chris Pine plays FDR and Tom Hardy plays Tuck, quip-spouting spies, who are always going to elegant parties for glamorous undercover missions and exchanging purportedly witty barbs as they chase the bad guys. FDR (really?) is the playa and Tuck is the sensitive divorced dad. It’s a big-time bro-mance with such blurred boundaries that they seem to have the same mother, even though Tuck is British. At a family party, Rosemary Harris (“Spider-Man’s” Aunt May) gently chides them both for not producing grandchildren – and then strangely dismisses the fact that Tuck already has a son, who does not count any more, presumably because of the divorce or maybe because no one cared enough to check back to the other pages of the script.

Lauren (Reese Witherspoon) is a consumer products tester who has not dated for a while. She meets Tuck via an online match-up site and – another example of how completely out of date this movie is – she meets FDR in a DVD rental store. All of a sudden, she has gone from not dating anyone to dating two guys at once. And her specialty is product testing, even though she is a good girl who gets the flutters at the idea, egged on by her friend (Chelsea Handler), she decides to date them both. When they find out, they become intensely competitive in a way that is supposed to be charming and funny but in reality is just extremely stalker-ish and strongly suggests that she is just the hapless proxy for their intense attachment to one another, they use all of their training and resources to subvert and spy on each other. One is getting too close to having sex with Lauren? Bring out the tranquilizer darts. Sure, why not spend the billion dollar technology that is supposed to be trained on terrorists to eavesdrop on each other’s dates? We are supposed to find it endearing, but I was horrified.

Parents should know that this film includes action violence and peril with guns, chases, and explosions, sexual humor — some crude — and non-explicit situations, and strong language.

Family discussion: How did Lauren’s professional background affect the way she evaluated FDR and Tuck? Which man was more honest with her?

If you like this, try: “Get Smart”

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Comedy Romance Spies

List: Movies for Your Valentine

Posted on February 13, 2012 at 4:08 pm

Some of my favorite movie romances are just right for Valentine’s Day. Cuddle up with your valentine and a bowl of popcorn and enjoy these movies about how love makes us crazy and immeasurably happy at the same time.

1. Moonstruck Cher won an Oscar as the bookkeeper who has given up on love until she meets the brother of her fiance, who tells her:

Love don’t make things nice – it ruins everything. It breaks your heart. It makes things a mess. We aren’t here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and *die*.

2. Eternal Sunshine Of The Spotless Mind Jim Carrey and Kate Winslet find that they really don’t want to forget each other, no matter how painful love can be.

3. You’ve Got Mail This third version of the story of a couple who are at war in person, not realizing that they are tender lovers through the mail, updates the story to the computer age. Tom Hanks and Meg Ryan have so much chemistry on screen that we know from the first moment what it will take them the whole movie to discover — they are meant to be together. Be sure to watch the earlier versions, The Shop Around the Corner with James Stewart and Margaret Sullivan and the musical In the Good Old Summertime with Judy Garland and Van Johnson.

4. The Philadelphia Story On the eve of her wedding, socialite Tracy Lord’s ex-husband shows up with a couple of journalists and we get to watch three of the greatest stars in Hollywood history sort out their affections. This movie has everything: Cary Grant, Katharine Hepburn, and James Stewart (who won an Oscar), George Cukor as director, wit, heart, and romance and an important lesson about how sometimes it is not about falling in love but recognizing that we have already fallen.

5. To Have and Have Not As tough guy Humphrey Bogart meets the even-tougher Lauren Bacall (only 19 years old when this was filmed), we get to see the real-life romantic sparks that gave the on-screen love story some extra sizzle. Watch her tell him how to whistle.