Spider-Man: Far From Home

Posted on June 28, 2019 at 7:32 am

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sci-fi action violence, some language and brief suggestive comments
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Extended comic book/action-style peril and violence, mayhem, destruction, characters injured and killed
Diversity Issues: None
Date Released to Theaters: July 3, 2019
Date Released to DVD: September 23, 2019

Copyright Sony 2019
Okay, three key points before we get into the details of “Spider-Man: Far From Home.” First, see this smart, funny, heartwarming and entertaining movie on the biggest screen possible, IMAX if you can. Second, yes, you have to stay ALL the way through the credits. There are some big developments/revelations/surprises you will need to know. Third, if you have not seen “Avengers: Endgame” be aware that there are spoilers, so watch that first if you can, so you will better understand some of the conflicts and believe me, you don’t want to be distracted by figuring out what you missed because this movie deserves your full attention.

Just a reminder, as we’ve had a variety of Spider-Men on film, including Tobey Maguire, Andrew Garfield, and a whole bunch of Spideys including a pig and an anime girl in the Oscar-winning “Spider-Man: Into the Spider-Verse.” In this version of the Spider-verse, Tom Holland has played high school student Peter Parker in “Spider-Man: Homecoming” and in two Avengers movies. Tony Stark (Robert Downey, Jr.) took a special interest in Peter, and had his aide Happy (Jon Favreau) act as messenger and mentor.

Now that that is all out of the way, let’s get into it, unless you have not seen “Avengers: Endgame,” in which case stop reading now as there will be spoilers. The movie begins with an in memoriam tribute to the characters who died in that film, as Whitney Houston sings “I Will Always Love You.” It’s touching but it’s cheesy and sappy and we find out why: it’s on a high school closed-circuit news program with student announcers who help bring us up to date. The people who turned to dust when Thanos snapped his fingers have been returned and their absence is called The Blip. But the returnees are five years older, while for the people who were not dusted no time had passed. Everyone is still getting used to the idea that the world has been saved and beginning to get back to normal or get used to the new normal.

Peter thinks he deserves time time off, so when Nick Fury calls, he does not answer his phone. Even though Tony Stark left him in charge of the Avengers, his priority is to go on the class trip to Europe and let Mary Jane (Zendaya) know that he likes her. As in “Spider-Man: Homecoming,” this film combines adolescent angst and romance with special effects superhero extravaganza fights (remember what I said about the big, big screen), with a skillful blend of humor, action, and growing up. Sometimes that combination creates a problem for Peter, as when he gets jealous of a rival for MJ’s affection and accidentally calls a drone strike on the tour bus.

The school trip provides lots of picturesque (before they get trashed) European locations, including Venice and Prague, as Nick Fury keeps “upgrading” the trip to reroute Peter to where the action is.

I know I always say that the make or break for superhero movies is the villain, but I don’t want to tell you too much about the villain here because the details should be a surprise. So I will just say that the surprises are great and this one is a lot of fun, with a very clever updating of the comic book version of the character that create an opportunity for some trippy and mind-bending visual effects. And Peter gets a great gift from Tony Stark — be sure to listen carefully to what the acronym EDITH stands for.

The settings, fight scenes, and special effects are all top-notch, but it is the cast that really brings this story to life. Holland is a little less soulful than Maguire or Garfield (or Shameik Moore), a little more heart-on-his-sleeve energetic, with a natural athleticism that lends a gymnastic, almost balletic grace to his web-swinging and slinging. Zendaya’s MJ is smart, edgy and vulnerable. The villain is…surprising, and a welcome relief after the stentorian-voiced blowhards we have too often seen in superhero movies. Plus, Led Zep, Samuel L. Jackson gets to say, “Bitch, please,” and we get to see London Bridge (or the equivalent) falling down. This is just what a summer movie is supposed to be — fresh, fun, exciting, and with a wow of a post-credit scene to shake things up for the next installment. This one made my spidey-sense tingle.

Parents should know that this film includes intense comic-book/action-style peril and violence with massive destruction and mayhem, with characters injured and killed. The movie also includes teen kissing, some strong language, a crotch hit, someone giving the finger, and mild sexual references.

Family discussion: Should Peter have answered Nick Fury’s call? Why did Tony Stark pick him? What does it mean to say “Uneasy lies the head that wears the crown” and where does that expression come from?

If you like this, try: the other Marvel movies and “Spider-Man: Into the Spider-Verse

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Men in Black International

Posted on June 13, 2019 at 5:49 pm

B-
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sci-fi action, some language and suggestive material
Profanity: Some strong language
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Extended sci-fi/comic book style peril and violence including weapons and explosions, some graphic images
Diversity Issues: None
Date Released to Theaters: June 14, 2019
Date Released to DVD: September 9, 2019

Copyright 2019 Columbia Pictures
So, you watch “Thor Ragnarock” and you say, “Boy, I’d watch Chris Hemsworth and Tessa Thompson in anything!” And you watch the original “Men in Black” and you say, “Boy, this is one of the best movies ever, funny, smart, exciting, with wonderfully vivid and engaging human and non-human characters. I’d like to see more of this world.” And so, someone put it together and we have Hemsworth and Thompson taking over for Will Smith and Tommy Lee Jones, and F. Gary Gray (“Straight Outta Compton,” “The Fate of the Furious”) taking over as director from Barry Sonnenfeld, and it turns out “Men in Black International” is just okay.

For example, among the many understated, near-throwaway jokes in the first movie, we saw a bank of television monitors tracking people on Earth who are in reality aliens. Unless you were watching it on a DVD player with a pause button, you would miss most of it, but the “aliens” included “Today’s” Al Roker, singer and psychic promoter Dionne Warwick, Tony Robbins, Sylvester Stallone, and fashion designer Isaac Mizrahi. They use the same joke again, but it’s just Ariana Grande. Really? That’s the best you’ve got? Much of what made the first film such a wonder was the sense that there was a fully-imagined, world where supermarket tabloids were the only non-fake news, that somehow made more sense than the one we think of as real. It never winked at its characters or the audience. This one goes for a cheap laugh by having Hemsworth reach for a sledgehammer. He’s Thor, get it?

Thompson plays Molly, who had an alien encounter as a child and was accidentally not neuralized with the MiB’s memory eraser. She helped the fuzzy green alien escape and even learned a couple of words of its language. Since then, she has been so obsessed with learning more about the way the universe works that most people, including the man who was impressed with her record on the tests for government service, dismiss her as nutty.

By tracking an alien arrival, she sneaks into the MiB office, where the director (Emma Thompson as Agent O) agrees to take her on for a probationary period and sends her to the London office, where the top agent is H (Hemsworth), whose character seems to be based on the roles Rock Hudson played in “Pillow Talk” and “Lover Come Back,” a rakish playboy who hangs out with aliens at card games and nightclubs. While he is a legend in the office for having defeated The Hive with his then-partner, Agent T (Liam Neeson), he has pretty much checked out, sleeping at his desk and annoying his play-by-the-rules colleague, Agent C (Rafe Spall). H takes a visiting alien dignitary out for a night of drinking and debauchery but things go wrong and the alien is killed, with just enough time to pass on to Molly, now Agent M, a small object that seems to be very important, but he does not tell her why.

This fourth in the “Men in Black” series owes as much to James Bond as to its original (in both senses of the word) off-best, off-kilter, world-building story-telling. Our heroes hop around glamorous and exotic settings: Paris, London, Marrakech, a mysterious fortress on an island. Characters and incidents from the past are confronted and characters from the present may not be what they seem. A new character, voiced by “Silicon Valley’s” Kumail Nanjiani nearly steals the film with a reminder of the understated but pointed humor of the first film.

It has an awkward twist that indicates some struggles over rewrites, but H and M are so blandly conceived that even two of Hollywood’s most versatile and appealing performers can’t make them vibrant.

Parents should know that this film includes action/comic book-style peril and violence, powerful weapons, mayhem, characters injured and killed, monsters, disturbing images, some strong language, and a non-explicit inter-species sexual situation and sexual references.

Family discussion: Why did H change after his experience with the Hive? What did M want to understand about the universe and were her questions answered? Which alien was your favorite?

If you like this, try: the other “Men in Black” movies and the comics, “Guardians of the Galaxy,” and “Paul”

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Shaft

Posted on June 13, 2019 at 5:25 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for pervasive language, violence, sexual content, some drug material and brief nudity
Profanity: Very strong language including the n-word and many crude terms
Alcohol/ Drugs: Drug dealing, drinking and drunkenness
Violence/ Scariness: Extended and graphic crime-style peril and violence, characters injured and killed, graphic and disturbing images
Diversity Issues: A theme of the movie
Date Released to Theaters: June 14, 2019
Date Released to DVD: September 23, 2019

Copyright New Line Cinema 2019
Cheerfully retro past the point of winking at us, through the point of smirking at us, up to the point of pushing back in favor of toxic masculinity, the new “Shaft” is an above-average summer chases, wisecracks, and shoot-out movie, thanks to its cast, its heritage, and of course the most memorable movie soundtrack theme of all time, a Grammy and Oscar winner.

Like two of the previous films in the series, this one is just called “Shaft.” The 1971 original starred Richard Roundtree, who also appeared in “Shaft’s Big Score” and “Shaft in Africa.” Then Samuel L. Jackson appeared in a 2000 film just called “Shaft,” playing the nephew of the Roundtree character. (In this film, it turns out the original Shaft was not his uncle but his father.) This “Shaft” brings the story up to the present day, with Roundtree and Jackson returning to their roles and the third generation, J.J. (for John Junior), played by Jessie T. Usher (“Survivor’s Remorse”).

The first Shaft film, based on a tough with the bad guys/catnip for the ladies private investigator in the novels of Ernest Tidyman, was among the best of the “Blaxploitation” films of the 1970’s.

The character in the book is white, but director Gordon Parks cast Roundtree, to “see a black guy winning,” and, toward the end of the Civil Rights movement era, that gave audiences a hero that had not been seen before, a strong, confident, supremely capable black man who operated by his own set of rules and applying his own form of justice. This had enormous appeal in an era where pretty much the only black actor in films was Sidney Poitier, who nearly always played characters who were near-saintly, designed to appeal to white audiences. Shaft did not care about appealing to or appeasing anyone. In the words of a black politician of the era named Shirley Chisolm, he was “unbought and unbossed.” He exemplified Hollywood cowboy-style notions of masculinity, supremely secure in his own power and control, and in the context of the movie that included his relationships with women, if using them as sexual objects could be characterized as a relationship.

Director John Singleton’s 2000 version with Jackson was an affectionate tribute to the original. Shaft is first seen as working for The Man as a police officer, but he quits in disgust and sets up an office as a private investigator. As this film begins, it is 1989 and Shaft (Jackson) is arguing with his significant other (Regina Hall) in a car when a gunfight breaks out. “This time it’s different,” she tells him, after it is all over and he’s the last man standing. In the back seat of the car is a baby. She knows that in order to keep their son safe, she will have to leave him.

The ensuing years are amusingly zipped through in a montage with pauses for the occasional and always-inappropriate gifts Shaft sends to JJ, wrapped in plain brown paper, including a box of condoms when he is 10 and a collection of porn when he is leaving for college at MIT. After graduation, JJ works as a data analyst at the FBI, where he is frustrated at not being assigned to take the lead on big cases like a possible terrorist cell at a local mosque. He lives in a tastefully furnished apartment with a Lord of the Rings poster on the wall and lacrosse sticks over his bed. He treats women with respect — with so much respect he has not been able to get out of the friend zone with Sasha (Alexandra Shipp), a doctor he has known since he was a child. He does not like guns, but he has mad skills as a hacker.

When another childhood friend, a Muslim veteran named Karim, is found dead from an overdose, JJ thinks it is murder, and he visits his father for the first time to ask for his help. A naked stripper covered with glitter answers the door, and Shaft appears with glitter in his beard. This is supposed to be funny and to convey how manly he is. Anyway, he agrees to help, and we’re suddenly in a buddy cop movie, with senior bashing junior every step of the way for not being many enough and junior giving it back about his not having been there as a dad. Much of that happens as they are being chased, shot at, or fought with, including the inevitable scene at a nightclub, with a dance/fight that puts the “tip” in “tipsy” and is actually pretty fun.

Someday people will look back on this movie as an exemplar of its moment. The exaggerated masculinity of 1971 may have been humorous and empowering, but in 2019 it seems creaky and skeezy, especially when JJ finally picks up a gun and the strong, capable female character suddenly melts into a puddle of adoration. It’s too soon to be a parody, too late to be ignored. The exaggerated bravado makes them seem fragile and over-compensating.

I admit, though, that Hayes theme still makes me melt into a puddle, and it is fun to see the three generations striding without regard to the oncoming cars in their shades and long coats. While it does not succeed in the same terms as the original or as an affectionate update, there are moments when it is an entertaining popcorn movie with appealing performances, when I can dig it.

Parents should know that this film has a lot of intense, graphic peril and violence including shoot-outs fights, and torture, with many characters injured and killed and some graphic and disturbing images. Characters use strong and crude language, including the n-word and the p-word, and there are vulgar sexual references, homophobic and transphobic jokes, and nudity, with a casually exploitive attitude toward women and a prove-it notion of masculinity. The movie also includes drinking and drunkenness and drugs and drug dealing.

Family discussion: Why wasn’t JJ a field agent? Why was his father so dismissive of his clothes and apartment? How do the Shaft movie’s attitude toward women and masculinity hold up today?

If you like this, try: the earlier “Shaft” movies and “Jackie Brown”

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The Secret Life of Pets 2

Posted on June 6, 2019 at 5:15 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some action and rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: Cat becomes intoxicated on catnip
Violence/ Scariness: Extended action/cartoon-style peril and violence including whip, gun, taser, and tranquilizer dart used on animals, fistfight played for humor
Diversity Issues: None
Date Released to Theaters: June 7, 2019

Copyright Illumination 2019
Well, what a nice surprise! “The Secret Life of Pets 2” is a vast improvement over the original, which had a promising beginning but ended up with a lackluster imitation of “Toy Story.” This sequel combines three different stories and adds some terrific new characters all in a zippy under 90 minutes. It is colorful, exciting, and a lot of fun.

Our hero is still Max (Patton Oswalt, taking over from Louis CK), a lovable mutt who does not like change but has made his peace with his new apartment-mate, Duke (Eric Stonestreet). But more change is ahead. Max’s owner (that is what he calls her) Katie (Ellie Kemper) meets Chuck (Pete Holmes) and soon there is another new resident in the apartment, a baby named Liam. Max, who thinks he does not like children, cannot resist the baby who clearly adores the two dogs. But the changes are very stressful, and when his anxiety about keeping Liam safe is so severe he has to be taken to the vet and finds himself in the Cone of Shame, to keep him from scratching all the time.

Katie and Chuck take Liam and the dogs to visit their family on a farm. Max asks Gidget (Jenny Slate) to watch his favorite toy, Busy Bee, while they are away. (Fans of “Best in Show” will remember Parker Posey’s frantic search for a dog toy called Busy Bee on the day of the dog show.) Gidget, whose unrequited crush on Max is the movie’s weakest plot point, agrees, but almost immediately manages to knock it out of the window, and it lands in the apartment of the cat lady to beat all cat ladies.

Meanwhile, Snowball (Kevin Hart), a soft, fluffy white bunny whose little girl owner dresses him as a superhero, begins to believe he really is one, and when newcomer Daisy (a terrific Tiffany Haddish) asks him for help freeing a friend of hers who is being abused, he is happy to agree. The friend is Hu, a white Chinese tiger, and he is in a cage at a circus, guarded by wolves.

Max will get some guidance on dealing with his fears from a wise farm dog named Rooster (Harrison Ford!! At his Harrison Ford-iest, which is awesome!). Gidget will have to get cat lessons from the languid pudgeball Chloe (Lake Bell) on how to be a cat so she can go undercover to get Busy Bee back, in the movie’s best scenes. And Snowball and Daisy will have a lot of wild adventures along the way.

It all moves along with brisk good humor and some nice lessons about how to handle being scared and what we learn when doing what scares us gives us the chance to be surprised at what we can do. The design of the characters and settings is witty and engaging enough to invite repeat viewings. Parents may need to talk to their kids about some of the plot points — we don’t want anyone trying to let a tiger out of the cage, sometimes it makes sense to listen to your fears and not take risks, and kids should know there are laws protecting animals from the abuse Hu suffers. But this is a treat for the family that makes me hope number three is in the works.

Parents should know that this film includes comic/fantasy/action peril and violence including very dangerous stunts, a protracted fistfight, and a man who threatens animals with a whip and a gun, some potty humor and schoolyard language, and a cat becomes intoxicated on catnip.

Family discussion: What did Max learn from Rooster? Why did Rooster give him a bandana? Was there a time you pretended to be braver than you felt? Why did Max change his mind about Liam? Which pet in this film would you like to have?

If you like this, try: “Despicable Me” and “Rio”

There are a lot of cool extras on the DVD/Blu-Ray:

BONUS FEATURES ON 4K ULTRA HD, BLU-RAY™, DVD & DIGITAL
Mini Movies
Minion Scouts – When Margo, Agnes and Edith return from Badger Scout camp, three of the Minions are entranced by the girls’ merit badges. Their own attempt at scout camp results in attracting a bear, eating poison berries and eventually blowing up a dam, creating a massive flood. But, when they arrive back home, the girls share their badges, encouraging the rest of the Minions to try their hand at scouting.

*DVD format includes over 75 minutes of bonus content
Super Gidget – When Max is kidnapped by an army of squirrels, Super Gidget is the only one who can save him. It turns out that Max’s captor is a flea with the power of mind control. Gidget must use her pluckiness, strength and smarts to save her one true love…until it turns out it was all just a dream.
The Making of the Mini Movies – Every Illumination film is accompanied by mini movies that are a production all their own. Each film’s directing partners will explore how the mini movies were made.
Deleted Scenes
Wake Up – Max and Duke have a new morning routine with Liam.
Duke Explores the Farm – Duke has a funny interaction with a goat.
Snowball Karate – Snowball does his superhero warm up.
Secret Confessions – Dogs gather to talk about their deepest secrets
A Tapestry of a Tail: The Making Of – The plot of The Secret Life of Pets 2 involves multiple storylines ultimately coming together to create a larger than life tale. We talk with the filmmakers, editor and cast about the delicate dance of juggling multiple narratives in one movie.
How to Draw – Hosted by Head of Story, Eric Favela, follow the step-by-step tutorial to learn to draw Max, Snowball and Chloe
Frame by Frame: How to Make a Flip Book – In this DIY-style vignette, Head of Story Eric Favela will teach viewers about the essence of animation and how they can create their very own flip book animations at home.
Character Pods – Get a closer look at your favorite characters of The Secret Life of Pets 2 with these delightful character pods that might just give away a few more pet secrets.
Patton Oswalt – Max
Kevin Hart – Snowball
Eric Stonestreet – Duke
Jenny Slate – Gidget
Tiffany Haddish – Daisy
Lake Bell – Chloe
Nick Kroll – Sergei
Dana Carvey – Pops
Bobby Moynihan – Mel
Harrison Ford – Rooster
A Party Fit for a Pet – Using stop motion animation, this step-by-step guide teaches you everything you need to know to throw the very best party for your pet!
Pops’ Puppy Training School with Kevin Hart – Join Kevin Hart as he shows off his dog training skills.
Pets Yule Log – Sit back and relax in front of this exclusive The Secret Life of Pets 2 themed animated ‘Yule Log.’
Lyric Videos
‘Panda’ Lyric Video
‘It’s Gonna Be A Lovely Day (The Secret Life of Pets 2)’ Lyric Video

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Dark Phoenix

Posted on June 6, 2019 at 4:42 pm

C
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sequences of sci-fi violence and action including some gunplay, disturbing images, and brief strong language
Profanity: Some strong language, one f-word
Alcohol/ Drugs: None
Violence/ Scariness: Extended comic-book action peril and violence with some disturbing graphic images, guns, explosions, superhero fights, characters injured and killed
Diversity Issues: A theme of the movie
Date Released to Theaters: June 7, 2019
Date Released to DVD: September 16, 2019

Copyright Disney 2019
The Marvel Avengers movies showed surprising range for very different characters operating in a single universe, from the outright comedy of “Thor Ragnarok” and “Guardians of the Galaxy” to the “Captain America: Winter Soldier” hark back to the political paranoia films of the 1970’s, the grappling with historical divides and cultural identity in “Black Panther” and the existential issues of “The Hulk.” But “Dark Phoenix,” this latest entry in the not (yet) integrated X-Men franchise, also based on Marvel comics, veers unwisely into a genre best left out of the superhero category: soap opera.

In this version of the X-Men universe (don’t try to tie it too closely to the original series or we would have to try to understand how Professor X and Magneto could age several decades in seven years, not to mention several other major disconnects), Jean Gray is brought by Professor X (James McAvoy) to his school, a sort of Hogwarts for mutants, when she is a child. Devastated by the loss of her parents in a car accident and terrified by powers she does not understand or control, she at first refuses. Professor X assures her that he can fix whatever she breaks, and that she herself is not broken. Note that just before the car flips over and crashes, which Jean survives without a scratch, the radio plays two significant songs: “By the Time I Get to Phoenix” and “Werewolves of London.” The first is a reference to the regenerating mythical bird that will give Jean her new nom de superhero/persona. The second is likely a nod to Jean’s relationship with Wolverine, otherwise not referred to in this film.

By the time Jean grows up (played by “Game of Thrones'” Sophie Turner), she is in a strong romantic relationship with Cyclops (Tye Sheridan) and very much a part of the group of young adult X-Men. (Raven/Mystique, played by Jennifer Lawrence, points out that the women have been saving the men so often they should consider changing the name to X-Women). The team goes on their first mission to outer space, to rescue a crew of American astronauts. Jean is almost killed, but is exposed to and possibly saved by some mysterious cosmic radiation. She says she is fine and nothing shows up in a quick medical examination, but later that day she faints, and when she is tested again, her powers are literally off the charts. As in, so far past anyone else they need to build a new machine to measure.

Whatever she has learned from the trust, guidance, and support of Professor X dissolves as the new powers bring back the same feelings of guilt, shame, defiance, and being out of control that we saw in her just before her parents’ car flipped over. She will try to find answers from her past, including a visit to the secret place where Magneto (Michael Fassbender) and his team are hanging out, a hidden safe zone that is off the grid.

As in all X-Men movies (and in last week’s “Godzilla” except with monsters), the core tension is between those who want to find a way for humans and mutants to live together in peace and mutual support (astronaut rescue!) and those who want to wipe each other out. This war seems to be going on inside of Jean, as she discovers that her real and substitute fathers lied to her and as she fears she will not be able to control her new powers.

Meanwhile, some aliens have landed and taken over human bodies. Their leader (Jessica Chastain) is searching for Jean to help them take over the planet. It is a shame to see this versatile, classically trained actor relegated to one of those roles where all of her lines are recited in the same languid but threatening monotone and her superpowers is primarily striding around in stilettos without mussing her impeccably shaped blonde hair.

The action scenes are capably staged, but the non-action scenes are close to inert and some of the special effects look cheap and insubstantial. Can we just all agree never to ask an alien character to say that emotions make humans weak? This is a disappointing placeholder that suffers by comparison with the vastly more dynamic and imaginative superhero movies we’ve already seen this year.

Parents should know that this film has extended fantasy/comic-book peril and violence with characters injured and killed and some disturbing and graphic images including characters being impaled, shot, and dissolved, and some strong language including one f-word.

Family discussion: Why did Professor X lie to Jean? Did he “fix” her? Would you like to have Jean’s powers and what would you do if you had them?

If you like this, try: the “X-Men” movies and comics and “Captain Marvel”

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