Alvin and the Chipmunks: The Road Chip

Alvin and the Chipmunks: The Road Chip

Posted on December 17, 2015 at 5:13 pm

Copyright Fox 2000 2015
Copyright Fox 2000 2015

About five minutes after it began, the long-suffering Dave (Jason Lee, looking tired and oh so over this) comes home to find that the irrepressable little singing chipmunks in the midst of a wild party with a half-pipe set up in the back-yard and LMFAO’s Redfoo working the turntables as DJ. Two-thirds of the dear little creatures experience flatulence, which middle chipmunk Theodore (the hungry, chunky one) describes as “pizza toots.” Sigh. Later on, when one of the chipmunks is hiding inside a character’s clothes as he goes through TSA, pee and poop come out the character’s pant leg. And another character gets pooped on by a bird. Yes, this is that movie. It’s so proud of its potty humor that most of it is featured in the trailer.

Once again our little scamps create chaos and destruction wherever they go. Dave wails, “AAAAAAAAlvin!” Then he scolds them. Then he forgives them. Rinse and repeat.

Dave has two developments in his life, and it is the task of the Chipmunks to create as many complications and catastrophes as possible to impede both of them. First, there is the release of a new album he produced from Taylor Swift-style pop artist Ashley (Bella Thorne), at a big, splashy event in Miami. Second, there is a new woman in Dave’s life. Her name is Shira (Kimberly Williams-Paisley), she is a heart surgeon (but so adorably ditzy that she keeps forgetting that her stethoscope is still around her neck), and she has a son named Miles (Josh Green, a welcome bright spot we hope to see in a better movie soon). When the chipmunks discover an engagement ring just before Dave and Shira are about to leave for Miami, they decide to hide the ring and, when that doesn’t work, they decide to go to Miami to prevent Dave and Shira from getting engaged. At this point, their relationship with Miles is one of outright hostility, but he shares the goal of keeping Dave and Shira apart, so they set off for Miami together.

After various hijinks, they are put on the no-fly list by air marshall Benson (Tony Hale, slumming and looking glum about it) who makes it his personal vendetta to hunt them down as they make their way to Miami, finding (duh) that they and Miles kinda like each other.  This road trip, I mean road chip, provides opportunities for musical numbers. The choreography by Richmond and Anthony Talauega is joyously inventive.  Unfortunately, the “singing” is just the same sped-up buzzy drone sound that Dave Seville (Ross Bagdasarian) came up with for a novelty Christmas record back in 1958.

Parents should know that this movie includes potty humor and slapstick peril and violence. There are some issues of fears of parental abandonment and actual parental abandonment.

Family discussion: Why did Miles lie about his father? Why didn’t Miles want to like Dave and the chipmunks? Which is your favorite chipmunk and why?

If you like this, try: the earlier chipmunk movies and the “Garfield” movies

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Based on a television show Comedy Family Issues Scene After the Credits Series/Sequel Talking animals
Star Wars: The Force Awakens

Star Wars: The Force Awakens

Posted on December 16, 2015 at 3:01 am

A-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sci-fi action violence
Profanity: Mild language
Alcohol/ Drugs: Scene in a bar
Violence/ Scariness: Extensive sci-fi action-style violence with guns and explosions and many characters injured and killed, sad death
Diversity Issues: Diverse characters
Date Released to Theaters: December 16, 2015
Date Released to DVD: March 27, 2016
Amazon.com ASIN: B018FK66TU
Copyright Disney 2015
Copyright Disney 2015

The force is strong in this thrilling new chapter in the story set a long time ago in a galaxy far, far away. Fans will get goosebumps right from the start as the familiar logo and musical theme are followed by a scrolling summary to bring us up to date — without a single mention of a tariff or bureaucratic squabbling. Instead, it has words of near-incantatory power: Luke is missing. Leia is a General. An old ally has provided a clue to Luke’s whereabouts and the best pilot of the rebel forces has been sent to retrieve it.

That pilot is the irresistibly dashing Poe Dameron (Oscar Isaac, who finally seems on the brink of the superstardom he has long deserved). Like Leia in “A New Hope,” he stashes the information in a droid, the adorable B-88, and then he is captured by stormtroopers representing the dark side of the force.  Now called First Order, it is a group that has risen from the ashes of the Empire and threatens to take over again. And we know they’re evil because they mostly have plummy British accents and when they give speeches they dress like they’re appearing in a Leni Riefenstahl recruiting video.

Stormtroopers are indistinguishable in their white armor and helmets, but in the attack on a civilian village one stands out. He seems dazed and disoriented. He shows compassion for a downed member of his battalion.  After returning to the ship, he is ordered to reprogramming to make sure he will never again fail to carry out an order to kill and destroy.  He decides to run away. He does not know how to fly, but there is a prisoner who happens to be the best pilot of the rebel forces, our new friend Poe.  “Why are you helping me?” Poe asks with understandable suspicion.  “Because it’s the right thing to do.” Our Poe is not fooled.  “You need a pilot,” he wisely responds.

Whatever. They both want to get the heck out of there, and that is good enough for the moment. Plus, the defecting stormtrooper speaks with an American accent (even though he is played by British actor John Boyega), so he must be okay.

Meanwhile, a scavenger named Rey (Daisy Ridley, yes she has an English accent but is so obviously honorable and kick-ass great that it just sounds elegant, not evil) encounters B-88. And some old friends from the original trilogy show up for call-outs, tributes, and variations on beloved memories.

Co-writer/director J.J. Abrams has a deep understanding and respect for the original characters and themes going back to the very first episode, now chronologically chapter IV and retitled “A New Hope.” He co-wrote this film with Lawrence Kasdan, the screenwriter of Chapter V: “The Empire Strikes Back,” generally considered the strongest in the series.  They seamlessly bring the story forward with new characters who are vital and engaging. The special effects and mechanics are superbly designed and the action is brilliantly staged.

I wish I could tell you more but I can’t spoil the wonderful surprises, so just let me just say that this is the “Star Wars” you’ve been looking for. Be sure to check out the deleted scenes and other extras on the splendid DVD/Blu-Ray

Parents should know that this movie has extensive sci-fi peril and violence with many characters injured and killed and a very sad death. There are issues of totalitarianism, loss, and betrayal.

Family discussion: Why didn’t Finn have a name? How are Ren and Hux different? Who do you think Rey’s parents are?

If you like this, try: the original “Star Wars” trilogy

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3D Action/Adventure DVD/Blu-Ray Pick of the Week Fantasy Science-Fiction Series/Sequel
Creed

Creed

Posted on November 24, 2015 at 5:18 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for violence, language and some sensuality
Profanity: Some strong language
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Intense sports violence (boxing), illness and disability
Diversity Issues: Diverse characters
Date Released to Theaters: November 25, 2015
Date Released to DVD: March 7, 2016
Amazon.com ASIN: B019EEK7ZA
Copyright Warner Brothers 2015
Copyright Warner Brothers 2015

Rocky had to find the eye of the tiger. When we first met him back in 1976, Rocky Balboa (Sylvester Stallone) was an amiable, good-hearted lug who loved his pet turtles, Cuff and Link, and if he ever saw himself getting into the ring with champ Apollo Creed (Carl Weathers), he could only imagine it would be as a sparring partner. His aspiration was not to get his nose broken and go the distance. Over the course of six films, he took on ever-more daunting opponents, so we could always think of him as the underdog. In the first film, he had the advantage of surprise. Creed assumed he could easily defeat the unknown fighter. Rocky did go the distance (and did get his nose broken), and lost in a split decision. In the second film, Creed knew what to expect and his pride was on the line. This time, it was Rocky who got soft after his fame and success. He had to get hungry and learn to be a fighter again. Rocky faced — and defeated — a champion at the top of his game.

Rocky went on to fight ever-more terrifying foes: Clubber Lang (Mr. T) who was not the decent, honorable guy that Creed was, and then the steroid Soviet man-machine Ivan Drago (Dolph Lundgren). In the last two films, Rocky struggled with the killer knock-out punch that we all face — old age. His trainer Mickey and his wife Adrian have died. He still wants to go the distance, but now it does not seem so distant any more.

And now here is another fighter looking for a title shot. We first meet young Adonis Johnson (called Donny) in juvie, where we learn that he just can’t stop fighting. Eye of the tiger is not his problem. It is taming the tiger he has to work on.

Apollo Creed’s widow Mary Anne (dignified but warm-hearted Phylicia Rashad) is willing to give him a home. Donny’s father was Apollo Creed. His mother is dead. Mary Anne has decided to raise him. And she has no intention of letting him become a fighter.

Donny (charismatic Michael B. Jordan) is doing well in his office job, but there is something in him that just needs to punch people. So he leaves Mary Anne working in an office and he seeks out Rocky as a trainer. Rocky does not want to train anyone (see Tommy Morrison in #5). He just wants to miss Adrian in the restaurant he named for her. But this would not be a Rocky movie if Rocky didn’t go back to the gym, and pretty soon that training montage starts up. Gosh darn if it doesn’t still work, especially when that Rocky theme starts filtering through.

Pretty soon there’s a pretty girl, of course, Bianca, played by Tessa Thompson (“Dear White People” and if you haven’t seen it, please do so now). I loved this character for many reasons, primarily because she never took the “oh, don’t fight, you’ll get hurt” role (that is left to Rashad), and because she plays a character who embraces life so fully that she responds to a progressive hearing loss by devoting herself to her passion for creating music while she can. It is genuinely moving to see a disabled character in a film who is not defined by disability. Bianca is a strong, confident, passionate woman and Thompson plays the role beautifully in every sense of the word. Plus, she and Jordan have some sizzling chemistry.

This next chapter (apparently the beginning of a new series) goes the distance. Jordan, thankfully far from the catastrophically awful “Fantastic Four,” is back with writer/director Ryan Coogler. Their last film together, “Fruitvale Station,” was one of the best movies of 2013. As they did in that film, they have created a character who is complex, layered, trying to understand his past and not sure whether he can move on from it. Jordan can hold the screen with as much star power as any young actor in Hollywood today. He and Coogler are true to the Rocky tradition without being trapped by history. Yes, they go back to the steps at the Philadelphia Museum of Art. And yes, you will tear up when they do.

Parents should know that this film includes intense scenes of boxing with graphic injuries, strong language, sexual references and a sexual situation.

Family discussion: Why didn’t Adonis want to use his father’s name? What changed his mind? What would you do if you had Bianca’s health challenges?

If you like this, try: the “Rocky” movies and “Southpaw”

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Drama DVD/Blu-Ray Pick of the Week Series/Sequel Sports
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