The Life and Times of Hank Greenberg

Posted on November 2, 2009 at 8:00 am

B+

Lowest Recommended Age:	Middle School
MPAA Rating:	PG
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Some sad moments
Diversity Issues:	A theme of the movie, including anti-semitism and racism
Date Released to Theaters:	1998
Date Released to DVD:	1998
Amazon.com ASIN:	B00005NTOI

In honor of the World Series, take a look at this documentary about baseball star Hank Greenberg.
Brilliant documentary-maker Aviva Kempner has created a gem of a movie to lift the spirit of anyone who cares about baseball — or heroes.

Hank Greenberg was that rarest of sports stars, someone who was as good as his fans hoped he was — in fact, he was even better. Over and over, in this movie, we see accomplished, distinguished men get teary-eyed as they talk about how much Hank Greenberg meant to them when they were growing up. Senator Carl Levin said, “Because he was a hero, I was a little bit of a hero, too.” Lawyer-to-the-stars Alan Dershowitz says, “Baseball was our way of showing that we were as American as anyone else.”

“We” meant Jews. Hank Greenberg was not the first Jewish baseball player, but he was the first one to be proudly Jewish. He did not change his name and he did not hide his religion. He missed a day of the World Series to observe Yom Kippur (though he did play on Rosh Hashanah, thanks to a clearance from a rabbi who was a baseball fan). And he was a star. Dershowitz said, “He was what they said Jews could never be.”

Kempner combines stock footage and contemporary interviews with fans, friends, family, and teammates to give a glowing portrait of Greenberg, who died in 1986, and, as the title promises, of his era.

Greenberg faced a lot of prejudice. He played for the Detroit Tigers in a city whose leading citizen, Henry Ford, was a virulent anti-Semite. One of his teammates was a country boy who had never met a Jew before and literally expected Greenberg to have horns. But Greenberg never took it personally and never became bitter. He said that it made him work harder because if he failed, “I wasn’t a bum; I was a Jewish bum.” Not a religious or observant man, he was very aware of his role as a symbol, and, as a fan notes, “he wore his Jewishness on his sleeve and in his heart.” At the end of his career, he helped support another baseball player he perhaps understood better than anyone — Jackie Robinson.

Greenberg missed four seasons at the top of his career because he was serving in WWII. And at the end of his career he was impulsively traded by an owner who mistakenly thought he was thinking of leaving. He spoke of those incidents with regret, but without anger. One of the great treats of this movie is see not just how well Greenberg handled adversity, but how well he handled fame and success, remaining humble, honest, and dedicated through it all.

Perhaps most revealing of Greenberg’s character was the one statistic that he cared about, in this most statistic-ridden of sports — RBIs. He loved being the one who batted clean-up, “the guy that comes up at the clutch, changes the ball game, makes all the difference.” He could have gone for the home run record, but he was the ultimate team player.

His teammates and friends talk, also, about his dedication. He was the hardest-working of ball-players, paying anyone he could find to pitch to him for extra batting practice and even stripping down in a friend’s dress-making studio so he could examine his batting stance in a three-way mirror.

Parents should know that while younger kids might not understand the movie, there is nothing objectionable in it — and how many of today’s sports figures could inspire a documentary about which that statement could be made?

Families who see this movie should talk about America’s history of prejudice and about the different ways that people handle adversity — and success. Families who enjoy this movie will also enjoy Ken Burns’ “Baseball” documentary, broadcast on PBS and available on video.

List: Great Movie Coaches

Posted on October 28, 2009 at 8:38 am

The athletes have worked harder than they ever imagined, pushing themselves to the limits of their endurance. They’ve learned how to run faster and hit, kick, or shoot harder. They’ve watched tape of the other team, the champions, the ones who seem unbeatable. They’ve learned that there is no “I” in “team,” and then they learned it again. And then comes that moment when they feel that they have nothing left. It is time for some encouragement and motivation. They need some words that can remind the players that what they are doing matters, that it is worth stretching their souls and bodies to the limit, that this is a defining moment that will tell them and everyone who knows them and everyone who will ever know them who they are. They need to know that it is not about scoring or medals or applause; it is about courage, determination, loyalty, and knowing you have given your entire heart to something. That is when they need a great coach.

Movie coaches, most of them real-life characters, have provided some of the most memorable moments in film history, inspiring us in the audience as they inspire the athletes on screen. And, in our own private, faint-hearted moments, we often think back on those “Win one for the Gipper” speeches for our own sense of meaning, purpose, and confidence. When you feel as though you can use a pep talk, these coaches are always available on DVD.

12. A League of Their Own Sometimes the coach is the one who needs some inspiration. In this movie, Tom Hanks is a former baseball player who is bitter following an injury. He has a drinking problem, but his former fame gets him a position as the coach in an all-female league, created to keep the fans happy while the male players were fighting in World War II. It is the heart, dedication, and ability of the players that inspires him to become the coach they need. Quote: “There’s no crying in baseball!”

11. Personal Best Scott Glenn plays the coach of women training for the Olympics. In one memorable scene, he has a monologue as he watches one of his athletes run around a track, and shows his frustration on both of their behalfs at the second-class treatment of women athletes and and his fierce pride in watching her beat a man. Quote: “The high jump is a masochist’s event–it always ends on failure.”

10. Knute Rockne All American The legendary Notre Dame coach was an innovator who changed the game of football by popularizing the forward pass and set many records including five undefeated seasons. Pat O’Brien plays Rockne in this film, and Ronald Reagan plans the player whose death inspired the most famous locker room speech in history. Quote: ” I’m going to tell you something I’ve kept to myself for years — None of you ever knew George Gipp. It was long before your time. But you know what a tradition he is at Notre Dame…And the last thing he said to me — “Rock,” he said — “sometime, when the team is up against it — and the breaks are beating the boys — tell them to go out there with all they got and win just one for the Gipper.”

9. Remember the Titans When an Alexandria, Virginia school was integrated for the first time, it wasn’t just the teammates who had to learn to work together. Coach Boone (Denzel Washington) and Coach Yoast (Will Patton) had to become a team as well. This true story of their first team and its undefeated season, and if you plan to watch, bring a handkerchief. Maybe two. Quote: “In Greek mythology, the Titans were greater even than the gods. They ruled their universe with absolute power. Well that football field out there, that’s our universe. Let’s rule it like Titans.”

8. Coach Carter The great thing about Coach Carter is that after he turns his rag-tag players into a disciplined, winning team, he benches them. Samuel L. Jackson plays real-life coach Ken Carter, who benched the team and locked the gym to insist that his team members could not play unless they did their schoolwork and got good grades. Quote: “You really need to consider the message you’re sending this boys by ending the lockout. It’s the same message that we as a culture send to our professional athletes; and that is that they are above the law. If these boys cannot honor the simple rules of a basketball contract, how long do you think it will be before they’re out there breaking the law?”

7. Glory Road Josh Lucas plays real-life coach Texas Western Don Haskins, who coached the first NCAA basketball team with an all-black starting line-up in 1966. Haskins did not intend to be a civil rights pioneer. He just wanted the best players he could find. And in that era, there were plenty of black basketball players who were not getting offers from anyone else. So Haskins put together a team with a lot of talent and a lot of passion for the game, and then he showed them how to be better players and an even better team than they had ever imagined. Quote: “Your dignity’s inside you. Nobody can take something away from you you don’t give them.”

6. Miracle And don’t miss the documentary: Do You Believe in Miracles? The Story of the 1980 U.S. Hockey Team. It’s still referred to as the “Miracle on Ice.” No one thought the American hockey players had a chance against the Soviet team in the 1980 Olympics. The Americans were amateurs from different teams. The Soviets were the world champions. The David and Goliath game that resulted was voted the number one international game in hockey history on the 100th anniversary of the game. The American team beat the Soviets because they had coach Herb Brooks, played here by Kurt Russell. Brooks said he won because he picked “not the best players but the right players.” Quote: “Great moments… are born from great opportunity. And that’s what you have here, tonight, boys. That’s what you’ve earned here tonight. One game. If we played ’em ten times, they might win nine. But not this game. Not tonight.”

5. Friday Night Lights Before the television show, there was a book and there was this movie, with Billy Bob Thornton as coach Gary Gaines. In small-town Texas, everyone in town goes to the high school football games, everyone thinks they know what the coach should be doing, and every player knows that he may never do anything again that matters to as many people as winning the season. Quote: “Being perfect means going onto the field knowing that you did everything you could have done, with clear eyes, love in your heart, joy in your heart.”

4. Hoosiers Gene Hackman plays Norman Dale, who must battle his own demons to be the coach his high school basketball team deserves in this quietly powerful film inspired by the real-life story of the small-town team that took the Indiana state championship in 1951. Quote: “These six individuals have made a choice to work, a choice to sacrifice, to put themselves on the line 23 nights for the next 4 months, to represent you, this high school. That kind of commitment and effort deserves and demands your respect. This is your team.”

3. Chariots of Fire A competitor in the 1924 Olympics took the unusual step of seeking a coach, considered vaguely unsporting in those days of the gentleman athlete. And the coach, Sam Mussabini (Ian Holm) was an unconventional choice. So overcome he cannot bear to watch the race, Mussabini sits in his hotel room. When the word comes in that his runner has won, he quietly punches out the crown of his straw hat. Quote: “A short sprint is run on nerves.”

2. Stick It (and also see Bridges as a coach in Surf’s Up) Jeff Bridges is so natural as the coach of girl gymnasts in “Stick It” and a surfing penguin in “Surf’s Up” that if feels like he was born to play the perfect disciplinarian/mentor/source of inspiration. In the underrated “Stick It,” his toughest challenge is a gifted athlete who quit gymnastics and is then sentenced to compete again to stay out of juvenile detention. He has to teach her to trust him before he can begin to coach her. Quote: “This isn’t the real world. This is my world. You don’t have to like me or like it here, but you do have to respect it.”

1. The Heart of the Game Bill Resler is a tax law professor who agrees to coach a girls’ high school basketball team in this spellbinding and documentary about the quintessentially American themes: race, gender, class, lawsuits, heart, skill, optimism, despair, setbacks, and triumph. Unforgettable. Quote: “Devour the moose!”

X Games 3D: The Movie

Posted on August 20, 2009 at 5:58 pm

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for extreme sports action and accidents
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Intense sports action and accidents, reference to serious injuries
Diversity Issues:	None
Date Released to Theaters:	August 21, 2009

Kids, don’t try this at home.

3D is X-treme film-making and thus well suited to the X Games, hyper-intense, hyper-dangerous, hyper-what are they thinking? sports that are closer to stunts. Young men compete on skateboard, snowboard, and on dirt bikes and motocross to defy the laws of physics. One of them says he feels about gravity the way some people feel about evolution: “It’s just a theory.”

Adolescent testosterone-friendly sponsors like Play Station, Taco Bell, Red Bull, and the Navy have helped make the X Games into an enormous and high-stakes event. Some of its most stunning images are of the homes these young men have purchased with the money they make breaking their bones to do these tricks.

And X can also stand for something else. At one point, a selection of one competitor’s past x-rays of injuries flash on the screen.

The stunts are astonishing and the 3D effects are so intense that you will feel like wiping the dirt kicked up by the motocross bike off your face. But there is more to the film. It has some important lessons about passion, commitment, being willing to ask “what if it is possible?” and being willing to fail in order to achieve ultimate success. The climax of the film comes in a three-way competition that includes one man coming back from a wipe-out the year before and one who is badly injured early on and insists on continuing to compete. The respect and affection between the competitors is genuinely touching and the way they ride their boards back and forth to the medical facility to check on the injured athlete is affecting. They are barely aware of how organic their attachment to the boards has become.

The Rookie

Posted on July 6, 2009 at 8:00 am

B+

Lowest Recommended Age:	Kindergarten - 3rd Grade
Profanity:	Brief swear words
Alcohol/ Drugs:	None
Violence/ Scariness:	Mild tension
Diversity Issues:	Diverse team members work well together
Date Released to Theaters:	2002
Date Released to DVD:	2002
Amazon.com ASIN:	B000068DBE

If this hadn’t really happened, Disney would have had to make it up. But a high school science teacher did tell the baseball team he coached that if they won the division title he would try out for the major leagues. And they did and he did and Jim Morris did become the oldest rookie in 40 years. And then, when he went in as relief pitcher in his first major league game, he struck out the first player at bat. Sometimes, life just is a Disney movie.

And this story turns out to make a very nice movie indeed, thanks to not one but two irresistible underdog-with-a-dream stories, dignified-but-heartwarming direction by John Lee Hancock, and a hit-it-out-of-the-ballpark performance by Dennis Quaid.

A leisurely prologue sets the scene. After a mystical fairy tale about some nuns and wishing and rose petals, we meet a boy who lives for baseball. It is the one constant in his life as his family moves from one Army base to another around the country. When they finally find a place to stay, it is Texas, where the only game anyone cares about is football.

Fade into the present, when Morris (Quaid) is happily married, with deep roots in that same dusty Texas town. He had his shot at the big leagues, but didn’t make it. We don’t learn the specifics, but we see a big scar twisting around his shoulder. And as he tells his son, “It’s never one thing” that derails you.

Morris is the high school baseball coach. But it is still a football town, and no one pays much attention to the team. One day, Morris throws a few balls to the catcher and the team is impressed with the power of his arm. When he challenges them to try harder, they challenge him back. If he wants them to dream big, he will have to show them the way. So he promises that if they win the division title, he will try out for the major leagues.

He never expects it to work. But the boys turn into a team and they start winning games. And so Morris ends up going to the try-outs, though he has to take his kids along. It turns out that despite what had always been thought to be the incontrovertible rule that pitches slow down as pitchers get older, Morris is throwing faster than ever, up to 98 miles an hour.

But dreams ask a lot of us. The success of the team has brought a coaching offer from a bigger school. Morris can take it and give his family a more comfortable life. Or he can accept the offer to play on a minor league team, with the slim hope that he might get picked up by the major leagues.

His dream asks a lot of him, but it asks a lot from his family, too, perhaps more than is fair to expect.

Well, we know what happens next. We probably even predict that at some point Morris will think about quitting but will rediscover the simple joys of baseball by watching some kids play. And we might not care too much about some dramatic embellishments, like the awkwardly inserted reconciliation with his father and the way the minor league coach tells Morris the big news, which would be unforgivably torturous if it happened in real life. But the dream is so pure and Quaid is so good that most audiences will be happy to go along.

Parents should know that although the movie is rated G, it will not be of much interest to younger kids. And some children might be upset by the scenes of Morris with his father, who is cold and unsympathetic, or by the financial problems faced by the family. There are references to divorce and remarriage.

Families who see this movie should talk about our responsibility to help those we care about try to make their dreams come true and to share the dreams of those we love. It was the way Morris believed in his team and the way they believed in him that made both their dreams come true. Morris’s father tells him that it is “okay to think about what you want to do until it is time to do what you were meant to do.” How do you know when it is time to put a dream aside?

For some reason, there are more great movies about baseball than about any other sport. Families who enjoy this movie will also enjoy The Sandlot, Rookie of the Year, It Happens Every Spring, and “Angels in the Outfield,” either the 1951 or 1994 versions. Older teens and adults will also enjoy Field of Dreams.

Fighting

Posted on April 23, 2009 at 6:00 pm

Lowest Recommended Age:	High School
MPAA Rating:	Rated PG-13 for intense fight sequences, some sexuality and brief strong language
Profanity:	Brief stong language including a racial epithet
Alcohol/ Drugs:	Some drinking
Violence/ Scariness:	Very intense, brutal, and graphic street-fighting scenes with bare-knuckle, no-rules brawls
Diversity Issues:	Diverse characters
Date Released to Theaters:	April 27, 2009

Terrence Howard’s performance in “Fighting” is so bizarrely strange and awful that it occurred to me he might be hoping we didn’t realize it was him. Howard plays Harvey, a street hustler who discovers Shawn, a gifted young boxer (Channing Tatum) and sets up a series of underground, all-or-nothing, no-rules street fights. All Tatum has to do is punch, take punches, and mumble inarticulately whenever he sees the lovely Zulay (Zulay Valez). Howard has to pontificate, hide his money, confess to having been badly treated by his former partners, and ask Shawn to take a dive. Neither one manages to pull it off.

The film does have two things going for it. First is its conceit of multi-million dollar underground organizations that promote illegal street boxing (and the betting thereon) from behind hidden doors under the baseball hat racks in tiny little souvenir stores. That is the only logical explanation I have ever seen for the persistence of those shops, which never seem to have any customers. The second is the marvelous Altagracia Guzman as Zulay’s grandmother. As she did in the superb “Raising Victor Vargas,” Guzman is at once hilarious, endearing, and completely authentic. She provides moments of pure poetry. A small nod to the Foley artist, as well. The sound effects for all the whams and bashes may be cartoony — you almost expect Wile E. Coyote to show up with a package from Acme — but they are entertaining.

But the rest of the film is just dumb and dull. I think the screenplay is punchdrunk. Shawn needs money. He likes to fight. So, fight #1 he surprises everyone. Shawn is hiding something. Fight #2 is against a really big guy. He surprises everyone again, except for the audience. Then there are a few more fights, some old scores to settle, some revelations, some reactions to the revelations (I understand and sympathize! I am disappointed and betrayed! Both!) and everyone goes home. Kidding! The big, big fight is yet to come and as they like to say in movie tag lines, this time it’s personal.

It takes some serious effort to de-star and de-actor Howard and Tatum, but director-co-author Dito Montiel manages. This fight film needs to stay down for the count.