The Mighty Macs

Posted on October 20, 2011 at 6:44 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Some mild marital tension and disagreements in the workplace, a girl is sad after a break-up
Diversity Issues: A theme of the movie
Date Released to Theaters: October 21, 2011
Amazon.com ASIN: B004OBNMMO

Basketball coach Cathy Rush (Carla Gugino) arrived at tiny Immaculata College in 1972, at just the right moment for her, for the team, and for the game. Restrictive rules that had “protected” female players from a full-court game had just been revised.  For the first time, there was going to be a national championship for the women’s teams.  And while people were still asking back then, “If she is married, why is she working?” that question would soon be considered inappropriate and ultimately almost unfathomable.

That context and an excellent cast gives this more heft than the typical based-on-a-true-story saga of the underdog team that became national champions. The always-excellent Gugino, in a series of wonderful 1970’s outfits, shows us Rush’s sense of purpose, even when she faces challenges like a Mother Superior (Ellen Burstyn) who is horrified to think that her girls might be “athletes” and a husband who cannot understand why she is there.  Her devotion to the girls as people as well as players is nicely shown.  And is is good to see the nuns treated respectfully, not made into caricatures or made to seem stuffy, quaint, or cute.  They are portrayed as people, too.  We are reminded of their sense of purpose when Rush asks the Mother Superior for equipment and uniforms.  The Mother Superior says she is welcome to anything she has and then shows the coach her small, spare, room with little more than a cot and a rosary.

Marley Shelton plays Sister Sunday, a young nun struggling with her calling who becomes the assistant coach.  Her sweetness and sincerity are a good complement to the coach’s flinty determination.  In a scene where they go to a bar in civilian clothes, Shelton shows us how the sister’s faith supports her strength and integrity.

Rush had no coaching experience.  The team had just one ball and the gym had burned down.  She was the only one who applied for the job and she was paid $450 for the entire season.  She might have thought of it at first as “something to keep me busy” while her husband was on the road as an NBA referee, or “a perfect place for someone who was not ready to assume her role in society,” but she learned that her role in society was exactly where she was. Her most important contribution is shown by the updates at the end.  She did not just coach a team of champions.  She created a new generation of coaches who took what she taught them to the first women athletes to have the opportunities created by Title IX.

 

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Toast

Toast

Posted on October 6, 2011 at 5:59 pm

B
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Not rated
Profanity: Some strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Sad death of parent
Diversity Issues: Diverse characters,
Date Released to Theaters: October 7, 2011
Amazon.com ASIN: B004UFA0RE

“Being normal is overrated,” a young boy’s friend assures him.  “You’ll probably turn out to be very interesting.”

He was right.  British chef and food writer Nigel Slater tells his own story in “Toast”. His mother was a terrible cook.  When he suggested they try fresh produce, she explained that they were better off with canned food because you don’t know where the fresh vegetables had been.  She would boil the food in the can and if it came out especially badly they would have toast for dinner.  She loved Nigel with all her heart and he adored her.  But he never felt close to his gruff father (Ken Stott).  And then his mother died.  Nigel correctly discerned that the cleaning woman his father hired (Helena Bonham Carter) was determined to be promoted to lady of the house.  She and Nigel were engaged in an all-out war that was tragic but darkly comic because the battlefield was the kitchen.

This film was produced for BBC television and it assumes a familiarity with British dialect and culture that may be confusing for American audiences, even the Masterpiece Theatre-loving Anglophiles.  And some family members have disputed the accuracy of Slater’s portrayal.  It spends too much time on the early part of Slater’s life (played as a child by Oscar Kennedy) and not enough on his teen years (played by Freddie Highmore).  The tone keeps it engaging, though, because Slater’s point of view does not get maudlin.  When his stepmother is portrayed as a grasping shrew we understand that it is through his eyes as an unforgiving teenager and, as the last scene makes clear, that he recognizes that living well is the best revenge.  Except for maybe being the one to tell the story.

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Thunder Soul

Thunder Soul

Posted on October 6, 2011 at 6:00 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for brief language and momentary historical smoking
Profanity: Brief mild language
Alcohol/ Drugs: Smoking, social drinking
Violence/ Scariness: Sad death, reference to off-screen teen violence
Diversity Issues: A theme of the movie
Date Released to Theaters: October 6, 2011
Amazon.com ASIN: B005H4TDNY

A real-life “Mr. Holland’s Opus,” this is the inspiring story of a dedicated teacher who transformed the lives of his students and the gathering 35 years later, when he was 92 years old, to perform a concert in his honor.

No one expected much from the kids who went to Houston’s Kashmere High School in a depressed African-American neighborhood.  But a teacher the kids called “Prof” (for “professor”) showed them they could learn to play music that would take them to a national championship,  international tours, and a recording that would rise the Amazon charts decades later as a CD re-release.

http://www.youtube.com/watch?v=IaQs9tJtNM0

Prof was Conrad Johnson, Jr.  In the 1970’s, as the Black Power movement was inspiring a reawakening of pride in African-American culture, Prof took the school’s jazz band and added discipline, ambition, and a lot of funk.  One of the documentary’s highlights is the description of the repertoire of the other high school jazz bands of the era — mostly a lot of 1940’s and 50’s standards.  When the Kashmere band, called Thunder Soul, showed up for the national championships in Mobile Alabama with their Afros and their attitude, the only black high school to compete, they caused an uproar.  The judges initially tried to declare two winners but Prof insisted they go back and pick just one.

Prof’s insistence on excellence, his innovative approach, and most of all, his own example inspired several years’ of students to try harder and dream bigger.   The music is genuinely thrilling but the real thrill here is seeing what a great educator can do.  The love he had for music and for his students and the respect they still have for him decades later is powerful and moving.  A feature film about this story is in the works and I hope it will be everything Prof deserves, but nothing will match the heart of the real-life footage, archival and new, of the people who lived it.

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50/50

Posted on September 29, 2011 at 6:00 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language throughout, sexual content and some drug use
Profanity: Constant very strong and crude language
Alcohol/ Drugs: Drinking, drug use
Violence/ Scariness: Character has cancer and the movie deals frankly with the diagnosis and treatment
Diversity Issues: None
Date Released to Theaters: September 30, 2011
Amazon.com ASIN: B004QL7KKC

When Seth Rogen’s friend Will Reiser got a rare form of cancer at age 24, they bolstered their courage by imagining a movie that would be true to their experience.  The movies they knew about people with cancer had characters who were (1) older, (2) transformed into saintliness and transcendence and reconciliation, and (3) by the end of the movie — dead.  Reiser barely knew how to live as an independent adult.  While his contemporaries were worried about dating and figuring out their careers, he was forced to deal with dire, literally life and death decisions.

Resier recovered and wrote this screenplay and Rogen co-produced and played the character based on himself.  The result is a movie that captures the surreal nature of being seriously ill, the way you feel as though you appear to be on this planet but in reality you are living somewhere else, Planet Cancer, and the “normal” life around you is at the same time disconcerting and reassuring.  But this is also a movie filled with hope, and humor, and inspiration.  No one is transformed into saintliness or transcendence but there are lessons learned, losses borne, and hurdles overcome.

http://www.youtube.com/watch?v=mMaJET7mD0M

The superb Joseph Gordon-Levitt plays Adam, a 27-year-old who works for NPR.  We first see him on an early morning run, stopping at a red light even though there are no cars around for miles.  This is a guy who follows the rules.  And then what he thinks is a backache turns out to be a rare form of cancer, a tumor on his spine, which his doctor describes as “quite fascinating.”  He is still in the early stages of a relationship with Rachael (Bryce Dallas Howard), an artist.  “I have a drawer?  We’re getting so domestic.”

Rachael means well and even likes the idea of herself as a loyal girlfriend, but she also feels trapped by Adam’s illness.  Adam’s mother (Anjelica Houston) wants to help, but that threatens Adam’s still-fragile sense of independence.  Adam meets with a young grief counselor (Anna Kendrick as Katherine) who is just as new to counseling as he is to grieving.

Kyle (Rogen) is immature and squeamish, but it turns out that he is braver than he or Adam knew.  What he lacks in judgment and tact he makes up for in heart and candor.  When he hears that Adam’s odds are 50/50, he looks on the bright side with a metaphor drawn from his own priorities: “If you were a casino game, you’d have the best odds!” And then there’s priority number one — Kyle assures Adam that cancer is a real chick magnet.

I don’t know whether that which does not defeat you makes you stronger.  But that which does not defeat you does show you how strong you are, and how strong your relationships are, too.  Reiser’s insightful script and Gordon-Levitt’s sensitive performance make this one of the year’s most satisfying films.

 

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The Lion King 3D

Posted on September 15, 2011 at 11:16 pm

B
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Disturbing death of a parent and family betrayal, scary stampede and mean hyenas, characters in peril
Diversity Issues: Diverse animal characters
Date Released to Theaters: 1994
Amazon.com ASIN: B001AQR3JY

One of Disney’s most popular animated features (and the inspiration for one of Broadway’s biggest blockbuster) has been re-issued in 3D.  “The Lion King” is sort of a cross between “Richard III” and “Hamlet,” the story of Simba (voice of Jonathan Taylor Thomas as a child, Matthew Broderick as an adult), the cub of Mufasa (James Earl Jones), the king of the jungle.  Simba “just can’t wait to be king.” But his evil Uncle Scar (Jeremy Irons), bitterly jealous of Mufasa, wants to be king, so he arranges for Mufasa to be killed in a stampede and to have Simba think he is responsible.

Simba runs away, and finds friends in Pumbaa the warthog (Ernie Sabella) and Timon the meerkat (Nathan Lane), who advise him that the best philosophy is “hakuna matata” (no worries). Simba grows up thinking he has escaped from his past, but his childhood friend, Nala finds him, and tells him that under Scar’s leadership, the tribe has suffered badly. She persuades him to return to take on his responsibilities as King of the Pridelands. He learns that it was Scar who caused Mufasa’s death, and he vanquishes Scar to become King.

http://www.youtube.com/watch?v=nCKCSBpfL0M

Not just a movie, but a marketing phenomenon, this blockbuster was the highest grossing film of 1994. Amazingly, it made even more money in merchandise than it did at the box office, a fact for which audiences have been paying ever since, as each subsequent Disney animated movie seems to be designed primarily as a commercial for teeshirts, lunch boxes and action figures. The score, and the song “Circle of Life,” with authentic African rhythms and instruments, won Oscars for Elton John and Tim Rice.

Parents should know that the death of Mufasa is genuinely scary and young and sensitive children may be frightened of the stampede, the hyenas, and the family betrayal.  More troubling is the arrogance of the “Circle of Life” explanation, which is mighty reassuring as long as you are the one on top of the food chain. And worse than that is the whole “hakuna matata” idea, which is genuinely irresponsible.  Make sure that kids realize that even Simba finds out that he cannot run away from his problems.

Family discussion:  How was being king different from what Simba thought?  What does your family do to welcome new babies?

If you like this, try: the stage production, with its extraordinary puppets, “The Lion King 1 1/2,” a much better-than-average sequel, and other Disney animated classics like “Aladdin” and “The Little Mermaid.”

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