Sound of Hope: The Story of Possum Trot

Sound of Hope: The Story of Possum Trot

Posted on July 3, 2024 at 9:00 am

B
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for thematic material involving child abuse, some violence, language and brief suggestive material
Profanity: Some strong language
Alcohol/ Drugs: References to addiction and forcing a child to smoke and drink
Violence/ Scariness: References to child abuse, depiction of spousal abuse, offscreen gunshots
Diversity Issues: None
Date Released to Theaters: July 4, 2024
Copyright 2024 Angel

The members of a church in a tiny Texas town called Possum Trot (population around 700) decided they would adopt every child available for adoption in the local foster care system. Led by Bishop W.C. Martin and his wife, Donna, known as the First Lady, 22 families adopted 77 children. The story was featured in People Magazine and on Oprah, and it is now a faith-based feature film, with footage at the end showing the real-life characters (the children in the story have grown up and many have children of their own), and with W.C. and Donna Martin urging the audience to take in the 100,000 children currently waiting to be adopted.

As you might expect, it is preachy. But it is genuinely inspiring to see faith put into action with open-hearted generosity and empathy. As you also might expect for a movie about children who have been abused finding unconditional love and home, it is also very touching. “Euphoria’s” Nika King is luminous as First Lady Donna, whose faith is unwavering. She is the heart of the film, and her scenes with the traumatized children she refuses to give up on are heartwarming.

The Martins and their church are the center of the small community, mostly middle-class Black families, though with around 15 percent living below the poverty line. Donna feels content and fully occupied as the mother of two children, one with special needs, and her work with the church. When her adored mother died, though, she was devastated. As she mourned the idea of adopting children from the foster system came to her and her husband, initially reluctant, became just as committed.

They developed a close friendship with Susan Ramsey (Elizabeth Mitchell), the social worker in charge of placing children in the foster system. At first, she believes that the Martins are not prepared for what they have ahead of them. But as she sees how patient and committed they are, she is persuaded to work with the members of the church.

She warns them, though, not to try to take Terri (Diaana Babnicova), an angry and disturbed 12-year-old who was horrifically abused by her drug-addicted mother. The First Lady insists. Terri tests the Martins more than they ever anticipated. But as the First Lady says, God does not promise you will be free of trouble, only that He will be there with you.

Angel Studios, joining here with ultra-conservative Daily Wire, tries hard to make faith-based movies that meet the highest standards of mainstream theatrical releases in production qualities: actors, screenplay, cinematography, music, editing. This is not a great film by any standard. It never allows its characters to question their faith or even lose patience under the most stressful conditions. It glosses over the challenges of raising severely traumatized children and the professional support they need to process abuse, abandonment, and betrayal. But it is a sincere, thoughtful effort that could get an audience beyond the core faith community.

Parents should know that this film portrays some scenes of domestic abuse and includes references to physical and emotional abuse include rape and murder of children.

Family discussion: Why did the Martins want to take the children no one else wanted? Why was it hard for Terri to trust them? What made her change her mind? What can you do to help?

If you like this, try: “Room for One More” with Cary Grant, also based on the true story of adoptive parents.

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Instant Family

Instant Family

Posted on November 15, 2018 at 5:04 pm

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for thematic elements, sexual material, language and some drug references
Profanity: Some strong language
Alcohol/ Drugs: References to drug abuse
Violence/ Scariness: Tension and some peril and accidents, brief disturbing images of injuries, family confrontations, issues of foster care
Diversity Issues: A theme of the movie
Date Released to Theaters: November 16, 2018
Date Released to DVD: March 4, 2019

Copyright 2018 Paramount Pictures
An adoptive mom explained to me once that most couples who adopt have “a drag-er and a drag-ee.” That can be the essence of a good partnership; parenting in any form is one of life’s greatest leaps into the unknown and it makes sense to talk it out thoroughly while understanding that no one can ever understand the terror, the exhaustion, the way children “push buttons you didn’t know you had,” and of course the unparalleled joy of being a parent until you get there, by which time you are probably too terrified, exhausted, and, yes, filled with joy to understand it even then. That is why we gravitate to movies like “Instant Family.” They give us a chance to think about how much our families mean to us.

Instant Family,” based in part on the real-life story of writer-director Sean Anders, tells us everything we need to know about Pete (Mark Wahlberg) and Ellie (Rose Byrne) in the first scene, as they race through a decrepit mess of a house thrilled at the possibilities only they can see. Their optimistic vision and instinctive teamwork will be needed when a half joking remark about adopting an older child to catch yup with their contemporaries leads Ellie to start looking at websites about foster parenting and then to being the drag-er to Pete’s drag-ee. “This is what we do! We see potential in things and fix them up!” But of course, as someone said, adults do not make children; children make adults. The parents get some fixing up, too.

After some foster parent training, they go to a “foster fair,” to meet some of the children who are available. They were not planning to foster a teen, but they are drawn to a remarkably self-possessed girl named Lizzy (Isabela Moner) (and a bit intimidated by her, too). The social workers (Tig Notaro and Octavia Spencer) tell them she has two younger siblings. They are daunted by the idea of going from zero kids to three all at once, but understand the importance of keeping them together and cannot resist their adorable photos. The next thing they know, they are calling out, “Kids! Dinner is ready!” and wondering whether it will be reassuring or intrusive to kiss them goodnight.

You can tell Anders (“Daddy’s Home”) has been through it and has spent time with other foster families. The film has well-chosen details of the two steps forward-one step back relationship with the children, especially Lizzie, who is used to taking care of her brother and sister herself and still hopes that their mother will come for them. It is frank about the issues of fostering children of different ethnicities, the ambivalent feelings about the possibility of the biological mother returning, and the moments when Pete and Ellie wonder if they’ve done the right thing, and if not loving the children immediately makes them horrible people. Ellie says at one point that she feels like she is babysitting someone else’s kids. And she’s right. They don’t become hers because a social worker says so or because a judge says so. They become hers because she does not give up. And because she fights for Lizzie. And because she brushes Lizzy’s hair so gently and lovingly.

Wahlberg and Byrne are perfectly cast and the tone and pacing are exactly right for depicting family life, where tears are mixed with laughter and laughter is mixed with tears. They are hilariously funny and also touching and moving. There’s great support from Notaro and Spencer and from Margo Martindale as a feisty grandmother, and Moner is excellent as Lizzy whether she’s being defiant, manipulative, protective, or vulnerable. This story could have been cloying or it could have been soap opera. But Anders and his cast make it into a genuinely heartwarming experience that makes us wish we could be part of their family, too.

Parents should know that this is a warm-hearted comedy that is frank about some of the issues presented in foster parenting and adoption including trauma and neglect, drug abuse, predatory behavior and sexting, with some strong language.

Family discussion: What were the biggest challenges Pete and Ellie faced and how well did they deal with them? What is the best way to help kids in the foster program?

If you like this movie, try: “Room for One More” with Cary Grant and his then-wife Betsy Drake

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Trailer: Lion, the True Story of a Lost Boy Googling His Way Back Home

Posted on September 4, 2016 at 4:40 pm

At age 5, Saroo Brierley was separated from his mother and brother in India and ended up in Australia, adopted but always longing to find his family again. That true story is brought to the screen in “Lion,” starring Dev Patel as a man who searched the earth — via Google, to find his way back home.

Here’s the real story:

https://www.youtube.com/watch?v=hW2JFfsisHA

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Interview: The Real Philomena Lee

Posted on February 7, 2014 at 3:47 pm

Philomena Lee is a retired psychiatric nurse who lived quietly with her family in England until a search for the son taken away from her and adopted by Americans led to a  book by journalist Martin Sixsmith (Philomena: A Mother, Her Son, and a Fifty-Year Search) and a movie starring Judi Dench and co-screenwriter Steve Coogan.  Since the movie came out, Lee has devoted herself to helping change the laws in the UK so adoptees and their birth mothers can find each other if they want to.  When she came to Washington, D.C. with her daughter, I spoke to them about this project and why it was important to her to forgive the nuns who abused her.

Have any of the other women whose babies were taken away found their children?

I wouldn’t know, we honestly wouldn’t know because when I was in the home, you had to lose your identity, you had to forget your own name. I wasn’t Philomena Lee anymore. We were all given what they called a house name and my name was Marsella. So I didn’t even knew then they name of many of them, they were just called by, it could be , Mary , Kate, Annie or something.  So I was just known as Marsella and they would have known me as Marsella. They wouldn’t have known me as my home name which is Philomena Lee.

Have you heard from many of the adoptees and mothers who gave up their children for adoption?

People’s enquiry is usually “Did you remember my mother? Did you know my mother?” And of course I didn’t know any of them at all really. And this is why we started the project last week in Ireland, The Adoption Alliance, so that the mums that are trying to find their babies will be given the right do so.  At the moment in Ireland, it’s not law , they don’t have to be told anything. So the women are trying to get the right to be able to find out who their mom was, who their dad was. 

Philomena’s daughter added: Yes, we’ve heard from hundreds of people, people have come up to us in the cinemas and things like those, have come us to us physically, we’ve had lots and lots of contact, people sending us messages, people have left message on the graves, all sorts of things which is the reason we started The Philomena Project really and the awareness that people who don’t have an automatic right to information and trying to get that changed if we can.  It’s to have a place for them to go or a website for them to go so they know how to go about starting that if they want to because many of them won’t know where to look in the first place. And for that reason we would like to change the legislation and that is ultimately what we would like as a result of this.

One of the most powerful moments in the film is when you say to the nun who not only abused you and took your son but thwarted your efforts to find him and his efforts to find you.  Why do you think forgiveness is so important?

I was very unforgiving in the very early stages after I eventually left after the adoption, I eventually worked in a boys school in Liverpool from Ireland to England and I was so sad and so hurt and so I was in an unforgiving frame of mind at the time.   But then after a couple of years I left Liverpool and went down south to a place in London. I worked in a psychiatric hospital for 30 years and over the years I’ve been working in the psychiatric hospital I can assure you, you can see life as life is more often than not. So I gradually and gradually saw so much sorrow and hurt that was caused through anger. So I was able to release my anger gradually and start forgiving again so that’s how it is.

And I do forgive because I’ve lived to sixty one last year and so it’s a long time to live.  My son grew up in a lovely home, had an education ended up happy so I’m happy about that and I’m able to put some closure on this because at last I found him. For my whole life all I ever wanted to do was to find him.

Of course he was looking for me, as well.  He went over three times to the home where he was born and they wouldn’t give him any information.   They said no one knew of me and I was looking for him  and so my brother lived at the same home we lived since I was eight years old.  He was only an hour away and they wouldn’t give him the address. When I moved to England several times I sent my new addresses but I never got any answer back so they never took it. They had told him that I abandoned him at two weeks old.  But I was in the home for three and a half years and I wrote him and developed a very close bond with him.

You know at three he was a lovely, friendly, intelligent boy and I certainly believe because he looked for me so much straight on he did remember me. I wondered all the time and prayed that I would find him and eventually Martin Sixsmith, who was the correspondent in Washington managed to get all the information.  Martin called all of his friends and his partner and his partner gave us so much information and they did have a good amount of time together; 15 years together and they were very happy together and he loved him very much and that put my heart at ease when I knew that he tried to find be because I know that he remembered me.

I always thought it was good to have a close bond. He was really such a lovely little boy; such a loving little boy you know. As they say, at least I found him and he will always be within my own heart.  It was very good to know that he had a good life and he was a happy man and he had happy friends and I am happy about that because I knew he was happy, I found out he was happy.   He did request when he knew he was dying that one day if anything happens “please bring my ashes back and have me buried where I was born.”  And now I can visit his grave.

When I first saw the film, I didn’t know what to think but who would ask for more?

 

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