AWFJ’s Movie of the Week: The Dancer

Posted on November 28, 2017 at 10:13 pm

The Alliance of Women Film Journalists has picked “The Dancer” as the MOTW (movie of the week). The recreations of Loie Fuller’s stunning performances are dazzling.

Betsy Bozdech writes:

Chances are, even people who wouldn’t describe themselves as “into dance” have heard the name Isadora Duncan and know something about her career and tragic death. But what about dancer and performance artist Loie Fuller, the innovator of modern dance who helped propel Duncan to superstardom in the early 20th century? Stephanie Di Giusto’s drama “The Dancer” remedies that by telling the story of Fuller’s complex, fascinating and often-heartbreaking life and career.

I’m proud to be one of the critics quoted by AWFJ in support of the film.

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Based on a true story Biography Critics

Women Movie Critics React to the Study About Kids and Horror Movies

Posted on October 31, 2017 at 8:33 pm

Thanks to Betsy Bozdech and Jennifer Merin for inviting me to join other members of the Alliance of Women Film Journalists in responding to the Cable.TV report on children’s exposure to horror films.

Here’s a slightly expanded version of what I sent them:

When I was researching The Movie Mom’s Guide to Family Movies, I spoke to a number of people in their late teens or early 20’s because they were young enough to remember how they felt about the movies they saw as children and young teenagers but old enough to have some distance. I was very surprised to find that every single one of them immediately volunteered some scary movie that they still considered traumatizing, though the ones whose parents had allowed them to see the film, even mistakenly (“She had seen it on an airplane and didn’t realize that the worst parts were cut out”) were more upset than those who knew they were watching something their parents did not want them to see. I am always sorry when kids are upset by what they see, especially when they are so upset that they tear up or their voices shake when they talk about it years later. But I also recognize that no matter how careful parents are or how sheltered children are, whatever movie they see at exactly the moment when they are first able to understand the implications of scariness in a deeper way will always be considered especially upsetting. A concerned mother once told me that her two-year-old’s(!) favorite movie was “The Sound of Music,” and she wanted to see it every day but “I don’t want her to be scared by the Nazis.” I told her that a two-year-old has no ability to understand what Nazis are or even that the movie is more than a series of scenes of people singing, and cautioned her that in a few years, the child would suddenly see the movie in a different way as she reached a more mature developmental stage, and then she might find it scary.

I also want to note that every individual, including every child, has a very particular relationship to scary material. My own children were a boy and a girl, one who was never scared by anything he saw and really enjoyed scary movies and and one who, like me, still puts her hands over her eyes even in mildly scary movies. When my son was about 11 he told me he wanted to see more scary movies. I told him, “Lucky for you, you have a mother who is an expert on movies, so we’ll explore all the different kinds of scary — jump out at you, suspense, gore, etc. And so we did, and talked about what made something scary and how the filmmakers understood how audiences react and played into or didn’t play into our vulnerabilities and expectations. In my family, there was a boy whose parents were divorced, and it became his bonding time with his dad to go to horror movies together on weekends, ones I would have told them were completely inappropriate if they had asked me, which they did not. He loved them and is now a happy and healthy adult. So what I take away from all this is that parents need to know their children and listen to them about what kind of scares they are ready for and able to enjoy, but generally I recommend erring on the side of being protective.

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Parenting Understanding Media and Pop Culture

AWFJ’s MOTW: Best of 2017 So Far

Posted on July 31, 2017 at 9:14 pm

Instead of a MOTW (Movie of The Week) for the end of July, the Alliance of Women Film Journalists has put together their list of their favorite women-created or women-centered films of 2017 so far. Be sure to take a look and catch up on anything you’ve missed.

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Critics Gender and Diversity

Susan Glatzer on her Swing Dance Documentary, “Alive and Kicking”

Posted on July 18, 2017 at 1:37 am

Copyright 2016 Magnolia

The director of the new swing dance documentary “Alive and Kicking” knows her subject from the inside out. Susan Glatzer is a swing dancer herself and “part of the dance world,” which she vividly depicts in the film as an exceptionally joyous, generous, and connected community. My interview with Ms. Glatzer is now on the website of the Alliance of Women Film Journalists.

Here is an excerpt:
“Each dance is so special because it’s how each partner is interpreting the music and reacting to their partner. So as Andrea Gordon says in the film, it’s almost like you dance with someone you have never met before and by the end you feel like you can finish each other’s sentences because you’re connecting on a very, very basic human level of touch and movement and music and improvisation and trust. There is that incredible connection that goes well beyond ‘we have a shared passion.’
You’ll never have the same dance and you’re always looking for that next high with somebody else. You go on to the next person, the next partner but that’s when you get the sense of community. And you can go to a town where you do not know anyone and have an instant community of people who will welcome you….
It’s not about having a beautiful line; it’s being a badass, and it’s being silly and goofy. The whole point of this is: take the time, have fun, be silly, be goofy, be as crazy as you can be. The competitions are really intense and people do amazing stuff but at the end they all just want to dance with each other and cheer each other on. Everybody just wants to see something great and have fun and then we all have a good time and dance with each other.”

Alive and Kicking” is now available on streaming and DVD.

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Directors Interview

The Alliance of Women Film Journalists: Movie of the Week — Their Finest

Posted on March 23, 2017 at 8:00 am

I am really enjoying being a part of the Alliance of Women Film Journalists’ panel for their new Movie of the Week feature. This week’s pick is the touching and entertaining “Their Finest,” about filmmakers in WWII England, starring Bill Nighy, Gemma Arterton, and Sam Claflin.

Each week, AWFJ will pick a movie of particular interest to women, either people of the people behind the camera or the story itself. Be sure to check out each week’s selection.

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Understanding Media and Pop Culture
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