Interview: Former Congressman Bob Ney of ‘Casino Jack’

Posted on May 5, 2010 at 1:57 pm

Bob Ney was a powerful Congressman (R-Ohio) brought down — and sent to jail — by the Jack Abramoff lobbying scandal. He is featured in “Casino Jack,” the new documentary about what happened. He now has a daily show on talk radio. He spoke to me about his decision to cooperate with the film and what he has learned.
Was this a chance for you to tell your side? Is that why you agreed to participate?
At first, I said I wasn’t going to do it. When I got out of what I call the Bush Housing Program, the federal prison at Morgantown, I had a lot of offers to do different shows and said no to them all, including this. And then I looked at Alex Gibney’s work, the Enron movie and “Taxi to the Dark Side.” I had lived in Iran and in Saudi Arabia and it’s a painful story, but it needed to be told. I met Zena Barakat and agreed to do the IFC story she wanted me to do. She told me Neil Votlz was going to do this film and that it was going to be more than the story of Abramoff, about what’s going on now, where does this lead. So, I think it’s a way for me to give back and second it’s a way of healing for myself and third, hopefully something will come out of it to make some changes.
What kind of change would make a difference? Public financing of elections? Is that the only way to keep the corrupting influence of political contributions out of government?
I didn’t before I resigned from Congress, and I chaired House Administration and oversaw election law. I thought we just needed full transparency. Then we get caught up in the waylay of “if you don’t go to Scotland,” “if you don’t eat at Jack’s restaurant,” the problem is solved. The swamp is drained. But the swamp was drained and re-filled. There’s a lot of good people on the Hill in both parties and I’ve been treated better than I deserve to be. But a lot hasn’t changed. Maybe on the surface it has changed. Maybe nobody’s been indicted. But that doesn’t mean the system has changed. There are still quotas, money from the leaders, more money than ever, and John McCain’s reforms made no difference. It leads me to the thought that there’s got to be something better. We can take care of the ethics, but the money flow is different, and I would now lean toward some type of public financing.
What are you proudest of from your time in Congress?
The help America Vote Act with Stenny Hoyer made it easier to vote and harder to cheat. Some of the housing initiatives I worked on with Maxine Waters, I’m proudest of that. And we tried to make the Capital a better place to be. We tried to make it safe and secure, a better working environment, following 9/11 and the anthrax, secure and safe but still usable.
Tell me about Jack Abramoff and what his motivations were, his judgment.
I think he was very idealistic. He got waylaid somewhere along the line as can happen to anyone. He had a chameleon-like appeal. He was the kind of guy where you had to watch what you had to say in front of him, an Orthodox Jew, so you wouldn’t suspect he would go too far with things. I think he believes some of the things were very justified, people tend to do that. “I’m doing this and that on the Hill, very important things, so certain things are okay.” In his mind I’m not sure that to this day he might not believe he did many things wrong.
That was a shocker. The fact of his religious nature, what he had in his heart, with his faith, he was always involved with some kind of charity. When I saw some of the emails, I thought, “Oh, my God,” that was a shocker.
People might think that a political contribution can make a representative change a vote, but that isn’t the way it works, is it?
In this business, whether it’s Jack Abramoff or the people currently on the Hill, it’s a buying of access. Is there a buying of a vote? There was not one time when Neil or Jack and I exchanged a “I’ll do that and you do this.” If there was, I would have been charged with bribery. That’s when you have $90,000 cash in your freezer. I’m not saying what I did was right. But he didn’t buy my vote with a dinner. There’s a buying of access, though. It goes in multiples. Leaders of both parties give money to members. They’ll say, “You’re really causing a lot of heartburn for us. Those guys have been good to us, help us out.” And you think, “I want to be a committee chairman.” I’ve got to get re-elected. He could help me raise $100,000. If you don’t go along, you might not get that help or they could give it to your opponent. Lobbyists don’t buy votes, but they buy access.
One of the most troubling parts of the movie is when you put statements into the Congressional record in support of SunCruz and critical of its original owner, Gus Boulis, at the request of Abramoff partner Michael Scanlon, onetime communications director for Congressman Tom Delay. It was a favor to someone who gave you a $10,000 contribution.
Neil and I talked, and Scanlon came to Neil. Though Jack badmouthed Scanlon all the time. I didn’t think they were even friends. We had no idea how entangled they were. They wanted something in the Congressional Record. We read it. So what? We put it in there. The Attorney General of Florida bad-mouthed Boulis. So we put it in there. We put it in again when Boulis stepped out.
I had no idea that Abramoff was using that to try to leverage something. I don’t think Neil did either. I trusted him. But we were dumb enough to do it twice. This is the biggest criticism I have of myself. I should have said, “What the hell is going on? Something doesn’t smell right. Something doesn’t feel right.” And then we read Boulis had been shot and killed. I was furious! Neil was furious. What are we into?
What can we do about the corrupting effect of money in politics?
A corporation is not a citizen. The Citizens United decision went too far. But I never liked the John McCain approach, come on. But McCain was touchy about his Keating problem and was going to clean the system up. If he had that problem today I’d have been keeping my bunk at Morgantown warm for him. Citizens United could be an opportunity for the Hill to make some changes but maybe not. They might close a loophole, but they have to keep their campaigns going.
Who are the most significant sources of money in politics?
Financial services is a very powerful group. I’ll give Pharma credit. When they buy access they buy it lock, stock, and barrel. Congress, the Senate, the White House, Republican, Democrat, rich, poor. They get to them all.

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Interview

Michael Moore’s Next Movie

Posted on June 12, 2009 at 9:20 pm

Michael Moore has taken on General Motors, the Bush administration, and insurance companies. What’s next? A very timely film on corporate corruption, due to be released this fall. Since it relates to both of my interests and both of my careers, I am doubly interested.
So I was glad to get a bit of a peek tonight when Moore premiered in select locations a cheeky trailer asking the audience to help out the disadvantaged by giving money to the ushers. Then a line of fresh-faced young people marched in with collection cans and t-shirts that said “Save Our CEOs.” The audience hooted and applauded.
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Moore’s take on the current economic mess should be infuriating and entertaining. I am really looking forward to it.

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Trailers, Previews, and Clips

Changeling

Posted on February 17, 2009 at 5:00 pm

Radiantly beatific, Angelina Jolie glows with mother love in bright red lipstick and a series of divine cloche hats as Christine Collins, a devoted single mother, in this fact-based drama directed by Clint Eastwood. In 1928 Los Angeles, while she was at work, her son Walter just disappeared. Months later, the police told her they had found him, but the boy they gave her was not her son. She was pressured by corrupt cops to accept the new boy as hers. When she persisted in pointing out that not only was this boy physically different from Walter but that his dentist and teacher were on her side, she was committed to a mental institution and told she could not leave until she dropped all efforts to prove that her son had not been returned.

Eastwood’s meticulous direction and the sheer outrageousness of the story make for absorbing drama, though the very strangeness of the underlying facts makes the material seem overpacked (the running time is almost two and a half hours) and its discursive unfolding diminishes the dramatic effect.

It is impossible not to bring Jolie’s public role as a devoted mother of six to her performance here. Once Hollywood’s most notorious wild child, Jolie has transformed her public persona into a sort of earth Mother Courage on behalf of her own multi-cultural brood and on behalf of all the world’s poor and neglected children with her work for the United Nations. All of that blends in to the ferocity she brings to this role, diminishing the power of the story. The stand-out performances here are Ryan as the indomitable inmate and Jason Butler Harner as the man who probably knows what happened to Walter.

An additional distraction is the effort to put three separate stories into one long drama. The first act is the boy’s disappearance and the horrifyingly absurd attempt to persuade Collins that another child is her son. The second is a “Snake Pit”/”One Flew Over the Cuckoo’s Nest” diversion after she is thrown into the state mental hospital, where she is subjected to abuse but meets another inmate (the always-outstanding Amy Ryan) whose honesty and courage helps sustain her hope. And then there is a third act, where Collins all but disappears as the crime drama plays out and we find out what happened to the boy and what happened to those responsible.

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Based on a true story Courtroom Drama

Pride and Glory

Posted on January 27, 2009 at 8:00 am

A big-name cast and some big-time issues are not enough to make up for a small-time script that adds absolutely nothing new to the too-often-told tale of police corruption and family betrayal. It is as generic as its title.

Four police officers are killed in an ambush, devastating a family of cops. Francis Tierney, Sr. (John Voight) is a department official. His oldest son, Francis Jr. (Noah Emmerich) is the police chief and his son-in-law Jimmy (Colin Farrell) is a colleague of the men who were slain. Francis presses his other son, Ray (Edward Norton) to leave his desk job, where he’s been hiding out since a conflict, and take over the investigation, not knowing that it will lead him to his own family.

Norton and Farrell are excellent, as always, as are supporting performances from Rick Gonzalez as a drug dealer and Jennifer Ehle as Francis, Jr.’s sick wife. But it makes an enormous and ultimately exhausting effort to hide the lightweight and predictable nature of the script with (1) non-stop bad language, (2) a lot of very graphic violence, including a horrifying torture scene, police harassment, murder, and suicide, (3) ramped-up emotions based on having every one of the main characters related to each other. It is weighed down further with over-used clichés like a slow-motion funeral procession in the snow and over-used dialogue like “Don’t talk to me about the truth. You got no idea what it takes to do what we do” and “I was a good man once.” Now that’s a crime.

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Crime Drama

Street Kings

Posted on April 9, 2008 at 6:00 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong violence and pervasive language.
Profanity: Constant extremely strong language, racist epithets and insults
Alcohol/ Drugs: Drinking, smoking, drug use, drug dealing
Violence/ Scariness: Extreme, intense, graphic violence, characters injured and killed, explicit and disturbing images
Diversity Issues: Diverse characters
Date Released to Theaters: April 11, 2008

“Street Kings” is a like a Cliff’s Notes version of Training Day not that Training Day was any special challenge to the mental muscle. Corruption is bad, we get it.

At least that movie had a sizzling performance and an intriguing premise, a young cop’s introduction to the seamy underworld. This one has neither. It is big, dumb, loud, generic, and, worst of all, pretentious.

Keanu Reeves plays Tom Ludlow, and we meet him in what appears to be his daily waking ritual — grab gun, barf, and stop at the liquor store, as the bass line bangs away portentously. Then he and some gangstas try to out-tough each other with threats and insults over some deal. To no one’s surprise except the gangstas, he turns out to be a cop. He goes into the bad guys’ house, guns blazing, and takes everyone down all by himself, for no reason whatsoever except showing off.

Detective Washington, Tom’s former partner (Terry Crews) has been telling Internal Affairs about some of the ways that Tom and his colleagues under Captain Jack Wander (Forest Whitaker) cut corners. Let’s just say that they are not exactly scrupulous about due process. When Washington is killed, Tom is the likely suspect. Investigating that crime exposes the vast reaches of corruption and betrayal. And it provides the opportunity for many, many shoot-outs and other violent confrontations.

It is all supposed to be very tough and meaningful, but even an exceptionally strong cast can’t save dialog like, “This is your mess and I’m cleaning it up,” “It’s time to turn the page and close the book,” and “I gotta watch my own back these days.” Anyone who has ever seen a movie will be able to guess the twist within the first 10 minutes. After that, it’s just waiting for Tom to catch up to you.

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