Join Me Next Month at the Bentonville Film Festival with Geena Davis, Celebrating Women and Diversity in Film
Posted on April 2, 2015 at 8:00 am
Join me next month in Bentonville, Arkansas, for the Bentonville Film Festival with Geena Davis!
Actors Of Color Discuss Racial Stereotypes In Hollywood
Posted on December 19, 2014 at 8:00 am
Film Courage produced this excellent and very compelling film with actors of color talking about the challenges they face in Hollywood. If we did a better job of representing diversity in film, we would not just tell better stories and tell stories better, we would make better progress toward understanding, respect, and justice for all.
Geena Davis: The “Guess Who?” Educational Program
Posted on September 20, 2013 at 8:00 am
For more information: Institute on Gender in Media
If the World Were a Village
Posted on September 8, 2009 at 7:31 am
B+| Lowest Recommended Age: | All Ages |
| MPAA Rating: | NR |
| Profanity: | None |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Very mild references to poverty |
| Diversity Issues: | A theme of the movie |
| Date Released to Theaters: | 2009 |
| Date Released to DVD: | September 8, 2009 |
| Amazon.com ASIN: | 1604800828 |
Based on David J. Smith’s best-selling and award-winning book If the World Were a Village: A Book about the World’s People
It asks us to imagine that the whole world had just 100 people. And then it tells us how many of that 100 would speak English, Chinese, Spanish, Arabic, and Bengali, how many would have running water, how many would be children and how many would be elderly, how many would have enough money for toys or food, how many would be able to read, and how many would be Christian, Jewish, Hindu, Muslim, Buddhist, or Animist.
It may be difficult for young children to process all of the information, but this film is an excellent way to begin important discussions with children about how we fit into the world and how our lives compare with others. It is available in English, Spanish, and French, and now, because I have watched the film, I know which five other languages it would have to come in to be able to be understood by half the world.
Black Stars and Box Office
Posted on October 24, 2008 at 10:00 am
Two thoughtful and provocative articles bookend one of most challenging questions in American culture — the role of race at the collision point of art and commerce. In The Washington Post, Neely Tucker writes about Stars on the Field but Shared Glory on Film — the way that biopics about African-American sports stars always seem to end up being about the relationship of the athletes to their white mentor/competitors. The classic Brian’s Song
was based on the memoir of Gale Sayers. But the movie pushed him to the sidelines — even the title was a reference to his teammate, Brian Piccolo, and the impact his death had on Sayers. The current release, The Express, like many films ostensibly about minority characters, spends as much or more time on a white character (the coach played by Dennis Quaid).
In the Washington Post, Tucker talks about the evolution of the minority in sports movie:
By the 1990s, the prevailing idea on screen about black athletes was mostly downbeat. It was about exploitation of vulnerable young black men to play for rich white colleges or pro teams; it was about white corruption and greed. There was a steady stream of these: “Above the Rim,” “Blue Chips,” “He Got Game” and the superb documentary “Hoop Dreams.”
But the interracial harmony story line began percolating in “The Hurricane,” in 1999, which featured an embittered black athlete and criminal turning toward the light. And in 2000 came Disney’s “Remember the Titans.”
It starred Denzel Washington as Boone at T.C. Williams High, taking over and integrating the team in 1971. In real life, the team played other integrated teams and roared to an undefeated, rarely-scored-upon state title. In the film, they play against all-white teams and Washington’s character withstands racist referees, school boosters and team mutinies to win the championship on a last-second, miracle play.
After “Titans,” which took in $115 million at the U.S. box office, more studios adopted the same formula: Revisit the civil rights era through a feel-good sports epic, based on a true story. Have some clearly identified white racists, some good white folks and a black hero, who is possessed of a greater morality, patience and ability. Show the whites helping in key moments, either with bureaucracy or running interference against racists. In the final reel, have the white and black main characters as close friends.