Drillbit Taylor

Posted on July 1, 2008 at 8:00 am

drillbit.jpgLike Adam Sandler, Judd Apatow has tried to extend his franchise, and like Sandler, the result is diluted, derivative, and disappointing. Director Steven Brill (of the truly terrible “Without a Paddle,” “Ready to Rumble,” and Sandler’s biggest flop, “Little Nicky”) captures the letter but not the spirit of the Apatow oeuvre. You can hear the pitch now: “A PG-13 ‘Superbad!'” As in that film, we have a schlubby pair of best friends, one fat (Troy Gentile as Ryan) and one thin (Nate Hartley as Wade), who want nothing more than to be cool and get girls to like them.
But there is a bully who tortures them so badly they decide to hire a bodyguard, Drillbit Taylor (Owen Wilson), who tells them he is a former Ranger who has experience with Black Ops and protecting high-profile celebrities. His plan is to take their money and leave town, but one of his other low-life friends persuades him to stick around and get as much as he can from the boys. Drillbit becomes attached to them and to the vision of himself he sees in their eyes.

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List: April Movies

Posted on April 9, 2008 at 8:00 am

Happy Spring! Celebrate with these wonderful films, all with “April” in the title:

1. Enchanted April Four women in post-WWI London get away from winter chill when they take a villa in Italy. All of their lives are transformed through the unexpected connections they make with each other.

2. Pieces of April A girl prepares Thanksgiving dinner for her estranged family, including her mother who is dying of cancer. Beautifully written and directed and unexpectedly heartwarming, with brilliant performances from Katie Holmes (pre Tom Cruise), Patricia Clarkson, Alison Pill, and Derek Luke.

3. “The April Fools” Dated and uneven but irresistible story of a man (Jack Lemmon) who falls for the wife of his boss (Catherine Deneuve). In the best scene, they meet a middle-aged couple played by Myrna Loy and Charles Boyer who show them the power of lasting love.

4. “April Love” Okay, it’s no classic, but it’s a sweet story about a city boy who learns about life and love when he has to go to work on a relative’s farm. Pat Boone stars and sings the Oscar-nominated title song and Shirley Jones is the pretty neighbor.April_Love_%281957%29.jpg

5. April in Paris A silly story about a chorus girl sent on a diplomatic mission is an excuse for singing and dancing from Doris Day and Ray Bolger.

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For Your Netflix Queue Lists Rediscovered Classic

Rudy

Posted on January 17, 2008 at 4:59 pm

In this true story of determination and courage, a young man from a blue collar family wants to play football for Notre Dame, despite the fact he has neither the athletic nor the academic skills. Daniel “Rudy” Ruettiger (Sean Astin) is told by his family and his teachers college of any kind is out of the question for him, and he should be content with the good, steady work with his family at a steel mill. Only his best friend, Pete, believes in him, and when Pete is killed in an accident at the mill four years after their high school graduation, Rudy puts on the Notre Dame jacket Pete gave him and takes the bus to South Bend. A sympathetic priest helps him get into nearby Holy Cross Junior College, where, with the help of a shy tutor named D-Bob (John Favreau), he is able to make the grades necessary to be accepted as a transfer to Notre Dame.
The coaches make it clear he will never be good enough to play, but they accept him on the team to act as an opposing team player in practice sessions. His determination and commitment endear him to the team, and he is finally permitted to play for seven seconds of his last game, assuring him a place in the record books as having made it to the Fighting Irish.
With some reservations about the language, this is a good family movie for a discussion of dreams – the importance of having them and the possibility of achieving them through persistence and commitment. Rudy is contrasted not only with the athletes who have far more ability but none of the “heart,” but also with his friend Fortune (Charles S. Dutton), who reveals near the end that he was once a member of the team but quit, and has regretted it every day since.
Rudy’s father is afraid of dreams; his own father lost everything in the Depression by risking all he had to have a dairy farm. He insists Notre Dame is not for people “like us.” Rudy’s older brother, Frank, does not want Rudy to succeed, because then he will have to confront his own failure to try for something more. Rudy’s teammates want him to “tone it down a notch,” not to “play every practice like it was the Super Bowl.” But ultimately, his spirit and his insistence on giving everything he can every single time inspires them. Rudy becomes an indispensable part of the team, and each of his teammates goes to the coach to insist Rudy play in his place.
Parents should know that this movie has very strong language for a PG movie. A man calls another a “pussy,” and there is a reference to “busting your balls.” D-Bob’s girlfriend tells him not to swear anymore. Characters drink beer. Rudy gets a little drunk, with consequences – he makes the mistake of telling the secret he had been trying to keep: he was not enrolled at Notre Dame. There is a scuffle in a bar and a subtext of class issues.
Family discussion: What are some of the things Rudy has to do to be able to be on the team? Which are the hardest? What are some of the things he had to give up? Which do the people who made the movie think is more important, ability or determination? How can you tell? Why didn’t Fortune admit he left Rudy the key? How did Fortune change Rudy’s mind? Why didn’t the quarterback do what the coach said at the end of Rudy’s last game? Why did Pete’s death make Rudy decide not to wait any longer? Do you think determination is a talent you have to have, or can you learn it? Have you ever been determined to make something happen? What did happen?
If you like this, try: Ideally, this movie should be seen as a double feature with Knute Rockne, All-American, that other great movie about Notre Dame football. Pat O’Brien appears in the title role, and Ronald Reagan plays “the Gipper,” whose deathbed request inspired the most famous motivational speech of all time, memorialized on a plaque in the Fighting Irish’s locker room and read aloud by Rudy.
Rudy is played by Sean Astin, son of Patty Duke (The Miracle Worker) and John Astin (West Side Story). In real life, Rudy (who appears in a photo at the end of the movie and as a fan in the stands) had a second dream: to make a movie about his time at Notre Dame. Like the first dream, it seemed impossible, and like the first dream, he made it come true.

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Based on a true story Biography Sports

Shrek the Third

Posted on November 15, 2007 at 10:48 am

Did you ever wonder what happens to the villains while the hero and heroine are living happily ever after? We get to find out in this third chapter in the saga of Shrek. In the previous episode, Prince Charming failed in his attempt to marry Princess Fiona (voice of Cameron Diaz) and take over the Kingdom of Far Far Away. Now he has been consigned to the vile dust from whence he sprung, unwept, unhonor’d, and unsung. In other words, he’s doing dinner theater.


Meanwhile, over in Far Far Away, Shrek (voice of Michael Meyers) and Fiona are a few happilys short of an ever after themselves. Fiona’s father, the king (voice of John Cleese), transformed back into a frog at the end of the second film, is very ill. And after he, uh, croaks, Shrek and Fiona will have to take over, unless they can find the next in line for the throne, cousin Arthur (voice of Justin Timberlake). And just as the journey to find Arthur begins, Shrek is presented with an even more terrifying new responsibility. He’s going to be a father.


Shrek, Donkey (voice of Eddie Murphy), and Puss in Boots (voice of Antonio Banderas) find Arthur in a terrifying environment filled with pain beyond measure — high school. Meanwhile, Prince Charming and all the other villains decide that they are entitled to some happily ever after, too. Captain Hook, the Wicked Witch, the Cyclops, some enchanted trees, and the rest of the baddies take over Far Far Away capture Fiona and the Queen (voice of Julie Andrews) along with the princesses who are visiting for a baby shower, Snow White, Cinderella, Sleeping Beauty, and Rapunzel (voices of Amy Poehler, Amy Sedaris, Maya Rudolph, and Cheri Oteri). And Prince Charming gets ready to settle things with Shrek once and for all — in front of an audience.


It’s still funny and even a little heartwarming, but it isn’t fresh anymore and — it has to be said — the character of Arthur isn’t very interesting. Because he is at the center of much of the story, for the first time the Shrek saga drags. The new voices and characters add very little. When Regis Philbin joins Larry King as the voice of the ugly step-sisters, there’s a joke about Merlin’s robe not quite covering all it is supposed to, and Donkey and Puss switch bodies, it feels like they’re running out of ideas.


The animation continues to get better and better and the faces are marvelously expressive, especially Arthur’s dimple and the frog king’s…croaking. The fairy-tale high school is a hoot, it is fun to see the princesses learn to rescue themselves, and it is a treat to see how cleverly the film avoids much of the predictable violence. The po-mo humor sensibility continues to stay on the safe side of snarky, though one has to wonder in the midst of all this grrrl power why it is that no one ever thinks of making Fiona the ruler after her father’s death. But by the time Shrek and Arthur are learning that it is okay for them to be themselves, it is starting have that “very special episode” feeling that even a kickin’ rendition of “Thank You (Falettinme Be Mice Elf Agin)” can’t make work and we’re wondering if Shrek wasn’t a little more fun when he was a little more ogre-ish.

Parents should know that, like the earlier films, this one has some mildly mature material, including some schoolyard crude humor (the gingerbread man poops a gumdrop), some potty humor, and a mild drug joke (reference to puffing on “frankincense and myrrh”). There is some cartoon violence and some drinking (scenes in a bar, references to alcoholic drinks). Parents should also know that while the Shrek character is being used by the Department of Health and Human Services to promote healthy eating and exercise, he has also been licensed to promote more than seventy different products, including many different kinds of candy and junk food.

Families who see this movie should talk about why some people might think it is scary to be a parent. Why did Arthur change his mind about Shrek? Do you ever feel that people want you to be something different from what you are?

Families who enjoy this film will also enjoy Shrek and Shrek 2, as well as Ella Enchanted, Hoodwinked, and The Best of Fractured Fairy Tales, Vol. 1 (1961). They will also enjoy books like Outspoken Princess and the Gentle Knight, Tatterhood and Other Tales: Stories of Magic and Adventure, and the original book by William Steig that inspired the series, though its Shrek is not as cuddly.

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Animation Family Issues

11th Hour

Posted on August 20, 2007 at 12:22 pm

Leonardo DiCaprio has produced a thoughtful, important film about a vitally important subject, the devastating impact of industrial development on the fragile environment. He has assembled an impressive collection of scholars and world leaders to emphasize the precariousness of the situation and the urgency of action to reverse the effects of human opportunism and greed, to change our idea of “progress” from growth and acquisition to sustainability and respect for the fragility of the environment that sustains us.


He is so concerned about not being overly alarmist or controversial that it is all a bit too stately. DiCaprio and his experts are specific and vivid when talking about the “infected organism” our environment has become, where “every system is in decline and the rate of decline is increasing….There isn’t one living system that is stable or improving.” But when they talk about the failures of our institutions to consider the long-term effects, they get vague. They briefly point to corporations and government. This is where he needed Al Gore to come in with some Powerpoint, or better yet, Michael Moore to name names and show exactly who got how much money from lobbyists for which companies.


The movie’s greatest strength is its breadth of compelling participants. They do more than describe our failures and the damage we have done. They question our assumptions, our smug certainty that nature exists to serve humans and will be eternally replenished. They explain that the uniquely human ability to think about and affect the future has created this problem; but that it can also help us to recognize and solve it. And they provide assurances that all the technology we need is already available; all it takes is the will.


Each of them has an important lesson to teach. Perhaps the one that is by iteself the reason for every middle- and high-schooler to see the film is this quotation from Eric Hoffer: “We can never have enough of that which we really do not want.”

Parents should know that some of the images and themes of this movie may be disturbing to audience members. Scenes of environmental degradation and damage, including brief footage of an animal being killed, and descriptions of potential consequences that could include extinction are intended to be provocative. Even though they are presented as a call to action and there is reassuring material about choices that can make a difference, it may be very upsetting.


Families who see this movie should visit the movie’s website to learn more about the scientific data on climate change and the technologies that can make a difference.

Families who appreciate this movie will also appreciate An Inconvenient Truth, Who Killed the Electric Car?, Koyaanisqatsi – Life Out of Balance, and The Future of Food.

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Documentary Environment/Green
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