To Save a Life

Posted on August 2, 2010 at 10:48 pm

Whose life does the title refer to? “To Save a Life” begins with a funeral, a tragic loss of a high school kid who committed suicide because he felt isolated and friendless. Jake (Randy Wayne), a popular senior who thinks he has it all attends the funeral, remembering Roger, who was his closest friend when they were children. Roger once saved Jake’s life when they were on their bicycles, putting himself in the path of an accident that left him with a permanent limp, and Jake wonders how they grew apart and when the last time was that he even said hello to Roger in the school hallway.

Other lives will be at risk, metaphorically and literally, as this story continues, and one of its strengths is its willingness to engage candidly and open-heartedly with the real issues that confront teenagers, giving it some heft and credibility. It also benefits from better production values than most Christian-identified entertainment, with sound, lighting, script, direction and acting that compare with the kinds of content kids are used to on television and in theaters. While some adult audience members looking for family-friendly fare may not be happy about the frank portrayal of some high-risk teen behavior, the target age group will appreciate its honesty about high school life and stress. Even more important is the portrayal of a clergyman who walks the walk, making his leadership about meaning and values and most of all kindness. He does not try to make God the explanation for everything, just the beginning of the answer. And he handles one of teenagers’ most frequent complaints about “churchy” people, that some of them are hypocrites who do not practice what they preach, in a forthright and believable manner that is genuinely disarming.

I have one DVD and one Blu-Ray to give away. Write to me at moviemom@moviemom.com with “Life DVD” or “Life Blu-Ray” in the subject line and the first to arrive will win. Good luck!

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Visions of Israel

Visions of Israel

Posted on August 2, 2010 at 10:54 am

B+
Lowest Recommended Age: All Ages
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: None
Diversity Issues: A theme of the movie
Date Released to DVD: August 10, 2010
Amazon.com ASIN: B0039ZF8LY

From the Western Wall to the Temple Mount, “Visions of Israel” shows us breathtaking footage of this timeless land, sacred to three major religions. Stunning high-definition footage takes us to sites ancient and contemporary, providing settings of ancient history going back thousands of years with timeless beauty that continues to the present day. You will see where Jewish rebels fought for freedom, where ancient civilizations from Greece, Rome, and Egypt established their outposts. Unprecedented views of the Sea of Galilee, Masada, and the Church of the Holy Sepulchre illuminate our understanding. This is part of the distinguished “Visions” series broadcast on PBS, now available through Acorn Media.

I have one copy to send to the first person who writes to me at moviemom@moviemom.com with Shalom in the subject line.

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Contests and Giveaways Documentary DVD/Blu-Ray Pick of the Week Spiritual films

Contest: Clash of the Titans

Posted on July 31, 2010 at 3:56 pm

It’s time to release the Kracken! I have FIVE copies of “Clash of the Titans” with Sam Worthington and some amazing stunts and special effects to give away to my beloved readers. The first five to send me an email at moviemom@moviemom.com with “Clash” in the subject line will be the winners.

And don’t forget the contests for James and the Giant Peach and Prime Suspect are still going!

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3D Action/Adventure Contests and Giveaways Fantasy Remake
Clash of the Titans

Clash of the Titans

Posted on July 27, 2010 at 8:45 am

Director Louis Leterrier (the second “Hulk” movie) says that he was a big fan of the 1981 Clash of the Titans when he was a child. Perhaps that is why he has remade the wrong parts of that film. Nearly 30 years later, fans of the film are willing to overlook its essential cheesiness because of their affection for its special place at the apex of old-school analog special effects before the rise of computer-generated images. People did not watch the movie to see classically trained British actors slumming for a paycheck; they watched it to see the last creatures created by special effects superstar Ray Harryhausen. Each one was meticulously crafted and, as often happened in Harryhausen films, they often seemed more alive than the human performers. Note, too, that the movie was shot in 2D and then reconfigured after the fact for 3D, a very different effect than the fully-realized, fully-immersive experience of a movie conceived and shot in 3D.

This remake is bigger and grander but it is missing just that sense of life that Harryhausen brought to his fantastic creations, which were always astonishing and unique. Instead, we get the same CGI-fest we have seen so many times, with nothing especially imaginative or memorable.

The same can be said for this generation of classically-trained British actors, including Liam Neeson as Zeus, in a shiny (and anachronistic) Joan of Arc-style suit of armor and Ralph Fiennes as Hades, the god of the underworld, dressed like a Norwegian death metal band member trying to play Richard III. They are the titans who clash by proxy.

The gods need the loyalty of humans to survive. Zeus insists that they will get more fealty with love; Hades, still bitter and jealous that it is his brother who is king of the gods, believes in ruling by fear. The winner of their battle will be decided by a fight to the death of their progeny. Perseus (Sam Worthington in an even more anachronistic buzz cut) is Zeus’s son; the sea monster called the Kraken is the child of Hades. The arrogant king and queen of Argos have committed the sin of hubris, thinking they are more important and powerful than the gods. So Hades tells them that he will destroy the city unless they sacrifice their daughter, Andromeda to the Kraken. Perseus is determined to fight the Kraken and save the princess. And he is determined to “fight as a man,” not to use any of the powers or tools of the gods because he blames Zeus for the death of his mother and his adoptive parents.

With a small band of allies, Perseus travels to the three Stygian witches, who share one eye, to find out how to defeat the dragon. The journey involves battles with giant scorpions and trip into the underworld to fight the serpentine Medusa, the snake-headed lady whose eyes can turn a person to stone. And then, he must make it back to Argos in time to save Andromeda and defeat the giant sea monster, to the tune of some even more anachronistic rock chords.

The effects would be more impressive than the original’s only if you were still living in 1981. Today we take for granted that anything is possible on screen. But possible is not good enough; there has to be something truly striking. The witches and desert djinns look like they are wearing Halloween masks and the creatures look like variations on one predictable theme. There is a demigoddess whose powers seem to vary from scene to scene. The liberties taken with the original myths and the 1981 version’s story seem purposeless. And Worthington just seems lost, as though he wandered in from the set of “Avatar” and is looking around for the exit. I know how he felt.

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Comic-Con!

Comic-Con!

Posted on July 23, 2010 at 12:03 am

IMG_9884.jpgMy visit to Comic-Con 2010 began with a press conference for one of the most celebrated and anticipated films previewing here, the long-awaited sequel to the pioneering 1982 Disney film, about people getting sucked into computers, “Tron.” Steven Lisberger, who wrote and directed the original, told us that the first film was about what they anticipated computers could bring about; this one recognizes that audiences are only too aware of how pervasive computers have become in our lives. Stars Jeff Bridges and Bruce Boxleitner were there to compare the experience of acting in the first to the new one. The suits in this one are high-tech, molded around each actor’s body, threaded with fiber optics that light up (and create a buzz that drove the audio technicians crazy). After actor Michael Sheen (“Underworld,” “New Moon,” “Frost/Nixon”) described the way that even the actors would be so amazed by the glowing light from the suits they would forget to start acting, Boxleitner pointed out that in the original film, their wardrobe was “spandex and magic marker.” Jeff Bridges had something to add: “And dance belts!”
IMG_9886.JPGThen I met with Robert Popper and Peter Serafinowicz, creators and stars of the cult comedy hit British television series, Look Around You, shown on The Cartoon Network’s “Adult Swim” and out on DVD for the first time this week. “Our show is such a weird, weird show,” Serafinowicz said happily. “It’s creepy and bleak and not much happens and it is very slow.” “It’s super-surreal,” agreed Popper. Inspired by the over-serious and under-engrossing science films they saw in school when they were kids, Popper and Serafinowicz created hilariously demented parodies, with white-coated scientists explaining how ants build igloos, for example. Their affection for Monty Python and “Police Squad” is evident in the free-form looniness of the shows. And the DVD release has extra commentaries from some of the show’s biggest fans, including Michael Cera and Jonah Hill.
Later, I attended a panel discussion on “The Expendables,” written and directed by Sylvester Stallone and featuring just about every action star he could find. He appeared, along with co-stars Dolph Lundgren, Ultimate Fighting Champion Randy Couture, WWE’s Steve Austin, and former football player Terry Crews — plus a surprise appearance from Bruce Willis, who is in one scene in the film along with Arnold Schwarzenegger.
They talked about filming in Brazil, where they were allowed to use more explosives than permitted in the US, and about getting banged up in the stunts and fight scenes. Stallone, whose neck was broken by Austin in filming, said he did not mind getting hurt making films. “I didn’t get hurt in ‘Rhinestone’ or ‘Stop or My Mom Will Shoot,” and those did not turn out well.”
Couture told us that his biggest challenge was the very first scene filmed, a monologue he worked hard to memorize and to develop his acting skills. And then, when he arrived on the set, Stallone had rewritten it and given him a different monologue instead. Lundgren said what was hardest for him was the scene where he had to tell a joke. Stallone made him do it over and over — and then used the first take. Crews and Austin told the crowd about some explosives that went off faster and closer than they expected. “There’s no such thing as movie fire,” Crews told us. It was real and it was dangerous. The clips they showed were every bit as exciting (and gory) as anticipated.
But perhaps no film is as Comic-Con-friendly as next month’s “Scott Pilgrim vs. The World,” described on the poster as “an epic of epic epicness,” and based on the popular series of graphic novels. Director Edgar Wright brought a dozen of his stars including Brandon Routh, Alison Pill, Mary Elizabeth Winstead, and Michael Cera, who wore, throughout the entire presentation, a Captain America costume. It had nothing to do with the movie, but it was fun to see. The crowd went wild over introductory clips to show us all of the characters and nearly levitated out of their seats when Wright told us that he was going to show the entire film. I was not one of the lucky ones selected to be walked over to the theater with Wright, but can’t wait to see the movie.
IMG_9954.JPGI have also enjoyed my visits to the Exhibition Hall, filled with every possible kind of display for every possible kind of product relating to what the Comic-Con folks call “the popular arts,” including games, collectibles, books, movies, television shows, DVDs, original art, t-shirts, and, yes, comics, plus people to help you store, organize, and insure your collection. I had a nice talk with Dino Andrade, a voice-over actor (“Pop” in the Rice Krispies commercials, the Scarecrow in “Arkham Asylum”) who founded an online dating service for Comic-Con types called Soul Geek. It is a tribute to his late wife,
Mary Kay Bergman, who provided all of the female voices for “South Park” until she died in 1999 at age 38. He spoke to me very movingly about what they had shared and his hope of creating a place where other geeks, freaks, and fanboys and girls could find each other.
I also saw the first episode of “Nikita,” a new television series based on “La Femme Nikita” and the American remake, “Point of No Return,” about a woman assassin trained by a CIA-type organization who escapes. It stars the sensationally gorgeous and brilliantly talented Maggie Q. And I got a kick out of a new line of Hallmark greeting cards with themes from “Star Wars,” “Star Trek,” and “Twilight.” And the costumes, better than ever.
IMG_9920.jpgIMG_9905.JPGIMG_9946.JPG

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