Win Tickets to See “Wizard of Oz 3D”

Posted on September 6, 2013 at 3:44 pm

It’s probably the most beloved family film of all time, and now it is bigger and deeper than ever. “The Wizard of Oz,” starring Judy Garland, is coming to 3D Imax screens for the first time. See the Munchkins, the Wicked Witch of the West, the horse of a different color, the yellow brick road, the ruby slippers, and the flying monkeys — in super-sharp definition and 3D. And hear the classic songs, including “Over the Rainbow.”

The IMAX® release The Wizard of Oz will be digitally remastered into the image and sound quality of The IMAX 3D Experience® with proprietary IMAX DMR® (Digital Remastering) technology. The crystal-clear images, coupled with IMAX®’s customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.

Following the IMAX® theatrical release, Warner Bros. Home Entertainment (WBHE) will release a limited and numbered The Wizard of Oz 75th Anniversary Collector’s Edition on October 1, 2013. The Wizard of Oz 75th Anniversary Collector’s Edition will debut as a five-disc set that will include Blu-ray 3D TM, Blu-ray TM, DVD and UltraViolet versions of the film; a new documentary, The Making of The Wonderful Wizard of Oz; bonus features and premium collectibles, including:

A deluxe Pin Set from The Noble Collection TM , 52-page Hardcover Photo Book, RUBY SLIPPERS TM Sparkle Globe, Hard Covered Journal, a Map of Oz and more! Collection is limited and numbered. Three more editions will be available separately: a 2-disc Blu-ray 3D / Blu-ray ($35.99 SRP), a one-disc Blu-ray ($19.98 SRP) and a 2-Disc DVD ($16.95 SRP). All four will contain the new documentary, The Making of the Wonderful Wizard of Oz. This candid overview details the back story of Oz and describes the manner in which an unprecedented production overcame the odds to become an integral part of American culture. It is narrated by Martin Sheen and features contributions from historians John Fricke and Sam Wasson, composers Stephen Schwartz and Marc Shaiman, critics Leonard Maltin and Michael Sragow, Bert Lahr’s son John, as well as revealing interview clips with Judy Garland, Ray Bolger, Buddy Ebsen, Margaret Hamilton and Mervyn LeRoy, among others. I will have one to give away to a lucky winner, so stay tuned for details.

And I have tickets to give away to a special screening of “The Wizard of Oz 3D” in Northern Virginia on September 15. The first 60 people to log in here will receive passes. Good luck!

Oz the Great and Powerful

Posted on March 7, 2013 at 6:00 pm

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for sequences of action and scary images and brief mild language
Profanity:	Brief mild language
Alcohol/ Drugs:	None
Violence/ Scariness:	Fantasy action/peril/violence, scenes of desolation and loss, scary monsters and jump out at you surprises, some disturbing images
Diversity Issues:	Diverse characters
Date Released to Theaters:	March 8, 2013
Date Released to DVD:	June 10, 2013
Amazon.com ASIN:	B00C7JG0KG

A prequel to one of the most beloved films of all time is a daunting challenge, but Disney’s prequel to “The Wizard of Oz” manages to balance respect for the original with some fresh and appealing insights into the story. But the real star of the story is the enchanting, rapturously imagined setting, brilliantly designed by Bob Murawski and directed by Sam Raimi. From the captivating opening credit puppet theater, we are immediately in the world of magic and mystery — and hokum.

Like the 1939 Judy Garland classic, the movie opens in black-and-white. The screen is shrunken to the proportions of the 1930’s. And, like the Garland version (but not the books), the characters and themes of Oz are echoed in the scenes set back home. Oscar Zoroaster Phadrig Isaac Norman Henkel Emmannuel Ambroise Diggs, known as Oz for his first two initials, is a showman and a con man, a magician in a small traveling circus. Personally and professionally, his life is about fooling as many people as possible. He is constantly either trying to impress a pretty girl or trying to avoid any personal entanglements, romantic or friendship.

It is telling that his big trick is to select a pre-arranged “country girl” from the audience apparently at random, making her seem to float in the air, and then wait for the viewers to think they’ve figured out the trick by noticing the wires that appear to keep her suspended. This makes possible the dramatic flourish — he cuts the wires to reveal that he has not just made her float — he has made her disappear. Oz is eternally poised on the brink between reality and illusion, between connection and distance, between appearing (no one is more visible than those whose profession is to perform in public) and disappearing (he always seems to have a means of escape handy). At the same time, the “country girl” is discovering that he lied to her, the circus strong man is coming after him for flirting with his wife, and he receives a visit from the only woman we sense he has ever really cared for (Michelle Williams), who asks him if there is any reason she should turn down a proposal from another man. He tells her to accept, though it is clear that he has some regrets. And then, he does what he does best — he escapes, jumping into the circus hot air balloon, which is whipped into a twister, and which deposits him in a strange and wondrous land of lush and vivid color — Oz.

The first creatures he meets are nasty little water fairies with big teeth and a stunningly beautiful woman with a splendid brimmed hat named Theodora (Mila Kunis). She seems to think that he is the wizard from a prophecy — a man with the same name as their enchanted land, who would arrive to rule as king and free their people. Freeing the people does not have much appeal for Oz, but he is definitely intrigued by the notion of a palace, a throne, and a scepter. “Is the scepter made of gold?” he asks, to make sure that this deal is as sweet as it sounds.

We know that Oz will be come the wizard and live in the palace. We know he will become “a good man but a bad wizard,” hiding behind the curtain as he works the controls of a huge face with a booming voice. We know he will bestow gifts that show people the greatness that is already within them. And we know he will have to take a journey to get there. Writers Mitchell Kapner and Pulitzer Prize awardee David Lindsay-Abaire (“Rabbit Hole“) weave in characters and themes inspired by some of the other Oz books as well, including a girl made out of porcelain, rescued from her shattered “China Town.” Oz meets up with two other witches as well, including one who has a very bad reaction to moisture. And he is not the only one who has to decide which side he will be on.

The visuals are fabulously imaginative, consistently surprising and new and yet consistent with our ideas about Oz from the books and the 1939 film. That’s consistent but not identical — Disney had to be careful not to get too close to MGM’s copyrighted designs. So there are flying monkeys, but very different (and even scarier), a poppy field, and an Emerald City gatekeeper (who will be familiar to fans of Sam Raimi’s less family-friendly films). The 3d effects are effective, especially during the twister. Franco’s characterization wavers at times and he never quite persuades us that he is at heart a showman. The big reveal about what prompts a witch to turn evil is disappointingly under-imagined. Indeed, for a movie with three significant female characters played by three of Hollywood’s most talented women and the China Girl (voiced by Joey King), the film’s conception of women is unfortunately superficial, simplistic, and male-oriented. It is an enchanting journey — but at the end you may wish to click your heels three times to return to the peerless Garland version and the books. There’s no place like home.

Parents should know that this film includes extended fantasy peril, action, and violence, with scenes of devastation and loss, jump out at you surprises, and scary monsters, some disturbing images, brief mild language, a character who makes advances at many women, and scenes of jealousy, anger, and sadness.

Family discussion: What is the difference between being a great and a good person? Why did Glinda believe in Oz? How did the characters in the prologue relate to their counterparts in Oz? What elements of the classic Oz story are explained in this film?

If you like this, try: the Oz books by L. Frank Baum, and the classic film with Judy Garland

The Best Family Movie of All Time: The Wizard of Oz (and Other Versions)

Posted on March 5, 2013 at 3:52 pm

This week’s release of the prequel, “Oz the Great and Powerful” is a good reason to take another look at what may be the greatest family movie of all time, the classic MGM musical version of “The Wizard of Oz,” starring Judy Garland, Ray Bolger, Bert Lahr, Jack Haley, Margaret Hamilton, and Frank Morgan. The Making of the Wizard of Oz: Movie Magic and Studio Power in the Prime of MGM tells the remarkable story of how the film was made, including four different directors and a failed attempt to borrow Shirley Temple to play Dorothy.

It wasn’t until well into production that they realized they had something very special that could be an enduring classic. That was when they decided to drop a musical number that was timely when filming but would soon be out of date.

http://www.youtube.com/watch?v=SP5IcbwVhqI

This was not by any means the first or only attempt to film L. Frank Baum’s classic story. A very early silent version was made in 1910, just a decade after the book was first published.

Fifteen years later, silent star Larry Semon appeared in another version, with a Laurel-less Oliver Hardy as the Tin Woodman.

http://www.youtube.com/watch?v=L2WFVpSeIfA

A sequel with Fairuza Balk was too creepy for kids, but is something of a cult classic.

“The Wiz” was a popular Broadway musical and a less popular movie, with Michael Jackson and Diana Ross. “Wicked” is another Broadway musical, based on a book that tells the story from the witchs’s perspective.

The book and its sequels (by Baum and, later, two other authors) continue to be popular. There is a theory that the original book was an allegory of the political conflicts of the time. And there is a very active Oz Society for fans with an annual Winkie-Con.

Coming later this year is “Dorothy of Oz,” an animated film starring Patrick Stewart, Kelsey Grammar, Hugh Dancy, Dan Aykroyd, Martin Short, Megan Hilty (“Smash”), Spongebob’s Tom Kenny, and Lea Michele, and based on a continuation of the story by Baum’s great-grandson.

http://www.youtube.com/watch?v=ZR5kYCy7-xU

The Wizard of Oz

Posted on September 29, 2009 at 8:00 am

The 70th anniversary of this all-time classic is being celebrated with a beautiful new DVD release, a great chance for the family to sit down and watch what is probably the all-time greatest family film again.
Dorothy Gale (Judy Garland) lives in Kansas with her aunt and uncle and her dog, Toto. Mean Miss Gulch (Margaret Hamilton) swears she will have Toto taken away. Auntie Em and Uncle Henry support Dorothy, but they are too distracted by the coming tornado to pay much attention to her. Dorothy dreams of a place “over the rainbow” where everything is beautiful, “troubles melt like lemon drops” and “the dreams that you dream really do come true.” She starts to run away to protect Toto, but is sent back home by the kindly Professor Marvel (Frank Morgan), a traveling fortune-teller.

When the tornado arrives, Dorothy is outside the shelter. She goes to her room, where she is hit on the head by a piece of wood torn loose by the wind. The whole house rises, and is carried away by the tornado.

The house lands with a crash, and when she opens the door, she finds she has landed in the colorful world of Oz (the movie, black and white until this point, becomes technicolor). Her house has landed on the Wicked Witch of the East, killing her, and the tiny Munchkins celebrate Dorothy as a great heroine. Their friend Glinda the good witch (Billie Burke) arrives and gives her the Wicked Witch’s magic ruby slippers, just as the Wicked Witch of the West (Margaret Hamilton) arrives to take them. The Wicked Witch of the East was her sister. Furious, she swears revenge. Dorothy wants to go home and is told to seek out the Wizard of Oz, who lives in the Emerald City, for help.

On the way to the Emerald City, she meets a talking Scarecrow (Ray Bolger) who wants a brain, a Tin Woodsman (Jack Haley) who longs for a heart, and a cowardly Lion (Bert Lahr) who wants courage. They all join her, to seek the help of the Wizard. At the Emerald City, the Wizard at first refuses to see them, then finally tells them they must earn their wishes by bringing him the broom of the Wicked Witch of the West. They are captured by the Witch’s flying monkeys, and just as she is about to kill them, Dorothy douses her with water, trying to protect the Scarecrow from fire, and the witch melts.

They return to the Emerald City only to find that the Wizard cannot help them. He is a fraud, just “the man behind the curtain” whose terrifying displays of smoke and light hid a “humbug” who had no magical powers at all. But he is able to show the Scarecrow, Tin Woodsman, and Lion that they really did have what they were seeking all the time, and he promises to take Dorothy back to Kansas in his hot air balloon.

Toto jumps out of the balloon’s basket. Dorothy runs after him and misses the balloon launch. But, just as Dorothy despairs of ever going home, Glinda arrives and shows Dorothy that she had the means of getting home all the time. Back in Kansas, Dorothy wakes up to find her aunt and uncle, the farmhands, and Professor Marvel (who strongly resemble the Scarecrow, Tin Woodman, Lion, and Wizard), and tells them that “there’s no place like home.”

This movie is an ideal family film, superb in every aspect, with outstanding art direction, music, and performances. It is still as fresh and engrossing as it was in 1939, and improves with every viewing. If you ever have a chance to see it in on a big screen, in a theater with a good sound system, you will enjoy it even more.

It is hard to imagine what it would have been like with the original intended cast, including Shirley Temple as Dorothy and Buddy Ebsen as the Tin Woodsman. But 20th Century Fox would not loan its top star, and Ebsen was hospitalized when he inhaled the aluminum dust in the Tin Woodsman’s make-up. Judy Garland is a perfect Dorothy — vulnerable, sensitive, completely believable. On the brink of leaving childhood, her dreams of a place “over the rainbow” are in part a yearning to escape the concerns of adulthood.

There is something especially satisfying about the way that the main characters find what they need within themselves. Talk with children about the way that the Scarecrow demonstrates his intelligence, the Tin Woodman demonstrates his heart, and the Lion demonstrates his courage. Even the humbug Wizard finds that he had the means to go home all the time. Dorothy, who in the first part of the movie runs away from home to try to solve her problems, spends the rest of the movie trying to get back. Even if the story is just a dream (in the book, it is a real adventure), this makes a great deal of emotional sense, a way of working through her inner conflicts.

It is also worth talking about the scene in which Dorothy and her friends disregard the Wizard’s plea to “pay no attention to the man behind the curtain” and discover that he is really just an ordinary man. This can be a touchstone or metaphor for many kinds of challenges children face. It can help them recognize that the overpowering figures in their lives (parents, teachers, adults, sports figures) are just imperfect human beings. And it can also help them recognize attempts, by themselves as well as others, to distract people in hopes of hiding our imperfection and vulnerability.

NOTE: There are a number of different scenes in this movie that may be scary for children. Many adults still remember the flying monkeys or Dorothy looking into the crystal ball and seeing her aunt turn into the witch. Parents should talk to children about the story before seeing the movie, and watch with them to gauge their reactions.